C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Writing: Where the money is

Everybody wonders what the next big thing will be in our expanding industry. In other words, “Where’s the money?”

As it relates to writing as an industry, money looks sparse at first glance. I mean, banking, drugs and guns is where the big money is. However, for our industry? The big money in writing is in the beams and braces. Infrastructure. The money will go to people who service our needs as indies. So ask yourself, what do we need?

1. Book apps. We don’t really understand book apps. Programmers do. Book apps with a subscription service could work, especially for certain authors who are in traditional publishing now but will soon make the leap to self-publishing.

2. Author cooperatives. Box sets may already be on the way out, but I think more authors will share resources and trade skills, either in small, structured groups or as part of a time bank organization, or both.

3. Organization provision: Many of us cringe at the idea of a union because it reeks of gatekeepers. I’d say that’s only because the writers unions that have been proposed for indies so far stink of more gatekeeping. Innovators out to advocate instead of control could do better than that, for us and for themselves.

4. An alternative to ACX that’s more generous to creators. ACX was awesome. Technically, it’s still awesome though the creator share is down. Have you noticed that, since ACX lowered the pay rate, we aren’t talking about ACX near so much anymore? We’re still using it because audiobooks are our future. For some, they’re our today! We’d like more choices and we’d like to get back to the bigger cut, though. (The obstacle is effective distribution, so that will have to be bankrolled.)

5. Selling direct from websites will become more popular. You can use Gumroad to sell digital products now. The problem is, no one wants to sideload their kindle with a pdf. Find a way around that problem and we’ll all be doing it to some degree. Fewer buttons, one click. That’s key.

6. Discoverability tools are more important than information. Make more discoverability tools (like you’ll find at Author Marketing Club, for instance.) Information is free everywhere, including here. Ways to help readers find us are harder to come by.

7. Services that promote indie authors will make money. Bookbub is at the top of the heap now, but BookGorilla is cheaper. The Fussy Librarian is very low cost. if I recall correctly, the latter was built partially in response to Bookbub’s fees. Bookbub has big lists of subscribers, sure, but they have competition and it’s growing because Bookbub is so hard to get into and can be so expensive.

8. The company that finds a way to make it easier for books to be printed and distributed (cheaper, faster and easier than it can be done at present) and get it to libraries and bookstores will make a lot of money. Be the new Lightning Source, for instance, but make it as easy to deal with as CreateSpace. (LS has improved in this regard, but I’ve checked it out and it still feels like a hassle.)

9. Translation houses. Everybody knows foreign language publishing is going to be huge. What we don’t know is whom to trust to translate our work and whom to ask to make sure the translations are any good. We’ll also need people (formerly known as agents) whose sole occupation is dealing in foreign rights sales. The markets are waiting, but most of us aren’t ready.

10. The next destination website for our readers. We need a destination website that operates as a cool magazine that curates our work to readers. We need to provide a way for readers to find us and vice versa. We don’t need another Writer’s Digest. We need a Reader’s Digest, if you will, for our work but catering to readers. If there aren’t click to buy and click to explore buttons at the end of each story or sample, it will still miss the mark.

You could, of course, simply write the next big thing.

We are writers, after all. We don’t want to think about all this tech stuff. That’s why someone with the skills to fulfill these needs will eventually appear and get paid.

If you’re still bent on writing to make money, the trouble is that no one knows what the next big thing really will be. No one saw Fifty Shades of Gray coming. It’s not like it was the first book of erotica to go on sale, but it went huge. Its imitators didn’t make near as much dough. Breaking out is not something you can chase, exactly. It happens to you and there are too many variables outside your control.

Just write the best book you can. When your book is ready, I really hope those trusty translation houses will be up and running and ready for business.

What are your ideas for the support structure our industry needs?

~ The good news. I’m now in the Top 100 Horror Authors on Amazon! The book launch bargains continue for This Plague of Days here. See what all the fuss is about, see the video and find the secret.

Filed under: author platform, , , , , , , , , , , , , , , , ,

Why I unpublished from Amazon (it’s about sales pages, not Hachette)

This isn’t a story about getting away from Amazon. It’s about sales page management, and you need to be aware, sales pages are not something you can just “set and forget.” You have to keep an eye on them for glitches. A glitch just happened to me.

Today, I had a shock.

In the middle of my book launch for This Plague of Days, Season 3 and the TPOD Omnibus Edition, the Omnibus suddenly wasn’t on my Amazon sales page anymore! I checked and that’s the only reason I knew it had disappeared.

Gone! Oh, no! Not now!

I refreshed the page and knocked back a vodka.

Still gone!

I cursed my fate and invoked Thor’s intervention.

Still nothing. Dammit, Thor!

Naturally, after those early strategies failed, I contacted Amazon. They said they’d get back to me within 24 hours. If this had been my first rodeo, I would have pooped kittens. However, they generally get back faster than that and, in this case, I had the fastest response I’ve ever had.

The email assured me there was a “slight glitch” that deleted the book from my sales page. Maybe a slight glitch to them, but I just launched! My interviews are appearing across various blogs promoting my latest books. It was a big deal to me. The email further assured me that the problem would be corrected within “one to three days.”

