C h a z z W r i t e s . c o m

Write and publish with love and fury.

Multiple Streams of Income for Writers

I just watched The Martian again. Loved the book by Andy Weir, too. It’s still the best audiobook I’ve ever heard. The message at the end of the movie (minor spoiler alert) is that things are going to go wrong. Paraphrasing: You can accept that this is your end or you can do the math and get to work.

So it is with author careers. Shit will go south. Then what? Then you have to solve the problem, and the next and the next and so on. Even better, see upcoming problems and plan so a glitch doesn’t graduate to a disaster as soon as it strikes. 

What resources do we need to solve most problems?

To solve problems on Earth, we usually need money, support, information or time. You can buy time by outsourcing and/or sharpen discipline and management skills. You can hire support to leverage time. You can purchase someone’s expertise so you focus on the skills you’re best at. (Don’t major in your minor if you can help it.)

If you don’t have the money but you do have time, digging for information costs nothing extra except for your internet connection. However, the most common denominator here is money. We generally need more of it, especially if time is limited (and, let’s be real, when isn’t it?) Life is short when you’ve got big things to do like write books.

The answer used to be simpler: write more books. I gave that advice myself and once upon a time not long ago that was enough. Now we need more margin for error as we find our way to readers. We all need time to write and ways to find traction in the marketplace. Sure, you can find lots of advice about marketing your books, but how do we get more money to help us with all those variables? How do we pay for a Bookbub to sell more books when the books aren’t selling much in the first place? Advertising and investing in your writing career takes capital (not much, but if you’ve got nothing, not much is a lot.)

Ideally, it’s great to find multiple streams of income that are complementary to your writing career. These might include: podcasting, Patreon, selling t-shirts, selling at conferences, providing complementary services (editing, proofing, book design, formatting), advertising, educational products, ghostwriting, copywriting, publicity, virtual assistance for authors, webinars, speaking engagements, book signings, co-op ventures, organizing book promotions, co-authoring, participating in anthologies, teaching, screenplays, teaching how to write screenplays and Thor only knows what else. Cross-promotion and cross-propagation of ventures makes your other job or jobs a good fit.

What about repurposing material you’ve already created for different venues and audiences? Abel James, author of The Wild Diet, repackaged his offerings in smaller books as well as providing material (and new supplementary info) to nutritional templates he serves up in different ways on the web. For fiction authors, consider publishing prequels, sequels, box sets or an omnibus of your series. (This may not qualify as a reliable stream in your multiple incomes if it doesn’t sell or takes too long to get to market.)

But maybe none of the above appeals to you or you just can’t see a puzzle piece that fits with your writing career. Okay, work the problem. What can you do? How much do you need? What debt can you eliminate? What lifestyles choices can you do without to free up resources? What can you sell or trade? Are you willing to move? What are you willing to do to protect yourself from starvation and insecurity? How will you earn the capital you need to buy writing time, book promotion, marketing and investment in yourself as a writer? (And feed the baby?)

My solution was to take on four jobs. Two of the businesses are mine and I worked it out so I control my time juggling all my projects. Entrepreneurship suits me better than working for a boss. (Me and a boss? That couldn’t end well.) I write more books, yes, but with kids going off to university I need a cushion between me and homelessness as I help them on their way.

Until we can reliably meet our responsibilities with one source of income (preferably by selling tons of great books, entertaining the multitudes and earning fans!) we all have some financial problems to solve. If all you’ve got is a lottery ticket in your hip pocket, please give it some more thought, just in case that doesn’t pan out.

What are your multiple streams of income? Suggestions welcome. 

~ Check out my author site at AllThatChazz.com. You’ll find a helpful podcast and oodles of SF, crime thrillers, apocalyptic epics and a self-help book called Do the Thing! So do the things. It’s sexy to do things.

