C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

#NaNoWriMo: The key tip to write a much better book

When we plunge into writing a book, there’s lots of enthusiasm on the front end of the challenge. But how will we fill all those pages, especially in that saggy middle where we really don’t know exactly what’s going to happen? How will we give our story verisimilitude? How will we make readers care about our characters and give the book depth? Where will all the conflict come from? How will we sustain our enthusiasm all the way to the end of NaNoWriMo?

There is a solution that many writers shy away from to their detriment. They want their protagonists to be likeable so they make them Christlike figures. This saps a lot of juice from your book. Here’s why you must make your characters more flawed:

1. With flawed characters, there’s much more to write about. A former writer on Seinfeld said recently that stories that focussed on Jerry were always the hardest to write because he had the fewest flaws. George and Kramer and Elaine had plenty of neuroses and quirks, so that allowed the writers plenty of material with which to play. Give your detective an obsession or a hobby that doesn’t help him. Nero Wolfe had the orchids upstairs. Monk has OCD. Everybody has a blind spot or maybe even a fatal flaw that your plot can turn on.

2. Flawed characters have an interesting past that has a bearing on the present and future. My hit man in Bigger Than Jesus and Higher Then Jesus was abducted and abused as a child. Those scars interfere with his love life now. He wears very expensive suits and can’t stand to have sex without his clothes on because he has emotional scars. He also doesn’t want a lover to see the physical scars across his chest. His psychological quirks go deep, dealing with PTSD, addiction and his relationships with women. He falls in love too quickly always searching for a woman he can idolize and worship. Or is he really looking for mom?One of my favorite chapters in Higher Than Jesus is the one in which my hit man goes to group therapy (and fails miserably at it.)

You don’t want to stop your narrative cold with flashbacks too often, but if you can weave those flashbacks into the story well — and if those flashbacks are compelling enough — you’ve got a tool to give your readers a much richer story.

3. Flawed characters create tension. Your plot should spring from character. For instance, Jesus Diaz is prideful. If there’s a problem, he feels he has to handle it. Other circumstances conspire to make him feel he can’t simply call the police to handle his issues, but his resolve is key to that plot point. Higher Than Jesus would be at least a third shorter if Jesus solved problems the same way normal people solve problems.

4. Flawed characters have more conflict with their world. Jesus has a hard time relating to anyone else as a “boss”, for instance. He’s not a guy who is meant for the 9 – 5 world, especially with his limited skill sets in finding people, his inability to work in law enforcement because of his shady history and the creative uses he finds for super glue. Tension and heat increase from friction so be mean to your protagonist and make at least some of his problems his own damn fault.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

5. Readers relate to flawed characters. A novice writer asked me to read a chapter from her paranormal romance. The hero was very heroic — blandly so — and had an impossibly heroic name. The heroine was everything you’d expect from a heroine and more. They’d never done anything wrong and never would. They were always right, always predictable and always relatively safe because they were amazingly capable. Meanwhile, most readers think they should get to the gym today and most of us won’t make it. When you write your hero as if he’s Superman, he’s boring and you have a book the length of a comic book with just as much believability. Go Batman. In the ’60s comics, he was written as The World’s Greatest Detective, kind of Sherlock Holmes in a cowl with a cool car. The character’s real surge came when writer Frank Miller tuned into the underlying subtext of Batman’s vibe: He’s a billionaire with Daddy issues who trains himself to become a psychotic badass vigilante who won’t kill, but he’s no boy scout, either. That’s much more interesting than relentless virtue.

My hit man is obsessed with movies (just like me). Movies are our society’s touchstone, so Jesus has seen the same movies you’ve seen and sees the world through that Hollywood prism. He not only wants the Happily Ever After ending; he thinks he deserves it. Through movies, I make readers share a common interest and knowledge base with a hit man.

Consider Elmore Leonard’s characters: They’re often a bunch of criminals doing crazy things you’d never do, but some of their traits remind you of your crazy, racist Uncle Larry or that nutty girl you shared a room with in second semester before she dropped out to go to Art School. Flawed characters are people we know and believe because we’re surrounded by people who are flawed.

Resist the urge to make your characters better than human. In fact, we’ll like and believe them more if they aren’t perfect.

For more tips, inspiration and motivation for National Novel Writing Month, check out Crack the Indie Author Code and Write Your Book: Aspire to Inspire, on sale now.