One to three days?

Vomit.

No, not really. Like I said, this ain’t my first time on a horse. Those emails always allow a long time for their fixes, but the Amazonian techs have, invariably, acted much faster than that. And so it was. This Plague of Days, Omnibus Edition featuring the complete three seasons of the apocalyptic saga with the autistic protagonist trying to save the world? We’re back, baby!

They fixed it within a couple of hours. I have it on good authority other sales platforms don’t swoop in to fix problems nearly so quickly.

Check your pages and make sure all your books are there from time to time.

Further thoughts on sales pages and serialization

After I brought out Season 3 in my series, I had a problem. The sales page looked cluttered and my work is not displayed in the order I’d prefer for greatest sales advantage. What to do? I skipped calling on Thor since he doesn’t show up unless I dress up as a hot chick. (I’m still carrying some winter weight and can’t sell the hotpants.) I sent another email to Amazon:

Could I, perhaps, edit my sales page to make it less cluttered and show my wares to greatest advantage? 

The reply was, for now, a polite no. My Amazon contact did agree that mine was actually a good idea and they would pass the suggestion up the line. Currently, the order of book display is based on sales figures. Self-help for Stoners has been on sale longest, so it’s up top. That’s not the problem. Serial episodes are. 

My Serialization Problem. 

Season One of This Plague of Days was released as one book, but also as five episodes (and each episode’s price was 99 cents.) My Season One episodes sat there, clogging the page and confusing customers. 

I came up with a solution that fit my longer game plan.

I unpublished the five episodes from the first book and set the price for Season One at just 99 cents.

This presents several advantages:

1. At 99 cents, Season One is a low barrier to entry into the series.

2. It gives readers a break on price. 

3. It promotes my visibility and my other books. Sales are up, author rank is up.

4. It avoids (I hope) angry reviews from people mistakenly purchasing Episode IV and V at 99 cents each when they could have had all of Season One (which contains all five episodes) for one incredibly low price. It’s couch change, yes, but some reviewers go nuclear over such things and outrage is rarely expressed with a sense of proportionality. Angry? Burn down somebody’s house! Mildly annoyed? Burn down somebody’s house! See what I mean?

A note about the trouble with serialization.

Serialization certainly has its advantages and helped Season One  and Season Two get more attention. However, no matter how much you might explain it and lay it out in the descriptions and vary the cover art, some readers seem determined to confuse Seasons and Episodes despite a lifetime of watching television. Quick to click, I guess.

I’m very sensitive to criticism (so yes, wow! I know! I am in the wrong business!) Anyway, the last thing I want is for readers to be confused or feel ripped off. That’s another reason Season Three is one huge book instead of broken into episodes. Serialization put me on the map, but the Law of Diminishing Returns has kicked in.

I still have episodes of Season Two on Amazon obstructing the view on my sales page. It is, as it has always been, cheaper to buy the season than to buy the episodes. I can’t let it go at 99 cents, though, so those episodes are going to stay up for a long time. Until Amazon changes its policy and allows me to control title placement, they stay and Season Two is priced as low as I will make it. When I do get control, the eps will go to the back of the sales page. I could just unpublish them, but I don’t want to leave the few who just bought Season 2, Episode III in the lurch.

How long is long enough to wait for those readers to catch up and complete their S2 episode purchases? A year? Two? I don’t know.

~ The TPOD book launch bargains continue.

 

Tell me when you discovered the secret of the TPOD Omnibus and I’ll send you my next thriller as an ebook. Details here.

Filed under: author platform, Books, free ebooks, self-publishing, , , , , , , , , , , , , , , , , ,

How to reach readers in a way most writers don’t

When you think of using video to promote your book, you probably think of a book trailer, like this:

I made the trailer above and it turned out pretty slick, I think. But there’s a better way. A book trailer broadcasts out. I want to motivate readers to find me, not just talk at them. Sure, book trailers can be cool, but there’s little to no evidence they motivate people to purchase more books. (Click on my old post here for thirteen options for using video. I especially like the Scott Sigler strategy.)

Here’s how I added value to This Plague of Days, Omnibus Edition.

The better way is to use video is to thank readers and engage them with a question or a reward. I opted to do both with a link to a secret video at the back of the TPOD Omnibus Edition. It’s three books in one, so, for those who care to, they can make one purchase and save a couple of bucks.

Here are the specifics of my latest launch strategy:

1. I’ve just launched two books, This Plague of Days, Season 3 and This Plague of Days, Omnibus Edition.

2. I dropped the price on the first novel to 99 cents and marked the second book down to $2.99. I’m selling the Omnibus (three big books in one) for $6. 

3. At the back of the Omnibus, exclusive to those readers, is a link to a private video. In it, I talk about the saga. It’s been years in the making. This is my Star Wars. Putting it to bed is a big deal to me and I give some behind-the-scenes origin information.

4. I ask a sincere question. A secret has been buried in this series from Season One and it pays off late in Season 3. It’s a huge surprise that a lot of people tried to figure out but they only saw it in retrospect. (My beta readers all said the same thing. “Oh! Of course! You dog!”)

