C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

#NaNoWriMo:The mission is simple. We are not.

Find tons of tips and inspiration here.

During National Novel Writing Month, you will focus on word counts. It’s about chewing up time by filling up paper. That’s okay. That’s fine. The critics of NaNoWriMo underestimate you. They think you don’t know that this is just the first step. Strange. They know that. Why would they think you don’t know that?

Sure, there are dabblers and dilettantes and outliers who will fire off their manuscript as soon as they’ve written 50,000 lousy words. Any time a lot of people do something, there will always be those misguided people who do it very badly. But they aren’t the majority. Most of us know that first drafts aren’t our best work and we have to try harder than that. You get to make it your best, bravest stab through the work of rewriting. You have to have something to start with, on paper, to have something to revise. We know. We get it. Please don’t condemn us all.

Let’s all lighten up and know the joy of Creation. That’s the closest to godhood I’ll ever get (besides Saturday mornings when I go yell at frogs, proclaiming how much smarter I am than they could hope to be. Uh…long story. Stupid frogs.)

When you’re done, you probably share my mission: 

I want to make people laugh and think. I want to create beauty. That is all I want to do. That is all

High goals. We know it takes more than one draft to get there.

Enjoy the process.

 

Filed under: publishing, , , , , , , , , ,

#NaNoWriMo: Evolving a series from one book

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Readers love books in a series. Maybe when you’re done your NaNoWriMo manuscript, you may consider turning one book into several. I’m having an interesting experience with my crime novel series I thought I should share with you because it’s a new thing for me and it may be helpful to pull back the curtain on the process as it’s evolving.

Last year, I wrote a short story about Jesus Diaz, a hit man I included in my suspense collection Self-help for Stoners. The assassin I wrote about was a mature and experienced, cold-blooded sort of guy who, at the request of their soon-to-be ex wives, killed men going through divorce. Jesus (pronounced Hay-soose) knew what he was doing and was very slick. Still, things went awry in an interesting way. That was the beginning of the Hit Man Series, but I didn’t know that then.

The revelation came when I thought, I want to write a Coen brothers’ movie! Self-help for Stoners has a lot of funny stuff in it (my favorite is the funny erotica) but I wanted to write a whole novel that played with one character in a quirky way. I thought about what origins a guy like Jesus might have to make him more sympathetic. Despite what he does as an enforcer, he does not see himself as the bad guy. No bad guy does. He’s a victim and a vigilante caught in the gears of New York’s Machine (the Spanish mob).  Think of all those Coen brothers’ movies and you’ll get some of the flavor: The Big Lebowski, Fargo, Raising Arizona, Blood Simple and Miller’s Crossing. Death always waits on the wide and easy road out of town. Perfect fit. I write about Escape. All my books and every one of my stories is ultimately about Escape. Along the way, I try to find a balance between realism and funny. People don’t get knocked out too easily in my stories, for instance. There are some bad guys who are entertainingly dumb, but nobody’s dumb just to make the plot work. Everyone has a goal that conflicts with everyone else’s motives and perspective.

“Worthy of Elmore Leonard with shades of Thomas Harris…”

The first book in the series is Bigger Than Jesus. I wanted to start the action off with a bang, so when we meet Jesus Diaz, he’s hanging off the side of a building in New York. The book reads like one long chase scene with a few sparse flashbacks to give depth to the character. Dexter is driven by psychological issues. Jesus is driven by circumstance and a need for money and delusions of grandeur. He’s obsessed with movies and wants the life he see in them. In the first book, there’s no sex but lots of violence and funny dialogue. I’d call it more gritty than gory. The story often plunges the reader into a web of deception and, because everything is seen from Jesus’ limited perspective, we only uncover the mystery of what waits in locker #408 as the Cuban hit man discovers the truth. Jesus begins his story arc as a guy who can lie well and has some skills he learned in the military, but he’s certainly no master assassin.

