C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

The I of the Eye

When I’m not working on my latest apocalyptic WIP, I’m reading Chuck Palahniuk’s guide to writing. Consider This: Moments in My Writing Life After Which Everything was Different is a humdinger. Each short chapter mines his success and ends with simple, direct advice: “If you were my student,” I’d tell you X. From craft to how to run a writer’s group and how to make author readings extra interesting, he shares wonderful experiences and solid tips for writers at all levels. I admire his writing and bold story choices. His cynical worldview delivers on dark, perverse fun and a rich subtext of social commentary.


As a fan of Fight Club, Survivor, Choke, and Lullaby, I was curious about his writing process and what he considers good writing. I once thought I was a minimalist writer. As a former journalist who read Hemingway, I even identified as such. I was wrong, but Chuck Palahniuk is a real minimalist. Stuff happens, but he goes to great lengths to avoid judgments. At all costs, Palahniuk eschews telling readers how they should feel about plot events, no matter how disturbing. His fiction style is influenced by what straight journalistic reportage is supposed to be.
For instance, X and Y happened. Draw your own conclusions. Even better if readers draw different conclusions so they can argue with each other over their literary takeaways.

Where We Differ

Recently, I followed a guided meditation in which each meditator was asked to adopt a mantra that reflected some facet of their base state. For instance, hands over heart, you could say to yourself, “I am a compassionate person dedicated to helping others.” My mantra that night was, “I explore consciousness.” In the writing context, that would send up red flags for Mr. Palahniuk.

To contrast his approach with my own, plenty of events happen in Endemic, my next novel. However, the neurotic protagonist indulges in internal commentary. Off medication and arguing with the voices in her head, Ovid Fairweather needs therapy and it shows. If you’re unfamiliar with my work, I admit I dare to do this sort of thing often. In The Night Man and AFTER Life, the main characters are conflicted souls. Ernest Jack has PTSD, a physical disability, and a fraught relationship with his criminal father. Officer Dan Harmon battles a killer artificial intelligence and brain parasites while doubting his career choices. (You ever notice that, in fiction, cops are always full of certainty they shouldn’t be off somewhere else painting watercolors? That’s not Dan in AFTER Life.)

I acknowledge writing about feelings is dangerous territory. It can drag the words too far from the plot. Every writing guide advises writers to delete “I remember…” or “I felt…” Delete the I of the eye. Be imaginative and descriptive, but don’t tell us, show us. Evoke feelings in readers instead telling them how to feel. Good advice, but there are exceptions and I do gravitate toward guidelines rather than rules. Mama Chute certainly didn’t mean to, but she raised a rebel.

What Dreams May Fail

Palahniuk advises writers to avoid dream sequences. His argument is that reality has plenty of drama and weirdness without resorting to fanciful sleep adventures that lower the stakes. I see what he’s saying and, in general, I agree. I often draw on a context of real life happenings to cushion the fiction in verisimilitude.

I can also say I’ve broken that no-dream rule on numerous occasions. To good effect, I think. (Consider This Plague of Days, Wallflower, and especially Dream’s Dark Flight). The trick to making those scenes work is to have dream life collide with reality. In real life, dreams mean nothing at all, or at least nothing to anyone other than the dreamer. If you use them in fiction, probably do so sparingly and definitely make them relevant. Inception made the use of dreams work, sure, but that’s the end of the shortlist.

How people react in stressful situations fascinates me, but if a novel is crammed with reactions alone, the story is weakened and skids to a dead stop. People can have feelings and dwell on them, but avoid pounding the reader into the ground. For example, if you’re a fan of The Walking Dead, you know the television show devolves into annoying self-parody each time Rick returns to the same drawling speech, “Things have chaaaaaaaanged!” Yeah, things have changed in the Don’t-Call-Them-Zombies Apocalypse. We get it. Move along, please.

The Rancid Pickle Jar of Self-indulgence


Endemic will be my most personal novel yet. After a furious writing session, I had to sit back and recover when I realized several true stories from my childhood fit perfectly in an adventure about desperate people trying to survive a viral apocalypse. I’m confident I’ve sifted, intertwining action and reaction sufficiently that the story is propelled forward with each new twisty revelation. My hope is that, as screwed up as my protagonist is, Ovid remains relatable. She’s an ordinary person trapped in extraordinary events, much like all of us have been trapped through the pandemic.


Warning: If your book reads like therapy for the writer alone, you’re five knuckles-deep in the Rancid Pickle Jar of Self-indulgence. This September, when Endemic is unleashed upon the world, you’ll decide if I’ve found the balance. Until then, I heartily recommend reading Chuck Palahniuk’s book on writing. You’ll undoubtedly find engaging advice that will enhance your writing and your writing life. It’s so good, I might even cowboy up and try to take all his advice with my next novel.

