C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Author Interview – Robert Chazz Chute – The Bunny’s Review

See on Scoop.itWriting and reading fiction

Robert Chazz Chute‘s insight:

Favorite Candy? Eye.

You have won one million dollars what is the first thing that you would buy? Jetpack.

Who or what inspired you to become an author? I’d guess low self-esteem and a pathological need to please strangers who don’t know or care about me.

The Orangeberry Book Tour continues with another fun interview at bunnyreview.com. Enjoy at the link! ~ Chazz

See on bunnysreview.com

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Marketing Your Books: #11 is really harsh. Sorry.

 

More tips and tricks to steer your authorship. This book is free to you until Saturday, Dec. 15! Please click to get it now.

More tips and tricks to steer your authorship. This book is free to you until Saturday, Dec. 15! Please click to get it now.

Write Your Book: Aspire to Inspire is free on Amazon Tuesday to Saturday. 

Here’s where to get it on Amazon. 

 

(No Kindle? Get a free kindle reading app here.)

 

Now, continuing from yesterday’s post, let’s talk more about book promotion:

6. Try a variety of approaches. In Crack the Indie Author Code and Write Your Book: Aspire to Inspire, I talk about my successes and

Click here to get Higher Than Jesus, #2 in The Hit Man Series

Click here to get Higher Than Jesus, #2 in The Hit Man Series

failures. I learned a lot from the failures and I hope you will, too. What has worked best is appearing in more than one spot at a time. (Amazon free days plus blogging plus World Literary Cafe Tweet Teams plus appearing on other podcasts, for instance, is an example of repetition across different platforms.) Too often, we bet the farm on one thing and end up disappointed. Some guest blog their brains out, but their level of success varies widely. Pace yourself to avoid burnout.

7. Be willing to be flexible. There’s still a lot of resistance to podcasting among authors, for instance. They worry about the cash outlay (which is minor by most standards) and the technology obstacle (which is easily dealt with, especially if you get help as I suggest.) Resistance to marketing isn’t any different from resistance to sitting down to write or a reluctance to dealing with paperwork or exercise: Begin and it’s not so bad. I’m sympathetic. I put off getting my tax number for the IRS for some time. When I sat down with a scotch to finally deal with it, it was over and done long before the scotch was gone.

8. There is no magic bullet. I’d be very suspicious of anyone who says they have The Answer. I’ve read many books from people who say they have it, but they sometimes suggest things that don’t make sense to me, don’t apply to me or my book or are unethical. Look at these proposals as if you’re the consumer. Have you ever bought anything off a Facebook advertisement? I haven’t, so I’d never buy Facebook advertising. That’s not being inflexible. That’s doing what makes sense to you.

9. Beware of gurus. In my writing and publishing guides, I warn authors to be careful about one-track prescriptive advice. Instead, I present encouraging information about what you can try, but to help, not to pontificate on how to “Do it my way!” There is no one way for all books or all authors! Some experts have been in the field so long, they should be appreciated for their experience, but some of their information is dated. I approached the writing guides as a fellow traveller. I’m not the guy telling you what to do to succeed. I’m the guy walking beside you saying, I tried that trail. It’s pretty steep and dangerous. Try this. See what you can handle. See what works for you. 

10. The only sure thing is to write a good book and put a really good cover on it. Okay, there are good books that get ignored all the time. However, when you go through all those heavy marketing efforts, make sure you’ve hitched your wagon to a star, not a stump. The answer is certainly not to put out a bad book with an ugly cover. I tried a do-it-yourself cover and it hurt. Write the best book you can. Put the best face on it you can. Then write more good books to expand your chance at being found. A big bookshelf is your friend at home and on the web.

11. (Given the title of this post, you skipped right here, didn’t you?) Here’s the blasphemy you’ll hate: You are not above marketing. If you think you can poke along and do nothing to be discovered, your odds of failure shoot way up. Brilliant prose doesn’t count for near so much as we’d like to think. Writers tell other writers that the prose is paramount. Meanwhile, readers flock to Fifty Shades of Gray. I wish literature mattered as much as writers say, but the readers’ sensibility determines our success in the market. I’ve read plenty of suspense that, frankly, I don’t think is all that great. Though I can write rings around them, those authors are doing better than me financially. Bitter pill. I’m sorry. I hate it, too.