~ Robert Chazz Chute is the author of Crack the Indie Author Code, Write Your Book: Aspire to Inspire, Self-help for Stoners, The Dangerous Kind & Other Stories, Bigger Than Jesus, Higher Than Jesus and Sex, Death & Mind Control (for fun and profit).

BONUS:

A fresh podcast is up at AllThatChazz.com which explains how you can get free ebooks. 

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Branding: The change I made

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Milestones aren’t just for celebration. They are also reminders to reevaluate. Since last November, I’ve been podcasting comedy, author readings and a wee bit of ranting at the world. In that time, more people have gone from “What’s podcasting?” to “Ooh, computer radio! How do I do that, too?” Listenership is growing and I just broadcast my 50th show (a conversation with writer and friend Mark Young.)

When I began the podcast, I was very focussed on selling my first book, Self-help for Stoners, a fun book for creatives who love suspense. Those readers make great podcast listeners. They are interested in the creative process, want a little encouragement in the creation of their art and wonder what’s it all about (among all the jokes, murders and whimsy.) I didn’t put enough thought into my long-term branding then. Instead, eager to get both products up on their feet and out the door, I named the podcast after my first book. Since I’ll soon have eight books available, I needed to start thinking long-term. The podcast is now called All That Chazz. Since my author site is AllThatChazz.com, it fits. (Oh, my Thor! Such blinding narcissism!)

Across all my sites, the same image appears to help  set up one image in the minds of potential readers. I’m not giving up on Self-help for Stoners. I’m just expanding the line of books with which I’m identified. I should have thought of that at first, but I was too anxious to finally get the podcast up and running to worry about changes a year down the road. It’s now almost a year down the road and change is in the ether, zeroing in fast.

Dance fast in the short-term. Plan long-term. Adapt. Innovate. Overcome. Rock harder.

 

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Publishing: New strategies, plots & plans

I have four books up for sale so far. In less than three months, I plan to release four more. This is the critical, make or break, time for me that requires a little experimentation as we swing into the high season of book sales. Here are my goals and rationales:

1. A friend asked if I planned to put my two short story collections, The Dangerous Kind & Other Stories and Sex, Death & Mind Control into print. I began to say they are a little short for paper. Then an inspiration came. Here’s the experiment: I’ll combine the two, add seven stories that I’ve banked plus a chapter that’s a sneak peek from a coming novel. I’ll also add a little introductory commentary at the top of each story. I will make this collection available only in print.

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

2. Within a week or two, Higher Than Jesus will be released. This is the follow-up to Bigger Than Jesus and the second in The Hit Man Series. I listened carefully to the reception Bigger Than Jesus got. Higher Than Jesus will be lighter on the swearing and mix in a little more sex. Add in skip tracer techniques, an assassination conspiracy, an arms deal and a lot more jokes and it’s a winner. Lots of pre-publication buzz on this one from the First Readers Club.

3. Crack the Indie Author Code: Aspire to Inspire is next. I just got the manuscript back from the editor and I’m working through revisions. Anyone who reads this blog will enjoy this, the first non-fiction book that has my name on it. (Ghost writing doesn’t count.) It’s inspiration for writers, but it’s got a lot of useful information and jokes, too.

Paranormal persuasion and scary stories (including two award winners.)

4. This Plague of Days is the story of a boy who is a selective mute on the autistic spectrum. He travels with his family through North America as society collapses. A killer flu has killed more than a third of the population and chaos descends. We see the world through his odd perspective. I wrote this book over the course of a year and I just have to plunge into revisions. It’s a huge book, my longest and most ambitious. 

Small-town terrors and psychological mayhem in Maine.

These are high goals over a short time, but I have worked toward these books for a long time. Everything is written. It’s all revisions and editorial pipe now. It’s time to go big. I’m powered by kale shakes and naïve optimism. I can do this.

Intern! Brew me another kale espresso, less pulp this time! It’s go time!

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And the winner of the Six Words or Less Contest is…

Liberty Montano!

Thanks to all who entered the Six Words or Less Contest. We had some solid entries, but there can only be three in the top three, if my understanding of math is correct.

Liberty’s happened to be the very first entry and the votes skewed toward a religious bent. (I have mentioned

Click to get Bigger Than Jesus here

my Cuban hit man’s name is pronounced “Hay-soose” a ton already, right?)

Liberty’s entry won first prize with:

“Ezekiel 25:17”

Cloakey Notes came in second with

“Revelation 6:17”

Who would have thought I would have so many readers so familiar with Bible text?

Tony Collett came in third with a reference from The Fisher King:

“Moral Traffic Light”.