I watched and listened carefully for feedback before and after publication. People loved the jokes and surprises. Some thought there should be more sex and less swearing. I kept that in mind as I got into writing the second book in the series, Higher Than Jesus. I put in more jokes and surprises and yes, more sex. We discover new things about Jesus Diaz’s history. (That’s kind of a fun tip of the hat, playing with readers as they find out that Jesus has been lying to himself as well as others.)

Higher Than Jesus has a fast pace, but not quite as fast as Bigger Than Jesus. We slow down long enough for a funny and somewhat poignant chapter in which my hit man is failing at group therapy. We get into issues around addiction, too. From the first chapter, the tension slides in like a knife between ribs with a quarter twist as Jesus kills a bad guy on Christmas Day. Complications ensue around an arms deal that has national and historic ramifications. He’s learning and getting better at his job, but things still go awry.

Free on Amazon until November 23: A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

Through each book I used research and consulted with friends, one who’s ex-military and another who is a SWAT trainer. Some clever aspects of the plot turned on technical details my research supplied. As I write Hollywood Jesus, my hit man is still on the run from the mob and the FBI. The events from the first two books are by no means erased. What’s different as I write the third book in the series is Jesus’s confidence and competence. He’s still at the mercy of Murphy’s Law, but now the book includes the latest technology and techniques in espionage and counter-espionage. Jesus is a troubleshooter for a security firm, specializing in dealing with celebrity stalkers. He deals with them in very unorthodox ways, often using their own tactics against them. None of the tactics or tech is too far out there, so it’s not like a Bond movie, with Roger Moore. However, there’s a lot of very cool spy tech that’s available to anyone commercially. 

What’s the arc of the series so far?:

#1 was a pure crime adventure with dark childhood secrets driving the character and a mystery leading to escape. That whipped the action across the finish line.

#2 goes deeper into the character, but at its heart it’s hardboiled action with a chapter that drips with sex and a lot of violent action broken up by fast, witty dialogue. There’s less swearing, especially since one bad guy hardly says a word and the other sees himself as quite pure and above all that. I’m proudest of the psychological gameplay throughout, the funny chaos, the clever kills and a fight scene that actually reveals something about the character and his past instead of fighting for action’s sale alone.

#3: I’m still writing Hollywood Jesus, but I think that, though the story starts fast, the tension cranks up with more range of emotion. Yesterday, for instance, Jesus confronted a very deadly and powerful stalker to make Jesus (and the reader) understand the enormity of the danger he faces. That night, Jesus scans the audience at a comedy club for the celeb stalker as the client does her act onstage. We got a sense of why this celebrity is so special and worth protecting. I loved writing that scene because every line is from the stand up act I’ve had in my head for a while and I think it’s pretty hilarious. (I’ve been thinking about doing an open mic at Yuk Yuks sometime, so maybe I’ll try my material onstage myself before publication to see if I get the same laughs as Legs Gabrielle.)

The tech stuff in Hollywood Jesus fascinates me and always has. I’m drawing on a large library of dirty tricks, revenge fantasies and bad guy techniques I’ve researched for years. This is an amazing time to be a crime novelist. There’s so much information to draw on.

What’s stays the same among all three books so far?

The humor. One thing I share with Jesus is smart-assery, especially when in danger. Reversals and bad fortune plague Jesus, often because his plans and my plots are so elaborate and my hit man is not as smart as he thinks he is. The assassin’s character does change through the books. By the third, he’s wary of falling in love too quickly, which is a fatal flaw with him. He begins to see himself differently by the end of the second book so, though he’s always been clever, by the opening of Hollywood, he’s more proactive and in control…or so he thinks.

Things are rarely as they appear in the Hit Man Series. I have an outline, but I’m not sure of all the details of what’s coming. For Jesus, I’m more of a pantser than a plotter. I can’t wait to see what he does about what I throw at him tomorrow.

Grab Higher Than Jesus before midnight, Friday, November 23rd

and it’s free!