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Filed under: publishing, writing, , , , , ,

Writers: On Confidence

I just listened to a Tim Ferriss podcast with designer Debbie Millman. Good Q&A about designing our lives.  One of the takeaways for me was about confidence. Ms. Millman interviewed many successful people. She encountered only two who didn’t feel like impostors teetering on the precipice of defeat. The confident pair were octogenarians with long records of success. For everyone else, success is a moving target, ephemeral and slippery.

If you don’t feel successful, it’s okay. Even after you have some measure of success, chances are good you won’t feel big enough for your britches even then. On the other hand, I have run into individuals who are stunningly confident. They’re probably deluded examples of the Dunning-Kruger Effect. According to Wikipedia:

The Dunning–Kruger effect is a cognitive bias in which low-ability individuals suffer from illusory superiority, mistakenly assessing their ability as much higher than it really is.

From my experience, the people in publishing who sound most sure of world domination are novices. They tend to look at book publishing as a lottery and they’re a little too positive they’ve got the winning ticket with their first book.

The veterans have seen more failure so they aren’t betting on one book. They tend to look at each book as a journey, an exploration and an experiment. They also tend to look back on earlier efforts with some measure of regret: the writing that could have been improved upon or marketing mistakes were committed. More experienced authors appear more laid back about whether something hits. Even as they do a lot of smart things that make a heavy ROI more likely, they’re sanguine. They keep on producing. They don’t get sucked into review rages, shame spirals, bravado or defensiveness.

As a writer, it’s nice to have confidence but it’s not necessary. Do the work and enjoy the process more. Writing is its own reward first. Turning readers into fans is a separate thing, very different from facing the page and spinning out gold ink. 

Don’t worry about how much self-assuredness you possess or how little you’ve yet to earn. Confidence is a big soft pillow. It feels good until the stuffing gets knocked out of it. 

Just write.

~ I write science fiction, urban fantasy, apocalyptic epics and crime thrillers. Please do check out my books and podcasts on my author site, AllThatChazz.com.

 

Filed under: authors and money, publishing, Writers, writing, writing advice, , , , , ,

The Joy of the Staying the Hell Home

Most writers I know are trying to get out of their day jobs so they can write and do nothing but write. I’m in a bit of a different situation. I have four jobs. My wife, AKA She Who Must Be Obeyed, has three. We have plans to change that crazy trajectory but, for now, this is how we live.

Getting pulled in so many directions can be stressful, but it must also be said that we’re generally pretty enthusiastic about all we do. Nonetheless, precautions must be taken so exhaustion and burnout do not burst our overtaxed hearts. Not working ourselves to death is generally a good thing. That’s why I’m on vacation this week.

It’s not the sort of vacation where I lounge on a sun drenched beach. Who needs skin cancer? I’m not touring castles. I mean, castles are cool, but all that walking and bad food? Pfft! It’s not the sort of vacation where I fly anywhere. Especially since 9/11, air travel is a nightmare. I’m not enthused about the ordeal of going through security, allowing people to be rude to me and getting packed into a tube with irritable strangers for a death-defying trip on Air Schnitzel. I am staying the hell home.

This is a writing vacation and I couldn’t be happier. On the first day, I piled up 6,802 words. That might be a personal best. I can focus on creation and do nothing else. I don’t worry that I left the house unlocked or the stove on. I don’t have any other tasks looming overhead. What luxury!

When the economy went south, someone invented the term, “staycation,” to make a virtue out of poverty. We all need vacations though we don’t all get them. I am grateful for this opportunity. Don’t hate me because I’m relaxed. I’ve worked hard for this.

I know the story I want to write and it’s going great. It’s going so great, in fact, that I am about halfway through a new novel. I’ve committed to completing the first draft this week. The bulk of the rest of this year will be devoted to editing and publishing the many book projects I’ve managed to pile up in the last six months. You may call me lots of nasty names, but you can’t call me lazy.

I am always reluctant to take any time off but She Who Must Be Obeyed insists and she’s always right. Without fail, I return to work fresh and full of new energy and new ideas. 