5. As long as Omnibus readers answer the question in the comment thread at the private video link this year, I’ll send each of them my next thriller ebook as a gift. Free. No strings or demands for a newsletter sign-up. The new thriller comes out later this summer and it even ties other books together. It’ll be a fun ride and also a solid bridge to my other books even though it’s not in TPOD‘s genre.

6. Video is a more personal way to thank readers. By adding another book to the six-dollar Omnibus, readers won’t just save some bucks. They’ll get four books (three huge ones and one decent-sized novel.) Readers will benefit and I hope to gain readers who are already enthusiastic about my particular brand of crazy. 

7. I know this approach trips some fear alarms for some authors. Please don’t tell me I’m devaluing literature by pricing it too low and giving too much away. I’ve lowered the price, not the value. The literature that is devalued most is that which is read least. Times are tough for a lot of people, me included. But I still believe that generosity and helping others wins over greed. Give more and you’ll attract the people you want to be your readers. When they find you, they’ll buy all your books. Don’t chase anyone. Count the giveaway as the cost of advertising, something any business does. Let readers come to you willingly and they’ll bring you joy instead of heartache. 

How did I do it?

I used iMovie, but you could use a cell phone. It doesn’t matter as long as it uploads to Youtube and designate the link “unlisted” so only those who have the link can access it. It doesn’t have to be slick and fancy or have a kickass soundtrack that sounds like it’s calculated to accompany an invasion of Libya.

Your video might even be better if it’s not slick. I love my energetic little book trailer, but heartfelt and speaking into the camera? Heartfelt is more important than slick.

But how did I sell the TPOD Big Deal Book Launch to readers?

Here’s exactly how I did it.

~ I’m Robert Chazz Chute and no one can begin to fathom the depths of my exhaustion at this moment. I am puddin’. But I’m also happy. Anxious and happy. Mostly anxious. Go make a video. Of love. (No, I don’t mean like that!…okay…maybe like that.) 

Filed under: author platform, book marketing, , , , , , , , , , , , , , , , , , ,

Another way your cover can promote your book (and who to hire)

We are all struggling to find new ways to get readers interested and invested in our books. How do you promote reader engagement and launch your book higher? By engaging them in your process, I suppose. Here’s one way I’m doing that for the launch of two books this weekend.

Short story:

I’m giving away an ebook of the Plague of Days compendium to one random commenter on the Plague of Days website.

To enter the draw for three free ebooks in one, all you need is an opinion, so click here to see the cover choices. 

Okay, now here’s what you need to know and who you really need to hire for your next book cover:

To be clear, the covers you’ll see at the link are my designs, not those of my graphic artist. Anybody who reads this blog knows my graphic artist is the great Kit Foster of KitFosterDesign.com. He’s the sweet, book art genius. I came up with this idea because I already have Kit working on other designs. 

If you don’t already love his work, when I unveil This Plague of Days, Season 3, you’re going to want to check out the rest of his professional portfolio, for sure. He’s a joy to work with at very reasonable prices. Kit’s done almost all my covers. If the cover’s crappy, it’s not Kit’s work, it’s my design for The Little Book of Braingasms. Now, compare that to this cover of gorgeousness in Murders Among Dead Trees. Look at those flames! POW!

Kit also does the web banners for my websites. Those spruce up any blog and really give readers the idea (illusion?) you know what you’re doing.

Kit has even done Quote Art for me to promote my books. Don’t know Quote Art? See it here and on my Amazon author profile. It’s another way to stand out from the crowd. Quote Art would make a great poster for your next convention, too.

Kit is working on my TPOD print covers in addition to keeping all his many clients happy. When does this man sleep? He doesn’t. While he’s helping me with other stuff, I’m pitching in with the draw. It’s a new way of getting readers involved in feedback on covers for This Plague of Days, The Complete Three Seasons.

My books about the autistic zombie apocalypse that will soon kill us all launches on Father’s Day and, because of the draw, I’m sure I’ll have a few more eyeballs for the release. Because of Kit’s TPOD3 cover, they’ll keep looking and check it out.

Eventually I’ll call in Kit for a much better cover for the compendium (because he’s the sweet, book art genius, that’s why, and, yes, you’ll find my efforts sad by comparison.) In the meantime, help me move more books through your input at ThisPlagueOfDays.com. You might be the one chosen to win a free book. So there’s that.

Reader engagement is often fun but it doesn’t have to be a one-to-one thing all the time. It feels great when people are curious enough to come find you. A for a nice prize and asking for an opinion is a solid way to do that.

Filed under: author platform, Publicity & Promotion, publishing, , , , , , , , , , , , , , , ,

The book marketing tool! (That’s a five dressed up as a nine?)

Every marketing guru will tell you to build your mailing list because that’s where the money is. They’re not wrong and I’m no marketing guru, but here are some deeper considerations, past the hype:

1. It’s gotten much harder to build that mailing list. The tools are there. I use Mailchimp on my author site (AllThatChazz.com.) Aweber is another good mailing list management tool. It’s lovely to be able to announce your latest book launch to a huge mailing list of eager fans. It’s also much more rare than the marketing gurus pretend. Everybody’s got a mailing list and they aren’t all equally special.

