C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Sell More Books Top 10: Variables that build success

We often don’t know for sure which strategies sell more books so we have to fire a lot of bullets into the darkness. Last week, the best advice I heard, repeated from a couple of authors, was about the willingness to experiment.

When it comes to radioactive isotopes, infant juggling and indie publishing, it’s good fun to mess around. Play with the variables to sell more books. What are some of those variables? Here we go:

1. If your cover doesn’t sell the book hard enough, change it.

Write Your Book: Aspire to Inspire wasn’t selling the numbers I wanted. I changed the cover.

WYB NEW COVERcover

2. I played with categories for the Hit Man Series.

My funny and luckless assassin is Cuban, so I tried the Hispanic & Latino category. Didn’t work. I switched it back. Each failure is a refinement. It’s not permanent so relax and fire more shots into the dark.

3. I’m experimenting with keywords, too.

Did you know you don’t have to use a single word (i.e. crime, thriller, action, romance) for keywords? You can add up to seven phrases and it can pay to make them less generic. Cater to your niche and, for more on this strategy, listen to Nick Stephenson’s interview on the Rocking Self-Publishing Podcast with host Simon Whistler. It’s called “Quadruple Your Kindle Sales.” That got your attention and turned you into a podcast listener, didn’t it?

Don’t forget to play with changes to your book descriptions, as well. Use keywords where appropriate. Don’t fall into the trap of awkwardly stuffing keywords into the description so it sounds like you’re straining to please search engine robots.

While you’re plugging podcasts into your head, please do listen to my interview on Episode #60 of Rocking Self-publishing. We had a lot of fun talking about how to enjoy marketing your book.

4. I changed the cover for my poetry book, too.

Poetry is hard enough to sell so don’t handicap your efforts with a sad cover like I did. I changed the cover using an image from Pond5 and switching back and forth from two photo editors, Picmonkey and KD Renegade. 

As always, I recommend the awesome cover design work of Kit Foster of KitFosterDesign.com. He wasn’t available this week, so I improvised. It’s an improvement on the original cover (which was my fault, not Kit’s. The original crap cover was my design, too.)

BRAINGASMS FINAL cover

5. My biggest change was long overdue.

My first book was a fun, funny and thoughtful short story collection to read on the toilet. It’s called Self-help for Stoners. Unfortunately, I uploaded my first indie published foray through an intermediary. To make changes to the text cost a lot of money. It needed another edit so I have reclaimed the book from the intermediary. Huzzah!

I did the edit for the second edition. I added bonus material (big tastes of two of my series) so it could act as an introduction to my kind of crazy. Finally, it’s also a sales funnel to my newer books. 

Self Help for Stoners JPEG

I can do more with this book now, like experiment with variables. I can play with the price, keywords and categories. I can change strategies as needed and put it in KDP Select and try countdown deals etc,….

The print version of the second edition will be for sale again soon so I’ll have more to sell for the Christmas season. Most important, with these changes, I’m delivering a better reading experience along with all that awesome hilarity. It’s a relief to be back in the driver’s seat.

6. Speed.

I’ve been thinking a lot about production speed as marketing. I’m changing my production timetable. The third book in the Hit Man Series hits October 1.

HJ COVER FINAL LADY IN RED

The goal is to put out another crime novel thirty days after that. Thirty days later, the plan is to put out a time travel novel. The books are all written and in the editorial pipeline. I’ll also add an omnibus edition of the first three books in the series.

TWEAKED JESUS OMNIBUS COVER WITH CROSS

The goal is to avoid falling off the cliff. All authors experience the cliff. After a month on Amazon, your beautiful baby is old news and sales tend to begin to slide as you disappear from the list of freshly minted books. Publish a new book more often and all your sales may be buoyed…assuming all the other variables are properly in place. For instance, if the story sucks, nothing can save us.

7. Accept failure as part of the play in the gears.

Please keep in mind that you can put all the sales variables in place, but that does not necessarily mean the book will move. It should move more, but there are too many variables we can’t control. Maybe you’re going head to head against a book with tons of mojo and money behind it. Maybe you’re at the top of a genre that is stone cold. Maybe the book just isn’t that good or you’re an unrecognized genius. (So many of us are. I empathize.)

