C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

About Your Worst Book Reviews

This is a little boost of encouragement to writers who obsess over a few bad reviews. First, here’s a link to a fabulously successful epic fantasy called Assassin: A Dark Epic Fantasy Novel. Look at all those wonderful reviews! Most people are extraordinarily happy with their reading experience. It’s rated 4.3 out of 5 and has over 1500 reviews. Wow!

Now, if you need bother, read a few of the one-star reviews. You’d think it was an utter failure.

Clearly, much to the dismay of a tiny minority, many readers pick up what Andy Peloquin is putting down. Congratulations to Mr. Peloquin! Check out all his books here: http://www.andypeloquin.com. Enjoy.

What This Means for You, the Writer

Too often, I see worried scribes kowtow to their worst critics. They join writing groups (not a bad thing) and write by committee, trying to appease everyone (a terrible idea). Some insist they learn things from their worst reviews. Sometimes, maybe that’s true, especially if you’re a noob. More often, though, you’re giving too much weight to a troll whose hobby is crop dusting negativity.

I learned a lot about writing from working as a journalist and reading excellent novels. These days, I learn most from Gari, my editor (strawnediting.com) and from beta readers. Reader feedback is best found higher up the editorial pipeline, while you’re still in the draft phase and long before you publish. For reviews, the most useful feedback you’re likely to get is what most fans enjoyed about your work, not what a few angry people hate. Hatred is lazy and too easy. I know because it’s so easy to find. I mean, GEE-ZUZZ, just watch the news.

I can already hear the objections. No! Those are all legitimate critiques!

Sometimes they are worth noting. However, if you’ve ever received a disproportionately scathing review, check out that person’s other reviews. Too often, leaving nasty reviews is their sport. You know the type. They go over the top, sometimes even attacking an author personally for daring to think they might entertain someone. I have to wonder, do they bring that same vitriol to everything? “I must defend proper literature and this beach read most people enjoy is the death of all literature! Once I fix that, then I’ll solve the Russian-Ukraine conflict!”

Art is subjective. If you take detractors too seriously, you will become paralyzed and resort to the safest and stupidest path: You will write nothing. Worse, you might even join the ranks of the wannabe writers who love nothing. Don’t become one of those people who hate everything with pedantic zeal. A few make it their unholy mission to proclaim, “Not only did I hate it, it’s impossible anyone else could and all these happy reviews must be fake!” (Notice that they write those reviews as if authors don’t see them, as if they’d bring that same energy if they dared to be in the same room with us. Heh. Silly little rabbits.)

I was once accused of having thirty-five friends leave happy reviews on one of my books. First, ha! As if I have thirty-five friends! This person clearly had no idea how hard it is to get anyone to leave a review. Second, for that same book, that was a few hundred happy reviews ago. That particular objection looks really silly now. Again, ha!

A Note About Your Humanity

If you manage to release all your negativity about nasty reviews, let me know how. The only sure cure is to never read your reviews. That’s one option. For me, I’m prone to anxiety and depression and my happy readers keep me going. Writing a book already feels like putting a note in a bottle and tossing it into the ocean. That’s lonely business, so I need to read my reviewers, at least those who enjoy my work. One nasty review can make me sad once, but I return again and again to satisfied readers who bring me up and get me back to the keyboard.

You’ll also smell a lot of shit of the bull about “developing a thick skin.” How often have you read that in an article about writing? Unless you have the apathy of a non-artist and the arrogance of a serial killer, that’s all nonsense posturing. Writers are human, too. If you prick us, do we not bleed ink?

Not only do writers fail to separate themselves from their work, readers do that, too. They’ll assume you hold opinions you attributed to a fictional character. If they think the book is bad, they’ll think you’re bad. Once, a reviewer (oozing hatred from every pore) noted that I am Canadian. To his acidic review, he added, “I certainly hope he stays there.” A reasonable response, right? Anyway, no worries, mate! I never leave my blanket fort far beneath the frozen tundra. Also, not for nothing, go fuck yourself gently with a wire brush. Don’t be mad. I did say gently.

Alternatives for the Sweaty Writer

  1. Have someone else read your reviews and pass on the ones that won’t paralyze you. That’s one of the few things agents used to be good for, but any pal who won’t mess with you will do.
  2. If reviews scare you, go with a pen name. Go with five pen names. It’s amazing how calming it is to have a negative review fall on the head of a fictional persona. It gives you distance. “Sure, you think she should abandon her dreams and take up scuba diving in Antarctica, but at least that’s my nom de plume, not me!”
  3. Know that there is a number. The exact count will vary, but at some point, you will get enough happy reviews on a book that the nasty ones will matter much less. They may only ruin your afternoon instead of your whole day.