2. You need a really great giveaway to entice someone to subscribe to a mailing list: free fiction, a useful white paper or some other shiny thing. I offer free mentions on the All That Chazz podcasts, but through Facebook, Twitter, my blogs, Triberr, enthusiastic readers and my rebel writer allies, I’ve got a much wider reach.

3. If people are subscribing to the mailing list just for free stuff, will they keep that subscription after they’ve scooped up said free stuff? Periodically prune your mailing list by asking if your subscribers are still into you. Wise list owners seem to ask if you wish to continue receiving mailings annually.

You can check open rates and find out when interest has waned. A huge mailing list boosts the ego. However, if they’re mostly disinterested and cruising on momentum, that big list can cost you money and, worse, it won’t help. Better to have a smaller list of people who can’t wait for your next mailing.

4. Are your blog readers more interested in your latest blog post than your pestering through the mailing list? I’d rather be a destination blog than an obligation blog. By that I mean, it’s great when people make a point to come here or follow my posts.

Mailing list subscriptions are often ignored or deleted. Test your mailings and ask your subscribers what sort of material they want. It may be that all they really want is to know what your next book is and when and where they can buy it.

5. Subscriptions get deleted or ignored, especially when they come too fast and too furiously. Sure, you’ll mark it to read for later, but when the email is rolling in too often, it’s easier to delete it.

6. I’m currently following many blogs officially. Unofficially, with as many as 200 emails a day or more, I tend to stick with reading destination blogs. In other words, there are certain blogs I feel I have to check out and I don’t need a subscription service to remind me to go look.

7. If you’re producing material for a mailing list and for your blog, too, you’re doubling your effort. True, we all hope email subscribers are more invested in what we do. However, the folks who come to ChazzWrites just because they’re into what I do (which is to generally inform in a more entertaining fashion than I’m doing today)? They might be much more invested than those on the mailing list. Mailing lists aren’t quite as hot as advertised.

So my suggestions are:

Keep in touch with mailing list subscribers, but don’t overwhelm them.

I’m far behind on Seth Godin’s blog, but at least his posts are pithy and short. I’ll never get to some I’m subscribed to. If that describes you, save time and unsubscribe. Deleting posts each day as they come in is a time suck.

Content is king. Yeah, yeah, sure.

Lots of bloggers repeat that mantra, but they all think their content is great so it’s kind of an empty slogan. All I can add is, don’t post unless you have something to say. If you’re straining for a topic, you’re working too hard. Rest it. You’ll get more hits the more you post, until it feels to the reader like too much good content too often or too much drivel. Blogging is a high wire act, isn’t it? (And if all your content is that good every day, sell it as a book, instead.)

Take the opportunity to promote someone else’s excellent content instead banging your own drum.

Not feeling inspired for a blog post? No problem. Write your books instead or reblog. Point to other great content. You don’t have to be brilliant every day if you’re an excellent curator. Scoopit is another tool you can use to curate content and build a following.

Ease back on the throttle sometimes.

We talk a ton about getting out there and marketing books like mad and spreading the literary word. However, lots of readers appreciate us more if we know when to shut up.

I’m shutting up.

~ Chazz is preparing to release This Plague of Days, Season 3, on Father’s Day. The full TPOD compendium will launch then, too. Find out more about the zombie apocalypse with the young, autistic hero at ThisPlagueOfDays.com. It’s much more than a single zombie apocalypse. It’s your future.

 

Filed under: author platform, book marketing, Publicity & Promotion, publishing, , , , , , , , , , , , , , , , ,

Publishing Advice: Don’t Believe a Word

The writing and publishing business is full of, “On the one hand, this. Oh, yeah, but on the other foot, what about this BS?” Here’s the conflicting advice on my mind this week, to and fro, pro and con:

1. People complain about marketing on Twitter, “What can I say of value in 140 characters?”

It gets worse. It’s better if you say it in 100 characters. Say more with less and it’s more likely to be read and retweeted. Leaving more room allows for additions, links and commentary from enthusiastic retweeters. So be pithier. You’re a writer. You can handle that. 

2. More blog posts, daily, equals more traffic to your blog.

Unless you’re blogging a book, you’re losing time you could be using to write your next book. There are still many writers who struggle with time management and discipline. The writing — the book writing — has to come first. Promotion is secondary because you aren’t in the promotion business. You’re in the writing business. Promotion is for the stolen time that would otherwise be unproductive.

Hint: If you’re still flogging the same book, and you only have one book, and that was published over a year ago? You aren’t in the writing business. Finish something new.

3. Some people say we should begin promoting the book as soon we conceptualize what it will be….someday.

However, you’re going to change the title before you publish it at the very least and if you take too long, someone will steal that great title. Promoting too soon is an exercise in chicken counting that could just as easily wear out potential readers if you talk about the potential book, too much, forever. 

Corollary: Don’t write your blog or push your book until you have something solid to say.

And don’t repeat yourself too often, please. If I see one more blog post with the title proclaiming “Content is king!” I might have to shoot somebody with a water pistol full of skunk juice. And then kill them. (Note: Don’t swing sledgehammers in small rooms. Ice picks to brain stems are efficient. A disposable raincoat and a friend who gives alibis without asking questions is essential. Ask a mystery writer for best strategies…though you might have to wipe them out, too, just to cover your tracks.)