Until then, I’m conflicted and arguing with myself about it.

~ For links to all my books, head over to AllThatChazz.com for killer crime thrillers and apocalyptic epics. Thanks!

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Reading and Writing Distractions


Once upon a time, two of the most recognizable figures were Muhammad Ali and Ernest Hemingway. They could go anywhere in the world, and they would be recognized in the street. You know what Ali was famous for. Hemingway was famous for writing, of course, less so for boxing. Being a savvy multiple streams-of-income author, Papa advertised liquor, too. Since the media revolution, all entertainment and infotainment markets are fractured and fragmented. We went from three TV channels to…how many streaming services are there now? I don’t have enough fingers and toes for high math.

But our problem, Dear Writer, is not just about too many things to track. You’re being tracked. Within the strict parameters of our media consumption algorithms, consumers tend to stay in their lanes. If you’re into K-pop, you’ll be fed more K-pop. If not, not. Data-driven platforms are watching and if you buy one toilet seat, they’ll serve up ads for all the toilet seats, bidets, and cushy tushy accoutrements you ever imagined and never needed.

Which brings me to publishing

There are more choices now and that’s great for everyone except when it’s not. If you dare to seek out the unknown, there’s plenty of it. However, the unknown will tend to remain so to those lucrative masses we dream about reaching when we’re penning a new masterpiece. To earn money writing books instead of some more likely venture, every publishing guru recommends drilling down in your genre. Romance is too broad a category. Mercenary/kidnapping/rescue romance caters to a specific audience. Cultivate that garden and you’ll have less competition and a smaller yet defined audience to seek out, advertise to, and serve. Within those fences, write at least two or three series with on-brand sexy covers and repeat until you’re sick of it, but sick of it on a yacht.

Westerns are out. Weird western gothic love triangles featuring murder by ouija board, a hotshot lawyer/city girl obsessed with maple syrup, a hot illiterate cowboy who sees ghosts, and a tough but tender rodeo clown into bondage? That’s in!

Ahem. These are just examples of drilling down, folks. Don’t jump on these frivolous examples as if it’s the military sci-fi trend kicked off by Chris Fox when he wrote Write to Market in 2016. Many writers didn’t take his advice to research a popular-yet-not-overcrowded genre they enjoy and write for it. They took his research seriously, though, and jumped on the military sci-fi bandwagon. That’s why there are so many covers of spaceship ass on Amazon. (Shout out to the excellent Six Figure Authors Podcast for the spaceship ass reference.)

Meanwhile, if you’re still querying agents, they still don’t know what they want, but like the infamous ruling on pornography, they’ll know it when they see it. They demand to be delighted and each agent has vast swaths of queries they’ll dismiss out of hand with a sneer. Research your agent first so you don’t end up as a sad example they mock to entertain strangers on Twitter. You don’t want to see your manuscript get this hurtful and unprofessional treatment: “Some pathetic creature dared to send me his heartfelt memoir of divorce and the loss of his parents as the Sandwich Generation suffers on! Har-har-har! What an asshole!”

In short, competition is stiff, so choose your targets carefully.

In independent publishing we are no longer subject to gatekeepers and, yes, in most ways there is no better time to be a writer than this moment. Just don’t underestimate the competition for eyeballs. The same distractions that keep you from writing are keeping your potential audience from reading. Gird your loins, guard your mind, write well, and write something that will distract your target audience from their crying babies, eating, and the fact that the world is on fire.

~ Hey, in case you don’t know me, I’m Robert Chazz Chute. I write killer crime thrillers (try The Night Man) and apocalyptic epics (read AFTER Life right now!) You’ll find links to all my books on my author site, AllThatChazz.com. And thanks, that’s super cool of you, you sexy undistracted butterfly.

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But wait, there’s more!

You’ve all heard about the COVID “19” (as in pounds added during lockdown). In an effort to stay off a ventilator, I’ve been basically vegan since June. However, I needed to get even more serious about losing weight and improving my fitness. I have a blood test and physical coming up and I’m weirdly fixated on passing tests and impressing my physician. However, I did not expect how much my lifestyle would affect my writing life.

Margaret Atwood advises writers to exercise because many hours at the keyboard can mess with your body. From posture to pain, getting out in front of future problems is always a good idea. We all know healthy body, healthy mind. That’s not woo-woo. It’s about blood flow. I know we’re all focused on our next book launch, but there are also happy and helpful endorphins to be released in the meantime.

