C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Free ebook offer: How to drive traffic to you with Vine

This the first book about Vine. The Vine app is the most fun available on the Internet since all that nakedness. It’s quick and easy video that could help you promote your blog, website and business.

Six+Seconds+copy

My new book, Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App is now available on Amazon. It’s Ex Parte Press’s first instant biz book (Instabiz book?). If you liked the breezy tone of Crack the Indie Author Code, you might like this even more since it’s mercifully short at 18,000 words. Come for the jokes, stay for the Internet marketing ideas.

It’s about Vine, invented by Twitter but video Twitter. It’s the wave of the future and damn fun, so you need to get in early (like a Twitter do-over.) I fell in love with the app as a toy and then figured out how it could be a tool. When I mentioned my podcast, traffic to my author site shot up. I’m relieved to find a fun way to promote my work and enliven my Twitter stream with video.

The free ebook offer:

I’m giving away 20 copies to anyone willing to have a look and give the book an honest review.

Send your email address* to expartepress AT gmail DOT com

I’ll send a kindle copy your way immediately, no questions asked.

There won’t be any free days in the future since I’m opting out of KDP Select and making it available across all major platforms. This is the freeness here and now. (I’m doing a separate offer on Facebook. FYI: this is an additional 20 copies.)

And now a special note about your email privacy:

*I won’t keep your email address and I won’t give it away or sell it. And I’ll lobotomize the ninja monkey clone assassin who acts as my assistant in the lab if he even glimpses your email address.

Igor! I have some bad news for you!

~ On the other hand, if you’d like to receive my All That Chazz newsletter, you can subscribe to that at my author site, AllThatChazz.com. Thank you.

Filed under: Publicity & Promotion, publishing, Video, Vine, , , , , , , , , , , , , , , , ,

Stuff about Twitter that bothers you (but doesn’t bother me)

It’s interesting what grinds other people’s gears. Here are some complaints I’ve seen about Twitter etiquette. Let’s discuss, with fencing

English: The content of tweets on Twitter, bas...

English: The content of tweets on Twitter, based on the data gathered by Pear Analytics in 2009. (Photo credit: Wikipedia)

terms*! En francais! Commence! En garde!

Duel 1

Attaque indirecte: Some consider it a breach of etiquette to have too many #hashtags in your Twitter post.

Froisssement: How many is “too many” and who made you king? Got any other arbitrary rules? Are you the one who made spats go away? If there were still spats, I’d definitely be one of those guys wearing spats! I’m still rocking the fedora.

Duel 2

Coup droit: After being followed, some consider it bad manners for the followee to have the audacity to send a message with a welcome autotweet. As in, “Thanks for climbing on board! If you want to know more about me, here’s my website etc.,…

Septime haute: This is another arbitrary one and I could very well argue that (a) you followed me and that’s how I run my show. You don’t like it, you know where the “unfollow” button is. (b) It seems an awfully friendly gesture of politeness to welcome someone to your Twitter stream if they thought you were cool enough to follow in the first place. You say “rude” and I reply “friendly”. That is the stalemate of our conversation of crossed swords.

However, so we don’t end in a draw and since so many people took this bit of etiquette as the new social contract on Twitter, I capitulated. I don’t do the gentlemanly thing anymore. I’m glad to have new followers on Twitter, but I don’t send out the auto-welcome anymore. If you follow me (@rchazzchute), you now have no idea that I give a shit.

Bravo. You win. Touché!

Duel 3

Opposition: But Chazz, autotweets are rude!

Passata-sotto: If that’s all you have to give, yes. However, autotweeting had its place as a useful time management tool. If you have a decent following on Twitter, it’s impossible to “engage” everyone. Then somebody made up a rule that autotweets are rude and too many people believed them.

There’s always somebody who wants to round up the cows and put a fence around them when they were just fine in the open field minding their own business. Scolds are awfully boring people, aren’t they? I should know. I’m being one right now.

Duel 4

Coup droit: If you can’t engage everyone adequately, you must be following too many people.

Balestra & beat: If you don’t follow enough people, maybe you’re a narcissist who isn’t really all that interested in the world.

Presser: But what’s with all these people spamming us all the time? They’re shameless!

Double: Maybe they just aren’t funny or useful enough, but that’s not spam. I don’t believe in spam. It’s only spam if it’s fraud from a Nigerian prince who wants to give you money from a needlessly complex banking transaction that start’s out, “Dear beloved, I’m going to prey upon your desperation, gullibility and greed…”

Mal-parry (in your Monty Python voice) SPAM! SPAM! SPAM! 