12. Ease up on the gas pedal. Your daily word count and the editorial side of production is your first priority. Do not exhaust your network and blow out the marketing engine by trying to push too much all the time. The guy who announced he now hates Rafflecopter might lighten up if he saw fewer half-assed promotions with uninspiring prizes.

13. Get help. I read as much as I can stand about publishing, of course. (Note to anyone writing about writing and publishing: Please make it more fun. Thanks.) But I also mean delegating where possible. I have been resistant to advertising in the past, but for a few dollars, Masquerade Crew helped me move more books recently than I could have on my own. I’m seeing the benefits of that small outlay now as I roll closer to achieving escape velocity. I had to admit to myself that I can’t do it all. I tried and it led to sleepless nights, bad health and my wife crying.  Progress is being made because I asked for help. Friends and fans and colleagues stepped forward to assist. (Thanks again, guys!)

14. Change a losing game. Most indie buddies of mine are going the same route. Either they’ve already abandoned KDP Select’s exclusivity or they do it once for 90 days and then open up to the wider market on more platforms. Market share is in flux. Amazon is still the big dog with about 60%+ percent of the ebook market, but iBooks are getting bigger because Apple’s devices are becoming more ubiquitous. Kobo’s revamped their platform and they’re present in more countries. When I first approached Kobo, they acted like they were trying to get rid of me. They’re apparently much more user-friendly now and I look forward to taking them for a test-drive after Christmas when my own KDP exclusive contract runs out.

Those are my thoughts on book promotion. What are yours?

"You will laugh your ass off!" ~ Author of Cybrgrrl, Maxwell Cynn

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

~ Robert Chazz Chute is the author of Self-help for Stoners, Bigger Than Jesus, Higher Than Jesus, The Dangerous Kind & Other Stories, Sex, Death & Mind Control (for fun and profit), Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Check out all the samples here or for all the links and the All That Chazz podcast, check out AllThatChazz.com.

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Book promotion: Don’t trust the ferryman Part 1

Tips and inspiration for the indie author's journey to publication.

Tips and inspiration for the indie author’s journey to publication.

The Bigger Than Jesus Finale is up on the All That Chazz podcast. It’s the last two chapters of Bigger Than Jesus in which Jesus does battle with Salvador Dali and the FBI.

Advice doesn’t last. Yesterday someone said how sick he was of Rafflecopter giveaways. It seems it wasn’t so long ago that Rafflecopter was a new promotional tool. Many reading this are asking, “What’s Rafflecopter?” It’s still new to many, but for this expert, it’s over. At least, he thinks so.

You can argue that many giveaways aren’t big enough to bother with or you can argue that a giveaway doesn’t make anyone read a book. However, I do think proclaiming a popular promotional tool dead is premature. Everything does go away, though: It looks like free isn’t so effective anymore and may hurt  paid books this season. Remember when MySpace and Friendster were, briefly, the new thing? Remember when 99 cents was a huge deal? Nothing lasts. What conclusions can we draw about book promotion from this knowledge? Let’s mull:

1. Not everything works forever, so keep your eyes open for the next new thing. Yesterday’s post mulled the question of adapting books to your audience. I’m also trying a reward program where I give more free books to the people who read my books and free advertising on my podcast for signing up for a free newsletter. Free may be out, but generosity and interaction haven’t given up their place among vital promotional tools yet.

2. Not everything works. Some authors are sure Pinterest is an excellent promotional tool. I think it’s been big for crafters and it’s certainly fun, but most people are just there for fun, not shopping for books. Personally, I’m doubtful of Pinterest’s power to help me that way. (Still love it.)

3. Not everything works right away. A fellow did an Amazon KDP Select giveaway for a few days. He didn’t really give away that many books. He failed to promote the promotion. In my opinion, he’s declaring KDP Select free days dead for the wrong reason. He took one sample and he didn’t let enough people know he was doing it. He wasted his free days because he expected the free days to do all the work on their own. A one-prong attack is betting big on one roll of the dice. Bad strategy in Vegas and a bad bounce for authors.