All three will get mentions on my podcast and, when Higher Than Jesus comes out, they’ll receive a free ebook. Congratulations to each of the winners.

Liberty’s name will appear in Higher Than Jesus and her quote will be woven into the story. Hey, that’s a good character name! Not too many people named “Liberty” out there. She’ll be getting the paperback, too.

As the publication date for Higher Than Jesus approaches, I will contact the winners with details.

Thanks again to everyone who participated.

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Guest post: Eden Baylee & Spring Into Summer

The Type of Men Who Turn Me On

I’m thrilled to be featured on Chazz’s blog to talk about my latest book, Spring into Summer — a book of four erotic novellas, two that take place in the spring and two in the summer.

I consider Chazz a special man. He’s funny, sweet, and intelligent. He’s a serious author, but he also has a humorous podcast, and he plays with puppets—an interesting combination of talents indeed.

The men I write about in my book are also talented.  They have skills that allow them to earn a living of course, but beyond that, what makes them interesting is the combination of a sharp wit,  a sense of humor, and the ability to be with a woman in and out of the bedroom. In creating both the leading and minor male characters, I drew on many men I knew personally and virtually. These men had three things in common:

  • They love women
  • They’re intelligent
  • They don’t take themselves too seriously

The men in my books don’t need to be millionaires, own private jets, or even be well hung … well … maybe the last one, but seriously, what’s more important is they must be smart, passionate lovers who I’d be interested to spend time with in real life. These are the men who occupy my stories.

If you’d like to learn more about them, I’d consider it an honor if you picked up a copy of my book.

Thanks Chazz for giving me the opportunity to share about the type of men who turn me on.

About the book

In Spring into Summer, a collection of emotionally charged erotic novellas, four women explore their sexual limits, marked by love, lust, and loss.

Life for Claire Pelletier is changed forever when she meets a professor who teaches her a most important lesson in “A Season for Everything.”

Evelyn Sutton goes in search of a man in “Unlocking the Mystery” and discovers the key to her own heart.

With an open mind, Ava Connors attends a party but wonders if reality can ever live up to her hottest fantasies in “Summer Solstice.”

In “The Lottery,” Sierra Zhao sacrifices herself to numerous men to help a friend, fully aware of the consequences.

With locations in London, Dublin, Cape Cod, and Bangkok, these four women will seek pleasure to alter their lives and push their sexual boundaries.

Buy Links: Ebook formats

Amazon.com      

Amazon.UK

Bio 

Eden Baylee writes literary erotica and erotic romance. Her stories are both sensual and sexual, incorporating some of her favorite things such as travel, culture, and a deep curiosity for what turns people on. Spring into Summer is her second collection of erotic novellas.

Links

Website

Blog

Twitter @edenbaylee

Facebook

Youtube

Pinterest

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UBC #31: Ebooks are the new slush pile. Are they the new blog, too?

To check out all the books by Robert Chazz Chute, click here.

I once had a business meeting to attend in Toronto and, despite a snowstorm that put a lot of cars off the road, I kept going after it was clear I should turn back. After three hours of white-knuckling the steering wheel, I made it to the meeting on time only to find that I’d risked my life for nothing. The meeting was cancelled because everyone else who was to attend had their priorities straight. Clearly, I have a stupid character flaw. Once I commit to something that isn’t working, I often don’t abandon the task, even when it’s obvious it isn’t working. 

It’s time to examine priorities, not just for me but for you.

What are we doing that helps us get closer to our goals?

What needs to change? I have a cool idea.

First, let’s talk blogging. Lots of people are interested in yesterday’s blog: Your Blog Does Not Matter. I learn a lot from research and it’s fun, but the Law of Diminishing Returns is a knee in the groin. If I’m right that our blogs don’t matter as marketing tools, why blog? I should clarify that it’s not that I think writers don’t read. May Thor help them if they don’t. But a lot of power readers love books — and buy them to read copiously — without a thought to ever writing books themselves. That frees up a lot of time to read and buy more books. Writers are logophiles, but, to be read more widely, we need to reach bibliophiles and plenty of them.

We need to reach out to book reviewers and book bloggers to get word of mouth going, yes, but I think there’s a way for our blogs to matter more to the general book buyer, especially if your blog is information-oriented.* I’m going to have to try a different blogging strategy because, blogging the way I am, just for the love of it, isn’t helping my writing career. Whenever you choose choice, you choose freedom. That’s good, but, even with the old blog heater running full blast, it’s snowing so hard my windshield wipers can’t keep up and there are too many indie authors in the ditch.