4. We all look forward to being discovered by a huge audience.

That’s where the negative reviews come from, too. Brace yourself.

My quest isn’t for a huge audience. It’s for 50,000 true fans. Yes, I know people usually say 1,000 true fans, but I’m ambitious and we all need to stretch and reach. (Plus 50,000 true fans fits my budget better. Daddy’s got bills!)

5. We aren’t supposed to respond to reviews.

It is a bad idea, generally….which means the false and misleading reviews stay up, uncorrected. This one isn’t about the conflict in the advice. It’s about the conflict that arises in you. You crave justice for your innocent book babies.

This one? Live with it. It’s not worth it. It’s annoying, but the Authors Behaving Badly meme is much stronger than the Reviewers Behaving Badly meme. We’re outnumbered.

Unless they’re threatening you physically, forget it. If they are threatening you physically, revisit #3 for helpful, murderous suggestions if you’re not into dialling 911. And click the Report Abuse button with gusto.

6. Everybody wants to write the great American novel.

It’s been written and it’s probably The Great Gatsby. The problem here is some writers get caught up in what they think they should write and how that ideal should look and sound. Don’t be the serious guy who takes himself too seriously. He is tiring to be around and his shoulds are misplaced.

Originate, do not emulate. If someone else did it better, we’ll go read the original. Of the hundred Harry Potter clones, how many do you really want to read? Do not chase trends. A trend is so fast, it runs you over and leaves you far behind at the same time.

7. Everyone says social media marketing is about having Internet “presence.”

Presence is weak. It says, “I’m here. I hope you find me.” Hunters don’t wait for deer to come to their house, knock on the door, peel some potatoes and conveniently slip into the oven. Hunters go hunting.

We’ll find more readers if we’re active and proactive. Go find book bloggers. Go where readers are. Make a list and follow people on Twitter as a planned approach. There are people out there who already proclaim their love of Steampunk in their Twitter profiles. If you write Steampunk, why haven’t you introduced yourself already? Stop waiting for them to come to you.

8. Gurus say, “Be everywhere.”

Maybe “everywhere” isn’t for you. Is LinkedIn really helping you as an author or is that medium best built for job searches? Unless there are forums there you love, maybe that’s wasted energy. What about Tumblr? It might be an excellent spot for you, but Tumblr’s users tend to be young, hip and artistic. Is pushing historical fiction about railway trains of the Klondike really the best use of your time there? Choose a platform or two or three you love. Focus.

Almost everyone says we should dump the exclusivity of KDP Select and be on all sales platforms. Maybe not or maybe not yet. I’ve written extensively on this issue in the past so I won’t beat that zebra into a coma again. However, when you do make that decision, don’t jump (or not jump) because someone told you to do so. Have a plan how you’re going to move those books on those other platforms (because, with few exceptions, those platforms don’t have tools you can use to raise that crop of readers.)

Don’t believe a word. Test suggestions instead.

9. When publishing gurus have nothing else to offer, they say, “Work harder.”

I don’t know a single author who isn’t working hard. Writing despite kids, day jobs, lost sleep, and long hours? Check, check, check, check. “Work harder,” for most of us, does not add value. It’s a bad math teacher telling a student staring, clueless, at an algebraic equation on the blackboard: “Stare harder and you’ll solve for X.”

Excuse me, sir, but your pants are on fire. With napalm.

“I will work harder,” is the horse that gets carted off for meat and glue in Animal Farm. What we need is to test strategies, first on a small scale. If Slideshare works for you and gets more clicks to your author site and conversions to your newsletter, do more of that. If one lure to your mailing list doesn’t work, add value and try again. Always focus on what works instead of trying everything at once. Eighty percent of results come from twenty percent of your efforts. Find your twenty percent.

Also, please, please, don’t work harder. We’re already sitting too much and worrying ourselves into an early grave while some consultants are actually making money off poor writers by yelling, “Work harder!” That damn whip arm never seems to tire. Screw those guys. We’re already putting in the time. We need smarter tools, not louder barking from the water boys.

Instead of working harder, when you’re writing, please write more joyously. Take chances. Have more fun. You can even enjoy the creative aspects of marketing, believe it or not. Joy translates to all your work. Readers won’t necessarily know why they love the joyous writer more, but they’ll feel it and respond.

10. We’re told to market to readers only.

Don’t bother writing a writing blog. There’s too much of that already and writers don’t buy books. They’re too busy writing them. Forget writers!

Hm. If true, that’s worrisome. Writers should read a lot. I think, generally, we do read plenty. I’m a voracious reader. I wrote two books about writing that emerged from this blog, so there’s that. But more important, the friends I’ve made through blogging to writers and podcasting with writers? They’ve been an immense help to me. I’ve connected with allies who’ve blurbed my books and been my beta readers and helped me expand my reach in many ways. The indie writing community is a very supportive group.

Through this blog and my podcasts, there are literally dozens of people who have helped me publish and publicize. I started to write a list of helpful fellow authors and fans, but the list got too long and I worried I’d forget somebody. Connecting with allies here, not aiming exclusively at readers, has delivered great opportunities. 