More tips and tricks to steer your authorship.

More tips and tricks to steer your authorship.

4. One promotional approach doesn’t work for everyone. One of my points in Crack the Indie Author Code is that no one really knows The Answer to selling gigabytes of books. There is no one answer and, if there is, it never lasts long. There are many ways up the mountain, but you can’t necessarily take the same route twice. What worked for one author won’t necessarily work for you now. For instance, many of the authors who do very well now were traditionally published first. Their cult followed them into self-publishing. They didn’t start from scratch and you can’t duplicate their career highs. Learn, yes. Copy, no.

5. Promotional strategies change fast. Last year at this time, before the change to Amazon’s algorithm, if you managed to do big giveaways of books, you were rewarded handsomely. Less than twelve months and it’s a new game with few rules.

~ In tomorrow’s post, I’ll lay out #6 to #13 on more book promotion options. In the meantime, please check out the samples from Crack the Indie Author Code and Write Your Book: Aspire to Inspire. The first three reviews are in on the former and they’re happy. (I wonder if, despite my protests that there is no one way, people are still looking for a book promotion panacea. Tomorrow I’ll tell you why I’m so suspicious of panaceas.)

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Setting writing and exercise goals that work

Grab Crack the Indie Author Code here.

Grab Crack the Indie Author Code here.

Years ago I read a book by an exercise guru who encouraged people to change everything about their lives all at once. The energy of a radical overhaul, he said, would lead to an unstoppable momentum. Recently I read The Nerdist’s Way by Chris Hardwick and I think a softer, less demanding approach has a better chance at making long-term change. I think the same slow but steady approach to writing can help us, too. Don’t get overwhelmed in your race to publication.

There are many radical exercise programs out there. On The Biggest Loser, fat people go from sedentary to athletic, working out six hours a day and often getting ground down in the process. (I used to watch the show, but the subtext of “You aren’t a worthy human until you’re the right weight,” got to be too much.) Or take P90X. If you’re already in good shape, you might try it. It has its fans. However, as someone who has treated a lot of sports injuries, I can tell you that trying to go from zero to hero too fast is a recipe for injury that really kills progress. I took a slower approach after burning out on trying to do too much too quickly. I started with drinking a kale shake a day and began building back up from there. I think there’s a lesson for writers here. I tried to do too much at once, too. I lost too much sleep and feeling awful became the new normal. We need balance.

More tips and tricks to steer your authorship. This book is free to you until Saturday, Dec. 15! Please click to get it now.

More tips and tricks to steer your authorship. This book is free to you until Saturday, Dec. 15! Please click to get it now.

When you try to write too much at once, you’re going to have to do a lot more rewrites later. You probably know when your writing sucks. You go from “I’m a genius!” to “That was somewhat competent.” You aren’t happy while you’re writing badly. You look at the clock too much and think about anything besides what happens next. Writing doesn’t get better if you bear down and grit your teeth. Bearing down and gritting your teeth is sometimes what you have to do to start writing, but you shouldn’t end that way. When you begin to write, get into it and, if it’s going well, carry on. But when you’ve been writing for a while and you stop feeling the flow, take a break. Do something else. Refresh. Go to the gym even.

I begin a writing session by reading a bit of what I’ve already written, to get into the flow.  I might have a few minutes to write or a couple of hours. That doesn’t matter. What works is to begin writing and to be consistent, just like exercise. Starting is the major hump to get over and whether you promised yourself just a few hundred words or twenty minutes on the treadmill, you’ll probably end up doing more than what you promised yourself. If not, not, but at least you will have accomplished the minimum you asked of yourself for the day.

There are plenty of useful things to do, so there’s no need for anyone to get upset at themselves if they don’t achieve the superhuman every day. Expectations that are too high leads to disappointment, failure, burnout, self-loathing, self-medication with sugar and fat and eventually stalking the neighbourhood with an AK. Ease up on yourself because you can go hard or you can go long. You can’t do both for very long. Just begin. If you screwed up, begin again. That’s the magic.