Case in point: I’ve blogged a fresh entry on this blog every day for the last two months. June was the Author Blog Challenge. My blog traffic shot high consistently. I made new friends, gained subscribers and have fresh contacts. July was the Ultimate Blog Challenge (and this is my last post, #31, for that challenge.) The former had under 100 participants and I’m told the latter has five to ten times that. Still, I earned far more traffic during the Author Blog Challenge. It doesn’t take too long to figure out why the ABC was so successful for me. I talked to my audience rather than a more diverse, disinterested crowd and that crowd had to come to me. Not many did. They were into blogging qua blogging, as my old philosophy prof would say. They weren’t necessarily into suspense or the intense indie book reading proliferation experiment I promote here. I’m not blaming the Ultimate Blog Challenge. Nobody owes me their patronage. This isn’t about that. It’s about finding strategies that actually help me (and you) get discovered by new readers who care about what we write (and might even — egad! — pay for our work.)

The only strategy for growing a readership that anyone seems to be sure of is: WRITE MORE BOOKS! So, first, spend more time on your books than your blogs. The core writing has to be scheduled before any other writing you do. I haven’t been as good at this as I should be lately because I was too focussed on the Ultimate Blog Challenge. That’s stupid, stubborn me, driving through a snowstorm again. I knew the latest challenge wasn’t garnering more traffic a couple of weeks ago, but I’d made a commitment. I learned something more, though. I can blog like crazy and still not matter because I’m not publishing my blog posts where new readers and book buyers gather.

There’s an alternative marketing strategy that makes more sense. 

There’s a way to go to where readers are and

build more ebook presence on the web

instead of hoping readers will somehow discover our blogs.

Small-town terrors and psychological mayhem in Maine.
These are the foundation stories of the coming Poeticule Bay Series of suspense novels.

Here’s how: In time I’d otherwise use for blogging, I can put together a micro ebook to increase the size of my cyber bookshelf and build name recognition. It’s already been observed that Amazon is the new slush pile for traditional publishing. Maybe self-publishing isn’t just the new slush pile. Maybe ebooks are the new blog, and vice versa. I’ve already noted that I intend to make a book out of blog posts, distilling down the sweetness and goodness for indie authors. I’ve been missing out on other opportunities to expand my bookshelf for new  readers.

For instance, today, I noticed a free book on iBooks that was 10 Strategies to Something or Other. Regular readers know I have a fondness for top ten formats for blog posts and they’re pretty popular, quick and fun to write. That’s really not so different from many of the offerings on Amazon, Kobo, iBooks and so on. Why not blog for free where it can do me (and you) more good? On those platforms. You know. Where the readers are. 

CLICK: You can already publish your blog to kindle here. Or check out any top free lists to see the sort of things you can write about that hits readers where they live. In the back of every ebook/blog you publish, link to your paid books. Depending on what you write, you could even write the equivalent of a few blog posts and (gasp!) actually get reimbursed for your time, trouble and expertise. Imagine the possibilities.

Click to get Bigger Than Jesus here

Publishing our blogs on self-publishing platforms is one way, largely unexplored, we can make more sales because we’re reaching people who are already in the book marketing venue. I know most of us don’t think of blogging as publishing, even though we write our blogs and hit a button that says “Publish” every day. It’s time to slow down, turn on the GPS and figure the alternative routes out of this blinding snowstorm. It’s time to get flexible and find what works so I can find my readership, help them find me and sell more books. Maybe you, too, if you’re interested.

No, I’m not discontinuing blogging here. Now that the blog challenge is over, though, I’ll do a little more curation via Scoopit! and post a little less. I’ll prioritize better than I have done and maybe get outside while it’s still summer. I still have podcasts coming out every week and three books in the editorial pipe this year plus Bigger Than Jesus coming out in print soon so…yeah. Lots to do and, like everyone, our waking, working hours are limited. Now that I’m through the blog frenzy of the last two months, I will concentrate more of that time on coming out with more books…and maybe a few blog posts/ebooks on iBooks and Kindle. I’ll let you know how that experiment works out. 

~ BONUS: I had a fun interview on Sandi Tuttle’s show last night. We talked blogs, the publishing revolution, being indie, inspiration and ritual goat sacrifice. Have a listen here.

*Publishing more short stories could help you, but I doubt it. That might double down on getting ignored, but that’s a different post for another day.