    Bad news: the measure resets to zero with each new book. Gird your loins and sally forth. I wouldn’t classify writing as heroic duty, but it’s not for cowards, either.
  4. C’mon! Remember? You love to write! And you write for the fans, not for the bastards. You’re not going to hit a home run every time. Keep playing because you love the game.
  5. Go read the reviews on your favorite books. Check out what’s considered high literature and/or the top ten bestsellers of all time. They all have reviews from people who hated their reading experience. Why should your masterpiece be any different?
  6. Any book that has all positive reviews has a small audience. When you start getting people who don’t dig what you do, it doesn’t mean you’ve suddenly done anything wrong. It means you’re expanding your audience and someone who is not your target audience stumbled upon it. After a free promotion, you’ll get one or two who snapped it up because it was free and now they’re sad. It’s the classic, “I don’t read books about unicorns but decided to give this a try, thus reaffirming why I hate unicorn books.” This is the equivalent of suffering celiac disease but gorging on bread because it’s free.
  7. This is all simpler than your worst imaginings. They’re wrong. I have read a couple of reviews of my work where they attributed missing bits to story failures. But there aren’t missing bits. The reviewer’s reading comprehension was poor, or they were too hurried. You can always catch a careless reading when they get basics of the plot wrong. This falls under the category of, “Tell me you’re a dummy without telling me you’re a dummy.” Do not sweat these reviews. We write for readers, not scanners.
  8. What if they’re right? So what? What if your book did have problems? Let’s not be so precious. You didn’t botch a heart transplant. You wrote a book that maybe wasn’t your best. You only get one best and nobody can agree on which one that will be. Somebody will still love it. Authors learn and grow. We have to allow for skill development. Kurt Vonnegut considered himself a failure until Slaughterhouse-Five hit, then everyone agreed just about everything he wrote was genius. (Watch Unstuck in Time, the documentary of Kurt’s life and career. It’s a salve for all your writerly burns.)
  9. Try to keep your energy on those who love you and love what you do. Love yourself more. Daring to put yourself out there, naked and vulnerable, demands a lot of self-love and not a little hubris. Most of those trolls you worry about? The longest thing they will ever write is a few paragraphs of narrow meanness. Even better? What they hated will be the reason someone else will buy and love your work.Too much puppet porn, Amish accountants, and seventeenth-century profanity? Oh, no!(Clicks buy immediately.)
  10. Let’s get practical. You’ve got groceries to buy! Couples often divorce because there isn’t any money coming in! You don’t even have time for people who will never buy another of your books! Write! Rewrite! Produce, goddammit!

Happy Conclusions

My point is not that you should never listen to your critics or dismiss every opinion. Everyone is entitled to an opinion. However, take it all with a big ole bag of salt. Some will love your work no matter what. Some will hate it no matter what. Most of the world is indifferent. A lot of people don’t even read, so don’t sweat so much. Once you release it to the world, everybody gets a vote on your work, but you always have the deciding vote. You liked it and did your best? Solid.

As for those few reviews that make you question your worth as a human being, please understand what the harshest critics do not:


Not everything is for everybody.

And that’s okay.

Hold on to that.
There’s plenty to enjoy in this world. Go find it. Go make it.

~ I am Robert Chazz Chute. I write apocalyptic epics with heart and killer crime thrillers with muscle. Find all my work on my author site, AllThatChazz.com.

Filed under: publishing, reviews, , , , , , , ,

Fans are Sexy

Unless you write as a hobby, authors need fans. Not just casual readers. Fans. Here are the 5Ws of getting sexy.

The Why

  1. Authors need reviews as social proof in order to gain more readers.
  2. Promotional sites often require a minimum number of reviews and/or a minimum rating before we can advertise on those platforms to find more readers.
  3. When we’re feeling down and hopeless, it’s the fans that bring us back up and get us writing again.

The What

  1. Buy our art so we can make more art. Poverty and hunger pangs distracts us from our mission. (Also please be aware, pirate sites give your devices cancer and infect your soul with incurable scabies.)
  2. Tell other readers about your favorite authors. Word of mouth makes our kung fu strong.
  3. Please review our books.
  4. Stock up on our books for Christmas gifts.
  5. Let your favorite author know you’re rooting for them. A quick email or tweet will make their day. This is a tough business, and some of us are prone to anxiety and depression. (Stares hard.)

The Where

  1. Review what you love wherever you bought the book. Seek out that “Write a Review” button. It’s on the book’s sales page somewhere.
  2. Tell your local bookstore you want to order your favorite author’s book.
  3. Tell your librarian the same.
  4. Tell your friends down at the ole swimmin’ hole, during a bank heist, at the golf course, and on Zoom.
  5. Suggest books to your enemies with the passive aggressive message that reading more will contribute to their personal growth and increase their capacity for empathy. Those bastards probably won’t take your recommendation, but you can walk away feeling good about that sick burn.
  6. Share your reviews and book recommendations on social media.

The Who

  1. You, if you’re a reader and you like art someone produced.
  2. If you’re an author reading this, I get it. You’re too humble. You’re self-conscious about asking for help. Your Dad, who loves David Baldacci books, isn’t keen on your thrillers, and hates your horror and science fiction. It’s okay. The people who support you understand you need to keep writing and buy groceries. Ask for help.
  3. Dad, if you’re reading this, I won’t be sending you my latest apocalyptic novel for Christmas. A David Baldacci book is on the way. Never mind, go back to listening to Lawrence Welk. And no, we won’t be talking about this.*

    *Okay, #2 and #3 of this section might involve some…ahem…projection.