I used to write short stories and still do occasionally. As a journalist, I’d write several stories a day. That was excellent training to build up to the 2,000 to 3,000 words a day I now write. For my process, I tend to think in blocks, so I don’t stop mid-chapter. Sometimes I’ll write two chapters a day, but I’m wary because that second chapter might not be as hot if I don’t get in some down time to cogitate and refresh. 

Whether you use a word count or a time limit as your daily goal, pay attention to how you feel as you write. If you lose yourself to it and you don’t notice the time passing at all, that’s a good sign. Similarly, you may feel tired or a little sore afterward, but if you generally feel better after exercise, great. That was the right amount. (For more on setting goals exercise goals that work, listen to guest Tom J Deters on The Duncan Trussel Family Hour Podcast. It’s NSFW.)

Find more tips and inspiration here.

Find more tips and inspiration here.

~ Robert Chazz Chute writes suspense, a little quirky self-help and Write Your Book: Aspire to Inspire. Check out all the links to his books or hear the latest All That Chazz podcast at AllThatChazz.com

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If you won the lottery, what would you do with your new book publicity budget?

Free until Nov. 30, 2012. Click it to grab it now!

Gizmodo ran a piece on what to buy if you won the Powerball lottery. Almost all of their suggestions were pretty silly. (I admit, I kind of liked the RV that has its own built-in garage. My house doesn’t have a garage.) But let’s assume you’d try to help some people and you’d take that trip you’ve always dreamed of: Paris, Disney, Madrid, Paducah…whatever. You’d get your brother into rehab and your mom out on bail. If you’re younger, you’re thinking: red sports car. If you’re my age, you’re thinking how utterly drop-dead sexy it would be to be debt-free and have a college fund for the kids. You’d do lots of wonderful things for others (mosquito nets for African children so they don’t die from malaria comes to mind.) Yeah, yeah, yeah, you’re a saint and responsible. We get it. Now let’s talk about your fantasy book publicity budget.

Here’s mine after giving this about thirty seconds thought:

I’m a podcast guy. With relatively little money (which I don’t have), I could get on a lot of podcasts and really make the most of what money I allotted to this project. I’d get on the majors: Slate, Rogan, Smodcast, Carolla, WTF etc.,… The next thing that comes to mind is to set up my website to sell directly, stock up and prepare for a big push. Major newspapers (they still print those, right?) would be a fun project. Imagine ad space in the top right hand corner of several key newspapers in major markets: Bigger Than Jesus taking up a quarter page. Turn the page, there’s Higher Than Jesus. Turn the page, there’s Hollywood Jesus, and so on. No TV. Who watches commercials anymore? A big launch party in a theatre (with Everlast as the closing act would be good.)

And I’d hit everywhere on one day. Heck, we’re talking Powerball. Let’s say, do it all in a blitz of one colossal week where my books appear everywhere you look and listen. If that somehow caught sufficient fire,then hire a publicist for the big tour in that fancy RV I mentioned.

Would it pay for itself? No. How could I justify the expense? I couldn’t, although I wouldn’t do a lot of things lottery winners do when they come into the big money, so there’s that.

That’s my frivolous fantasy. Your turn. What would you do to promote your books (besides quit the job at the rendering plant to write full-time)? Non-writers will wonder, if you win the lottery, why continue to write at all? If you thought that, get out! Get out now! I don’t understand you! SLAM!

I’ll be pleased to hear your thoughts on book publicity where money is no object. Please leave your suggestions in the comments thread below. Thank you.

~ Robert Chazz Chute fantasizes a lot. Then he writes that down. Then he scratches that out because you can get arrested if it look like an actual plan. Then he writes crime novels and no one’s the wiser. Enter the 7 Words or Less Contest and your name could be the name of a character in Hollywood Jesus. Get the inspirational book of tips, plots and plans about writing and publishing, Crack the Indie Author Code for FREE until this Friday.

 

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#NaNoWriMo: How to make reading like cardio

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

 Get all the details of the Seven Words or Less Contest and enter here.

Last night I wrote two more chapters for my next crime novel, Hollywood Jesus, starring my Cuban hit man, Jesus Diaz. The first chapter worked very well, but the second needs tinkering right away. Here’s what happened and my rationale for how I’m dealing with it.

