C h a z z W r i t e s . c o m

If you’re new or newish to independent publishing, you may wonder how much has changed since the early days. Some things have changed little. Here are a few similarities and a lot of differences between now and a decade ago:

• Ten years ago, champions and detractors of the movement both called our new outlet self-publishing or indie publishing. Indie creators pointed to filmmakers who also called themselves indie. The cred didn’t transfer well. Now we understand that readers shouldn’t be able to tell the difference between an independently published book and the latest from Simon & Schuster.
• When KDP was new, we called it the Amazon Gold Rush. As soon as the term was coined, everyone speculated how long it would last. There’s no firm time of death, but it’s definitely been over for a long while.
• Bookbub promotions were much easier to get. Advertising was generally cheaper, though reach was a bit shorter.
• More book promotion sites are available now, and their newsletter lists are longer than they used to be. (Search book promo sites and you’ll get a lot of options. e.g. Booksends, Robin Reads, Freebooksy, Bargainbooksy, The Fussy Librarian, Ereader News Today, Kindle Nation Daily, Book Barbarian, Rebel Reads, Books Butterfly, and so on.)
• We didn’t have Vellum to format books. I even formatted one or two books before Scrivener came along. That was a slog. Vellum makes formatting easy now, but Scrivener also serves as a writing tool and is cheaper.
• There weren’t as many programs to assist with editing and those that were around weren’t nearly as good as they are now. We still need human editors, but the machines are saving us time with the easy catches.
• The publishing camps were more entrenched in the old days. You were either indie or you had a contract with trad pub. If you were the latter, you pointedly referred to yourself as a “published author” on social media. There are many more trad-pubbed authors crossing the line to go indie or hybrid now. They figured out it was possible to gain control, make more money, and get more transparency. (No more waiting for incomprehensible sales reports from a publisher twice a year. Now you can get a tally of each day’s sales! Whee!)
• Agents used to wield more power. Some even made sport of the submissions in their slush piles. Then most realized such denigrating behavior was bad for their business. A lot of would-be authors wised up and stopped being wannabes. Rumors of bad agent behavior get called out quicker and the bad smell lingers.
• Even though you can hire the same editors and graphic designers who once worked in traditional publishing, there’s still some stench on publishing your own books. Outdated ideas die slowly, usually along with the brains that held those stale ideas.
• As new publishing developed, a bunch of gurus emerged with plenty of courses to sell. They are not all created equal. Be especially cautious of those who break their arms patting themselves on the back. If they get most of their money from courses instead of selling their own books, that’s a red flag.
• Organic reach used to be easier. You could sell your old book simply by publishing your new book. A popular blog might be enough to gain sustained attention. Now you’ve got to advertise and promote more. Successful authors tend to have podcasts, eager fans, a fast publishing schedule, and newsletter subscribers to the moon and back.
• Reviews seem much harder to get these days. (Insert heavy sigh here.)
• You used to be able to respond to Amazon reviews. Few authors thought it was a good idea to do so, but on those occasions when it seemed necessary, it was nice to have the option.
• Way back when, we were all convinced a savvy competitor would rise and give better terms than Amazon. It was logical and expected. Didn’t happen.
• One might assume that non-Amazon platforms would copy their business model because Amazon sells more books. (There are exceptions, mostly dependent on genre. However, for most authors, Amazon income dominates.) Anyway, that didn’t happen. Amazon puts customers over curation. Others still treasure curation, so who you know matters.
• Draft2Digital has made uploading to multiple sales platforms a breeze. I remember contacting Apple in the early days of the revolution. I asked how to upload a book to their sales platform and their reply could be characterized as both bewildered and useless.
• Goodreads always had an angry contingent of meanies. The site’s user interface was never intuitive. If they were going to fix those problems, surely they would have by now.
• Audiobooks were a thing, but they were much less accessible to creators. They are still expensive to produce unless you go DIY. However, the future of audio isn’t just bright. It’s loud. Audiobooks demand less attention. You can do the dishes and listen to an audiobook. That’s why we must make the move to record our books.
• From my sampling of indie creators, many of us are more professional in our presentation than we used to be. As ever, we hate typos and plot holes. Now we have editorial teams, street teams, and beta readers to help us out. Many books from independent creators have more eyes on the lookout for problems than books created by big publishers. To trim costs, many big publishers purged their editorial departments years ago. That’s often where your skilled freelance workforce comes from.
• Hardcovers on Amazon are a recent addition. Ingram Spark has some competition is this regard now. Endemic is my first book available in hardcover and it is beautiful!
• There are plenty of podcasts about books and book publishing now and some are excellent. I miss some of the old ones, though. Old heads will remember Simon Whistler’s pod. The Self-publishing Roundtable and the Self-publishing Podcast are gone. So is the Author Strong podcast. Alas. Good times.
• Good news: There are so many resources available, we can all improve or maintain our level of skill and professionalism.
• Bad news: Your parents still wish you’d finished dental school or gone ahead and become a corporate lawyer who hates her job, herself, and everyone else.

What I hope hasn’t changed too much is you.

Learned and grown in the past decade? Of course. But I hope your level of passion for making art with words still burns bright. I hope you still get up each morning eager to entertain, inspire, and inform readers. Artists die, but they don’t stop creating. The connections, wonder, and experiences we share live on. If you’re a writer and you have readers, you’ve got a chunk of immortality.

I’m running a massive promotion for Endemic.

For the next few days, this ebook is free.

New York has fallen apart in a pandemic that never ends. Ovid Fairweather is a nerdy and introverted book editor trapped in the viral apocalypse. She’s dodging marauders and becoming a badass, but at least she’s still talking to her dead psychotherapist.

Find out how she survives here: mybook.to/MakeEndemicGoViral

I write apocalyptic tales with heart and killer crime thrillers with mirth and muscle. See links to all my books on the author site, AllThatChazz.com.

Filed under: publishing, Amazon, book promotion services, books, Endemic, Endemic by Robert Chazz Chute, indie authors, indie or trad, publishing podcasts, publishing trends, Robert Chazz Chute, self-publishing, the future is audiobooks, writing