I hope I’ve helped my allies plenty, too.

Thank you all. Much love.

~ Robert Chazz Chute isn’t as mean as he sometimes sounds. His next books are This Plague of Days, Season 3 and This Plague of Days, The Complete Series. They’ll launch June 15th. For more on This Plague of Days, the international zombie thriller with an autistic hero, go to ThisPlagueOfDays.com.

Filed under: author platform, Publicity & Promotion, publishing, Writers, writing tips, , , , , , , , , , , , , , ,

Writing: The Pregnant Pause and Slacking to Win

One thing about being an indie author that nobody ever seems to say is, relax and stop running from time to time.

Sometimes, the Internet seems like it’s all about motion. We push books and try to pull people in. We follow endlessly and sometimes joylessly. It should be fun to meet new people and find out about what’s new and cool. But everybody needs a break, if it’s at the right time.

I’ve found the right time.

You haven’t seen me lately, unless you checked out my review of Transcendence at AllThatChazz.com or my article on food and emotion at DecisionToChange.com. After doing a major promotion for my crime novel, Bigger Than Jesus, I felt it was time to step back. I’m still busy, but sometimes it makes a lot of sense to get out of your followers faces for a bit. Give your tribe some time off from The Magic That is You.

Spend more time reading and writing.

(I’m reading LT Vargus’ Casting Shadows Everywhere at the moment. Go get it. It’s the kind of demented joy I love.)

I’m working on new books and revising old books, too. This Plague of Days Season 3 launches in June along with The Complete This Plague of Days. I had to get my taxes done (blech!). A collaboration with another author is on the horizon and, between promotions and events and blog tours, I’ll be boosting my marketing and visibility plenty this summer. I don’t want to wear out my welcome by peaking too soon.

The problem is overwork and overexposure. 

There’s a podcast I loved to listen to that I’m now a little sick of. I might love it again, but if I have to hear the same stuff from the same guys too often…well, maybe it’s me. I needed to take a break from them. The relentless self-promotion machines of the Internet? Geez, guys, shut up and take a breath.

I mean, really, don’t you get sick of me banging on and on about writing and publishing sometimes? I would, and I love me (except when I hate me.) 

It’s not just about giving readers and listeners a break, either.

You need a break sometimes. I know you’re all out there crushing it a la Gary Vaynerchuk and perfecting your marketing simplicity through Seth Godin’s genius and…well, slamming your head against the wall. Marketing should be a creative and joyful thing. It certainly can be fun if you are doing the right things and going into it with the right attitude.

The right attitude is excitement.

(Here’s a guy who knows how to enjoy the marketing process and make it fun for others. Help Armand Rosamilia name his new podcast here.) BONUS hint: Many authors complain about marketing. They’d have more fun if they weren’t so whiny about the necessities of business and, instead, look for opportunities to help others and make publicity and marketing into an interactive game with and for readers. But that’s a post for another time. Tonight, we dance.

Take it easy on yourself and others.

If you push the accelerator through the floor all the time, your car’s engine will blow up. Don’t burn out your engine.

Push too hard too often and you’ll end up pushing people away. Instead, try discovering and promoting others, or be still and listen. Let your mind be that cabin in the woods, free of distractions so you can hear the peaceful hum of the Om of the world and the anguished screams of your tormented enemies burning out, flailing and failing.

How do I know when it’s time to take a break?

When my patience wears thin.

When I catch myself getting cynical.

When every interaction with a kid I made feels like an interruption.

When I’m too tired to do anything else.

When I’m too tired to do anything. 

The rewards of slacking to win are:

Rejuvenation, physical and mental. 

New excitement upon your return.

Fresh ideas.

Balance and peace.

Excitement for the tasks ahead instead of weariness.

Writing is my retreat and my solace.

I write every day. But it’s a great relief to you and to me not to talk about it at recess ad nauseum. This week (if it suits you and the timing’s right and if you’re feeling cranky at the world anyway) let’s talk less about writing and, instead, write more.

~ Full disclosure: Between writing sessions I do post excerpts of upcoming books on Facebook or just share goofy news and interesting memes. I love interacting with readers there and I find it relaxing. Hit me up with a friend request there. We’ll be cool together. Bring margaritas.

 

Filed under: author platform, blogs & blogging, book marketing, getting it done, Publicity & Promotion, publishing, Rant, , , , , , , , , , , , ,

Solopreneur Writers: 10 Nitty Gritty Pickies

Thousands of little details afflict us as artisanal publisher-authorpreneurial Han Solo writer-heroes. A couple of authors publishing books for the first time have asked me about nitty-gritty details to watch for. Here are ten that came up in our discussions of new book launches.

1. When you set your price on Amazon, the calculator will automatically set comparable prices in other countries. Set it lower for India. The “comparable” price would actually buy three books in India (and so, is too expensive.)

2. If you have a list of book bloggers to whom you wish to send Advanced Reading Copies, check their guidelines carefully to see their preferred reading mode. PDFs are free to email but some people don’t want to sideload their e-reader or read on their computer.