The first chapter of the day was a fast-paced and clever chase (even if I say so myself). Good guy* chases bad guy/reversal/good guy’s now at a disadvantage and, as they say, the hunter becomes the hunted. The tension cranked higher when I put the good guy in a seemingly impossible situation. He’s either dead or going to federal prison or maybe even Gitmo if he’s caught. The latest police tools, tactics and technology are used against him and Diaz has to figure out a solution.

Actually, it would be awesome if my hit man figured out the solution himself, but I wrote him into a corner and I had to find a plausible way to write him out of that trap. Whenever I stick him in a bad situation, he’s looking at me going, “Get me out of here, you sadist!” I did get him off the meat hook again and it was both funny and sweat-inducing. Yay, me. Now what about the next, problem chapter?

The tension has to be cranked down from that high a little bit so there’s some kind of emotional range for the reader. However, I messed up. I cranked the tension down too far with a transitional chapter. I hate that. In the transitional chapter, I had too much exposition with not enough events occurring. After a daring escape, my hero gets picked up by his Sancho Panza with fresh clothes and a new mission to add to his growing pile of trouble. The chapter is devoted to explaining to Diaz what happened in his absence.

There’s a lot to fill in for Diaz and for the reader: A friend and an enemy are in hospital, the ultra-bad guy is on the loose and the cops are investigating the violent and creepy events of the night before. The hit man has to find these things out, but changing clothes while going for a ride in the back of a van slows the pace too much. I want the reader to have a breather for a moment, but I don’t want the reader to actually recover. For cardio and thrillers to work, you have to keep the heart rate up.

The Fix: After the perilous escape, Jesus Diaz will be picked up by his aide. However, the chapter must start at the next beat where, aside from being a fugitive from the LAPD and the FBI, he’s got a new client thrust upon him by the old client. Both are beautiful, intelligent women in danger and at the moment, both hate the hit man’s guts. I’m sticking with the conflict instead of allowing the congenial conversation with the buddy who gives him a safe, friendly ride.

But why not plunge forward, blow up the word count for the day and “fix it in post”? I see the problem now so I’m fixing it now. Dealing with the problem immediately saves me revision time later. When I go into full revision mode, I want little puzzle pieces that have to fit, not big chunks that throw off the trajectory of the story, kill the fast pacing and make me go all the way back in order to move forward.

Besides, I was already well past the word count for the day with the previous chapter. On those days I’m productive, I sleep well. The sleepless nights after a non-productive day are torture. There are only so many days.

Speaking of the next book, have you entered for a chance to get your name in Hollywood Jesus yet? Get all the details of the Seven Words or Less Contest and enter here.

* I use “good” guy here loosely. Jesus Diaz is a killer, but funny and ultimately, a sympathetic vigilante. I think of my books as Bad versus Evil.

~ The sweetest  fig Chazz ever loved was the one he stole from a tree in the former Yugoslavia. Robert Chazz Chute is the author of Bigger Than Jesus, Higher Than Jesus, The Dangerous Kind & Other Stories, Self-help for Stoners and Sex, Death & Mind Control as well as the guides for writers and self-publishers, Crack the Indie Author Code (free until Friday) and Write Your Book: Aspire to Inspire. For links to all the books and to hear the latest All That Chazz podcast, slip over to AllThatChazz.com.

Free until Nov. 30, 2012. Click it to grab it now!

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The New Seven Words or Less Contest

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

As I wrote Higher Than Jesus, the second in my crime novel series, I held the Six Words or Less Contest. It was so much fun, I’m doing it again, but with an extra word to give you the flexibility you need for a great entry.

Here’s the deal:

You can have a character running around in a crime novel with your name on him or her. All you have to do to win is come up with the funniest slogan for the side of a bakery delivery truck you can imagine. The catch? It has to be seven words or less and it has to be original, funny, memorable and somewhat plausible (so swearing is out for this one.) The contest ends December 7. Enter as many times as you like in the comments section below. 

The winning entry will be used in my next crime novel, Hollywood Jesus. (You guessed it. It takes place in California.) The winner will be chosen by a vote held from Dec. 7 to Dec. 10, 2012. The top three entries get a digital copy. The grand prize winner will get a free copy of the book in digital and paperback. Have fun with it! 