Remise: When you cry “SPAM!”, I hear that you aren’t interested. But if you wanted it — whatever it is — you’d be pleased to be made aware of the opportunity from a brilliant author, entrepreneur or artist. We’re not all into the same stuff, that’s all.

Coup de taille: When I look at Twitter, I see no spam. I see stuff I ignore and stuff that intrigues me. I do not cast aspersions on people who try to sell me on anything sports-related. I pity them because they don’t know that I have no interest in cheap Superbowl tournament tickets. (Is “tournament” the right word for a swimming competition such as the Superbowl?)

Attaque au fer: Seems petty to be mean to people who are just trying to get attention to their art and support their families. If you tried their wares, you might even enjoy yourself. We’re all just squirrels trying to get a nut and chances are, you have a job, too. Either you’re advertising your business to keep eating or someone is doing it for you. Advertising is so easy to ignore, it’s impossible for me to get upset about it.

Coup d’arret: It’s not that the drumbeat of “Buy my books” is offensive. The problem is that it’s ineffective. We have to be funnier, smarter and more creative than that.

Me B&W~ Confession: I, Robert Chazz Chute, fenced in college. The most fun I ever had wasn’t the formal training. It was in practice when we’d fence without supervision, sometimes three at a time! It was less like a stuffy fencing school and more like The Princess Bride. Everything’s more fun when it’s less stuffy, including Twitter.

If you’re interested in the meaning of these fencing terms, check them out here. And click here for the latest All That Chazz podcast and links to my books of bizarre themes and intense violence. And don’t cry havoc and let slip the dogs of war. Cry freedom.

 

Filed under: Publicity & Promotion, Twitter, , , , , , , ,

Authors & Publishers: How to make a media kit Part 1

My hardboiled crime thriller Higher Than Jesus is available now. Please click it to get it.

Some crazies have already put up their Christmas lights so, ready or not, prime book selling season is here. One of the easiest things you can do to promote your books is a press kit. Start with local media to get the ball rolling. (If you want a sample of my catalogue and press release so you can see how I handled it, go to my author page at AllThatChazz.com and I’ll be glad to email you my most recent press kit.)

Before you mail anything out, consider these variables for your press kit:

1. If you have one book for sale, look for some angle and detail to pitch in the press release. Non-fiction with a local angle is the easiest sell. Non-fiction by a local author is a little less attractive, but saleable. Fiction can be the hardest pitch, but the smaller the newspaper, the easier it is. If you have multiple books, focus your press release pitch on one angle but send them a catalogue. Your press release materials can be repurposed to sell to customers through your website or at conferences and author events.

2. Research your media targets and be aware of deadlines. It’s already way too late for magazines, though some small arts newspapers that focus on the local scene may still have room for a piece about you before Christmas. Read the newspaper, community newspaper or magazine first. Aiming at individuals and likely targets works much better than bombing everyone everywhere.

From this research, be selective. For instance, aiming your press release and a friendly cover letter at a columnist who covers unique business enterprises and people in your city might be more effective than hitting up the editor for the arts section. Don’t just go for the book review editor (for whom a press release now is way too late for Christmas no matter how small the venue.)

3. Don’t overlook radio stations. They’re media, too. College radio stations are often easier to get into and provide diverse programming options to a reading audience. Also consider podcasts. They hit a worldwide audience but have fewer barriers to entry if you choose to send a friendly email off to the right one.

Television is unlikely unless you’ve got very specific material that fits the show, like a unique and very visual pitch to a TV producer at “Breakfast Television” on City TV in Toronto. Newspapers and magazines are a shotgun blast to opportunity. Getting into TV or national markets in radio requires a rifle scope, a cookbook or a picture book about fashions for dogs. Watch a lot of that stuff to see if you could fit in somewhere. Be a celebrity first. That helps immensely.

4. Send your media kit to one person and be familiar with their work. Get the name of the arts and entertainment reporter, for instance, and send the email directly to his or her email. Don’t send multiple emails to the same media venue. That can create chaos, resentment and blood blisters on your genitals.

In some smaller newspaper operations that use freelancers, it may not be apparent which individuals are assigned particular beats. If so,  select the appropriate assignment editor from the publication’s masthead and address your cover letter to him or her. Don’t send it to one of those general addresses that start info@somerandomnewspaper.net or inquiries@couldn’tbebothered.com. Again, it’s best to have picked up and read an issue or two before sending out anything.

5. Tie your press release to some larger event if appropriate. For instance, if you’ve written a book about consumerism, I’d tie the press release to Black Friday right now. Always look for this opportunity to give the story traction for the reporter. They’re looking for an angle and they want you to give it to them in the press release. Remember, you have to sell the angle to the reporter because they have to sell the idea to a jaded and depressed editor who has heard it all and hates it all.