All we can do is write more books and play with the variables that we can control. I should get a blurb for the Self-help for Stoners cover, for instance. That task is on my list. Blurbs help. More reviews help. Maybe more review copies to book bloggers is something to change up. Or do you need to change the book bloggers on the list you already have?

8. Make plans.

This might be a new idea you want to resist because you’re an artiste, dammit! I know, but work to word count or page count goals and editorial deadlines, anyway. I always get more done when I pretend I’m a grown up.

9. in that vein, establish systems.

When you learn the steps to how to do something once (e.g. putting out a podcast or compiling manuscripts in Scrivener), write what you did right. That way, you don’t have to start at zero knowledge each time you repeat the task. Systems are flow charts of mistakes you corrected. It’s a great way to avoid making the same mistakes with your next project. Put it in a binder within reach of your desk. Update it as you go.

Sure, taking the time to put what you’ve learned into binders sounds like drudgery. However, systems actually make you efficient and eliminate the drudgery of reinventing the wheel each time. Tiny course corrections steal far less from our precious writing time. (Tip: Take screenshots of your winning Scrivener process to make it less tedious.)

10. Speaking of finding efficiencies, track results.

That which is not measured cannot be improved. Repeat the variables that seem to work. Dump what doesn’t work, no matter how much you loved those seemingly brilliant ideas. Old ideas that don’t work can weigh us down as we climb the mountain.

BONUS:
Get better with each book.

This will happen organically. It will happen faster if you organize the variables in that binder.

Pretty soon, you won’t be firing bullets in the dark. You’ll see what hit and become a sharpshooter.

 

Filed under: author platform, Publicity & Promotion, publishing, , , , , , , , , , , , , , , , , , , , , , ,

My Rant about the #ALS #IceBucketChallenge

Some do complain about dumping ice water on people. However, that act has pumped up donations and spread the word farther and more effectively. I was going to rant about this, but my friend Eden Baylee said it fine, so here it is. The ALS Challenge is a lesson in marketing and charity and reasonableness and love. Maybe even solutions to a wretched disease, I hope.

eden baylee's avatar

I haven’t had a rant in a while. Perhaps nothing has rattled me that much lately, so I’ve let things roll off me like water off a duck’s back. Speaking of water …

By now, most of you are aware of the ALS Ice Bucket Challenge. ALS, (amyotrophic lateral sclerosis) also known as “Lou Gehrig’s” disease or Motor Neurone Diseases in the UK has come up with an innovative way to raise money for its cause. The Challenge dares nominated participants to be filmed having a bucket of ice water poured on their heads and challenging others to do the same. Recipients of the Challenge have 24 hours to comply or they are asked to make a donation (originally set at $100). The Challenge has gone viral with the participation of celebrities and other public figures. Facebook and Youtube are popular media outlets for sharing the videos.

As the movement…

View original post 488 more words

Filed under: publishing

Laugh Riot: The Rocking Self-publishing Podcast

This Plague of Days OMNIBUS (Large)I’m on Episode #60 of the Rocking Self-publishing Podcast with host Simon Whistler! Hoo-freakin’-HA!

We talk about having fun with book marketing. In fact, the whole interview was really fun. I laughed a lot. Simon edited out all the instances where I made him laugh milk out of his nose (I swear.)

Listen for the jokes, stay for the marketing discussion. Available everywhere!

Here’s the link to The Rocking Self-Publishing Podcast.

Enjoy! I sure did.

(Curious about my blog and podcast network? You’ll find that here at AllThatChazz.com.) 

Follow me on Twitter here. I follow back for writers and readers.

Join me on Facebook here.

Thanks!