The When

  1. No time like the present.
  2. See #1.
  3. The Rule of 3 compels me to add #3. (Also, it should be CDO because OCD is in the wrong order.)

BONUS: What Fans Receive in Return

  1. Writers give you their dreams for a small price and, by spreading the love, you help them fulfill their dreams. Priceless.
  2. You might get more books from that author or more books in a series you enjoy. If there aren’t enough sales and/or reviews on a series, the ROI isn’t there so chances are solid said series could die on the vine.
  3. The joy of helping other readers discover something they might love. Recommending books feels good.
  4. The fun of having someone share the experience of the book. Then you’ll have a fellow reader with whom you can discuss the book.
  5. Being the sort of person who reads and recommends books makes you look smarter. It’s more powerful than the nerdiest of nerd glasses and you will instantly become 87% sexier. 87%! That’s just science.
  6. In reading our pithy, funny amazing novels, you will find jokes you can later pass off as your own in casual conversation.
  7. You will earn our eternal gratitude, and who doesn’t want the warm fuzzies from a group of maniacs who sit around all day fantasizing about new and clever ways to get away with murder?

    EDIT: The police inform me that #7 came off as more threatening than I intended. So…hey! Eternal gratitude! You got it!

~ I’m Robert Chazz Chute. Find all my apocalyptic epics and killer crime thrillers at AllThatChazz.com.

Filed under: publishing, , , , , , , , , , , ,

Love & Anger in the Time of Pandemic

Hey, friends, fans and fiends! How are you doing? Time for your weekly updates from my author site, AllThatChazz.com (plus one other)!

How to make your nervous system less nervous

In about 20 minutes of this audio recording, harness the power of your body/mind to ease your mental and physical tension. Hear me, stay in this relaxed moment and ease those fears.

(Get comfy on your bed for this one. Do not drive, operate wrecking balls, lathes or space lasers while you listen.)

What good & bad people have in common

Time to get ranty about those Covidiots who would “sacrifice the weak.” We’re all in this together. Your safety and my safety are inextricably linked. Let’s all act like society is still a thing.


My Review of Weep

Craving a good read about a terrifying epidemic? Who isn’t? My site dedicated to all things apocalyptic, ThisPlagueOfDays.com, I reviewed a zombie apocalypse novel by Eoin Brady. If you’re into the horror genre, you will enjoy Weep. Smarter than your average zombie.

~ I’m Robert Chazz Chute. I write killer crime thrillers and apocalyptic epics. Please do subscribe to my author blog and check out all the books at AllThatChazz.com.

Filed under: book reviews, Books, COVID19, Horror, , , , , , , , , , , , , ,

Facebook Live and All That Chazz Updates

I blog regularly over at my author site AllThatChazz.com.

Here’s the latest:

Were Old SF Movies Better?

I list some old school science fiction you need to see if you haven’t already.

Review: Can’t Hurt Me

New self-published author David Goggins was offered a big book deal. Instead of going with trad publishing, he consulted Tucker Max and put out a book that’s wildly successful. I had some mixed feeling about some of the book (as you’ll read in my review) but overall? I got some important ideas out of it and it is a compelling read. 4 stars.

Facebook Live Announcement

Wednesday night, Jan. 30, I’m hitting up Facebook Live at 8 p.m. EST. See you tonight!

I just got over a major medical scare. It turned out to be nothing to worry about and all’s well. Still, I have some tidbits to share that are both funny and interesting. It’s an Ask Me Anything Night, too, so if you have a question, let me know on the live feed.

Here’s my Facebook link.

Jump into the chat to let me know you’re there and where you’re coming from in this great frozen world. Talk soon!

~ Robert Chazz Chute writes suspenseful books about the apocalypse, killer crime thrillers and science fiction. Check out all his books at AllThatChazz.com.

Filed under: publishing, Science Fiction, , , , , , ,

Friendly Friday Updates: What you need to know

THE NIGHT MAN COVER

I just hit ignition on my new killer thriller set in Lake Orion, Michigan.
Come for the action and plot twists, stay for the jokes.

When Earnest “Easy” Jack returns home after a long absence all he wants to do is train dogs and be left alone. Times are tough living on the shady side of small-town America. Between a billionaire’s bomb plot, dirty cops and a high school sweetheart in distress, Easy has a lot of hard problems to solve. This is going to be fun.

I’m blogging regularly on my author site, AllThatChazz.com. Here’s the latest on what you need to know for Friendly Friday. Click the links in the headers to check out my thoughts on thus and so. 🙂

This is Marketing: A Review

Marketing guru Seth Godin wrote a great book could help you figure out how to build your business. You may even love negative reviewers more in the end but this book’s significance goes way beyond marketing. Godin articulates a different way to see the world and how it works.