If you’re not up to a run around the block, that’s okay. The opposite of sedentary is not exercise, it’s activity. We need to move in whatever way we can. 10,000 steps a day is my minimum, but I also work with weights and do bodyweight exercise. I won’t go near my old gym at the moment. However, there are plenty of ways to get a sweat on quickly that don’t cost a thing.

You’ve heard it all before. No surprises here. I’d heard it all before, too. But then I felt it. It’s one thing to know something intellectually. It’s another to feel it move you deeply. I found myself moving more and liking it. I have more energy and my mood is definitely elevated.

The other night I went on a rare excursion to a grocery store. (TIP: Go late on a Saturday night and nobody’s there. The few staff outnumbered the customers.) While shopping for healthy choices, I started talking to myself, joking around in an outlandish English accent. “By Harry, those oddly shaped mushrooms are positively beastly! Percival! Unhand those biscuits at once! How dast you? My word, what cheek!”

I was happy for no apparent reason. That’s…well, let’s just say that’s uncharacteristic. Mama Chute done raised herself a dark spirit when she brought me into the great, dirty world. But there is a reason, of course: lifestyle change. There’s less shit gumming up the blood and no one (i.e. me) chucking wrenches in my biological gears.

But wait, there’s more!

My sleep disorder has improved markedly, and my hypochondria has eased. I have more energy to exercise and deal with life. A lightbulb went out last night, and I changed it immediately instead of thinking about it for a few weeks or months. All this newfound energy is translating to more keyboard time. I’m making progress on my next novel. Yes, I did peck away at it slowly in the past year, but I also spent too much time vegging out mindlessly, playing Sniper Elite, and trying not to think about the killer pandemic too much. Stressed, depressed, anxious, pissed off, worried about my low and forgotten place in the universe: I’m the whole darling package.

I am a work in progress. I’m still the before picture, but I haven’t been so optimistic about my after picture in over a year. Whether it be my health profile or my writing life, the trend is hopeful. 2020 was rough for everyone. 2021 will be better. We can make it so.

And now, back to working on Endemic.

~ Check out my apocalyptic epics and killer crime thrillers at my author site, AllThatChazz.com.

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A good ending

If we must expire, most of us aspire to leave this dimension while in our sleep, oblivious to pain and our passing. For books, writers and readers have differing ideas about a good ending. In this post, I’ll tell you how I navigate that fetid swamp to make the happy voyage out to sea.

In my writers’ group meeting, we zoomed over a couple of ideas about what makes a good ending. In a short story, there is some room for ambiguity. Don’t try too much ambiguity with a long novel, though. Bring it in for a three-point landing or more readers will be disappointed that they invested so much time in a narrative that lacks a solid conclusion. For romance, the couple have to get together in the end. If they don’t, it’s not romance, it’s some other genre.

A vocal group of readers insist they hate cliffhangers. However, if you’re writing a series, there’s got to be something there to seduce your readership to continue the journey into the next book. That’s really no different from many dramatic movie or television series. Don’t pay too much attention if a tiny minority of reviewers kick up a fuss about it. However, with cliffhangers, the key is to answer a lot of questions and close loops while still managing to keep the intrigue going. If it’s all a tease for the next book, readers will have a valid complaint. If your sales copy is on point making it clear this is a series, you’ll catch less flack from the kibitzers, snipers, and moaners. Not no flack, but less!

Many readers think they want a happy ending. As a writer and a reader, I don’t care for that strategy if it feels forced. Instead, I recommend writers strive for a satisfying ending. I like a roller coaster, so I avoid hitting a single tone as if the entire orchestra is smacking a triangle all night. For instance, it’s very possible to place irony, or even a belly laugh, amid horrors, as long as you are judicious with the ratio. (One reviewer made me smile with the comment that one of my dark stories was “appropriately hilarious.” Mm-kay. Thank you, I know what you mean.) I write killer crime thrillers and epic apocalyptic novels, but I also look for opportunities to give readers a bit of hope even when events appear bleak.

My three criteria to achieve a satisfying ending:


1. The ending must be logical. Stick to the rules of the world you’ve established.
2. No cheating with deus ex machina or “….and then the child fell out of bed and realized it was all a dream.”
3. The ending should feel inevitable, but only in retrospect. Deliver a surprise.

To achieve these writing goals:


1. Plant seeds along the way and disguise the clues. (This often happens with the second or third draft.)
2. Don’t settle for the obvious ending. It’s the same principle as telling a good joke. If the reader thinks they see that final twist coming, they will be less pleased.
3. Red herrings are allowed, of course, but most elements you introduce should propel the narrative forward. Keep it tight.