Filed under: publishing, , , , , , ,

Amazon Publishes Hachette CEO’s Email in Latest Salvo Over E-Book Pricing

I think the letter many of us received was Amazon’s first misstep in its battle with Hachette. As an independent writer, I benefit from Hachette’s inflated prices because I’m the less expensive (but damned entertaining and adorable) alternative. The outcome will be determined at the negotiation table, not in the press. Most book buyers are unaware of this drama between titans and, on the Hachette side of the debate, the NYT ad is also an irrelevant waste of money. I suspect Amazon will use tougher tactics soon, if only to get Hachette to the table. Hachette is without a distribution contract, so when Amazon decides to clamp down, Hachette will long for the days when they could complain their authors no longer had pre-order buttons. These will be the good times.

Filed under: publishing

C’mon, Book Marketing Isn’t That Hard

You’re subscribed to JW Manus, right? It’s a good idea.

Jaye's avatarQA Productions

QuinnMarketingI see and hear about a lot of writers wanting to sign an agent and go for a traditional deal because, “The agent and publisher know how to market my book and I don’t. It’s too hard.”

Nuh-uh.

Here’s how it works: Agents know how to market to certain editors; Editors know how to market to their editorial heads and marketing departments; Marketing departments know how to market to retail distributors. What none of them know (or maybe they don’t bother with) is how to market to readers. That’s the writer’s job. Trad or indie, if you don’t know how to market, your books are sunk. In fact, if you don’t have a marketing base before you submit to either an agent or editor, your chances of even getting a second look are slim to none.

What’s a poor writer to do? Panic is not an option. Truly, marketing is…

View original post 1,668 more words

Filed under: publishing

The Revolutionary Writer’s Manifesto: Ride that moose!

There is a myth a few really believe. It is the Myth of Originality.

Let’s pop a bubble. There are no new stories. I’ve seen a few stabs at a truly new story, of course. Those experiments are often bloody awful and unrelatable adventures amongst amoebas dwelling in the rings of Saturn. Screw amoebas.

Plots round the same bases all the time:

1. Good versus Evil.

2. Boy gets Girl (and variations thereof).

That’s okay. When a reader complains a story is unoriginal, they probably really mean that it is derivative. Unoriginal and derivative are two different things. It’s derivative if it overshoots homage, feels too much like something familiar while falling short of plagiarism. No story fails on unoriginality alone or all movies of the last few years would be failures.

What readers want is originality in execution, a unique voice and an uncommon angle or viewpoint. You’ll either give it to them or you won’t, but don’t be a weathervane, spun by the whim of the latest review.

This Plague of Days, my apocalyptic saga, has been criticized because it started out in one plausible place and ended in another, rather magical place. That place is not derivative. It is merely unexpected and I make no apologies. I confess, I’m a little flummoxed by folks who find zombies plausible but roll their eyes when vampires show up.

Anyway, why should I apologize? The reasons given why a few don’t like my story choices are the same reasons the majority love it. If, amongst the action, we take a chapter to deal with the origins of good and evil in the universe, that’s my choice. The metaphysics chapter is my favorite…well…that and the many chapters where a horde of the infected attack Wilmington, Vermont.

Write for you, the writer.

If it doesn’t sell, that one was always just for you. At least you’ll be happyish with it. If you write for the crowd you imagine, you’ll often write for no one. Some people manage it well. They make a good living writing similar books and plumb expected veins. If that’s you, you do you and I won’t complain if you’ll let me do my thing, too. In fact, congratulations and good for you!

For instance, I don’t read Dan Brown, but millions do and they love his work. I bet he achieved that by writing for himself. Yes. Let’s not be cynical. He’s not writing by committee and poll and he’s entertained millions. Consider JK Rowling, too. Harry Potter started a copycat industry, but what she was doing wasn’t popular when she began. She wasn’t chasing a market. She was chasing her dreams despite being told by so-called experts that children’s literature would never give her a big payday.

Follow your vision. As we say in the snowbound depths of Canada ten or so months of the year, “Break trail. Ride that moose!”

The Feedback Tightrope

I’m not advocating that anyone operate in an echo chamber. I do get feedback from beta readers and I’ve altered choices because of that valued feedback.