My vacation’s writing schedule is full. I know it’s not a vacation in the truest sense. I really mean that I’m down to doing one job: writing stories to melt hearts, tickle brains and make you say: ah-ha, ha-ha-ha, oh my gawd and wowzers (repeatedly, in no particular order.) Since I’m used to juggling four commitments, one job seems remarkably easy, especially when that one job is writing. I love writing. I’ll even get more reading done this week, too.

I’m having a great time. If you want to talk, email or dance the samba, I’ll be available next week. If you haven’t had a pure writing vacation this year, I urge you to plan one if you can. When I make the big move back to having one job and one job only, every day will be like this: coffee, couch and laptop. Writing is the one job from which one can never really retire. Happily so.

Love and kisses to all (substituting man-hugs where appropriate.)

~ I’m Robert Chazz Chute. Catch all my sexy hexy texty epic weirdness at AllThatChazz.com.

 

Filed under: All That Chazz, self-publishing, writing, writing advice, , , , ,

How to keep moving forward.

My wife, She Who Must Be Obeyed, deals with a lot of sad, difficult and traumatic situations in her noble work. She helps a lot of people but it’s not easy. To combat the downside, she keeps what she calls a perk file. That’s where she holds on to commendations and thank you letters from those she has helped. Writers should have a similar file.

As an author, you will have disappointments. It’s inevitable. As I wrote in a post below (The Writer’s Curse) we are imaginative and therefore perpetually dissatisfied. Copy and paste your fave reviews to a special file for those dark days to come. When the disappointments arise, reread those five star reviews and fan letters. Cherish them and keep going.

I’ve often thought about quitting, especially when I’m overwhelmed. (Quitting isn’t always a bad idea, either. More on that in a coming post.) I did stop writing completely for almost five years. Those were not good years. For me, the dissatisfaction of not writing is worse than the bad writing days.

This week, a reader reminded me why it’s important to keep going. Stories are powerful. I replied, thanking her for being a reader, of course, but her letter is too important an inspiration not to share with fellow writers. She wrote:

Dear Robert Chazz Chute,

I read zompoc because I need to read something that takes me away from my reality – a genetic condition that slowly transformed the woman who could turn somersaults in mid-air to the woman in a wheelchair.
Fortunately,my sense of humour is intact.
Friends, family and NHS have stuck with me, so I’m lucky compared to most disabled people.
And the connection with This Plague of Days?
It distracted me from my pain – always present unless I’m asleep.
Yep. Stories are that powerful.
Even when they’re stories about unrelenting terror.
This Plague of Days is an epic piece of writing.
But you know that already.
I just felt like telling you that I know that too.
And thank you for writing something that set me free, for a while.

~ I am Robert Chazz Chute and I am often sad. I get misty reading this letter, but in a good way. I am less sad this week thanks to this reader. You can check out all my stuff at AllThatChazz.com, or just read and reread this letter to get inspired to write something epic that distracts readers from their pain. Distracting us from pain is, I think, what it’s all about.

Now I’m off to write more. Thanks again, to all the readers.

Filed under: All That Chazz, publishing, Writers, writing, writing advice, writing tips, , , , ,

The Movie of Your Book

People are still reading books, so don’t freak out. Humans are still voracious for good stories. However, that doesn’t mean they want to read words on paper or pixellated pages. We have a lot of competition for our inky offerings. Who has time to read a book when Netflix, Facebook videos and YouTube offer so many diversions to suck up our potential reading time? It makes sense that we leverage that video competition instead of merely combatting or denying it.

Sell more books by selling the movie of the book, too.

You’ve written a book or maybe a bunch of books. Meanwhile, Netflix and Amazon are doubling their offerings of original programming. They need stories. Maybe they need your stories. If you’re beating your brains out trying to make money on online bookstores alone, it’s time to think about expanding your repertoire to screenwriting.

If you’re interested in doing this, get a program to format your script correctly. Scrivener can do it. Final Draft is the industry standard. Final Draft will cost you about $250. Celtx is a free script program (with some paid upgrades for a small fee.) None of the above are terrible.