If you’ve written a book or two, you know this is all harder than it sounds. Write the story straight in the first draft. By your final draft, it will be closer to the rich tapestry you imagined when you first sat down to dream in pixels and on paper.

Want a prime example? My crime thriller, The Night Man, is free on Amazon for the next 24 hours. Here’s your universal link: http://bit.ly/TheNightMan for your complementary badass kickass adventure. This offers lasts until Monday, February 8, 2021, 11:59 PM PST. After that, it’s $4.99, so you know the drill.

~ I’m Robert Chazz Chute. Your mileage may vary, so don’t give me any shit about this. I’m all about helpful suggestions here, not rules and absolutes. You can check out all my fiction on my author website, AllThatChazz.com. And please do. Thank you!

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Writers Needed

It’s too easy to devalue the writing profession. At a cocktail party, someone asks a writer what she does for a living. Upon learning they’re in the presence of a writer, the cocktail swiller smiles and says, “I’ve often thought I should write books once I retire. How hard can it be?”

“And what do you do now?” the writer asks.

“I’m an engineer. I build bridges.”

The writer smiles and replies, “I’ve often thought once I retire, I’ll give building bridges a go. How hard can it be?”

How hard can it be?


No need for self-aggrandizement here. I’m not equating building bridges with writing books. They’re distinct skill sets. In our defense, I’ll say many people begin to write books but far fewer finish them. And to quote Thomas Mann, “A writer is somebody for whom writing is more difficult than it is for other people.”

People tend to underestimate any calling that is low tech that has a low bar for entry, of course. With all that is going on in the world, writers can be forgiven for feeling inconsequential next to the heroics of doctors, nurses, and scientists currently trying to save the world. Many workers are risking their lives to keep civilization rolling on, despite…well…everything.

But non-essential does not equal unimportant.

If you write non-fiction, you’re serving specific need and solving people’s problems (I hope). If you’re writing fiction, that has plenty of value, too. We provide a respite and, by Thor, we sure do need some distractions from the onslaught of news. Too much news can be harmful to our health. Stay informed and stay as safe as you can, for sure, but don’t get addicted lest depression, anxiety, and sleeplessness set in.

Fiction does something else besides mere entertainment.

Fiction is an exercise in empathy. When we immerse ourselves in a narrative, we experience the world of the book. Writers put movies in readers’ heads.The story allows them to feel for the characters, follow their journeys, cheer for the protagonists and boo the villains. Children who read more show a greater capacity for empathy.

From the electro-webs:

“A 2013 study from the New School concludes that ‘reading literature improves theory of mind’ – ‘the capacity to identify and understand others’ subjective states.’ As the authors note, theory of mind is critically linked to empathy, that all-important ability to intuit and experience the feelings of another.”

That’s important, perhaps especially now. Yesterday, I read an article about how the decimation of the United States Postal Service will slow the mail. The damage done affects not only the hope of universal mail-in voting during a killer plague. Americans depend on the USPS for their checks, their businesses, and even their medications. One example is diabetic doses arriving two weeks late! The crippling of the post office will hurt people dwelling in rural areas worst. Courier companies don’t do that work and are far more expensive for the services they do provide. The USPS is so important, it’s in the US Constitution. It was a useful service before the US Constitution was written.

Then there was this gem:

In the comment thread of the same article, someone wrote, “I’m receiving my medications on time just fine.”

Great. So this guy’s observation boiled down to, “This issue hasn’t hurt or killed me personally yet, so everything’s peachy.”

Trouble isn’t real until it knocks on this uncaring bastard’s door. That’s a critical lack of empathy. That dude needs to read books that transport him into other people’s experience. If he doesn’t, an uncaring bastard he shall remain!

Writers, you are needed.

~ I’m Robert Chazz Chute and I need readers. Check out my apocalyptic epics and killer crime thrillers at AllThatChazz.com.

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Do you believe in writer’s block?

Ever feel like a second-class citizen? Of course you do. Read this.

I last published on Christmas day, 2019. I’m very proud of Citizen Second Class and entered the year eager to dive into producing more novels and audiobooks. Then COVID-19 hit and, expecting to die horribly at any moment, the fire in my belly was extinguished. My OCD tendencies turned all their energies to wiping down doorknobs, hiding in my blanket fort, battling insomnia, and nagging my son about safety protocols. (To be fair, though he’s lost a year of school, the kid’s a real sport and I’m glad to have him on our team.)