(There’s an intriguing offer for more free ebooks inside and, fair warning, all the prices will be going up soon.)

~ Robert Chazz Chute writes hardboiled suspense with quirky twists. He’s also written two books about writing and publishing: Crack the Indie Author Code and Write Your Book: Aspire to Inspire.

Filed under: publishing, , , , , , , , , , , , , , , , , , ,

#NaNoWriMo: You’re tired. Dream some more.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks.

Writers are a tribe bound together in loose nomadic groups travelling in the same direction along parallel lines. We are  slathered in poverty and fear and unrealistic hopes. But we are also sharers and people pleasers. We are the dreamers.

If you are a writer, someone in your life is trying to wake you from your dream: You are a child lost and frantic in a busy marketplace and that chasing frenzy will pull you from sleep’s safety. Readers are beautiful objects of desire but your love is unrequited. You have disappointed yourself and fallen into the gap between the great vision you saw from far away and the lesser book you crafted with your hands. Everyone falls short, but nomads keep moving. Writers continue to stretch and reach. Sometimes you will curse your blessing and you will wake, startled and disoriented and blocked. Go back to sleep.

Stay asleep and dream. Burrow down under the blankets. Pull the quilt over your head. Some people — busy but still somehow accomplishing little or nothing — can’t bear to see someone warm and comfortable. Busy people in busyness are blind to your mind. They can’t see that you are happily occupied in Creation, elsewhere and elsewhen. We are Zen masters, actively doing nothing for a larger cause that awaits us in paper and pixels. New futures demand that you be different.

Write and, when you run out of space in your dreams, read to make more room for the next night’s escape. You have the creative virus. Those who would wake you from your dreams can’t understand the compulsion your disease insists upon.

Write and make worlds. Your dreams are important. Never doubt that. Your night work is important because we are the creators of escapes from the waking world and busyness.

Writing, above all, is a kind thing to do.

 

Filed under: publishing, , , , , , , , , , , , , , ,

Did I make it?

See on Scoop.itWriting and reading fiction

I gave myself to the age of 40 to become a successful writer.

 

A theme emerges: Money or lack of it, and the writer. Here’s an excellent meditation by Greg Olear on making it, whatever that means to you, from Salon.com. Given the level of success he has achieved in the grand scheme of things, maybe somebody else should have written this article. Most of us would take hhis level of success and have no doubt we’d made it. ~ Chazz

See on www.salon.com

Filed under: publishing

Not Free Much Longer: The Dangerous Kind & Other Stories

The Dangerous Kind & Other Stories (2nd Edition) is free for the last time for just a bit longer.

Here’s an excerpt I’m sure many writers can relate to.

Grab The Dangerous Kind & Other Stories here.

Stay-at-home dad.

40.

Broke.

This is not the future I did not plan. The future I did not plan, but thought somehow would take care of itself, is not taking care of itself. Squeegee kids aren’t broke like me. They aren’t still paying for a vacuüm they bought on credit last Christmas. Credit card debt is kicking my ass, or was, until my dad intervened and I discovered there are prices to be paid which are much higher than the interest on VISA.

I have no excuses and, like the rest of my generation, no clue. My wife, Cecelia, has a nursing job at an old folk’s home and I take little freelance editing jobs here and there. My main occupation is to watch our two boys and rub Cecilia’s feet when she gets home after a long shift. We have her tiny retirement investment plan. The statements go unread because neither of us read Bewilder, an alphanumeric language only understood by people in the financial services industry. We hope it works out.

My father learned his financial skills from his parents during the Depression. Grandpa was an Episcopalian preacher in Poeticule Bay before the roads were paved, when everything arrived by boat. The congregation often fed the minister’s family with cod and lobsters rather than feed the collection plate a few coins. Dad scraped up a little money here and there and somehow became what it seems no one can be anymore: The mythic Self-made Man.