~ Robert Chazz Chute’s favorite bakery product is chocolate croissants with rich coffee. He’s also written two guides to writing, publishing and promotion. Crack the Indie Author Code is currently #1 in publishing and #4 in writing, and FREE this week on Amazon. Get your copy of Crack the Indie Author Code before Friday at midnight or before the sun explodes, whichever comes first. For more publishing and promotion tips, get Write Your Book: Aspire to Inspire. For more on books by Chazz and to hear the All That Chazz podcast, go to AllThatChazz.com.

Free to you Nov. 26 – 30, 2012. Click it to grab it now, please, or I shoot this puppy.

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#NaNoWriMo: And what if you don’t?

Free to you Nov. 26 – 30, 2012. If you love it, please review it. Thanks!

What happens if you aren’t a “winner” at National Novel Writing Month? The Mayan Apocalypse was set aside for you. The end is near and it’s going to be like that John Cusack movie, 2012, only longer, with burnt popcorn and more uncomfortable seats. 

Well, no, actually. NaNoWriMo isn’t another of those insipid chain letters that will kill you with a falling baby grand piano if you don’t complete it within the specified time. Fifty-thousand words and one month is an arbitrary deadline. It’s a fun and, I think, worthwhile challenge, but just because you didn’t make the quota — and there’s still time left, by the way — doesn’t mean you aren’t a writer. Mom still loves you, though she still prefers your brother Ted. Dad doesn’t think you’re any less unemployable (or more employable) than you were last month at about this time. You dog does not judge you…harshly. You still don’t take him out for enough walks, though. The status quo is preserved.

You’re certainly no farther behind than all those people who did make it to 50,000 words but will never look at their manuscript again. Their art is stillborn. Sadly, plenty of people who enter NaNoWriMo   have something worthy of publishing but will never know. The challenge, to them, was just a challenge, like how long can you go just eating pineapple and refried beans? Years from now they will sit in a dingy bar packed to the rafters with Rue and say, “Yeah, I wrote a novel once.” Before taking another long pull on a long neck, they’ll finish with a whisper, “…sort of.”

So what are you feeling so bad about? If you’re not going to make it to 50,000 words but you’re still reading this post, I bet you’re more serious than Mr. Sort Of. You’ve made it this far, looking for commiseration and a shoulder to cry on and all that. You don’t need a shoulder to cry on (and cleavage is better for that activity.) What you need is more time.

Many people don’t finish NaNoWriMo for great reasons. Stuff happens. Cats sit on your keyboard. Your sister called too many times at midnight to complain about her husband and how his new boyfriend leaves the toilet seat up. People get sick. Maybe you got tied up with work that actually pays. That’s important. Maybe you got sucked into a marathon of Hillybilly Hand Fish— okay, even my cheerleading efforts have limits. Shoot yourself.

I’m a cheerleader for anyone who writes to a daily word count, whether they are in NaNoWriMo or slogging through and constantly sweating a book out. Today I wrote a mere 1,900 words. I usually write close to three thousand a day. What’s galactically unjust is an author friend of mine reported that she just wrote over 4,000 words yesterday. (Pavarti! Dang it! That should have been me!) You see, my NaNoWriMo challenge is 365/24/7. You know books aren’t written in a month and you know this challenge is just a start. If you wrote enough so you have a good start on a novel, good for you. It can still be brilliant. Arbitrary is just so damned arbitrary, don’t you find?

Maybe you’re simply one of those tortured artists who take a little longer to write a masterpiece. If you’re a Canadian author, for instance, the government’s Royal Department of Vaunted Canlit requires that each book must take several years to write, with extra points awarded if you write about hard Arctic winters, houses made of sod and relentless, howling blizzards. To qualify, each revision must be completed in a birch bark canoe. If CBC Television scrapes any conflict out of your book and makes it into a movie (entirely in sepia tones with lots of bonnets or at least Labrador outports), you’re a serious Canlit contender. Congrats, you poor bastard. When Jian Ghomeshi interviews you on CBC Radio, answer in murmured Zen koans and only allow a small, smug smile, like you’re holding in a fart worthy of Margaret Atwood. There’s no money in being part of the Canadian literary establishment, so instead you get a trace of mystique among U of T English majors — wear a big hat and a long coat to readings — and the vague recognition that occasionally accompanies that ghostly, elusive thing that is “Canadian celebrity”.