Amazon made the free StoryWriter App to make the formatting task easier, but it has one other little feature that is intriguing. In addition to saving your work anywhere you want, Storywriter includes a button to submit your screenplay directly to Amazon Studios. Yes, Amazon is serious about competing with Netflix by making it easy to send them scripts. Their desperate search for more original programming and the next big hit means another barrier to the gatekeepers has fallen.

This is not to say that getting a movie made is at all easy. It’s a complex endeavour. Odds are against your grand success, just like with anything creative. But we aren’t writers because it’s easy money. We’re writers because we have stories to tell and we want to reach a wide audience. Video means a wide audience.

Of all my books, I have two series that would best lend themselves to film adaptation, the Hit Man Series and Ghosts and Demons. One is a crime thriller and the other’s quite Buffy. Both would be fun to write so I’m fitting scripts into my publishing schedule this year. 

If you dig this, be sure to subscribe to the Scriptnotes podcast. On Scriptnotes, two working screenwriters educate, explode myths and comment about the art and business writing movies.

I’m not saying it’s easy. Nothing’s easy. I’m saying it’s possible. Maybe it’s for you.

~ I am Robert Chazz Chute and I write suspense, mostly about the apocalypse. Check out all my happy diversions from your doom at AllThatChazz.com.

Filed under: All That Chazz, Amazon, author platform, movies, My fiction, publishing, , , , , , ,

Novel Novella Experiments & a #FREE book

Metal Immortal (Small)

I’ve published three long SF novellas in the last few months. Metal Immortal is free today, so click that beautiful Kit Foster Design cover to get on board for some kick ass military SF reminiscent of War of the Worlds.

It’s a robot uprising that’s pulpy fun. Before Asimov made robots three laws nice, this is what robot mayhem looked like: the Next Intelligence taking over the world, subterranean subs and giant Zilla Class city-killers lumbering across the landscape. Lt. Avery is a Sand Shark pilot on a recon mission in the desert. Things go wrong quickly and get worse. 

What’s different is the experiment: four novellas build one big novel.

I love novellas for their lack of fat. This is action, action, action with nary a break. You’ll love Deborah Avery for her competence and jokes, but characterization comes through action. It’s still hefty enough at 30,000+ words, but it will go so fast, you’ll think it’s shorter.

You can read each of the three novella as stand-alones. The stories are interconnected, true. However, all the threads come together in Book 4 of the Robot Planet Series. The characters that survive the robo-apocalypse  join forces for the final epic battle in book 4: Metal Forever (coming in December.)

As usual, nothing’s usual. Big surprises and fun ahead. Please click the pic to join the adventure and, if you dig it, I’d really appreciate it if you left a review.  Thanks!

Talk soon,

Chazz

Filed under: ebooks, free ebooks, My fiction, new books, publishing, Science Fiction, , , , , , , , , , , , ,

Writers: When you’re down dooby-do, down, down…

Book Coer credit: SelfPubBookCovers.com/Shardel

Book Cover credit: SelfPubBookCovers.com/Shardel

  1. Some snooty, snotty gurus will tell you not to write faster than they can. Some fascists will tell you you’re writing too slow. This is why every scout must have their own compass. Don’t get lost. Use your own compass. Get away from the rest of the troop and leave them in the woods to feed the ticks and snakes. Find your way into town and get ice cream.
  2. No matter how much you accomplish, someone will tell you that you should never have tried and you’re doing you all wrong. Don’t believe me? Someone said recently that Stephen King can’t write. Seriously. 
  3. Sometimes, it seems we are surrounded by dream killers, trolls and monsters. Those cowards scatter like cockroaches and skitter under the fridge when you turn the light on them, though. They don’t talk like that to people in person. If they did, Mom and Dad would revoke their computer privileges. Adult trolls would have all their teeth knocked out if they tried that shit in person. Ignore and forget them. You’ve got worlds to build, stories to tell and braingasms to deliver.
  4. We are also surrounded by people who aren’t jealous and who bear you no ill will. These are people who take pleasure in the success of others. They actually want to enjoy your work and they’re ready to be entertained. They want you to succeed and they understand that another person’s success or failure has nothing to do with their destiny. Spend more time with these people. 
  5. I don’t have much for you if you’re feeling downtrodden. Nasty words sting. That’s what nasty words are built to do. However, it will ease your pain considerably to be one of the writers who inspire widely, encourage eagerly, coach privately and applaud loudly. 