Dad would lie in bed and plot his escape from poverty while his brother counted pennies into a mason jar each night. Childhood was so short then, it was almost imperceptible. They did escape. My father’s generation had smaller dreams and the discipline and savvy to make those lies true. They made something of themselves and I have no idea what that might feel like. Instead of selling things, my wife and I had kids and bought stuff off the TV because that was our little slice of the American dream. We trusted the Future, but the banks killed it and the government never arrested anyone for Future’s murder.

My uncle is still alive, too. He gambles his ample retirement fund with various Vegas casinos and heart by-pass specialists. Dad and Mum were snowbirds. After she died, he gave up on Poeticule Bay, Maine permanently and moved to Boca. He watches the sunrise and the sunset, takes pictures of pelicans wheeling over the water like pterodactyls and ponders his only son’s squandered potential.

“We never needed much, certainly not near as much as kids today think they need. I still don’t need much,” Dad says. “If it comes down to it, I could live off a greased rag for a month.”

Dad’s speaking to me over the phone, but he sounds like he could be talking to himself. I guess that’s true since, while he talks, I’m thinking of my boys and how all their friends have iPods now. The technological future is finally here and the party rages on without my kids.

Dad graduated from pennies to folding money, mason jars to stock portfolios. When I was a kid asking for a few dollars to buy something, his answer was always the same. “Why do you think you need that, boy?”

I was not deprived exactly. Dad provided clothes, food and shelter. But my wants? My wants eclipsed the sun. I wanted to fill my room with books and toys and music because that is how you buy happiness. Less is not more. Less is less.

My father wanted my childhood to be as short as his was and my room to be as bare as a monk’s meditation chamber. I denied him that satisfaction so long, I still don’t feel like a man. And yes, he still calls me “Boy.”

In this book, people are desperate to escape small-town Maine and maybe even elude themselves. The novella, The Dangerous Kind, is psychological mayhem and my tribute to Stephen King’s suspense.

Dad owned Poeticule Bay’s only hardware store. Early each morning he went off to work freshly shaved and optimistic. Each night he shambled home to supper, miserable. By the last spoonful of dessert he resolved that tomorrow would be better. What I did not understand then was that the tomorrow he was thinking about was the far-off tomorrow, the arthritic future wandering Floridian beaches alone collecting shells.

Retirement is not in my future. I have fitful dreams of being a writer. That is the same retreating mirage I saw on the distant horizon when I was eight. There are haphazard moments of clarity when I compose eagerly. Then I turn on the TV and fall asleep. Words with promise have died. Clever lines form skeins of sentences. I reach in spasms. I worry I’m already too late. The bills mark time.

Awake and rubbing my eyes, I am smack in middle age on the brink of last chances. I am halfway between those early promises and the sum of me. That distant horizon still recedes. I am not a bestselling author whose book is soon to be a major motion picture. I’m not even a grown-up.

Yet.

In this frame of mind, I made excuses to Dad why I could not load the whole family in a jet and wing off south for a visit. I let slip that I could not come because my wife and I had to pay off credit cards. I said too damn much.

Dad called back at seven the next morning. My debt had been gnawing at him through the night. The kids were still in bed so I was, too. “Time you got up, boy! I suppose Cecilia was at work an hour ago!”

He’s not big on preambles. Why don’t I have call display on the phone by the bed?

I didn’t tell him I was up till three last night writing. That would just be another mistake to hold on to and bring up at Christmas. “Is the book done yet? When do we see it in stores and how much will you be paid? How much, boy? That doesn’t sound like much.”

I thought about telling him the kids were painting each other with glue again and that I had to hang up. I didn’t, though. I listened because he was talking about giving me money. His was a generous offer of an interest-free loan to kill the credit cards and raise the possibility of a future without debt.

I’ll owe him.

Instead.

Again.

I said I’d think about it, like I still had a choice and pride.