As 2020 ground slowly on (what was May, 83 years ago?) my creativity and productivity faded. I’m still not the killer crusher I was on the word count front. I am improving for sure, but I still feel like I’m crawling out of a deep hole. Publishing five times a year without sacrificing quality or my senses was normal for me. I expect to publish two new books by Christmas: a prequel to This Plague of Days set in Ireland and a novel in the Citizen Second Class universe (which looks remarkably like plague-ridden Florida and Texas at the moment.)

I have a lot of books, so instead of writing, much of this year has been devoted to shorter bursts of fun stuff and to-do list chores: posting to social media, marketing and Amazon ads. The administrative stuff I used to do between writing sprints became the main thing. I’ve turned that model upside down and I’m back to prioritizing writing again. I promise myself to do one adult task a day. The rest of the time is for diet, exercise, and getting my writing career back to firing on all cylinders.

What are my weapons in this battle?

  1. Distance and distancing. Sorry, Americans, but being Canadian is soothing me at the moment. It’s generally safer up here in America’s hat. However, my wife works in the school system and will be returning to work this fall. Our relatively safe situation could turn to shit quite easily. We haven’t figured out how to handle her return to work yet. Dousing her in hand sanitizer and setting her on fire at the end of each day has been discussed, but I’m told that proposition is “shelved.” I’m not sure what that means, but now I’m afraid to ask.
  2. I am Captain Comorbidity. If I get it, I’m in grave danger. To give myself a chance lest I wind up on a ventilator, I went vegan almost two months ago. I’m losing weight and trying to eliminate a couple of the pre-existing conditions that could mess me up permanently. It’s working pretty well so far. I feel better and lighter. I even started growing my own food in our quarantine garden. So far, that’s yielded some lettuce and a cucumber crop of one cucumber. (Follow my daily accountability posts on food, exercise and writing on Instagram at robertchazzchute.)
  3. Insomnia absolutely robs my productivity. I feel run over the next day and can’t work. It’s been bad for years. Since COVID, it got worse. I have a sleep specialist to help with my sleep disorders and I spoke to him this week. The news was a bit disappointing. All he really had for me was sleep hygiene (protocols I know intimately already). However, with no other way out, I doubled down. Last night, I got three hours sleep. Two nights in a row before that, however, I got seven fairly solid hours. After the good nights, I have creative days and crush my word count goals.

    Healing my sleep is a process. I’m sticking with it because the alternative is miserable. Besides, with me sleeping in the cool basement under an open window and She Who Must Be Obeyed still in our bedroom, her sleep has improved.
  4. I stay home, of course. With the sunny days, I’ve taken to working outside. The blanket fort is nice for cold weather. Getting fresh air and sunlight are parts of my sleep hygiene protocol. Writing on the back patio is quite pleasant. I’m getting more words down. Good words. Words to publish, words to last.

    If you can change where and when you work, you might change the negative associations you may have with the attempt to settle down behind the keyboard. Try reframing and you might like the picture better.
  5. Very few people feel like running hard every day (and those few are being chased). I mean, THE COUCH IS RIGHT THERE! Lazy is easy. Distractions are easy. Doing shit is hard.

    Here’s how to make it easier:

    The hardest part is pulling on your sneakers and getting out the door. If you don’t feel like running five or ten miles today, tell yourself you’re going light, an easy two miles, all downhill and slow, with a tall cold glass of Guinness at the end as a reward. Once you’re out the door, resting inertia is overcome. You’ll probably go farther.

    So it is with writing. Don’t tell yourself you’re writing a book today. Your just going to put down maybe 500 words and see how it goes. The hardest part is starting. After that, momentum will probably carry you beyond those first, modest goals. And if not, not. A little done consistently is better than nothing done ever. It’s okay to take a day off. Writing is fun, remember? If you try and you’re really not feeling it, it’s okay to take a little time to recharge. You’re the boss.
  6. As detailed last week, I’m using accountability to keep me going: progress meters (see mine and the link to get yours from my author site AllThatChazz.com.) I’m also enjoying word sprints each Sunday, inspired by the Mando Method Podcast.

    Harness the power of a pre-existing writing community post your word count success to Twitter with the hashtag MandoMethod. Let #MandoMethod know and maybe author extraordinaire Armand Rosamilia himself will give you an attaboy!

That covers accountability. What else you got, Rob?

A friend of mine, author Gordon Bonnet, wrote a very down-to-earth post about his travails with writer’s block…or is it really writer’s block? Could changing fonts really help? Gordon’s got the scientific goods on his excellent blog. Have some tea and load up on the sympathy as you read his post on Skeptophilia. The post is titled Font of Creativity

Anything else?