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Ultimate Blog Challenge: Indies Versus Committees

The Senate Committee on Budget (ca.1997-2001).

The Senate Committee on Budget (ca.1997-2001). (Photo credit: Wikipedia)

The common wisdom is that all of us together are smarter than any one of us. Combine a group’s brains and their solutions will overcome that of a genius. That’s not my experience. Here’s why one head is often better than several:

1. The smartest person in a group is not the one who gets to talk in a committee. The loudest person does all the talking and steers the ship, often into the rocks. Stupid people are always the most confident and the less a person knows about a subject, the more certain they are of their opinions. That’s called leadership.

2. Take any group and there’s always one wacko*. Said wacko will espouse insane ideas. The rest of the group will then compromise with the wacko, thus arriving at terrible ideas that only seem more sane within the room in which the committee meets. Half wacko is still wacko.

3. People vote for the lesser of two evils, so they still vote for evil.

4. Committees search for reasons to justify their existence. They don’t complete a task and disband. They say, what can we do next? How can we extend our power, budget and egos? I call this committee creep. It’s for creeps.

5. A committee is a team. It becomes an expression of our genetic gravitation to tribalism. Committees become Us Versus Those Peons over there. (For the Latin derivation of the word “peon”, break it down into syllables.)

6. A committee is a way to spread responsibility around. If an individual says, “I made this decision,” he or she will have to live with it. Put it on a group label and everybody’s hiding behind the responsibility diffusion.

7. When I make a decision about my publishing company, a book cover, a sales platform or an editorial choice, it happens immediately. I may consult my friends with expertise or bat ideas around with my graphic designer, but the decisions come fast. I’ve waited long enough. I’m not waiting anymore and I’m certainly not asking for permission. I can screw up on my own easily without help.

8. I mentioned that, without a committee, the fault gets assigned to me for bad, independent decisions. The rewards come straight back to me, too. Then I dance with naked abandon, so it’s good I’m alone at the time.

9. Without a committee, I am in control of my destiny as much as any human is. Sure, there are a lot of whims and variables beyond my control. One of those variables isn’t a pinhead named Mort from Middle Management who’s telling me what to do. Screw Mort.

10. Committees are cooperative ventures that require a lot of socializing, neckties and appropriate office behaviour. I do not share toys. I do not play well with others. I’m writing this in my underwear. There might even be a naked abandon dance party later.

I  AM INDIE AND PROUD

*If your group has no wacko, the wacko is you.

And yes, I am qualified to diagnose under the It Takes One to Know One Rule.

Get Bigger Than Jesus

~ Like my flavor? Listen to the first chapter of my crime thriller, Bigger Than Jesus. I’m podcasting the book through the summer. Enjoy!

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AB Challenge 24: More on Free Books. Moron Free Books.

Yesterday, we talked about free ebooks and me. Now let’s talk about you, too. Recently we said, “Free is the new 99 cents!” Now free is fraught with diminished opportunity and all that lousy freeness. Let’s delve into pricing ebooks for promotions and try to figure out for ourselves if this is a time to rest and recover or should we double down on ebook marketing?

History: Last year, selling at 99 cents still moved some books and gained new readers. The royalty wasn’t great but it was a loss leader. Now 99 cents just seems to be a loss. I had my novella, The Dangerous Kind, up for 99 cents. It’s a great story that slides the steel home at around 10,000 words. After analysing the sales (took two seconds) I’ve taken it down. Later this week it will be back on Amazon for $2.99, bundled in with some Poeticule Bay short stories. My short story collections sell, but offering a deal on a shorter work didn’t attract readers and my short stories on Smashwords (each priced at 99 cents) aren’t moving as is so they’ll all be in one collection: The Dangerous Kind and Other Stories.

Part of the problem was the old cover for my novella. I’ve blogged about this issue before so I won’t rehash it. I’ll only say: Be indie if you want, but make sure your covers don’t look indie. (My graphic designer, Kit Foster can help you with that at a very reasonable price for a very professional look.)

GET BIGGER THAN JESUS

The Loss Leader Pricing Paradox: You’re pricing your work inexpensively to attract new readers. You’re hoping new people will find you, take a chance on you, dig your flavour, buy all your books and spread your holy word. However, going cheap actually repels some browsers because they associate a cheap price with a bad book. So many times I’ve read in comment threads, “If the author values their work so little, why should I?” There’s someone who doesn’t appreciate the indie author’s bind. I’ll save your life for free. Does that make your life worth less? (Ooh, he’s cranky today!)