Later, when I looked upon my innocent boys’ debt-free faces, I had to remember how to build a smile. Each grim facial reconstruction soon fell from my lips and I had to rearrange my face again. When they want the latest robot dinosaur, will my card be maxed out again? Will their memory of me be The Failure Who Always Said No? How different is that from the Self-made Man who says, “Why do you think you need that, boy?”

What will happen when they grow up? When they go to college and fall into the same — or a deeper — debt trap, I will pull them out of that hole if I have a rope. No money? No rope. No hope. There lies the soul of shame’s pain.

Each New Year’s Eve, Cecilia and I say this will be the year we “get some breathing room.” We’ll save money…somehow. We’ll win the lottery or I’ll sell my novel or…something. What’s likely to change since we aren’t doing anything different? We never speak of this secret aloud for fear that, like some magic curse, the danger will only be made real in the speaking.

I’m worried about the slow, spreading stain in the bedroom ceiling. Will roofers even accept a credit card? How much will new eaves troughs cost? Will the furnace die this winter?

“How much?” Dad asked.

“Ten thousand,” I said. I braced myself but he did not say anything. The weight of the silence on the phone line stretched out. His disappointment was that heavy. My scalp burned and my body felt skinned by rusty carrot scrapers. “Five hundred a month okay?” I ventured.

“Yeah,” he said. “Promise you’ll cut up your credit cards?”

The next pause was mine, the startled kind.

“Yes,” I lied. What if I have to rent a car or get a hotel room for some ugly, unforeseen reason? I think about the roof, the furnace, the eaves troughs, the latest dinosaur robot and the look on my boys’ faces when a classmate gets a new computer. My father will not understand why I will never cut up my credit cards.

I must have that safety net for emergencies, even if it could hang me. I could try to explain my situation, what my real life is like. That’s definitely what I should do.

“Um…Dad?”

Go ahead, I say to myself, sweating and now out of my body. Tell him! Tell him that the best things in life aren’t free! Tell him iPods buy love and happiness. Explain how you’re asking for $10,000 because that’s all your stupid pride can bear to ask but you could ask for twice as much and still not cover your debt! Tell him there’s little hope but you wish he shared your dreams for success, anyway. Give him another reason to call you “Boy.”

“Yeah?” he says.

All he’s got waiting for you is the sucker punch of a loan, judgement and condemnation.

“Thanks, Dad.”

“Yeah.”

I hang up the phone, my head hot and pounding. The kids are watching a SpongeBob rerun. My wife won’t be back from work for another hour. I could steal a nap.

Instead, I sit down. I dream big.

I write.

Grab The Dangerous Kind & Other Stories here.

 

Filed under: publishing, , , , , , , , , , , , , , , , , , ,

Tucker Max’s strategy to triple his royalties

Check out this link on Huffington Post Books in which Tucker Max, the author of I Hope They Serve Bell in Hell (et al), details his  strategy to make much more money than the ordinary bear, or author. Instead of going for a book deal, he explains how he entered an arrangement where the publisher could do the one thing he couldn’t do on his own (and what they do best): Distribute his books to bookstores.

You’ll notice he insists that he’s definitely not self-publishing and doesn’t want that stinky stigma touching him. (Please note: He’s definitely self-publishing.) What’s different is getting the contract for distribution, rather than publication. The publisher is printing his next book, but he’ll absorb all front end costs with freelancers.)

Tucker Max is a clever guy who knows how to seize an opportunity. As he notes, this deal isn’t for small fish. However, I suspect this may be the future for many authors and the fate of many publishers. Learn at the link and see what you think. ~ Chazz

(I changed the title from how HuffPo had it. That headline reeked of so much late night infomercial cheese that I’m sure some passed over the article, which has some good and interesting points.) 

 

Filed under: publishing, , , , , , , , ,

Authors & Publishers: How to make a media kit Part 1

My hardboiled crime thriller Higher Than Jesus is available now. Please click it to get it.