2019 Writing & Publishing Goals: Specifics

This is a very ambitious to-do list. I’m very aware I might not be able to complete all these goals. However, I get 3/4 of this accomplished in the next 11 months, I think my future and legacy of my writing career will be secure. (I can’t go back to the day job so it’s TO THE MOON OR BUST!)

Big goals = a big push.

Writing with Cultural Sensitivity

No matter how evenhanded I try to be, this post will surely piss off somebody. That’s never my intent. See what you think.

Starting in February, I’m going to be a regular contributor to the Mando Method Podcast!

My friend Armand Rosamilia has invited me to do a ten-minute segment on the Mando Method. With each episode on the Project Entertainment Network (available wherever you eat your podcasts), Armand and Chuck Buda deliver wise and sassy advice on building a writing and publishing career. I’ll be sending in my take on those topics so Armand and Chuck can debate, disagree, break balls and stab me in the back. Oh, and maybe occasionally agree with me. This should be fun. I’ve already got a psychotherapist on retainer.

Scheduling Facebook Live Events

I haven’t been able to do Facebook Live events due to illness. However, I’ll crank up the camera next Wednesday night, 8 p.m. EST. Friend me on Facebook to join us. Here’s the link to my Facebook profile.

I am always on the hunt for Super Readers.

If you read more than a few books a year, please do subscribe to my newsletter at AllThatChazz.com. Subscribers get a heads up about upcoming deals and freebies.


Already a fan of my fiction? Want to join the Inner Sanctum?

Here’s the link to the Fans of Robert Chazz Chute page. That’s where I share works in progress and talk with friends about writing fiction (with some assorted goofiness.) The goal is fun and fun interaction with readers. I post there daily and you could name a character in a future book.

Hit this link to teleport to all my books, if’n y’all get the fiction itch.

Filed under: Friendly Friday Updates, publishing, , , , , , , , , , , , , , ,

Here’s a different way to engage new readers

There is an alternative to getting feedback through reviews and it’s actually pretty awesome (though we all need the happy reviews, too.) Recently, I did a Bookbub giveaway. About 20,000 people picked up the This Plague of Days, Omnibus Edition. That’s three novels in one big book. Not only am I hearing more from readers who dig my flow, but I’m engaging with them through email plus giving them another free book. I’m thinking long-term and building a readership, but it has helped in the short-term, too. Here’s how:

This Plague of Days OMNIBUS (Large)

At the back of the Omnibus is a link to a video that asks readers a question about a secret revealed in the saga. Once they comment on the secret YouTube link and email me their address, I send them the gift of another book, Intense Violence, Bizarre Themes. I also let them know there’s another book coming at Christmas called The Haunting Lessons. If you liked TPOD, you’ll probably love The Haunting Lessons.

IVBT FINAL 2D cover

You can’t generally engage with reviewers without the risk of being accused of bad author behavior, but these people are coming to me. They’re a happy bunch (only one grump among the many emails I’ve received!) and they’re happy to talk about This Plague of Days. I also take the opportunity in their gift card message to encourage reviews.

Intense Violence, Bizarre Themes (my autobiographical crime novel) also secrets behind the story. The back of that book has a blog post link readers can access with a password on my author site, AllThatChazz.com, so they can get some of their questions answered.

If this seems like a long, expensive process to find new readers, I have three answers: 

1. Long? Not really. I was writing the books anyway. I’m in this for the long haul with many more books on the way.

2. Paying for advertising in the form of gift books to a TARGETED audience is miles cheaper than any other approach I can think of.

3. Contrary to what you may have read from other authors recently, I’m finding that gifting does lift my other book sales. 

This won’t help you much if you don’t have more than a couple of books to sell, but free isn’t a concept to throw away quite yet. I’m happy with this twist on free because I’m making happy readers happier instead of throwing business cards out of moving cars and shouting at annoyed strangers.

I’m loving it most because, unfortunately, there is occasionally a hostile, suspicious or impatient dynamic between reviewers and authors. As a writer, it’s great to hear back from the people who get what you’re doing, are friendly and engaged. The conversations I’ve had over email are delightfully empty of power trips and ego. It’s fantastic to me that people just want to talk about the story’s emotional impact or the philosophy or psychology that form the underlying themes of This Plague of Days. That’s cool. (You know how some reviewers seem to hate reading? Not this crowd. They are so in!)

I think this approach works because:

a. Hey, I understand they read to the end of a long epic saga. It figures they’re more committed than the average bear.

b. People love to know secrets and behind-the-scenes stuff.

c. People love free stuff.

d. When I talk about TPOD on video they’re getting to know me as a human being.

e. When they read the secrets in the secret blog post, they’re invited into my little club. I’m touched that they got involved enough in the thriller to want to know what’s fiction and what’s not.

Your mileage may vary, as they say, but keep experimenting with new approaches. You might even stick a secret link in the back of your next book and watch the happy readers show up in droves.