Which brings us to the Opportunity/Problem Paradox: The same browsers who think 99 cents cheapens the inherent value of the book often think no less of an author who offers their work for free. All ebooks have free samples, of course, but I don’t think very many potential buyers look at them. They go by genre, the author’s rep, the cover and the description (not necessarily in the that order.) Free is easy and no risk and I haven’t seen many people casting aspersions on authors offering free entertainment. Free is so ubiquitous, it’s considered the norm. It’s an opportunity for the reader and the writer. Free is so ubiquitous, it’s a problem because of the glut of free ebooks on e-readers. We’re drowning in free.

The Perceived Value Corollary: There are so many free books filling up e-readers that readers have no commitment to what they download. (Amazon says, “Click to buy”, but if it’s free, it really means “Click to download”, doesn’t it?) Many of those free books will go unread. When you can click and get, click and get, click and get, there’s no investment on the reader’s part in individual books. Instead, the hoarder mentality rises. What this means for writers is, the minute you’ve dared to slow down your narrative, the quicker the reader is to dump you for another free ebook. We’ve already seen evidence of this trend: there’s less of a market for literary fiction that demands more of the reader.

PV Corollary Case study: A buddy of mine was a sales rep for Margaret Atwood and loved her to bits. I told him I couldn’t get into The Handmaid’s Tale. I bailed out after too many slow pages examining the scratchings of previous handmaids in the rear of the bedroom closet. “Chazz,” he said,”What you’ve got to learn to do when a story slows down too much is grab a few pages and flip forward.” I’m a bit OCD about reading every word so I was a bit shocked. Skipping a page  had never occurred to me. “So…” I said, “You haven’t read it, either!”

The Hidden Unintended Consequence: On an e-reader, no one knows what you’re reading on the bus to work. Sales of erotica have risen because we don’t have to hide our actual taste or pay at a bookstore register manned by a silver-haired woman who looks exactly like Baptist Grammy. Only Homeland Security and the computers that record everything know all you really want is Fifty Shades of Grey. However, it’s not just about erotica. The market has ruled and so-called “downmarket” fiction is what people buy. The readers disagree with the historic arbiters of taste about what’s important. (Did you hear that pop? Somebody’s head exploded again. Clean up, aisle three!)

The Value Addition: When you buy a book — not just download it for free — you show commitment. You’re trusting the author to show you a good time and if you throw it aside, you aren’t just tossing the book. You’re throwing away the bucks you put into it, too.

The Cost-benefit Analysis: For readers, free books are great because choice is awesome. For the writer, providing free books is a way to gain the trust of the reader at no risk (to the reader.) It’s about exposure so you get ranked on lists. Many readers don’t trust reviews (often unfairly) so free is one  avenue into their hearts and minds. We’re making a short-term sacrifice to get our work read, to get on “also viewed and also bought lists” and to get our share of that sweet lending pot of gold from Amazon. Giving our precious away for free is an advertising cost that doesn’t show up as a debit in our bank accounts, but it’s still a cost.

The Cost-benefit Caveat: Since Amazon changed their algorithm, it’s not as happy a story as it was last December. Unless you wrote Fifty Shades of Grey, sales have slumped across the board since March and we’re now into the summer doldrums of the book buying year. The market is as cyclical as the sea. The wind will come back in our sails. The readers will return as free diminishes. Some authors are opting out of KDP Select, or opting in for one three-month cycle for the promotion and then opting out to stop the exclusivity clause and give other sales outlets a chance.

The Irrational Variable Conundrum: Does free devalue literature? Will our prices be chronically depressed because of free? As an indie writer, this isn’t a question that affects me. The higher prices traditional publishers charge for ebooks doesn’t mean that their authors are getting more dough. It’s going to the publishers for their high overheads. I only have to pay me so the 70% royalty rate on my books still looks pretty sweet to me. Like they used to say in cheesy, local car commercials on cable, “How do we do it? Volume!” I’m glad traditional publishers keep their ebook prices high. It gives a guy like me a chance at being discovered.

Will these short-term sacrifices mean long-term financial pain? No, yes and maybe. Who knows? I’m suspicious of too much certainty. Your answer may vary because the fulcrum for this heavy conundrum rests of an irrational variable: How high were your expectations to begin with? Is this side money, the size, say, of the little Swiss Chalet side salad? Did you want the comfort of the double leg dinner as an income? Or did you want the richness of the full Swiss Chalet Family pack with the coconut cream pie for desert? Input your variable and solve for X.