6. Write your press release as if it’s the story you want to see in the paper. e.g. “When you supply ready-made quotes, you’re making the reporter’s job easier and giving coverage of your story a better shot,” Chute said. “When I was a newspaper reporter, I still checked out all the facts stated in the press release but the document was often a strong springboard for the articles I wrote.”

7. Show some personality in your cover letter. It’s probably going to run in the Arts section, right? So why write the cover letter as if you’re a humorless conglomerate’s soulless flack trying to put an oil spill in a happy light?

I’m angling for an author profile so to get the interview — as opposed to a straight news story — I’m striving to hit a certain tone that matches my books. Here’s the opening paragraph to my cover letter for my media kit:

The book publishing revolution is here in London and it’s going to make a big boom. I thought we should talk about my plans for world domination before I give my ninja monkey clone assassins the launch codes. 

That got their attention. Here’s the slightly more serious follow-up paragraph: 

In the attachments you’ll find the media kit for Ex Parte Press and my press release. The short story is that I quit my day job to form a publishing company a year ago. Ex Parte Press lords its power over one client: Me. I now have seven books for sale on Amazon in digital and paperback. I write hardboiled suspense, publishing advice and some very quirky self-help. For more on me, you can also check out my websites: ChazzWrites.com and AllThatChazz.com. You should be warned that I ply reporters and spies alike with bad coffee.

Obviously, if you’ve written a business book about successful investing in ostrich farms, you’d be more serious. I’d go with a few bullet points on why the future is in ostrich farming. The headline would read, “Investors are losing money by sticking their heads in the sand,” which, by the way, is a persistent myth about ostriches. Even with most serious topics, write a catchy headline even if you play the rest of the press release straight. They won’t use your headline, but you still need to be catchy.

For the rest of my tips on building a killer press kit to sell more books, achieve celebrity and host huge orgies with a distinctly Roman theme, see the rest at AllThatChazz.com. 

Or overcome your better judgment and buy all the books by Robert Chazz Chute here. 

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Innovative ways graphic design can help sell books (and not just with hot book covers)

My recent post on using Quote Art to promote books got a lot of positive attention. Authors are combing their

Click Lily to grab the paperback or the ebook, Bigger Than Jesus. Thanks!

books for catchy quotes that sum up their characters to hook new readers with striking images. In a tough economy and a cynical marketing environment, we need to look as fresh and professional as possible. Quote Art grabs eyeballs. But the right graphic designer can do even more to help you sell more books.

What I hadn’t given a lot of thought to until recently is how much better my blog would look with a new header. That helps my professional image, too. When blogs among strangers begin to look too much alike, it’s time to make your theme more personal and unique. Enter Kit Foster again, the genius graphic designer behind Quote Art and, incidentally, the guy who creates all my covers.

Take another look up top at my new header for this blog. I liked it so much, I added it to my new Tumblr, as well. Kit can create a catchy, shiny cool header for you, too. He put together this author bio photo for me first. It reminded me of the movie poster for The Godfather for some reason, and one look says I write suspense. I use this image for my author pic on Amazon, my podcast and on my business cards. Now my promotional material is more consistent so, thanks to Kit, I’m building a brand image. (Please excuse the marketing jargon, but it exists because it works.) 

Design has to have a look and feel that represents your book. It can represent you, too. As soon as my next book’s cover is complete, I’ll ask Kit will create another header for AllThatChazz.com so more of my covers will be on display across the top of my author page.

Spruce up your promotional materials, website graphics and even your author pic in new ways to please potential readers. Check out KitFosterDesign.com and see what Kit can do for you (besides making awesome covers, though he can do that, too.) He’s helped me immensely at incredibly reasonable prices. If you still aren’t sure you’re ready to make the jump, check out how easy Kit is to work with in this post about How to talk with your graphic designer about your book cover.  

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Use GoAnimate to spread the word about your book

Go!Animate is a free YouTube program that allows you to make short cartoons quickly and easily. You can pay a little more to make it more complex, but it seems much cheaper than several of the other video animation options. Here’s my little cartoon I experiment for Sex, Death & Mind Control now posted to the world on YouTube to promote my author site AllThatChazz.com. It’s not perfect, but it was a first attempt and only took a few minutes. Something to consider. I know I’ll play around with it further for future book promotion projects.

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What moves books? And what is ‘Parketing’ anyway?

Successful book marketing campaigns often do a lot of things at once, especially at first, before awareness of your book grows. Author Jeff Bennington, for instance, has noticed that online marketing of his books takes an hour out of each day or sales begin to dip. (More on getting you and your books’ global fame in a minute, but first let’s talk attitudes, parketing and my terrible personal deficiencies as a book marketer.)