The only remedy I know for dickishness is to make sure you don’t add another dick to the pile. Wherever you are, you can bring down Earth’s Dickishness Index today and every day. It’s a beautiful life. 

~ Robert Chazz Chute then nodded and smiled to all assembled, leapt on the back of a unicorn, galloped over a rainbow bridge and retreated to a magical cave to create another fabulous nightmare of the coming apocalypse. Find out more about his visions of our robot, zombie and demon-filled futures at AllThatChazz.com. Cyberpunk? Dark fantasy? SF? Mysteries? Thrillers? That’s all that Chazz jazz. 

Filed under: writing advice, ,

Fierce Lessons, The End of the World and a free ebook

Enough of worries about Amazon KU and the coming apocalypse. Let’s talk about a fun little Armageddon.

It is time for great fun and a free ebook, isn’t it? Please click the covers for your links.Fierce Lessons (Large)

The third book in the Ghosts & Demons Series, Fierce Lessons, is now available.

In your new favorite dark urban fantasy, join the Choir Invisible to save the world.

Come to fight demons in California. Stay for the very Buffy banter. 

End of the World (Large)

Click the image to get The End of the World As I Know It. Climb into the ride that is book two in the series and see what blows up from New York to Iowa.

Oh…but you want the first in the series, right?

You want to meet Tammy Smythe and see how the adventure begins.

AND YOU WANT IT FOR FREE!

For a limited time, you can get a review copy, sweet and easy.

Click The Haunting Lessons below and

shoot over to my author site, AllThatChazz.com, to join the Choir Invisible and find out what all the fun is about.

The Haunting Lessons (Large)
From Iowa to New York, the world is changing. You can’t quite see it yet. Then you’ll see it everywhere. 

Filed under: armageddon, dark fantasy, demons, ghosts, holly pop, new books, robert chazz chute, , , , , , , , , , , , , , ,

Cliffhangers and Amazon KU

So there I was reading a blog from Wise Ink about the ups and downs of Amazon’s new page count policies for Kindle Unlimited payouts. I ran across this concern:

“But no piece of writing should have a cliffhanger at the end of each and every chapter.”

That’s one of the dangers? Compelling page-turners?

Um…hm.

I think some people (a vocal minority) say they hate cliffhangers. It’s that thing that keeps us reading and keeps us coming back to television shows from week to week and year to year. Even if we think we hate it, we keep coming back.

Dickens did it. Many authors I love do it. I think every chapter deserves a word button that encourages the reader to stay up all night and get fired for falling asleep at work the next day. Isn’t that part of the fun?

Wise Ink is a fine blog with a lot of great content. I’m not crapping all over them for one statement. Let’s not make it about Wise Ink. 

Instead, I will ask this:

Look at that bold assertion and let me know: Why or why not?
Discuss.
Am I way wrong?

Thank you.

Filed under: Amazon, , , , ,

Game of Thrones and The No Apology Tour for Writers

Successful fiction always depends on conflict and often relies on surprise. The mechanics of telling stories successfully are not secrets. That’s why this article decrying the latest developments in Game of Thrones is a little annoying. Maybe they were just going for click bait. It seems the critics want to go to Vegas and gamble, but they want everyone to come home rich.

Vegas doesn’t work that way. Neither does compelling fiction. Bad things happen. People die. Deal with it…or don’t watch or read Game of Thrones.