Filed under: book marketing, , , , , , , , , , , , , , , , , ,

The very nearly here, not quite yet, Post-review World

Once upon a time an author named Hale stalked a book reviewer, wrote about it in The Guardian and…well, things got crazy. I haven’t weighed in on this because you’ve no doubt read plenty about this debacle. Besides, I didn’t have anything new to say. I still don’t have anything new to say about that particular incident. It was a bad idea to respond to a negative review and there’s no need to pile on.

I do understand the urge. Oh, yes, every writer knows that urge to respond and demand an apology or…something. Instead, I stay indoors, never go anywhere, and write scary, funny books. It’s a better use of my time and the right thing to do.

So let’s talk about reviews more generally.

We all want them. We can’t promote our books effectively without a minimum number of happy reviews. But there are problems:

1. If you get a lot of happy reviews, someone who didn’t like your book will accuse you of having lots of friends and family shilling for you. Ha! I wish! It’s very difficult to get any reviews on anything and I don’t speak to my family. The point is, some people (I have no idea how many) think five-star reviews shouldn’t be trusted. However, if you didn’t have any five-star reviews, those same people would slay you for it. Crazy, huh?

2. Some people can’t help themselves. They condemn authors for their books and pedophiles for their despicable actions with nigh equal vehemence. Well…I assume so, anyway. I mean, I’ve read some vitriolic reviews where, once you dial it up to eleven, there’s no place to go, is there? But (silver lining) no one really takes one-star reviews seriously anymore, either. They are, with few exceptions, troglodytic. We read them for sick entertainment value, not for direction as to what to read.

3. Some people put spoilers in reviews without warning. That’s not a review anymore. That’s a spoiler and it’s a shitty thing to do. Just because you don’t like it doesn’t mean others won’t and spoiling a work that was years in the making in one ill-considered paragraph? Yes, that’s bad. What’s worse is Amazon lets it happen and allows those spoilers to remain posted without warning.

4. Likewise, authors have been libelled in reviews. Once again, Amazon does nothing if you complain. Unacceptable, and yet we are, at the moment, powerless. It’s the Internet. We’re supposed to shrug and hope the happy reviews drown out the unhappy ones (and eventually, mostly, they do.)

There’s a study somewhere that shows how unreliable reviews can be in an odd way. If the first review that goes up is negative, ensuing reviews tend to be more negative than they would have been otherwise. That’s less about the book, I suppose, and more piling on, hoping to be seen in agreement with whoever spoke up first. Weird.

5. Here’s where it gets weirder: Authors shouldn’t respond to reviews. Goodreads doesn’t even want authors to thank anyone for a nice review. That strikes me as forcing authors to be rude, but it’s their site policy so I abide by it.

Pretty much everyone accepts the No Response to a Bad Review Policy as a given, but no one knows who established this all-encompassing edict. Other industries routinely respond to reviews, hoping to ease their unsatisfied customers’ fury. We don’t. The argument goes that reviews aren’t for authors (true) but we aren’t even supposed to respond when reviews are misleading. We’re supposed to, as Hugh Howey so aptly put it once, “enjoy the burn.”

But wait. If we’re writers who should be thick-skinned and stoic since we put something out in the world…aren’t reviewers putting stuff out in the world, too? How come their writing is exempt from criticism but mine isn’t? Hm. No. Stop thinking about it. Nothing good can come from following the logical conclusion of that reasoning.

I am not arguing for responding to reviews.

The system is broken when reviews allow spoilers, libel authors or when so many people seem to distrust reviews.

Someone at The Passive Voice recommended we tell people, “If you liked it, please tell a friend,” in lieu of reviews. I kind of like that, but that’s what reviews were supposed to be anyway, right? Telling people what you liked so they can share the experience of an interesting, entertaining or enlightening book. I encourage people happy with my books to review them on Amazon. A review anywhere else (except perhaps a busy book blog) doesn’t really get more people to my books.

When I worked in magazines, we rarely gave negative book reviews (or the negative reviews were significantly shorter) because the point was to direct readers to the good stuff. The prevailing opinion was, the good stuff is too hard to find to waste time talking about the stuff we don’t like. I feel the same way. I may find commonality with reviews that tell me what they liked and why. What they dislike often seems more idiosyncratic (and some reviewers can’t seem to bring themselves to like much of anything.)

Maybe hoping for organic discovery through old-fashioned social networks is the way to go. But not quite yet. The apparatus for book discovery is broken. I still need happy reviews to get a Bookbub promotion going. That’s one of the few book promotion services that seems to have muscle and mojo behind it. I also suspect people don’t talk about books enough. I’m unwilling to rely on chats over fences with neighbors to spread word of my literary heights efficiently. Podcasts might be a better answer.

So what to do?

Stop stressing about reviews. Beat up a punching bag. (Reminder from Mom: human beings are not punching bags.)

If necessary, stop reading reviews. Read more books. Write more reviews.

Keep asking for reviews because, hey, that’s all we can do for now.

