C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

For Anyone Who Has Been Pushed Around

Writing book descriptions is difficult, especially when your novel crosses genres. Mix apocalyptic and literary, for instance, and you’ve got a marketing problem. (And by you I mean me.)

Boil any premise down to its bare bones and it often sounds ridiculously stupid. You’ve seen the meme for The Wizard of Oz? Girl gets swept up in a tornado and kills a witch. Meets three strangers and goes off to kill again. How about Iron Man? Rich dude becomes a turtle to save the world repeatedly. Or The Metamorphosis: Salesman wakes up to discover he’s transformed into a cockroach. Nothing else much happens.

Endemic is set in a decaying New York after multiple rounds of the viral apocalypse have ravaged the United States. To cater to certain genre expectations, I gave readers the broad brushstrokes. Survivalists who respond to the title will get some tips they’ll like. Decoy gardens, solar stills, and compost toilets will intrigue that group of readers. But it goes much deeper than survivalist tips and doomsday prepper fantasies. The subtitle is Within Each of Us, A Power and a Curse.

Though Endemic is a dystopian novel, what’s it really about?

Amid the action, this is a deeply psychological novel. It’s about getting bullied and standing up to bullies. Ovid Fairweather is a highly sensitive person, an introverted book editor unsuited to dealing with marauders. And yet, with the help of her dead therapist, she grows and changes. She becomes a survivor thanks to her quirks, her strange obsessions, and the voices in her head. What’s her power and her curse? Memory. It’s the basis for all her regrets and all her potential.

Ovid has almost as much trouble with her abusive father as she does with the meanies out to steal her food. Several readers have contacted me to say (a) they love the novel, and (b) it reminded them of when they, too, were bullied. Resonance is great, but it’s not always comfortable. Events beyond her control force Ovid to adapt. In these troubled times, that’s a challenge we all face no matter who we are.

Writing Endemic was therapeutic for me. Through fiction, I got the weight of real angst and anger off my chest. That may not be what the survivalists who read apocalyptic fiction came for, but I’m betting the larger audience will dig it. (I’ve played this balancing act before in This Plague of Days, AFTER Life, and Amid Mortal Words.)

If you want great ROI your accountant will respect, write a long series to a particular niche with consistent and narrow branding on your graphics. That’s a more dependable approach to the business of writing. Alternatively, you could write across genres, defy expectations, and write a standalone book. It’s riskier, but I’m glad I did it. Your mileage may vary.

For anyone who has ever been pushed around.

Against those who do the pushing.

The DEDICATION of ENDEMIC

Filed under: Genre fiction, writing, writing advice, , , , , , , , , , , , , , ,

Writing Fairweather and Foul

I recently received the most aggressive fortune in a fortune cookie ever: For a good cause, wrongdoing may be virtuous (pictured). Sums up a lot of fiction, doesn’t it? It spoke to a central question in my newest big book, though! (See below. Oh, and by the way, Endemic is FREE today, Tuesday, November 2, 2021!)

How good does the cause have to be? How bad can I be?

Papa, Don’t Preach

In fiction, themes and messages are best when they emerge from the narrative organically. If a writer sets out to create a message from the beginning, it might turn into a lecture rather than a story. Readers want to be entertained. Don’t write fiction to teach them something. Set out to discover something.

Why Endemic?

Someone asked me why my latest novel is called Endemic. There are layers;

  1. Of course, when a pandemic doesn’t go away, the disease becomes endemic. That’s the broad stroke of world-building and the basis of my novel.
  2. Ovid Fairweather, the protagonist of Endemic, is neurotic and nerdy. A former book editor, she gets into urban farming to survive the viral apocalypse. She’s a very unlikely heroine who has conversations with her dead psychotherapist. To defend herself, she commits violent acts. A conflicted soul, she wonders if her capacity to do the things she does was dormant, waiting to emerge her entire life. Was her violent nature endemic? Was it learned? Or was it merely a reaction to terrible circumstances?
  3. So, was Anne Frank right? Are people basically good? And if they aren’t, can they be redeemed? What actions are required to achieve redemption? Who dictates which transgressors can be forgiven? What punishments await sinners? If a trait is endemic, can we change?

Disaster stories and horror are most interesting, not for the disaster itself, but how people react to circumstance. Can we come together or will it always be “every man for himself”? Human nature is fascinating. That’s the exploration boiling underneath all the plot, witty dialogue, and action.

Going Deeper than Good or Bad

There’s a common mistake anyone can fall into. It’s the notion that everyone is either all good or all bad. If they agree with you, they’re geniuses. If they mostly agree, but don’t use your phrasing, they’re idiots you need to educate. Cultural divides don’t get bridged that way.

In real life, people often have a hard time with others. When we find out heroes who champion our cause are flawed, we’re sorely disappointed. There are still plenty of people who don’t want to hear that Mother Teresa was for suffering or that their favorite Hollywood star treats the help horribly.

In fiction, we try to avoid portraying protagonists as flawless. Flawless is boring, so readers appreciate characters who are not paragons of virtue 24/7/365. Common tropes support the detective who has seen too much, so she drinks too much. The serial killer may be evil, but as long as Dexter likes kids and kills serial killers, we’re rooting for him to get away with his crimes.

When you write your novel, you want your characters to be relatable. Readers want someone to like. Avoid writing characters who are so perfect no one can dislike them. That character may be likable, but the story will have less conflict and end up being boring.

Ovid Fairweather is perhaps my most conflicted character yet. The past haunts her. She isn’t sure whether she’s the heroine or the villain. I’m confident most readers will root for her even as she waffles and worries. She is quirky and neurotic so Ovid has a lot of challenges to rise above, just like the rest of us.

Find out for yourself here

I was a nail. I am a hammer.

As the United States falls to disease, killers and thieves rule New York. Bookish, neurotic, and nerdy, Ovid Fairweather finds herself trapped in the struggle for survival. 

Bullied by her father, haunted by her dead therapist, and hunted by marauders, Ovid is forced to fight.

With only the voices in her head as her guides, an unlikely heroine will become a queen.

Fun, surprising, and suspenseful, Endemic is the new apocalyptic novel from the author of Citizen Second Class, This Plague of Days, and AFTER Life.

BEGIN YOUR NEXT BINGE READ

and

DO YOUR CHRISTMAS SHOPPING HERE.

~ For all my apocalyptic epics and killer crime thrillers, please do visit my author site, AllThatChazz.com.

Filed under: publishing, writing advice, , , , , , , , , , , , ,

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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