Someone’s already saying, “An hour a day? Who has that kind of time? When will I have time to write?” You’re an artist, but you’re an artist in business. Businesses need to advertise. You’d make time to send out invoices, so make time to make people aware of your books unless you’re content writing for yourself and your kids. (Fortunately, lots of online marketing is cheap, free and fun, so there’s that.) Down the road, once you reach critical mass, maybe you’ll be able to get away with doing less marketing, but I doubt it. Coke still advertises. Manage your time and make it work.

Here’s one cheap way to promote local awareness of your books: I first heard of parketing (though it wasn’t called that then) at a writers’ conference three years ago. The marketing guru fired lots of ideas at us: blogging, tweeting, podcasts…the usual, though it was all newer, scarier stuff then. Then the guru asked, “How many of you have a car magnet advertising the cover of your book?” Not a single hand was raised, of course. The marketing guru snarked, “Yeah, why would you want to let anyone know you have a book for sale?” Park your car where lots of people will see it with your lovely book cover on it and voilà! That’s parketing.

It’s a digital world, so old-school attempts to market a book are often overlooked, often with justification. However, you may want to consider parketing in certain circumstances. This is one of those advertising strategies that has “short term” written all over it. It could work for the short term because no one is doing it. No one is doing it because your first reaction is that it sounds silly or maybe even naive or worse, beneath your dignity. If you habitually park your car in a high-visibility area (say, outside a bookstore at the mall) it sounds a little less silly. When you consider the number of businesses that do advertise this way, successfully, it sounds even less nuts. If your pockets are shallow, you can still do this. I got my car magnet from Vistaprint for less than $20.

Parketing works much better if you’re prepared to ask a bunch of friends to put car magnets on their vehicles, too. If your pockets are very deep, you could even go for the full paint job. Do that and you’ve got a marketing campaign started in your city and the basis for a press release to local newspapers and magazines. Sure, we market our ebooks globally, but we shouldn’t turn up our noses at getting noticed locally. That’s one way to get critical mass going. People in your own city, especially media, are more interested in local authors because they have a sense of ownership and familiarity with local authors. There’s a business in my city that seems to be everywhere because each employee gets a free paint job on their vehicle advertising the business. Everywhere they drive, they are advertising. It’s not that large a company (or even a particularly good one), but their ad-plastered cars seem ubiquitous, reminding everyone daily, “Here we are!”

The ad on my van gets attention because it’s just so damn weird. There is surely not another author advertising his or her book with a car magnet for hundreds of miles, so people slow down to read it. I’ve watched them slow down to look. Has it translated to sales? I don’t know. It’s just one car magnet for one book, but I do know people are reading the ad. For me, this little strategy is really  just about promoting awareness so I get my name familiar. For what I spent, I’m okay with that. We gravitate toward the familiar, buying name brands instead of the unknown product (which could be just as good or better but you don’t recognize the label.) When I shop the local Asian food market, I’m actually physically uncomfortable with the cans of unknown weird stuff even though I know it’s not weird. It’s merely different. (I’m weird.)

It’s all the other stuff I do that will make the difference in the long term. There is no one way to move books. Online marketing is going to do much more  because it’s everywhere. For instance, I’ve been on the air, or talked about, on six different podcasts recently (besides my own weekly podcast). That will go a lot further toward gaining some vague familiarity with my name as an author than a car magnet will for one book. Plus, I love podcasting, so I’ll always have that.

Have you guessed this post is not really about putting a magnet on your car? It’s about using multiple strategies to get attention to your books. Marketing campaigns that are single-pronged attacks do not move books. Try a lot of things, even the weird ideas if they make sense to you. Experiment and have fun with it if you can. Try to get your name out there, arriving from several places, preferably at once. We must reach outside of our circles of family and friends to move books.

I’m often reluctant to try new book marketing  strategies until I see them tested by others. That’s why I missed out on the benefit of KDP Select while some others made whacko cash last December. I haven’t jumped on Pinterest because I read one blog about their scary terms of service. These are my deficiencies. I’m often too timid about doing things that are good for me. Everything new feels weird at first. Unfamiliar doesn’t mean wrong. Unfamiliar simply means unfamiliar. In our marketing efforts, should we proceed with caution? Sure. Don’t get taken,  but do proceed and make progress.

What are the book marketing basics? Write a good book. Get it edited. Get a great cover design. Price it right. Yeah, yeah, yeah. You know all that.