When all else fails, grit your teeth, bear down, and deliver that baby.

~ I write apocalyptic epics and killer crime thrillers. Find all my books and more blog posts at AllThatChazz.com.

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Two simple tools that work for writers

Two productivity tools for writers are making me happy and spurring me to up my word count. This can work for you, too.

  1. Show off your word sprints/word counts every Sunday via Twitter!

    Authors and master podcasters Armand Rosamilia and Chuck “The Great Buuuuda!” Buda of the Mando Method Podcast pump up writers’ mojo with the carrot and the stick of encouragement and accountability. When you report your word count each Sunday, simply add the hashtag #MandoMethod. Their ever-expanding writing community will pay attention. Attaboys are waiting.

    Regular readers here will know I’ve had a hard time living the writing life in 2020. That’s true for many of us, for obvious reasons. This hack helped me immensely. Over four writing sprints through the day, my word count shot up to 7,223. Normally, I top out at 1,200 to 2,000 new words a day. This Stella is getting his groove back!

    You can’t edit a blank page. Write more, get the words down on paper or up on the screen and get that draft done.*
  2. Word count meters!

    I now have two on my author site for a couple of my works in progress.

    I searched for progress bars for writers. My research led me to several broken links and a bunch of tools that were sub-par. Then I found exactly what I wanted. If you have a cover, you can add that. Want to stick a link on it (to a teaser or a sample, for example)? You can do that, too.

    It’s a simple widget to add to your blog and easy to update. It also serves as a promotional tool that lets your readers know what great things are coming their way.

    The meters really get me amped and moving. I don’t want to see a static progress bar and measurement gives me a sense of momentum. That which cannot be measured will not be improved.

How did these productivity hacks work out?

Last week, one of the novels I am working on was an idea spun from a nightmare. The entire book dumped into my head as I awoke. I got out of bed immediately and took notes. The new manuscript was 2% complete on Saturday. Two days later, it’s up to 11% thanks to reporting word sprints and the dopamine hits I get updating the progress meters on my author site.

Check out my word count meters on my author site, AllThatChazz.com.

If you want to add a meter for your website, you’ll find the link “GET YOUR OWN PROGRESS BAR” under the word count meter for this book (down the right-hand side of the page.)

Note: That progress meter tool is not an affiliate link. I just try to find what helps writers and share the good stuff.



*I am so in love with word sprints now, I’ll be posting my progress via Twitter regularly, not just on Sundays. See you on Sundays, though. Remember to add #MandoMethod!

Follow me on Twitter @RChazzChute.

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When you are blocked

We are surrounded with things to write about, enough to fill all the novels you could write in a long lifetime. If you are feeling blocked, go down into your feelings. Mine your emotions and reactions to inform your characters.

We don’t have just one epidemic. Besides COVID-19, we have epidemics of:

  • loneliness
  • existential angst
  • ignorance
  • willful ignorance
  • plain old stupidity
  • fear
  • poverty
  • frustration
  • anger
  • sadness
  • grief
  • loss
  • claustrophobia
  • emptiness
  • loss of identity
  • feeling our best times are behind us
  • helplessness/lack of power

For drama to arise from conflict, before your narrative arrives at love, renewed love, redemption, or resolution, you’ll probably have to go deep on the lack of those ideals.

Name your poison. Write about it.

~ Robert Chazz Chute writes apocalyptic epics and killer crime thrillers. Check out all his books at his author site, AllThatChazz.com.

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A Warning for Writers

I’ve used Google Docs to work with editors and beta readers for most of my books. Not anymore.

In addition to working as a suspense novelist since 2011, sometimes I take on book doctoring projects. I’m collaborating on a paranormal series with the Armand (The Great) Rosamilia and working with Gari Strawn of strawnediting.com on something right now. All of these book projects depend on the use of Google Docs. I got a nasty surprise recently and, if you’re a writer, you need to know about it.

I had just completed my second round of edits on a book project for another author when I discovered that Google docs had failed me. I doubted myself, at first. Then the realization set in: I’d made edits and corrections but the changes I thought were saved came back!

This set off a wave of disappointment, irritation and not a little anxiety. I thought I was nearly done with the project. I’d already pulled my trusty editor, Gari, into the mix. However, the truth could not be denied. We had worked from one master file in Google Docs and we couldn’t trust it anymore.


You can’t trust Google Docs, either.

What to do? What to do? To quote Ed Harris in Apollo 13, “I believe this will be our finest hour.” Gari and the project manager were understanding and supportive, focused on solutions.