Don’t stalk book bloggers or book reviewers. Do not go near their homes or places of employment. And if you do (which you definitely shouldn’t!) don’t tell anyone. Jeez!

Cry quietly and not in public.

Treasure the many good reviewers who don’t mistake snark and disrespect for intelligence.

Read your four and five-star reviews obsessively to get your energy and esteem up. Read the negative reviews once, if you feel you’ll have something to gain from them (a murder plot, perhaps?) But never read them twice. That’s just masochism and revenge fantasies.

But there’s a better reason not to respond to negative reviews:

It takes time and energy that you could use to write your next book. And frankly, if someone hates your book, they won’t change their mind. If you try to use your best politician’s smile and the it’s-all-part-of-the-game clap on the shoulder, they won’t buy it. They know. You hate them. They hate your book and therefore they hate you. People will tell you this is wrong. Shit’s about to get real.

Yes, you’ll read lots of crap about how writers should separate themselves from their books. It’s a book, not a baby. Except it is. It’s the product of your mind and anyone who hates the book is calling you feeble in the brain. Be real. People tell you to be thick-skinned, but nobody really is. Many of the most successful writers, actors and entertainers on the planet confess that they remember every word of every bad review. You’d have to be a robot sociopath to be so far above the fray when someone criticizes something you put so much of yourself into.

However…when you write more books and get some success, it does hurt less. You become less invested in each book because you know you will write many. Just like having children, if you make enough of them, a few start to look expendable. (It’s a joke, for Thor’s sake. Relax.) 

Anyway, when the happy reviews drown out the negative reviews, that one-star review starts to look silly. You can also take some solace in knowing that if a reviewer hates you enough, they won’t feel the need to come back for more and you’ll be rid of them…if they actually read books before they review them, of course. Oh, yeah. There’s another reason so many people don’t trust reviews anymore. Sigh.

So, to sum up:

Write books and pretend you don’t bleed.

Don’t be a dick. Be nice. Play nice. Pretend you’re nice. Fake it and kill offenders in your next book. (I did.) Cover your tracks so they’ll never recognize themselves.

Pretend you’re happy all the time, especially when you’re not. Rant to a friend if you must. (Mental note: get a friend.)

Try to keep some perspective. You won’t, but it’s true that a review is merely one person’s opinion. It is not a scary diagnosis from a stone-faced internist.

We’re in the entertainment business. Entertain. Seek out entertainment. Don’t be so damn serious.

Remember that no matter how good your book is, someone will say they don’t like it. Don’t let them discourage you from following your star and writing, though. If that happened, then a bad review would really matter.

Until a new way to discover genius books is found, this is the way we live now.

Keep having fun. Don’t forget, this is supposed to be fun.

~ I forget sometimes.

 

 

Filed under: reviews, web reviews, Writers, , , , , , , , , , , ,

Reviews Part 1: This publishing train isn’t going where I thought it was going

I read a review of a friend’s book that bothered me. The reviewer objected to his use of the second person. It’s actually a common objection and, in my view, kind of a silly one. The common objection is the reader couldn’t “get past” all that “you, you, you.” And yet the ubiquitous use of “I, I, I” in first person narration is no problem.

What bothered me more is that reviewer seemed to address the author in a way that made the negative review more personal. “I’m sorry, NAME OF AUTHOR, but nobody does it.”

Nobody does it? Really?

I do in my crime novels and it’s part of the psychology of the hit man’s character. Jay McInerney did so famously in Bright Lights, Big City. There are plenty of novels that challenge convention.

But I’ve blogged about the use of second person before and I don’t want to repeat myself. The above is a reiteration for new visitors to this blog.

And here’s what this post is really about:

Convention. Art challenges it.

This is not to argue that anything is Art simply because it’s weird. “Weird” is a word that stands in for, “outside the reader’s experience.” This is to say that I enjoy books that are uncommon, that challenge the status quo, that defy expectations. This Plague of Days has a subtext of psychology and philosophy underlying the action. Its design is unusual and that’s done on purpose. 

That was the other thing I objected to when I read some reviews of my friend’s book. The writing was executed in such a way that it played with readers’ expectations. It was well done though it left some readers off-balance. Then a couple of reviewers complained that they didn’t know if it was the author’s skill that accomplished that feat or if he merely missed the mark.

I have an answer for them:

The author knew exactly what he was doing. He did it on purpose and it took skill. It takes a lot of skill to propel a narrative across the expanse of a book. They are entitled to their opinion, of course, but perhaps a more careful reading by the reviewers was in order. All the elements were there and it wasn’t the author’s fault that a couple of readers missed it. I was irritated that a couple of people took the time to review my pal’s book, but they didn’t seem to pay attention in the first place. Worse, despite staying with his story to the end, they opted to question his intelligence in their reviews.

A fluke doesn’t keep going for 250 pages. Writers know this. Perhaps that’s one reason why our reviews tend to be kinder.

In Part II of this essay, I’ll discuss why it’s becoming more difficult to sell books the way some of us used to write them. My suspicion is that next time, perhaps my friend won’t write such a brilliant book and, sadly, he’ll probably sell more of them.