I’m sure some fans are earnestly distressed at things that occur in the show. However, what happens in fiction stays in fiction. Those characters people love and love to hate do not reside on Earth. They are in Westeros and that’s a terrible and dangerous place to live and die. The show’s producers could suck the scary out of it, but then everyone would complain and no one would watch.

People complain George RR Martin kills off his characters. That’s the risk that makes it worth reading and watching. The sense that “anything could happen” is what is missing from other, lesser, books and shows. If you watch a game where everyone wins, everybody’s bored. Even the winners would stop playing to seek out more challenging pursuits.

If you want reassurance that everything will work out, watch iCarly reruns (as I do.) If you want a complex story that’s a gamble every Sunday night (as I do), watch Game of Thrones.

Yes, to some degree, what happens in fiction doesn’t stay in fiction.

What happens in Westeros might make you squirm or cry or feel disgust. That’s why you’re watching. If it didn’t affect you and it doesn’t make you care (like the last season of Dexter) then we won’t watch or we’ll hate-watch. Oh, Dexter, you fell so far.

Same with reading. A good story has stakes and people lose and die. All sorts of terrible things can happen and that conflict keeps more people riveted to the screen (even if, perhaps especially if, they have to look away sometimes.) What pushes some away will pull more closer, like watching a car accident. You want to look away. Maybe you should. Most won’t.

A few other thoughts about misconceptions about fiction*:

1. It’s not “manipulation” if I make you hate or love a character. It’s good storytelling. 

2. If you recognize a theme or element from something else, that doesn’t make it a copy, a tribute or plagiarism. It just means there are only so many stories in the world. As an author, I’m only obligated to tell my story with my unique voice (and a pantload of panache, thank you very much.) There were, no doubt, other stories about similar topics. (But they lack Chazz.)

3. Just because a way of telling a story is not something you’re used to reading (e.g. second person) doesn’t necessarily make it “experimental” or “bad.” Don’t say to an author (as one friend of mine was told) “Nobody does it.” There are plenty of examples of alternate POV books.

4. The familiar plot device (sometimes observed pejoratively as “tropes”) is what makes many stories work. You could come up with something more elaborate than the old reliable ticking time bomb under a seat, but make it understandable. (GoT came up with a bad guy in an insurance salesman for mariners. You had to watch the explanation a couple of times to get the gist. They should have used a trope. Instead, they confused viewers.)

Tropes are only bad if you get bogged down in too many of them. Readers want to be surprised, but tropes are touchstones which ground the story and make it comfortable for the reader. A writer once pitched me a story utterly devoid of tropes. Unique, it was. Understandable, it was not. (Yes. I’m quoting Yoda.)

Genres also have specific expectations that you don’t necessarily want to avoid. If the couple doesn’t get together at the end of a romance, that’s not a tired trope. That’s an expectation the reader paid for. Romance readers want you to land the plane safely after a stormy flight (and possibly a slap and tickle in the washroom.)

5. If you’re very familiar with a non-fiction topic and read a book aimed at beginners, it’s churlish to snark, “Nothing new here.”

6. “Churlish” is a word that should be used more. I’m also a huge fan of “groovy.” Use it today! (But not “far out!” Forget that crap.)

7. “It’s been done,” is an dull barb. Everything has been done. It’s up to us to write it in a fresh way.

8. I don’t owe you a happily ever after ending and I never guarantee it. When I come to the end of a story, I write satisfying finales. The conclusion might be happy. Might not. Spin the wheel and find out. I don’t write soothing books for children.

9. Some people, like me, say they “hate” cliffhangers. We’re a vocal minority and we don’t really mean it. If you’re writing a series and you advertise it as a series, the reader should expect some questions to be answered and others to be raised. I “hate” Walking Dead cliffhangers. You know…that thing that brings me back to the television set for the next episode every time? People hate cliffhangers most when the device is effective.