Conclusions: Given the free ebook glut, do you market even harder now that we’re into summer’s slow days? I think I’ll just stay the course. It feels like trying to run up the down escalator and I already flog hard enough as it is. Instead, I’m focusing my energies on putting up more of the work I’ve prepared and I’m writing new stuff. I’m giving the market more time to recover so I’ll be ready with more books to sell.

Putting up more books is the only sure way I know of selling more books.

Predictions:  New strategies will emerge, but no one seems sure what The Answer is. It might not be one answer and it might not be as dramatic and sweeping as the free ebook boom that hit the market when Amazon’s KDP Select algorithms benefited us so much back in December. I suspect we’ll be actively spending more money on advertising and promotion for our books in the near future. I’m aware of a few new and clever-sounding strategies, but they are as yet untested by the market’s searing flame. I’ll revisit said strategies in a future post, but today’s post is already too long and don’t we have some serious writing to do?

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Author Blog Challenge 19: Choose how to grow your author platform

The Author Blog Challenge writing prompt was: What are the three most important things you are doing to grow your platform? This is such a good question and everyone has so many different answers. I don’t have an answer. I have a survey of what I do. How to grow your author platform? Eh…I have a menu of stuff from which to choose. Choose to do what you’ll enjoy so you can be effective and sustain it.

Just today I read a fellow indie author opine that one day a week of concentrated social media, pumping and pimping, hadn’t helped him a bit. Mind you, his sample was a bit too small. He was only talking about a month, which translated to four workdays. However, he’s not alone in the complaint. You can do a lot of work and still not move the needle in a measurable way, and measurable is really what counts. I suspect what was missing was connection. You have to be interested in people and what they’re doing. Interacting is better than spouting (he spouted.) Failing earnest interaction, when you just can’t bear to rip your heart out of your chest again for another blog post or comment thread, do what I do and make more jokes about strangling mimes.

I’m really very consistent in establishing my web presence. I do something every day and here’s what I’m active in: three Twitter accounts (though the main one is @rchazzchute); Facebook pages; a podcast broadcast two times a week; the author site (AllThatChazz.com) and, of course, this site. I even do a little bit of Google Plus. I always think of G+ last, but I know I picked up a new reader (who promised to review my book!) through G+ today. I know that’s a lot. This is part of my full-time job, no whining. The rest of the time, I’m writing, and no, there’s not time for much of anything else. Most people can’t devote the amount of time I do to marketing and promotion, and yes, I realize I’m very lucky to have such a supportive spouse in She Who Must Be Obeyed.

When you do a lot of social media, you do risk annoying people. I certainly risked that today. My Amazon free promo day was plastered across my podcast, my Twitter and retweeted across at least 50 other Twitter accounts. I emailed some people and reached out a bit through Facebook. Somebody must have thought, “Yeah, yeah, we get it. You’re excited about your book but I got a sammich here!” Even as I was promoting, I noticed a fellow author got cussed out severely on Facebook for his pleas. In my defence, everyone who tweeted me got my support, too. I share. They share. Some would say that adds up to a lot of noise and signal degradation. On the other hand, my novel rose from a dark place in my skull a couple of days ago to #545 on the general Amazon list last I checked (UPDATE: and #73 in Mysteries & Thrilers! Yay!) Self-help for Stoners shot up 140,000 places as a collateral benefit so something’s selling in addition to all those free books.

I curate a lot of helpful information for indie authors. On the one hand, this blog brings me a lot of traffic, but they (well…you) aren’t necessarily interested in reading suspense, funny and weird self-help in the form of fiction, strange humour and crime novels. Some people say writing about writing is a complete waste of time. I say write what you’re passionate about and you’ll never run out of blog posts. I don’t want to blog about animal husbandry. It’s icky hanging out with naked animals.

When I joined Klout, I had assumed most of my influence came through this blog or Twitter. Klout says it’s Facebook where I make the most impact (though my Ex Parte Press page only has 37 likes and my personal page only 177 friends. That’s lousy, though it’s almost 177 more friends that I ever had elsewhere.) I doubt Klout, but it’s hard to say. Besides, maybe that’s too reductionist. In layered marketing, you do a lot of things in order to appear to be just about everywhere at once, like The Flash or herpes.