However, some people seem to think they should have more input into those choices. “I wouldn’t have written it that way.” To which I say, “Go write your book. I wasn’t trying to read your mind through a time machine when I wrote mine.”

The Statute of Limitations

I’m not going to give you solid numbers on what or when anyone can use a recognizable device again. There is no number. All I ask is reasonableness.

If This Plague of Days feels too much like The Stand to you, my reply is:

1. Thank you for the compliment! I love The Stand and it’s a big favorite among Stephen King fans. I’m not copying it but I recognize the similar elements, sure. I regret nothing.

2. “Similar elements” does not equal derivative. My characters are unique. It’s a different story in the same genre, that’s all.

3. The Stand was published in 1978. If not now, when am I allowed to write This Plague of Days or any other book that has any commonality with any other book you’ve read? Keep in mind that I’m almost fifty and not as fit as I should be. I can’t wait forever.

About Unconventional Choices

1. My crime novels are written in second person. Recently I read some twit announce that no book written in second person could have literary merit. Ev-er. “Too much you, you, you,” I guess. And yet, first person is all “I, I, I…” Somehow, we manage to soldier on with our lives and no link has yet been found between second person POV and killer tornadoes.

2. Bright Lights, Big City was published in 1984 to great acclaim in second person POV. Another author, (me, for instance) will get permission to use that POV again…when? From the curmudgeons? We’ll never get permission, so I’m not asking.

I need no one’s permission and neither does any writer.

That felt daring and liberating, didn’t it? But really, what’s the point of being in charge of what you publish if you can’t steer the ship where you want to go? Nobody gets into publishing for their health or to be safe. If you want safe, get into an industry that’s too big to fail: guns, drugs, banking, sugar, corn syrup or manufacturing lies for politicians.

The danger

I know this sounds dangerously close to the “I’m not here to make friends,” defense. (That’s what mean people on TV pseudo-reality shows always say. That and, “I’m not a dick, I’m just brutally honest.”)

Not every reader will agree that you should ignore them and simply follow your instincts when you write. They’ll punish you by not buying your next book. But really, is your autonomy and vision for sale for a couple of measly bucks? Is that the whorish vision of yourself you really want to embody? I doubt it. Besides, you’ll flourish when you write what you love. Follow your love and you’ll write more books. Only hacks write what they hate.

I’m not looking for 10,000 true fans by trying to be what they want.

That’s a moving target, and fickle. I’ll be me. Surely, somewhere out there, there are 10,000 people who are enough like me that they’ll dig what I’m doing. Right? Right? Oh, dear gawd! (Shoulda gotten into running guns and drugs for lying politicians!)

Doesn’t matter. I only know my mind. I’ll write for that audience and hope you appreciate my flavor. It’s okay if you don’t, by the way. No one is drafted into my army. I only take volunteers and my people do not clutch pearls or get the vapors easily. We’re here to escape the status quo, take the world and bend it to our will. Or fail. But we’re not here to be pushed around.

If I’m wrong, I’ll be wrong but happyish.

~ With the loss of a treasured friend, I had a tough week last week. It’s not really getting easier. One thing that has provided some solace is the number of people who have wished me peace here and on Facebook and Twitter. In my grief, I wrote. So many readers responded with kindness. I appreciate it so much. Thank you again. 

Filed under: author platform, My fiction, publishing, Writers, writing tips, , , , , , , , ,

Kindle Unlimited: The Key Questions

The best analysis of Kindle Unlimited I’ve seen is, predictably, from David Gaughran.

Filed under: publishing

So you want to be the next big thing?

Odium The Dead Saga cover

~ Guest post by Claire C Riley

Most writers start out on this crazy train wreck of a journey with one thing in their mind: to tell a story. Okay, so maybe they have two things on their mind.

Tell a story, and have people read it.

Oh, wait. Maybe three things if they are feeling especially ambitious.

Tell a story, have people read it, and maybe, if they dare to dream…earn a living doing it.