I had no choice. I had to switch to an alternative immediately. There are several alternatives to Google Docs. Some are free or have premium options. After reading a recommendation from another book publisher, I decided to try Zoho.

I went with the premium version since I’m managing book projects for myself and others. Fortunately, I could make Gari part of the Ex Parte Press team through the app but the Zoho Writer app is free.

Signing into Zoho, I was a bit frustrated at first. I found the interface a bit clunky and non-intuitive. All I could think about was how I had to get past this problem to meet my deadline. Time was of the essence and I didn’t want to have to deal with a steep learning curve.

Unsure Zoho would be a smooth transition, I tried the free Microsoft’s free online platform. They needed confirmation that I wasn’t a robot so I clicked the button for them to send an email confirmation to activate my free subscription. That email never came. Neither did the text to my phone. While I was waiting or Microsoft to get their act together, I figured out Zoho.

Zoho wasn’t so bad after I did a little bit of checking, experimenting, and googling. Perhaps my initial disorientation was because I was so used to Google Docs. Zoho isn’t terribly expensive for the power user, but it is a primarily a business application. That means it has the mojo for major collaboration, but it’s not built with writers and publishers in mind. (To be fair, neither was Word. Plenty of people used Track Changes in the old days. I always hated Track Changes. Reading those little red squiggles, I thought I’d go blind.)

Because of its orientation toward formal communications in the business world, Zoho’s correction engine throws up a lot of flags you won’t need. It’ll question contractions, for instance. Possessives, like “parent’s house” got a squiggle under it, too. I wish Zoho was integrated with Grammarly. It’s not. If I could make one change, that would be it.

For comments and collaboration, Zoho is better than Google Docs and Word. You’ll get a lot of false positive flags of foreign words, for instance, but at least the notations are clear and easy to resolve. If you leave the browser too long, you’ll have to reload, but reloading is quicker than Google Docs. I found the application was much faster, allowing me to bounce around the document.

There are other alternatives besides Zoho you could choose. (Here’s a link to alternatives to Google Docs.)

Whatever you choose, be aware that the changes you make in Google Docs may revert or fail to save. You could lose a lot of time and effort that way. I sure did. This setback came late in our editing workflow, so I’ll be pulling all-nighters through to the end of June to get back on track.

Fair warning.

~ You write books. Do you read them, too? I recommend that. I recommend you read my books. I’m a suspense novelist who writes apocalyptic epics and killer crime thrillers. Check out the glories and a whole lotta whatnot on my author site, AllThatChazz.com.

Looking for more work/life balance? Me, too. More of that on today’s post about the writing life, how I’m battling insomnia, losing weight (and winning).

Filed under: Books, Editing, Editors, getting it done, publishing, writing, writing tips, , , , , , ,

Should Writers Double Back?

I’ve been thinking a lot about how things change. Before the pandemic, I would eat up book publishing podcasts like a fat guy scarfing down fudge donuts. I had to retreat for a while before I could move forward again. Dark paths through the woods are like that sometimes. I’ll get back to those podcasts, but I had other things to do for a while, like wonder when COVID was coming to kill me and losing sleep over nightmares of talking panthers (which were also trying to kill me). Not a joke. Happened last night. Talking panthers with green teeth are unnerving.

A few other things have changed (besides permanently giving up on writing at a coffee shop).

  1. My first anthology was Self-help for Stoners. I’d won a bunch of short story contests and SHFS was my first self-publishing experiment. I had a few dry runs before I figured out the publishing process. Inspired by director Kevin Smith and Joe Rogan, I dedicated that book to them. I’ve met Kevin and he could not have been sweeter. He liked the book, too. However, his movies over the last few years have disappointed me. The guy who broke into Hollywood with the clever writing in Clerks has fallen into reiterating his cult films now. Red State was okay, but that was 2011. He can’t get back to doing anything as compelling as Chasing Amy or as original as Dogma. Creatively, he’s stuck in park. That’s less inspiring.

    As for Rogan, I used to listen to all his podcasts. Now I listen when he interviews a scientist. My politics don’t jive with many of his guests and he sometimes spreads misinformation. I’m more a past fan than a current enthusiast. He also gives Alex Jones way too much rope. This is not me “cancelling” Joe Rogan. He’s got the most successful podcast on the planet and who gives a shit what I think? The point is, were I to write that book today, he wouldn’t be included in the acknowledgments. Things change.