What then? Then go buy my buddy Jeff Bennington’s new book, The Indie Author’s Guide to the Universe. I’m reading it right now and I especially like the things you can do to sell your books that are free. Let him show you the way forward. The best marketing strategies are not static. They come and go and rise and fall so we have to stay current and open to experimentation with new opportunities as they arise.

That’s what I’m trying to do, anyway, and that’s what this blog is about.

~ Robert Chazz Chute is the author of a bunch of great ebooks of suspense with titles he now realizes generally repel you. He podcasts a comedy/narrative show, Self-help for Stoners, every Thursday night. To learn more, go to AllThatChazz.com.

Filed under: ebooks, Media, My fiction, podcasts, Publicity & Promotion, publishing, Useful writing links, web reviews, What about Chazz?, What about you?, writing tips, , , , , , , , , , , , , , , , ,

How to sell cross-genre books in The Land of The Easy No

Picture this:

You walk into a store and can’t find what you’re looking for. You ask the clerk behind the counter, “Have you got moldy bat wing party favors hiding somewhere in the back of the loading dock?”

Far too quickly, without looking up from his coffee, he says, “Nope! We’re out of the entire line of moldy bat wing party favors.”

You walk out empty-handed, but you’re thinking, “I bet there might be some left in the back if the clerk had just bothered to take the time to check.”

 You’ve still got your moldy bat wing party favor deficit, but as soon as the clerk said no, their problem was over.

It’s easier to say no than to say yes. “Yes” means more work.

This is the downfall of living in The Land of The Easy No.

Which brings us to the business of selling books… As a sales rep for numerous publishers, I had a lot of catalogues to get through. Appointments could take two or even three hours, depending on how much hemming and hawing the bookseller went through to complete an order. I had to power through those catalogues, talking fast, to fit three appointments into a day. Traveling between bookstores took time away from selling, so efficiency was not a trivial issue.

Each book received a few seconds of attention and — surprise!— not all books get equal attention. A “credibility book” is a book from the backlist that a sales rep steers a bookseller away from. “You don’t have to worry about that one,” is code for, “If you buy that book you’ll be returning it as quick as you can and you won’t believe a word I say when I tell you to go heavy with your order on another title.” When you have seconds to sell a title, you go with the high points. Selling an author who has sold well before is the easiest thing to do. When I sat down with booksellers, there was a shorthand with popular authors. Other pitches focused on publisher support or celebrity. Getting them excited over a story was usually (but not always) the last choice in the hierarchy of what made a sale quick and easy.

Easy sell: “How about you double the order on that romance author you’ve already sold a ton of? It’s the same unchallenging book her fans want over and over, and sure, the quality has slipped, but it’s about branding and a following.”

Fast and easy sell: “How many of the new Stephen King do you want?” (Note the “how many?” not whether and if.) Whenever you can talk about big name authors instead of covers, content or media coverage, the easier the sale.

Difficult sell: “Here’s a new author you’ve never heard of but it’s a great story.”

Better: “Here’s a new author you’ve never heard of, but it’s a great story, and she’s getting major media and we’re really pushing it and it’s so much like Lee Child and we’ve got great advance reviews and Bill Clinton will provide a cover quote and Bill O’Reilly will write the introduction.”

Much better: And did I mention this Lee Child-toned story is about a sexy woman who commits grisly sex murders who escapes from jail and the sexy female FBI agent who brings her to justice? Did I mention it’s based on a true story and it will be a major motion picture just in time for your Christmas season…and did I mention Brad Pitt will play the roles of both sexy women and he makes out with himself? Think Fight Club, but with more lingerie and slow panning shots of Brad Pitt’s legs in ripped nylons.”

Tough sell: “Let me tell you about this quirky one with a niche hook that’s going to be a slow build but a cult hit over time.” 

META ANALYSIS: That, I think, is a great description of Self-help for Stoners, Stuff to Read When You’re High (though I am biased.) The trouble with this pitch: It’s a short story collection (ouch!) that’s a self-help (Oh! Good and hopeful!) in fictional form (huh? Like parables? Like in the Bible?) and no, you don’t have to be a stoner to enjoy it. (Slow down. I think I have to be high to get all of that at once!)

Note the language: quirky, niche, slow build, cult hit, time. That’s too many caveats and double backs for a quick and easy sale because it sits across genres, squatting there in its damnable uniqueness.

Short shorthand sale: When I sell my post-apocalyptic and suspense novels, the sales pitch will be much quicker: Think Stephen King. Done.

CHECK OUT ALL THE BOOKS HERE

Publishers’ sales forces have diminished immensely since I was driving around with a car so heavy with books it ran low on the axles. Times have changed. When publishers talk about authors giving authors a big push now, what they really mean is the author is tech savvy and not shy. The author will do most of the publicity work, though that’s been true since the birth of the Internet, anyway.