The easiest solution is to gift the book to your list of reviewers, preferably during a pulse sale at 99 cents to minimize the cost of promotion. You get credit for the sales and potential reviewers are more likely to check it out with Amazon’s happy, one-click experience.

Smashwords has a solution that’s free: Promo codes. Send the code to potential reviewers so they can redeem it for a complimentary copy. Inexplicably, no other platform has stolen this idea yet. Still!

3. Services like Smashwords and Draft2Digital can upload to multiple platforms at once. However, there is often a delay if you want to change your prices across retailers. This makes a BookBub promotion, for instance, a logistical problem. And by “problem,” I mean a red-hot skewer in the gluteus maximus.

I’ve noticed the worst delays seem to happen between Smashwords and Apple. One of my books took more than six months to show up on Apple. Draft2Digital had problems with Kobo. Those issues are fixed now.

4. KDP Select’s five days of giving your book away for free isn’t the great tool it once was, though other platforms still seem at a loss as to how to promote effectively and boost discoverability. The commitment to exclusivity with KDP Select is five days out of ninety. 

If you are using free day promotions, I suggest you don’t promote for more than two days at a time. Better to stop while sales are still coming in and visibility is high rather than allow the sale to lose steam over an extended period.

Use Author Marketing Club to identify sites that will promote your promotions so you maximize promotion power.

5. Some intermediaries charge much more to upload your book to various platforms. Avoid them. More important than the fee they charge, you’ll sacrifice power over your book and flexibility to promote.

If you don’t have the technical skills to do it yourself, get someone else to help you for a fraction of the cost (and a one-time fee instead of bleeding cash on an ongoing basis.)

6. Box sets are the latest tool for discoverability. I’m involved in one now and, though we’re still at the very early stages, my visibility on Amazon has already gone up.

How it works is, several authors get together. After a cage match, the Alpha who has the most resources and the one they all trust, publishes a sampler. They might give away whole books. Everybody promotes the box set at 99 cents and bam, the tide raises all boats and more readers find you. 

Some people are sneering at box sets, but I think it’s because they misunderstand the intent. It’s not about making money, particularly. This is us playing the long game and working with allies to fire off flares. It’s about raising your rank, giving strangers a chance to fall in love with your work and selling your other books. (So write more books.)

7. Publishing is a business and, despite the fact that we’re all cybering and telecommuting from our worldwide basement headquarters, you’ll still have to run errands. The thing you track least for tax time is mileage. Keep a notebook in the car and track it. Canadians, use a pencil because you know that pen will freeze each winter (August to June).

It might not add up to much, but it’s a lot when you’re making nothing. You wouldn’t burn cash just for fun, would you? Then keep your receipts and track the little things. Claiming a home office may be all that justifies your new publishing venture to your accountant, and your spouse, for the first couple of years.

8. Word was built for office use. Scrivener was built for writers. The program allows you to bounce around your manuscript with ease and format for publication. Get Scrivener. If you’ve already written your text in Word, importing to Scrivener is not a big deal. Yes, there is a learning curve, but it’s worth it.

9. Before you publish and make all the other edits you’re going to make, search the text for two spaces. Those extra spaces sneak in if you don’t scrub them out.

10. Yes, you need an author website, but a simple WordPress site (preferably with your own name) will do. Eventually, with more books under your belt and future changes in the publishing landscape, you may choose to sell books straight from your site. It’s a cool idea that doesn’t really have elegant delivery solutions for the reader (yet).

You can switch your author site to a more complex configuration later, if need be. Don’t worry about that for now. Now is the time to build a base of readers. You could sell straight from your website, but most authors would prefer not to sacrifice their visibility and reviews across the current sales platforms. 

~ There are many more details to attend to, but that’s a start. Hi, by the way. I’m Robert Chazz Chute. Good to meet you. Find me on Twitter @rchazzchute. Connect with me on Facebook here.

Filed under: author platform, DIY, publishing, self-publishing, , , , , , , , , , , , , , , ,

Top Ten: Renew your readers’ interest between books

As I finish revisions to the finale of This Plague of Days, I’m entering that crazy time between the writing and the publishing. We all go through it. There’s still editing and proofreading to do and you aren’t done until you’re sick of it and not even then. But I am excited!

Today, I had my first back and forth with Kit Foster, my graphic designer. We talked cover designs. Out of context, my description of what I had in mind was pretty dumb or nigh-impossible, but through the magic of his art, Kit will transform that raw material into something awesome that makes browsers into buyers.

But how do you keep the sales going between books?

Sales always drop off. They call Day 30 after your book launch “The Cliff” because you lose attention from readers as you disappear from the bright, shiny new thing list. Interest can be buoyed and sustained, however. You don’t have to try all the strategies from this list (or any), but I do suggest you try at least one. Experiment and let me know what works for you.

Here are some ideas to extend your influence with all your books.

1. Write more than one book because your next book helps promote the last one. At a book event, authors talk about the next book, but readers talk about the last book.

2. Write more books. The bigger the stable, the more horses you have in the race, cross-promoting each other.

3. Write (slightly) shorter books. Sadly, my next tome (after TPOD) will (again!) be more than 100,000 words. I’m writing huge books. Many will see this as over-delivering and they’ll love it. It can also intimidate those less invested. The main problem is it makes you appear less prolific even if you’re very productive. It’s #2’s horse and stable issue.