Even if you aren’t Canadian, there are still great hurdles to overcome before you write your book and earn the respect of the literary establishment. First, you must never mention any connection between your Great American Novel and NaNoWriMo. Next, leather elbow patches are a must and always refer to the story as “the Text”. (Make sure they hear the capital T.) To really rock the foundations of letters and get Mark Twain and Kurt Vonnegut to step aside for a new, greater entry into The Great Works of Literature Hall of Fame (and Gas Bar), give that manuscript of yours another couple of weeks.

BONUS TIP: If you’re going to take a day off from writing anyway, avoid misery and decide that at the beginning of the day. If it flogs you all day and at bedtime you decide today’s not a day to write, you’ve paid a needless stress debt. There’s enough stress in the world without adding to it.

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

~ In addition to writing about publishing in Crack the Indie Author Code and Write Your book: Aspire to Inspire, Robert Chazz Chute plots murder constantly, often in relation to fiction. His latest is a delightfully violent and occasionally sexy romp called Higher Than Jesus. He begs that you buy it and read it and review it because he has no shame anymore. Pride is a luxury bought with money. Sure, that last bit sounds like Jane Eyre, but those are his words! (This is also a  good time to admit that I, Chazz, am currently writing these words about myself in the third person. I’ve rarely loathed myself more deeply.) For more on books of suspense and nonsense by Chazz or to hear the free All That Chazz podcast, slum in his grimy little author site just off the Jersey turnpike in back of a dark bar with lipstick on the glasses, AllThatChazz.com. The glasses are all dirty mason jars and the bartender is a study in jailhouse tattoos.

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#NaNoWriMo: You can’t murder Miss Marple

Free to you Nov. 26 – 30, 2012

There’s an essential difference between a book that stands alone and a book in a series. In a one-off, anything can happen. In particular, you can kill off your protagonist. You’d be very unhappy with an Agatha Christie novel that ended with the gory strangulation of that sweet Miss Marple using piano wire. (What is it about piano wire that we always associate with strangulation? Was there a sale? Home Depot has lots of wire, but none in the category of “Piano”. Barbed wire would be meaner and razor wire would be more efficient. Yes, I spend too much time thinking about these issues.)

Though Sherlock Holmes went over the falls because Conan Doyle was sick of writing his “mere entertainments”, Sherlock survived in the end. It’s generally bad form to take a reader in hand and walk them through an intriguing story only to kill off the protagonist. It often makes the reader feel they’ve invested a lot of time and energy into a hero or heroine for naught. Kill off the intrepid heroine and, unless you follow her into an amazing Afterlife, readers will feel cheated of the victory they expected. Exceptions exist, but downer endings without some larger goal achieved easily go sour. Be careful about killing off the good guy.

When you write a series, character is even more important than usual because no matter what pressure cookers you throw your protagonist into, the reader is pretty sure he or she will come out reasonably okay in the end and uncooked. Character is key. Sacrifices are demanded. Red shirts are required. Captain Kirk was responsible for the deaths of many of the Enterprise Crew. Everybody would be much safer if they stayed home on Earth, but, whether we’re writers, appreciative readers or just out of Starfleet Academy and beaming down to the planet in Come-Eat-My-Face Red, “Risk is our business.”

Click the image to get Higher Than Jesus

The trick is to get the reader invested in your protagonist’s goals, make them real and ensure they are sympathetic. For example, my hit man, Jesus Diaz, is an orphan with a history of childhood abuse. That’s explored in the first book in the series, Bigger Than Jesus. In  Higher Than Jesus, he’s dealing with moral issues around what he does for a living while battling Vicodin addiction and some bad guys who are much worse than he. He’s also in love again and out to save the future Mrs. Diaz. Despite everything against him, Jesus is also a funny guy and the deeper the trouble, the funnier he is. That’s his key to multiple books.