Where have the big publicity opportunities gone? They went away when Oprah went away. She was the the book industry’s angel. Now the big angel is Jon Stewart, but that won’t help you if you sell fiction. The Daily Show is only for non-fiction. (The last fiction author on The Daily Show was Kurt Vonnegut, shortly before his death, and he talked mostly about his non-fiction book Man Without a Country.)

Forget big publicity.

Look for small publicity opportunities.

Radio is still a good publicity opportunity and you don’t have to travel anywhere. Contact radio show producers and pitch them, but remember fiction is still tough so to succeed, you’ll need an angle. (The easiest? I lost my job and now I’m a hometown start-up business and my book is set in this town and I kill hobos for sport…The Most Dangerous Game!) Morning radio is topical and lends itself to non-fiction books. Consider going after shows that are not radio prime time  (i.e. the drive time slots.) Book a show that is a book show. You’ll find it easier to get on air with a university radio station.

The “push” comes from authors now. It’s up to you. Authors don’t just write anymore. We sell ourselves. I’ve got three blogs, a podcast and three twitter accounts. And that’s not nearly all the publicity I do or plan to do. I’ll be expanding in social media and beyond social media in the new year (TBA). And I really have to start chasing down reviewers for my books. (If you’re a book blogger or book reviewer and like suspense, let me know at expartepress@gmail.com.) All that social media is a lot to maintain while I’m getting a new novel written and revising the already-written novels. That’s three eight-hour shifts by my reckoning. Set up that intravenous by my desk! And make my new desk chair a toilet!

Can you pay for media coverage to increase sales? Ads are expensive and often ineffective, though I’ll give you some strategies to consider. You’ve already got an author page on Goodreads and you’re doing a book giveaway or a contest or guest blogging. You’ve considered paying for a Goodreads  promotion, Amazon ads, the exclusive-to-Amazon offer and advertising with banners on websites. Those are all digital strategies that are already covered elsewhere ubiquitously, so let’s think about some retro, analog approaches for a change. We don’t think old school much, but it can be less expensive than some of the usual options if we’re creative.

Start thinking local, like the tiniest newspaper in town, not the big one. Contact the columnist who does the odd interview. Send a press release. Send a copy. Give him a hook. Maybe the story isn’t your book. Maybe the story is that you have three jobs and are near homeless but you’re still writing the Great American Novel. Or you were published in paper and switched to ebooks. The great ebook versus traditional publishing debate is pasted across the web, but it might be new to the columnist. (We forget what we’ve been soaking in for two or three years is outside the awareness of non-publishing civilians.) Maybe you make your own glue and paper to create your own books to sell from your website. Maybe your book promotion is tied in with a charity. Maybe you didn’t read until you were twenty-six and now you’re an author. Find a hook and be interesting. There’s often a way in if you’re clever.

Then think smaller. Instead of radio, start thinking about podcasts (either producing one yourself as a companion to the book like I did — Self-help for Stoners is on iTunes weekly and will soon be on Stitcher, as well — or sponsor a podcast.) Podcasts are cheaper and usually more targeted or more personal than regular radio.

Now think even smaller. What could be smaller? A newsletter. Just today an opportunity landed in my lap. A friend has a busy business and a newsletter to go with it. He offered me free space in his newsletter. It will go out to 2,000 of his clients with his personal recommendation. That sort of help is precious to me. Who do you know who has a newsletter? How can you expand your sphere of influence by thinking small? Even if you have to pay for the privilege, newsletter ad rates are cheaper than newspaper or magazines ads and are often better read.

Traditional wisdom is that cross-genre books have been a challenge to market to bookstores. But remember? A tough sell is not an impossible sell. Remember the store clerk in The Land of The Easy No? He is the enemy of innovation, profit and expanding minds and experiences. As small publishers, we can invest the time to convince others to try books that aren’t easy to sell. I have just three books on sale. I don’t have the constraints of a huge list where each book has mere seconds to hit or miss. I can take the time to connect with people and tell them more about the book and build enthusiasm.

In the big picture, I have more time and long tail sales opportunities. Now that my books are up for sale on the web, they’ll be up  forever. I don’t have to worry about the bookstore packing them up and sending them back for credit six weeks from now. I don’t have a short sales window. I have a sales vista that stretches out, positively prairie-like. I have the time to find readers and for my readers to find my books. We can make quick decisions and invest time rather than cash.

Small companies have flexibility and enthusiasm that big companies do not. Big publishers have a distribution system (which diminishes steadily) and bigger budgets…but in many ways their promotion isn’t that much different from mine with most of their books. I’m selling my books so I care about each precious baby so much more.