10. I don’t write for readers first. I write for myself first. I’m at my desk or a coffee shop or on my couch when I write and I have no idea what “readers” (that amorphous mass waiting out there in the future somewhere) will like. I don’t write by committee. I can’t take a poll. I can’t work to a writing prompt. There is no formula. I just unearth the story and what ignites, burns. I know what I like and I’m hoping readers will climb aboard my crazy train. I’m not looking to board someone else’s commuter bus.

11. Politics shows up in my writing. So does religion. My worlds are populated with all kinds of social interactions (gay, straight, minorities, right and left.) No apologies. Whether the world is post-apocalyptic or I’m writing in the slow apocalypse we’re in now, my books are populated with people. People have opinions, so characters have opinions. They worry about what might happen to them after they die so God comes up for discussion. Some suffer existential angst. Not all the opinions I write about are opinions I happen to share. NO APOLOGIES! Characters come alive in readers’ minds because of familiarity. Depth and resonance come from dealing with big questions. I regret nothing. 

12. I don’t always answer those big questions in a way every reader is going to like, either. I often let the reader figure out for themselves how the big gears of the universe turn. However, if someone is prepared to send me a huge sum of money, I could rewrite a book that aligns perfectly with every ideology that person holds. I’ll hate it and only that person will read it, but I do have kids to send to college so…there you go.

13. I scratched me a book. Everybody gets an opinion, but the writer doesn’t have to listen to that opinion. If you do listen to that opinion, know this: someone will tell you something is grammatically wrong, but they are incorrect. (They’ll also tell you in the same breath they’re an authority.) Someone will declare they’ll never come back for more. You can go back and fix something and/or write another book. You’ll get better the more books you write (if you get feedback from an editor or writing group etc.) The review you read today that is depressingly kind of accurate in some regard will be a cause for laughter at cocktail parties in a few short years. Forgive yourself and assume no one else will.

14. I can write books fast. I can write books slow. If you write faster or slower, that doesn’t make it de facto better or worse. The calculation in that criticism (usually coming from slower writers) almost always deletes the crucial variables: x = the quantity of procrastination divided by y = we are all different.

15. When we put ourselves out there and stand up on our hind legs and dare to speak or write or paint or sing, someone will think they know us. They’ll make assumptions about us, even people who should know better. If you write about zombies, they might assume you’re dumb. If you write erotica, your neighbor might skip straight to slut shaming or ask you out. If you write “literary” they might assume you’re smart and rich.

Though it’s awfully tempting to think so, no one knows us through our books. Fiction reflects reality in a warped mirror. Fiction is not reality. No one knows another’s mind. The writer, in writing mode, remains a cipher. Therefore, ignore the people who are looking for clues to your psyche in your writing (even your Mom) and write whatever the hell you want. It’s not about you. It’s about telling a good story and engaging those who dig your chosen flavor of crazy. Writing crazy shit doesn’t make me crazy. Writing crazy shit keeps me more sane.

16. Don’t write what you know. Write what you care about. Supporting details will be researched or they will be made up. Unless you’re writing a textbook on thoracic surgery, it’ll probably work out.

17. It’s tempting to make people think that writing is arduous. If so, maybe you should try writing something funner. And use the word “funner” more often. (Thanks to comedian Greg Proops for that.) When people complain about the task of writing, I suspect they’re either in the wrong head space at that moment or in the wrong business altogether. I’ve done hard labor and worked retail. That was awful. Writing is a joy and, usually, it’s play.

*This blog and this post is not aimed at readers. It’s aimed at writers. I mention this because, though some readers suffer these misconceptions about the craft, that doesn’t concern me. That’s their business. I’ve met writers who fall for them, though, and that’s a worry.

~ I am Robert Chazz Chute. I’m a suspense novelist who is much kinder and more patient than this post may make me appear. Visit my author site, AllThatChazz.com, for updates on new cars added to my crazy train.

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Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

Write to live

For my author site and the Chazz network, click the blood spatter below.

See my books, blogs, links and podcasts.

I interview the people you need to get to know.

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