    Note: If you’re looking for a thoughtful and funny podcast where the hosts listen to Alex Jones so you don’t have to, I recommend Knowledge Fight. They break down his claims in humane and surprisingly serious ways that show how deeply that man needs help.
  2. When I began writing This Plague of Day’s back in 2009, Aspergers was among the preferred nomenclature. Now “on the spectrum” seems generally preferred (though individuals on the spectrum have their personal preferences, of course). I would say and write “on the spectrum” now. Diagnoses of autism have such a wide range of implications. What it means for the individual and their families is a vast continuum. On the spectrum is perfect in the diversity the phrase reflects. I wasn’t ahead of the curve on the vocabulary a decade ago. This is not an apology. It’s an acknowledgment that I do not own a time machine.

    On the plus side, I have heard a lot of positive feedback from many readers on the spectrum. They and their families appreciate that I touched on the issues of diagnosis, labels, and the varied coping skills possessed by parents, siblings, and caregivers. It’s a very small part of a huge zombie apocalypse trilogy, but since the protagonist is on the spectrum, those issues came up naturally. The mother and father did not deal with their son identically, but I portrayed their viewpoints sensitively. I know that because everybody loves the mute hero of the apocalypse, Jaimie Spencer. Despite their differences, nobody hates his parents or sister, either.
  3. Since I wrote This Plague of Days, health professionals have largely changed how they feel about masks, too. Years ago, I served in healthcare and was part of a meeting about planning for the emergency measures we’re dealing with right now. The expert advice was different then. Hell, the expert advice was different at the beginning of this year! Remember when massive global pandemics that affected everyone were a thing of the past? Good times.

    The consensus when I wrote TPOD was that, due to moisture in the breath, a mask did not protect the user after about 20 minutes because the barrier would soon be compromised. Look around now! You can’t get into a Costco without a mask and you know what? I’ve changed, too. I accepted the new expert advice readily and wear a mask whenever I venture out beyond the walls of my blanket fort. Not that I get out often. I stay put unless my mission to the Badlands is essential.

    Is there a next step?

    The logical question is: Should I go back and revise history to fit the present day? First, the blanket refusal, then the nuance.

    In my current circumstances, I have neither the time, energy, resources or bandwidth to go backward. So no, I won’t be combing through huge books I wrote a decade ago to ensure they vibe with a tiny number of people who might choose to be graceless in their reading. However, I am writing a prequel to This Plague of Days so I will update what I can in the new book.

    I would need a really good reason to double back. Besides, would I have to change it when the medical vocabulary changes again? The nuanced answer is: possibly. If I live long enough for words to be too far outdated, I would consider editing again if I had the capacity to do so. I never used it, but as a for instance, the term idiot savant used to be common parlance. That is unfortunate. So is the misuse and offensive use of the word retarded. I have not used that term unless I’m talking about fire prevention.

    In any case, I doubt I’ve written anything worthy of cancelling me. Might someone on the planet be offended? Of course. This isn’t my first day on the internet. What alarms me about some outlying readers is their demand that a fictional character’s experience reflect their own reality identically. That’s simply not possible and, not for nothin’, I’m writing entertaining novels aimed at making a splash and a wide appeal, not a boring biography for each reader.

    (Hint: Some ghost writers get paid big bucks to write those biographies for no one to read.)

    I do my best to get details right, of course. Authenticity in the contextual nitty-gritty provides the thrust and lift that allows the more fantastic aspects of a narrative to fly. There is also creativity and artistic license. One rather condescending reviewer gave me high marks creatively, but berated me for not using real street names. She suggested I was lazy. I’d named her city and she demanded it be represented accurately.

    To which I say:

    Fuck, no. Yes, of course I know what Google Maps is. I made conscious choices for good reasons which became apparent later in the series. With my artistic license, I can drive anywhere. No kibitzing from the cheap seats is required. She’s entitled to her opinion, but I don’t write novels by committee. I wouldn’t have been offended, but it stuck in my craw that it wasn’t a casual reader calling me lazy. It was another author. I’m sure she knows what artistic license is, so I guess that leaves being bossy.

    As for Kevin and Joe

    I used to like what they did so much more. I might again. I don’t think they’re bad people and everybody gets to like what they like. I expect others to show some grace, so I’ll aspire to transcendence, too. The dedication stays. They don’t inspire me now, but they did. They might do so again.

    Everybody ease up. We’ve all got enough to worry about. I’m really focused on trying not to die right now.

    ~ Feeling existential dread? Need a break? How about a rallying cry for some positive societal upheaval? I recorded a story from my anthology All Empires Fall. It’s called The Face of Victory and you can listen to my reading of it on my author site, AllThatChazz.com.

Filed under: COVID19, publishing, Rant, updates, writing, writing advice, , , , , , , , , , , , , , , , , , ,

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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