How does a small publisher survive in The Land of the Easy No? Flexibility. Enthusiasm. Creative thinking. Innovation. And not falling for saying no too easily.

A difficult sale is not an impossible sale, and sometimes when a difficult book catches on, it catches fire. Too often a sales force mistakes a difficult sell in the short-term for an impossible sell. That’s why the first Harry Potter book was so hard for JK Rowling’s agent to sell to publishers. Rowling didn’t want it to even be a children’s book per se. From the beginning, she saw it as a cross-genre book for adults and children. That’s what it soon turned out to be despite all those editors and sales reps saying, “I can’t sell this.” Maybe what they really meant was, “Selling this will take more than a few seconds, so forget it. Make my job easier by giving me a book to sell that’s an easy yes.” A “Yes” means more work. A “No” means the problem is easily solved by missing a huge opportunity.

Big publishers depend heavily on the opinions of non-editorial staff. Salespeople I worked with thought of books as “products” and “brands” rather than “experiences”, “journeys” and “ideas.” They decided which products were quick, easy packages to sell. That’s why they miss out on opportunities to sell cross-genre books. It’s the same facile mistake as passing up selling Vivaldi for the latest boy band. The Vivaldi will sell more, for a longer time. Short-term thinking left a lot of publishers cutting the same sales force that so influenced their sales.

They lost out because they lived in The Land of The Easy No.

~ Robert Chazz Chute is the author of Self-help for Stoners, Stuff to Read When You’re High, Sex, Death & Mind Control (for fun and profit) and The Dangerous Kind. Download to your smartphone or e-reader. For more information on the book or the podcast, go to AllThatChazz.com.

Filed under: Publicity & Promotion, publishing, What about Chazz?, , , , , , , , , , , ,

Book Marketing Strategies

Last time I talked about using your business cards in the right way. The interpersonal approach must be more subtle than shoving your cards in somebody’s face. However, in other aspects, people in business (i.e. you) are often too shy. At the publishing conference, the marketing guy asked a roomful of authors when they had sent out their last press release. (One ebook publisher said, “Last Tuesday.” Everyone else? Silent.)

Then said marketing guy asked, “How many of you have magnetic signs on your cars advertising your business or book?”

We did not raise our hands.

“Yes, of course,” he said. “We wouldn’t want anyone to find out about you and actually buy your book, now would we?”

It was charming with the British accent.

PS I don’t get any kickbacks from them, but FYI, Vistaprint has good deals on magnetic signs and many other promotional tools.

Filed under: Publicity & Promotion, publishing, , , ,

The ABCs of Content Provision with XYZ

The SET UP: Three executives at a conference table.

The ACTORS: X, a young man and  Y, a middle-aged woman (both in sharp power suits)  sit on either side of Z, an older man in hideous golf attire, all day-glow plaid.

Z listens as X and Y discuss a new advertising campaign.

X: Let’s get the old business out of the way first. The copywriter from the last push is still calling about getting paid for those brochures.

Y: Keep stalling.

X: He threatened to firebomb the building.

Y: Where’s he live?

X: The west coast.

Y: At his rate he can’t afford to travel. He won’t bomb the building.

X: He sounded pretty…motivated.

Z (piping up for the first time): Tell senior staff to bring a sweater just in case. I’ve got a tee time to make. Can we hurry this along?

Y: Only senior staff, sir?

Z: No need to get the minions excited. If that kook does show up it’ll probably be a single molotov cocktail. How much can that do? I don’t know anyone  who works below the 28th floor so let’s keep our eyes on the big picture, okay? (He taps his watch.)

X: Right. New business. I’ve been thinking about the new ad campaign–

Y (self-assured and interrupting breezily): What’s the webmaster saying?

X: What he always says. “More white space.”

Y: I don’t speak HTML but from what you’ve told me, that’s all he ever says.

X: Then he must be right.

Y: Yes. Nobody can be that arrogant all the time and ever be wrong.

X: We’ve gone over this. He won an award from Wired for his designs.

Y: I know. I know. It was a brown black smudge with six-point type in yellow. To read the content you’d need a microscope.

X: The article must have been about microscopes.

Y: Ah. Now I get it. That makes sense.

X: Well, I’m just guessing. Maybe not. Maybe it’s a comment on our superficiality in a post-literate society.

Z and Y look at each other blankly.

Y (to Z): I did warn you about hiring a goddamn English major, sir. How’s the ad campaign costing out, Professor?

X: We have several applications. I put it out for a bid on the web.

Y (glancing at Z): And? And?

X: Uh, well, this one from Angola looked promising but he wants to be paid with a goat.