Somebody asked me if my inspiration for that quirk was Spider-Man. I used to collect comics and yes, Spider-man is, as they used to say in the Silver Age of comics, “a real cut-up”. However, I first discovered the power of the funny in myself when I encountered a guy with a knife intent on slicing me up. My fear fuelled something in me and I was never as hilarious as when I was sure I was about to die. It was under the controlled conditions of an Operating Room, but still…

Click it to get it.

Click for suspense and hilarious frivolity in Self-help for Stoners.

~Robert Chazz Chute is the author of crime novels, two books about writing and publishing and several books of suspense, including Self-help for Stoners. He has hugged the man who inspired the book, director Kevin Smith of Silent Bob fame, but it was a man-hug. Self-help for Stoners is in Kevin Smith’s bathroom for reading when the whim strikes. Hear the podcast and consume the muted glory that is his author site at AllThatChazz.com.

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#NaNoWriMo: 50,000 words isn’t the end. Learn from my mistake.

Free to you Nov. 26 – 30, 2012

Crack the Indie Author Code is free to you as an ebook, Monday to Friday, Nov. 26 – Nov 30 at midnight. As National Novel Writing Month draws to a close this week, please consider picking up the book and its  follow-up, Write Your Book: Aspire to Inspire. Both books are packed with information and inspiration for what lies ahead, no matter where you are in your writing and publishing journey. That’s the ad, but there’s more you need to know. Learn from my mistake: Don’t stop there.

Some say there are too many books. I’m a huge fan of choice, so I say there are too many books still in drawers and forgotten on thumb drives after NaNoWriMo is complete. Sure, let it sit in a drawer so you can be realistic when you get back to it. (Have a rest and relearn your children’s names.) However, please don’t let your trip to publication end at 50,000 words.

I believe many of the books that languish after NaNoWriMo can be salvaged with revisions and editing. Okay, maybe not all of them, but many. NaNoWriMo is a fun challenge to begin the process, like a hard swim in the ocean. In braving the waves and heading straight out to sea, you complete 50,000 words or more. That’s certainly an achievement, but it’s not the finish line. You have to swim back and make it to shore. Otherwise, all your hard work is written on water. 

An incomplete manuscript niggles, doesn’t it? I know. I have several manuscripts waiting for me. I wrote for years before I began writing full-time, so I built a bank of manuscripts to return to. It’s easier to keep your head in the game when you see one manuscript through to completion. Those big books I’ve written are awfully intimidating when I go back to them to tinker. I’m afraid to lose the thread. It helps my process to be in media res, not just for the characters but for me as I write and rewrite. I will get to those books, of course. I’ll immerse myself again and get back into it, but at first it sure feels like trying to do the butterfly stroke after a long absence from swim practice. I’m always most excited about the newest project, so those books, as worthy as they will be, get pushed farther back in the drawer.

In stopping and starting, I’ve lost energy, time and money. Please learn from my mistake and see NaNoWriMo through to its logical conclusion. Keep swimming.

UPDATES

When I wrote Crack the Indie Author Code, there was a Big Six. Now, with the merger of Penguin and Random House, it’s the Big Five. As

Find tons of tips and inspiration here.

I wrote Write Your Book: Aspire to Inspire, Kindlegraph was the tool to autograph ebooks. Now authors can write inscriptions across publishing platforms using the update, Authorgraph. I mention these two updates not just because I want you to know the latest. I mention it because I published those two books on writing and publishing very recently. Publishing’s landscape is changing so fast, even ebooks updating before anyone can click the “Publish” button. Bookmark ChazzWrites, hit follow and keep coming back for the latest.

Speaking of the latest on changes in the publishing industry, you will certainly want to hear: the latest episode of the podcast, On The Media, from NPR. It’s called Adapt or Die. It’s an excellent summation about the year in publishing. Topics include: The myth of piracy, Amazon versus everyone, getting around Amazon, knockoff books, the bookstore battle over the Tim Ferris’s The 4-Hour Chef and the future of the industry.

~ Robert Chazz Chute was a martial artist when his life was still ruled by macho BS. He writes about writing and publishing, suspense and escape while making jokes to distract readers from the existential abyss that will consume us all. He likes puppies. See his author page and listen to his podcast at AllThatChazz.com.

 

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