Throughout my journey, I’ve met many different types of writers, all with different ambitions when it comes to their words/books/stories/novels whatever. Some dream big. They write a great novel and wait for it to be snapped up and make them their millions. Others write a great novel, work their socks off to get it traditionally published, and sit back and wait for their millions to roll in.

And then there are those who are more realistic about it all.

They write a great book. They want it to be read by people, and maybe they pimp it out to the big five, maybe they don’t, either way, that book gets published. And then they…write the next damn book!

Because to be a writer, that’s what it takes. Not one great book, but several. Readers don’t like investing in one book, because that’s a shoddy investment, and it’s not the book that they are investing in—it’s you, the author. They want to know that if they fall in love with your work that there is more to come. More ready for them to buy, more for them to look forward to. Just more.

I’ve met a lot of authors who are waiting.

Waiting for sales, waiting for fans, waiting for…who the hell knows what they’re waiting for, and there’s nothing wrong with that, but don’t sit up at night wondering when the big bucks are going to roll in.

As a reader I like to know that there’s more after I turn that final page—or slide the final page if I’m reading with my kindle. And I hate waiting for a year for a sequel.

So as a writer, I don’t. I try to get out several novels a year, both full length and novellas, and in between I like to write short stories in anthologies. That way I get to keep drip-feeding my readers my words, to keep them interested and hungry for more, and yes, invested in me. Because surely I owe them that much? After all, they took a punt on me by reading my book. And in return the more they read my stories, the more they talk about them, and the more word spreads, thus increasing my reach to potential new readers.

So for me being the next big thing isn’t about that traditional publishing contract, or making a million on my first book (though, of course that would have been nice.) It’s about continuously moving forwards, listening to feedback and improving with each book, making my readers happy, and maybe, just maybe, the next book will be the next big thing.

But I’m not waiting around to see, I’m too busy writing my next book.

Claire C Riley profile photo~ Claire C Riley is the author of “Limerence,” “Odium. The Dead Saga,” “Odium Origins. A Dead Saga Novella Part One,” “Odium II The Dead Saga” “Odium Origins A Dead Saga Novella Part Two” a contributor to several zombie apocalypse anthologies, including the upcoming ‘Fading Hope’, ‘State of Horror Illinois’ and a proud contributor to the charity anthology “Let’s Scare Cancer to Death.”

Odium. The Dead Saga is a top #100 dystopian selling book on Amazon.com for 2013, ‘Indie book of the day’ winner December 2013 and ‘Indie Author Land 50 best self-published books worth reading 2013/14’

Limerence was a featured book in the ‘Guardian newspaper for best Indie novel 2013’ and is currently a finalist for the eFestival of Words ‘best novel’ category.

Odium II The Dead Saga is a #1 Best Selling British Horror book.

She can be stalked at any of the following.

http://www.clairecriley.com

https://www.facebook.com/ClaireCRileyAuthor

http://bit.ly/clairecrileyamazon/

https://twitter.com/ClaireCRiley

https://www.google.com/+ClaireCRiley

Filed under: author platform, Books, publishing, Writers, writing tips, , , , , , , ,

Announcement: New State of Horror Story Submission

If you write horror, here’s a place to submit your story.

Filed under: publishing

Arm Cast Podcast: Episode 2 – Robert Chazz Chute

Thanks again to horror author Armand Rosamilia for having me on his podcast. We had a lot of fun talking about writing monster (i.e. long) books, research and NO REDSHIRTS!

Armand Rosamilia's avatarArm Cast Podcast

This week’s episode will debut on Friday July 11th and features only one interview, because once Robert and I start chatting it never stops… so instead of two interviews you get an in-depth 45 minutes or so of my Canadian Brotha From Anotha Country

Me B&W

Robert Chazz Chute is a suspense novelist best known for This Plague of Days. Host of the Cool People Podcast, you can find out more about his books at AllThatChazz.com and ThisPlagueOfDays.com. He writes a blog for writers at ChazzWrites.com.

View original post

Filed under: publishing

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

Join my inner circle at AllThatChazz.com

See my books, blogs, links and podcasts.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,063 other subscribers