Y: I told you, this is just content. We don’t have to pay a whole goat’s worth.

X: Do you think we can get it done for a couple of chickens?

Y (to Z): That’s the problem with these young guys. They want to spray money everywhere like that fixes the problem. I tell them all, do more with less. It makes them creative.

X (jumping in defensively): I’ve got a guy from Idaho who’ll do it for a single kind word from another human being.

Z grins and throws a knowing wink at Y.

Y (shaking her head and pleased to be destroying X with a condescending smile): We don’t do that.

X: Oh.

Z: I’d be on the tee right now if you just went with the lowest bid.

Y: Yes. Exactly. You’re exactly right, sir. What about it, X?

X (putting the sheaf of applications down, steeling himself): That’s just it, sir. I have a revolutionary proposal that will save the company–

Y: Oh, lordy! Sir, I had no idea he was going to waste your valuable golf work time.

X: I was talking.

Y: You haven’t discussed anything about this with me so it’s inappropriate–

X: I didn’t discuss it with you because I wasn’t interested in having you take credit for my ideas again.

Z’s mouth drops open. He looks back and forth between the two as Y stands up, furious.

Y: Pack up your personal things from your desk. Bruno will see you out.

X (talking just to Z now): Sir, it was me who came up with the idea for third world galley slaves to row your yacht.

Y: Sir! This is outrageous!

X: …and you can hear me out or I can take my brilliant idea for an ad campaign over to the competition and be in a VP suite by this afternoon.

Y is still standing, trembling with murderous rage. Z stares in X’s eyes for a full minute and X does not waiver. Finally, Z nods for Y to take a seat and turns back to X.

Z: Ballsy move, son.

X: Thanks, Dad.

Z: Not here. Go ahead. Let’s hear it. It better be good. And quick.

X: Well, I was thinking.

Y (rolling her eyes): Oh, God!

Z silences her with a look.

X: I was at this party and somebody was telling me about an old hamburger campaign that was really successful. I don’t know which one. It was long before I was born but (sweating but pressing forward, his eyes boring into Z’s) the point is, it was an old lady just saying “Where’s the beef?” The thing was, the line was improvised.

Z: So you’re saying improvise the content, not pay some schmoe a chicken to write it?

Y (reaching for a phone): Shall I call Bruno to escort him out, sir?

X: I’m not finished.

Z (putting out a hand to restrain Y from the phone): What else you got?

X: The problem is that whenever anyone speaks the content on TV the damn actors union insists the people talking get paid. But, if they don’t talk, they don’t get paid!

Y: What are you suggesting? We get the deaf to market our products with sign language? Some civil rights group would still insist we pay them. You can’t screw with the handicapped in this country. You have to outsource to Korea and China for that. (Beat) Idiot!

X: Oh yeah? Well, you didn’t think of this. I figured out who has less self-esteem and less power than writers and actors.

Z: What species is that?

X (triumphantly): Mimes! We get improvising mimes to do their performance art thing to get our message out. They’ll do anything and get paid nothing.

Y: Do you really think putting out TV commercials with mimes can communicate the intricacies we need consumers of complicated financial services products to swallow?

X (sitting back, self-satisfied and throwing it in Y’s face): Big picture, big picture, big picture! You’ve missed the big picture. We’ll get them to do radio commercials, too.

Z sits back, obviously stunned. Then, to Y: Call Bruno. Somebody needs to clear out a desk around here.

Y (snatching up the phone receiver): Finally!

Z: Clear out your desk, Y. I want my new VP here to have that corner office of yours.

(To X) You’ll love it. It’s got a view of the city, you can watch the wage apes all day and it’s got the only windows in the whole tower–besides mine–where you can toss out water balloons on the hapless throngs below.

X (brightly): Or acid balloons!

Z (delighted) : You are on a roll, boy!

Y (ashen) improvises a gutteral vowel sound for which she will not be paid.

Z: Don’t worry. I’m not sending you to the curb, Y. You’ve given me too many long years of loyal service not to keep you under my thumb to ensure your continued indentured misery. (He utters a terrifying baby-eater’s maniacal laugh.)

A single bitter tear makes its way down Y’s cheek.

Y: But sir–

Z (getting up): I’m sure we can find you something on the first floor by a window. You can keep a look out for angry writers with bombs.

Y: S-s-sir!

Z: Come with me, m’boy. It’s time I taught you the sweet science of the putter. Tomorrow you can drive downtown and start rounding up mimes. Stack ’em in the back of a truck and we’ll put some lipstick on the ol’ advertising pig, eh?

X: Thanks, Da–um, sir.

And…scene.

Filed under: Rejection, , ,

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