That’s a down note to end a post on, isn’t it? It’ll probably get worse in Part II.

Filed under: author platform, Rant, readers, Writers, writing tips, , , , , , , , , , ,

Proving Dead Moms Wrong: Writing a book is among the least cynical things you can do.

The term “hack”, as discussed in this space recently, usually refers to someone, typically writing to tight deadlines, who is churning out words with no love for his or her work. I don’t think that applies any writer I’ve ever met, no matter the project. Every writer is optimistic as they begin a new book. We tell our spouses and girlfriends and boyfriends and basset hounds, “This will be the one that will really wow ’em. If you leave me now, you’ll miss out on all the glory, my accolades and a mention on the Acknowledgments page, so you better stick around.”

Here’s why “hack” is a poor term:

In This Plague of Days, I write about a zombie apocalypse. Maybe that sounds silly to you, but I fell in love with the characters and there are genuine emotional, serious and thoughtful moments. It’s complex and it’s not what you expect. Just as I attempted to do with my hardboiled hit man in Bigger Than Jesus, I played outside the expected conventions. I tried to do something different with the genre.

But here’s the thing: That doesn’t make me unique.

Every writer I know is reaching to the best of their ability to write something awesome, different and engaging, no matter what they’re writing. We try to write the best tweets we can, for Thor’s sake! Certainly we’re aiming for at least that clever when constructing a narrative beyond 140 characters. 

We’re all looking for a special turn of phrase or a new twist on an old cliché no matter what we’re writing. We’re searching for ways to entice and delight readers. We love language. We tell stories. I’ll leave it to readers to decide the degree to which we succeed, of course. However, when a reviewer dismisses any writer out of hand, based on their choice of subject, as a “hack”? I reserve the right to dismiss that review. I don’t think the term elucidates anything. A book takes too much work and time for us to aim low.

Say it with me and feel it: “Writing a book is among the least cynical things you can do.”

As a person who, more than once, has been dubbed “Mr. Cynical”, I speak with expertise. We may fall short, but we’re all shooting for the outer moons of Andromeda and to prove our dead moms wrong. Even if the reader thinks they’ve read it all before. Especially when that niggling voice of doubt in our heads tells us, “Some people are really going to underestimate what I can do with this material. I’m going to melt their eyeballs with my fair-bitchin’ prose.”

I suggest we all take each book on its own merits instead of painting with push brooms (and read the sample before you buy to avoid disappointed expectations.) Please don’t say this or that writer is a hack. That’s insulting and too easy, for starters. Besides, like plague viruses, authors evolve, too. Maybe you dismissed Stephen King’s Pet Sematery, but if from that judgment you dismiss all of his work, including The Long Walk, you haven’t read The Long Walk.

It is fair to say a particular plot device is hackneyed, but don’t generalize about all our work. Every author I know, me included, gets better with each new book. Disastrous experience beats the weakness out of us.

What other terms should we be careful about using? To the jargonator!

1. “Commercial”: Does that mean you liked it but felt you shouldn’t? (This is the worst, most disingenuous reaction, last spotted on The Slate Culture Gabfest. That’s right! I’m calling you out, Metcalfe. You’re so meta-snarky, you might be David Plotz.)

Does commercial really mean mass market paperback? With the advent of ebooks, that seems a dated reference.

By commercial fiction, do you mean it tells a ripping story that’s less based on character? Hm.  All writers want to make readers care about their characters, so that seems a tad empty.

By commercial, does the critic mean the author wants to sell a lot of books? “How base and singular! No person of character wants that! Are you not of independent means, Monsieur Writer Peasant?”

2. “Muscular” prose: The author is a minimalist, idolizes Hemingway and probably does not possess a MFA from the last thirty years. An obvious attempt to damn with faint praise.

3. “Workmanlike”: Same as #2, but with even fewer syllables in word choice. The critic thinks they’re getting away with being snooty, but we can read the code and the classism isn’t that subtle. Both #2 and #3 are really authorial choices, not burdens to grow past.

4. “Literary”: This means less plot and more exploration of inner worlds when not used as a euphemism for “pretentious.” Certainly this indicates that you’ll leave the book out on the coffee table to prove to the in-laws or tonight’s date that you’re deeper than you seem.

But all authors strive for literary flourishes at the very least. When we’re in composition mode, no premise sounds so tired that we can’t hit it at a different angle, make it great and spin it fresh. I know of no writer, no matter how tight the deadline or how little they are paid, who sets out to write crap. You might say it’s not to your taste. The author might even call it crap…later, after a few more books. But as we write? We’re all Hunter S. Thompson and Margaret Atwood and Kurt Vonnegut rolled up in Shakespearian dreams of legacy, love and respect.

We may fail, but we are artists.

Our hearts are in the right place.

Are you reading with an open mind?

Is your heart in the right place?

Have you dismissed something you haven’t read without even reading the sample?

Well, no, not you, of course, Gentle Reader of this Blog.