So what are the three things I do that are most effective? I’m sorry. No easy answers. I couldn’t narrow it down that much. I think my podcast, though small, helps me reach out to new people around the world and when the podcast went up at 6 pm this evening, listeners snapped up the free promo. Triberr is effective. World Literary Cafe Tweet Teams help. I’m exploring new ways to advertise on a tiny (to zero budget) like Masquerade Crew, Kindle Nation Daily, and Kindle Book Review. I have to reach out to book reviewers to get noticed. I have to find crime novelists or suspense writers willing to give up a blurb for Bigger Than Jesus.

There’s only one thing I am sure will help me sell more books: I have to get the next book up. And the next, and the next and so on until I am discovered, die or you decide you want you r kids back with all their thumbs attached.

What to do?

Do what you can. Do what you love. Get the writing done first. Nothing should cut into your writing time.

How do I do it? I don’t sleep much. It’s like cramming for finals every day and night.

It would be hell, except I’m having fun.

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Author Blog Challenge 18: The Top Ten Reasons You (yes! You!) Crave This Book

Please click here to get Bigger Than Jesus

To whom will Bigger Than Jesus appeal? I have serious and much less than serious answers to this Author Blog Challenge writing prompt:

1. People who like a fast beach read of a crime thriller that’s hard to put down. I got the idea for my pacing from Blake Crouch’s Run. There’s a cliffhanger or an aha moment, or several, in every chapter. The tension only cranks up.

2. People who like old caper movies, like To Catch a Thief, Sneakers or The Italian Job. My fondest childhood memories are getting lost in movies to shut out everything else.

3. People who like Coen brothers‘ movies where simple solutions lead to more and more complex problems and the hero is thwarted again and again. Rock? Meet hard place. And now a badger is chewing your jugular as you try to do your taxes.

4. People who like funny, punchy dialogue, including a debate between two hoods: Who shot first, Han Solo or Greedo? (Yes, that’s one of the serious answers and the question does bear on the action at the time.)

5. People who like a lot of twists and surprises. I modelled my plot after screenwriter and author William Goldman‘s penchant for sucker punches where, just when you think you know what happens next, it goes a different way.

6. People who value clever more than gory. For a book about a hit man trying to escape the mob, there’s a lot of word play and when the violence does occur, it’s realistic yet somehow funny in the same way Pulp Fiction could be. The chapters skip along with logical complexity offset by humour.

7. People who like genre fiction that reaches up. Much of the novel has a lighthearted slant, but underneath, when you discover some of the main character’s history, it’s unexpectedly disturbing and heartbreaking. Are you worried I’ve just spoiled  something? Don’t be. I like magic tricks in all of my fiction. I’m telling you up front that I’m going to deceive you and you’re going to watch to catch me at my sleight of hand. The game is, I’m still going to fool you anyway. “Consider the gauntlet thrown,” he said smiling. I know this will work because I often surprised myself while writing Bigger Than Jesus.

8. Movie buffs with an Elmore Leonard sensibility in their reading tastes. Jesus Diaz, the anti-hero of the novel, is a movie buff and, since movies were a large part of his education, he sees the world through a Hollywood lens. The action is definitely influenced by Elmore Leonard’s take on shady characters having strange dialogue.

9. Readers who like a book that plays with them. The entire book is written in present tense, second-person. I loved Bright Lights, Big City for that and I decided that, after twenty-seven years, somebody should try that again. But it’s not just my personal preference or a gimmick at work. There’s a reason. Late in the novel, you get a strong hint as to why the narrative is told as it is.

10. Readers who enjoy a story that ends up in some unexpected places, like a discussion of Salvador Dali’s life, for instance. Bigger Than Jesus is a fun game and a puzzle box of a crime thriller that packs serious emotions behind it.

Some of the less serious answers to this Author Blog Challenge writing prompt include: Everyone with a Kindle or anyone who gets the free Kindle Reading app for any device, NMD (Not my dad), people who enjoy breathing, gorgeous and empowered Latinas, New York pizza joint owners who bought it thinking it was about Jesus Christ but will get sucked in anyway, criminals plotting to go straight, intelligent people (so if you don’t get it…eh, you figure it out), Beatles fans who also love the SIG Sauer, and the authorities who put me on a watch list for my Google searches because of the research for this book.

The second part of the writing prompt asked: How do I connect with them to market to them?

Um. I’m not sure. Have I convinced you yet?

Click the book cover if yes.

GET BIGGER THAN JESUS

If not, send me your email address at expartepress@gmail.com.

Maybe I’ll come to your house.

Maybe I’ll send you something in the mail.

Maybe you’ll wake up hanging upside down.

We’ll work it out.

Filed under: publishing, , , , , , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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