Some crazies have already put up their Christmas lights so, ready or not, prime book selling season is here. One of the easiest things you can do to promote your books is a press kit. Start with local media to get the ball rolling. (If you want a sample of my catalogue and press release so you can see how I handled it, go to my author page at AllThatChazz.com and I’ll be glad to email you my most recent press kit.)

Before you mail anything out, consider these variables for your press kit:

1. If you have one book for sale, look for some angle and detail to pitch in the press release. Non-fiction with a local angle is the easiest sell. Non-fiction by a local author is a little less attractive, but saleable. Fiction can be the hardest pitch, but the smaller the newspaper, the easier it is. If you have multiple books, focus your press release pitch on one angle but send them a catalogue. Your press release materials can be repurposed to sell to customers through your website or at conferences and author events.

2. Research your media targets and be aware of deadlines. It’s already way too late for magazines, though some small arts newspapers that focus on the local scene may still have room for a piece about you before Christmas. Read the newspaper, community newspaper or magazine first. Aiming at individuals and likely targets works much better than bombing everyone everywhere.

From this research, be selective. For instance, aiming your press release and a friendly cover letter at a columnist who covers unique business enterprises and people in your city might be more effective than hitting up the editor for the arts section. Don’t just go for the book review editor (for whom a press release now is way too late for Christmas no matter how small the venue.)

3. Don’t overlook radio stations. They’re media, too. College radio stations are often easier to get into and provide diverse programming options to a reading audience. Also consider podcasts. They hit a worldwide audience but have fewer barriers to entry if you choose to send a friendly email off to the right one.

Television is unlikely unless you’ve got very specific material that fits the show, like a unique and very visual pitch to a TV producer at “Breakfast Television” on City TV in Toronto. Newspapers and magazines are a shotgun blast to opportunity. Getting into TV or national markets in radio requires a rifle scope, a cookbook or a picture book about fashions for dogs. Watch a lot of that stuff to see if you could fit in somewhere. Be a celebrity first. That helps immensely.

4. Send your media kit to one person and be familiar with their work. Get the name of the arts and entertainment reporter, for instance, and send the email directly to his or her email. Don’t send multiple emails to the same media venue. That can create chaos, resentment and blood blisters on your genitals.

In some smaller newspaper operations that use freelancers, it may not be apparent which individuals are assigned particular beats. If so,  select the appropriate assignment editor from the publication’s masthead and address your cover letter to him or her. Don’t send it to one of those general addresses that start info@somerandomnewspaper.net or inquiries@couldn’tbebothered.com. Again, it’s best to have picked up and read an issue or two before sending out anything.

5. Tie your press release to some larger event if appropriate. For instance, if you’ve written a book about consumerism, I’d tie the press release to Black Friday right now. Always look for this opportunity to give the story traction for the reporter. They’re looking for an angle and they want you to give it to them in the press release. Remember, you have to sell the angle to the reporter because they have to sell the idea to a jaded and depressed editor who has heard it all and hates it all.

6. Write your press release as if it’s the story you want to see in the paper. e.g. “When you supply ready-made quotes, you’re making the reporter’s job easier and giving coverage of your story a better shot,” Chute said. “When I was a newspaper reporter, I still checked out all the facts stated in the press release but the document was often a strong springboard for the articles I wrote.”

7. Show some personality in your cover letter. It’s probably going to run in the Arts section, right? So why write the cover letter as if you’re a humorless conglomerate’s soulless flack trying to put an oil spill in a happy light?

I’m angling for an author profile so to get the interview — as opposed to a straight news story — I’m striving to hit a certain tone that matches my books. Here’s the opening paragraph to my cover letter for my media kit:

The book publishing revolution is here in London and it’s going to make a big boom. I thought we should talk about my plans for world domination before I give my ninja monkey clone assassins the launch codes. 

That got their attention. Here’s the slightly more serious follow-up paragraph: 

In the attachments you’ll find the media kit for Ex Parte Press and my press release. The short story is that I quit my day job to form a publishing company a year ago. Ex Parte Press lords its power over one client: Me. I now have seven books for sale on Amazon in digital and paperback. I write hardboiled suspense, publishing advice and some very quirky self-help. For more on me, you can also check out my websites: ChazzWrites.com and AllThatChazz.com. You should be warned that I ply reporters and spies alike with bad coffee.