But, you know…them other jerks what don’t respect us none.

 

Filed under: book reviews, publishing, , , , , , , , , , , , , , , , , , , ,

The writer, depression and getting the word music to play again

By the way, Crack the Indie Author Code 2nd Edition is out in paperback at $9.99. Smaller format, with jokes.

By the way, Crack the Indie Author Code 2nd Edition is out in paperback at $9.99. Smaller format, with jokes.

A fellow writer meant well when she told me that if you can allow anyone to discourage you from writing, you shouldn’t be a writer. That sounds tough-minded and strong, doesn’t it? It would be good advice to take, but unfortunately, I’m still human. Darn the luck, my skin is no thicker or thinner than it ever was. It will surprise no one, given the sort of dark stuff I often write, that I obsess over the negative. I do not remember sunny days. That’s who I am. Maybe I could fix it with some talk therapy, gene manipulation and a personality transplant.

So, yes, rude email hurt can me and my productivity. A bad review can ruin the morning and robs me of a night’s rest. I’m prone to depression and yes, I’m feeling it now. Due to several factors, I haven’t faced the blank screen bravely in days. I’ve been ill and trying to keep up with the demands of my new day job and, not to whine, but the depletion started with one condescending, presumptuous email. 

I’m letting a terrorist win. The worry treadmill is running. I’ve written ten books, but the negative cyclotron has kicked in. “How can I be a writer? I can’t even type properly.”

When I observe the disparity between Goodreads ratings and Amazon ratings (work is often valued one star less on GR even if the review sounds equally positive), I have an urge to reevaluate my life choices. If I’d gone to that Second City audition or to film school instead…but that way madness lies. At least until I fix the time machine. But enough about me.

Murders+Among+Dead+Trees+1121-1

What to do when you’re feeling down and not writing*:

1. Call a friend. Do not talk about your problem. Talk about what your friend wants to talk about.

To shore up your ego defences, you’ve already read and reread your happy reviews. Your friend isn’t going to tell you anything new and you’ve already got your “Atta-boy!”

The point of this phone call is to break the obsessive cycle of repetitive arguments, cutting retorts and vengeful homicide plots running through your head. This is a time for jokes. Ask about your friend’s life. 

2. Okay, so, being human, naturally you want another “Atta-boy!” Engage a fan who can’t wait for the next book. A little positive pressure may be all you need to get back to writing the next book in the series.

3. Write a blog post to vent, but only if you must and your friends aren’t answering their phones. (Ooh! Meta!)

4. Remind yourself that this is the firstiest of First World Problems and set the oven timer. How much more wallowing do you plan to allow yourself? More than one more pathetic hour and you’ll burn your life.

The three most powerful words are “I love you.”

The two most powerful? “Begin again.”

~ from Crack the Indie Author Code

5. Read the negative reviews of your favorite books. Choose the classics that you think everyone simply must adore. Realize some people will not be pleased.

Now in paperback!

Now in paperback!

Ev-er.

Or they’re trolls feeding an emotional need that has nothing to do with literary criticism. Or they’re too stupid to get you. I used to think that all readers, because they can read, must be smarter than average. Read some one-star reviews, especially the ones that bring down an author’s rating because Amazon didn’t deliver the book fast enough or they don’t like reading on a kindle and would have preferred paper. Clearly, my supposition about all readers being intelligent was not true.

6. Help somebody else with something. Shovel the walk and bring in the wood and be productive. Productiveness is a habit. This tip works better is you don’t do it for yourself. Do it for the old neighbor with the bum ticker and the broken leg.

7. Read something good that inspires you. Remember this feeling of transcending the great, dirty world? This delicious escape is why you are a writer. 

8. Realize that nothing will be perfect and the critics might have a point about something. Correct errors and move on.

9. But if they’re too harsh and stop you from writing at all, you’ve allowed a rude outlier to rob you, and most readers, of joy. It’s too easy for trolls to throw bombs. You write books, not a few, nasty paragraphs. We’re not allowed to critique reviewers so they’re safe from what you’re feeling now. Don’t let bullies win. Not letting bullies win is another reason you’re a writer.

10. Bing! The oven timer went off.

Start writing again. Anything. Just start. Within five minutes, you’ll be sucked into the other world again. Just get through that first five minutes and write. You aren’t facing a whole book. You don’t have to worry about word count or bad reviews or bruised egos or where to find a Luger, thick rope and kerosene at three in the morning. All you have to do is start writing and get through the first five minutes. Maybe less.

You can gut out five minutes. You don’t even have to act tough to start. Just start. An appreciative audience is out in the future, waiting and hoping you’ll get through the next five minutes. Maybe less.You will fall back into the groove and the word music will begin to play. And a one, and a two and a three…

* If none of these suggestions work, call a doctor. Maybe it’s exercise, kale shakes and an anti-depressant you need to elude the mean reds.

 

Filed under: book reviews, publishing, web reviews, Writers, writing tips, , , , , , , , , , , , , , , , , ,

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An autistic boy versus our world in free fall

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