I’m not saying you should shortchange anyone, but keep it reasonable. Few reviewers complain about a quick read. If you’ve got that much to say in a single book and you can’t make it shorter, make it a series.

The complete series for This Plague of Days will be over 300,000 words. The first draft took ten months and then I doubled its size in another eight months. Down the line, I’ll put out more books by keeping them down around 60,000 – 70,000 words.

My crime novels took 3 months each, for instance, from concept to completion. That length is what I’ll be aiming for in the future. Feeling more productive and hitting more milestones also feeds my excitement between books and keeps energy high. Less time between books also gives readers less time to forget about you.

4. Write in one genre. If you can dominate one list, you’ll be more effective in focussed marketing efforts and provide consistent branding. (I should have done this, but it’s not how my mind works.)

5. Collaborate. Writing with another author can expand your influence to each other’s audience and, if you work it correctly with the right person, you’ll get more done faster. Some people think writing with a partner is more work for half the money, but actually you have more people helping with the load, increasing productivity. The guys at Self-Publishing Podcast have proved it over and over, so there you go.

6. Cooperate. Soon, a new horror anthology will be released and I’m in it. My bit will be a sampler of Episode 1 of This Plague of Days. In joining forces with other authors, we’ll co-promote and raise each other up.

7. Have more to give away. I serialized the first two seasons of This Plague of Days. In the run up to the launch of Season 3 and the stand alone (This Plague of Days, The Complete Series), I’m using KDP Select to give away episodes as samples. Those giveaways always bump up my sales in between books when I would otherwise be in the doldrums. I’m a big believer in pulse sales to help new readers find me.

8. Diversify. To sell more between books, have more to sell in different media. There’s interest in turning This Plague of Days into a TV series. (It helps that I wrote the story like an HBO or Netflix dramatic series in the first place.) However, I’d love to see it as a graphic novel, too. I want to sell it as an audiobook. Each iteration feeds the potential for another opportunity.

9. Repackage. Converting This Plague of Days from serialized episodes into seasons, and then into one, big book that stands alone? That’s one example of repackaging. It’ll also give a new crew of readers what they wanted since quite a few people seem to misunderstand the cliffhangers and twists of a serial or they hate serials on principle. (I don’t know what that principle is, but I recognize it and I’m listening.)

Taking different books and selling them as one bundle is another way to go. (I’ll be doing this with the Hit Man Series by turning three books into a bundled trilogy with a new and better name for the whole.)

10. Stay in touch with readers between books. I don’t have a large mailing list, but I do connect with a lot of readers on Facebook and through podcasts. I also have a blog dedicated to This Plague of Days.

Recently, when I needed to add more beta readers to my team, I went to Facebook first because I knew I’d find people who are already into what I’m doing. I’ve got three new, enthusiastic volunteers now.

Staying in touch with readers keeps projects alive for authors, too. When I get another tweet or email asking when the next book is coming out, it helps drive me to get to the keyboard as fast as I can to oil the roller coaster. I know my readers and I can’t wait to make them scream.

Filed under: author platform, book marketing, writing tips, , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

The blog and book promotion tool you’ll love (that’s easy, effective and free)

Here's one of my Haiku Decks to start off your writing week right.

Here’s one of my Haiku Decks to start off your writing week right.

Haiku Deck is a free presentation tool that uses royalty-free images so you can make a statement with visual impact. Change up your next blog post or make a slick book trailer in minutes, for instance.

Click this link to ThisPlagueOfDays.com to see how I used Haiku Deck to remind readers that my next book is coming soon (and they better buckle up!) It’s actually quite beautiful and even easier and quicker than a YouTube video. The slideshow at the link was my first experiment with Haiku Deck. It took less time to put my trailer for This Plague of Days together than I needed for this short blog post.

There’s nothing wrong with YouTube, Instagram, Vine, and iMovie etc,…. Video can be useful and powerful if used well (and oooh! Moving pictures!) The advantage of Haiku Deck is that it’s free, fast and fun to play with. Consider adding it to your author platform’s arsenal. 

Want to sign up and start making your own trailers, presentations, charts and messages?

You’ll find the way to sign up at the end of each Haiku Deck presentation above. It’s easy to do and easy to share on multiple platforms, but if you do have trouble sharing on your non-self-hosted WordPress blog, no problem. Do what I did with the slideshows above. Load and link a screen shot and bam, it’s there.

Pretty cool, huh?

If you need tips on using video more effectively to promote your books or business, I wrote a quick book on marketing with Vine that highlights what you should be aware of to make it work better. Click the cover for Six Seconds below, for that chewy goodness (for the princely sum of just 99 cents!)

Six+Seconds+copy

~ Okay. We’ve started Monday morning off right. Let’s keep the healthy and happy vibes going. Pardon my excessive happiness today. It’s not characteristic of me, but I’m all ramped up about entering the final stages of publishing my eleventh book. Progress is being made. BAM! Okay, let’s go get ’em!

Filed under: author platform, Publicity & Promotion, publishing, Writers, , , , , , , , , , , , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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