Obviously, if you’ve written a business book about successful investing in ostrich farms, you’d be more serious. I’d go with a few bullet points on why the future is in ostrich farming. The headline would read, “Investors are losing money by sticking their heads in the sand,” which, by the way, is a persistent myth about ostriches. Even with most serious topics, write a catchy headline even if you play the rest of the press release straight. They won’t use your headline, but you still need to be catchy.

For the rest of my tips on building a killer press kit to sell more books, achieve celebrity and host huge orgies with a distinctly Roman theme, see the rest at AllThatChazz.com. 

Or overcome your better judgment and buy all the books by Robert Chazz Chute here. 

Filed under: publishing, , , , , , , , , , , , , ,

Start Your Ebook Promotions on Your Amazon Book Page

See on Scoop.itWriting and reading fiction

This is an excellent list about book promotion from thriller novelist Gordon Kessler. Be sure you touch all the bases. Learn at the link! ~ Chazz

See on thewritersguidetoepublishing.com

Filed under: publishing

Guest Post: Wenona Hulsey author of the Blood of Burden Series

First off, thanks so much for letting me chat on your site, Chazz! I think your crime thriller readers mixed with my paranormal thriller readers make for some of the best kind of fans.

I’m Wenona Hulsey, author of the Blood Burden series that can be found on Amazon and B&N. Like Chazz, I love to thrill my readers and keep them guessing what will happen next. A great read shouldn’t be predictable so let me start out by telling you what you WILL NOT find in my series: A weak woman waiting for a prince to save her…NO.  A relationship that could be classified as stalking in the court of law…NO. Sparking vampires…ABSOLUTLY NOT.

The Blood Burden Series is about a small town woman with what she thinks is a slightly off kilter mind-reading ability brought on by the stress of losing her mother to cancer. But as time moves on her powers start to evolve, develop and grow into something much, much more. A war is brewing under the surface of the world we know and Nicole is the key weapon. She will have to decide whether she should embrace the powers along with the unusual other-worldly trainers sent to her or try to bury who she is risking all she loves.

Inside the pages of this series you will find mystery, heartbreak, test of loyalty, and romance that will keep you enthralled to the very last word. I mix Irish folklore and southern tradition into a setting with modern day fae and ancient warriors (the smoking hot kilt wearing kind) to take you into a completely new world that I hope you will enjoy.

Thanks you all so much for spending a moment with me.  Be sure to connect with me out in the social networking world after you check out my books.  I love to chat with readers!

Buy Links: B&N & Amazon 

Wenona’s blog  Twitter Facebook

Join my email list for the latest on all my books, contest and much more! 

Filed under: publishing, , , , , , ,

#NaNoWriMo: Tools to get you back on track & stay inspired

Right about now, if you’re doing National Novel Writing Month, you’re feeling a little tired and you have two complaints: Where do I take my story from here and how can I better manage my time to meet my writing goals?

I can help. First, here’s a link to my guest post on Masquerade Crew today. This excerpt from my book, Crack the Indie Author Code, is an easy, fun and  genuinely intuitive exercise that will turbocharge your NaNoWriMo efforts and make your manuscript fresh. I call the strategy my Trio approach to story creation. You’ll love it and your readers will, too.

And now your free time management tool: The SlimTimer. I found it through The Nerdist Way by Chris Hardwick. (With all those Star Wars jokes and references in my books, you must have guessed my nerd secret, huh?) This tool will help you track your activities and find time. Only what is measured can be improved. Measure your day with this timer.  Then make time you didn’t know you had, get back on track and stay on track.

Crack the Indie Author Code is Book One. Write Your Book: Aspire to Inspire is Book Two in my series on writing and publishing. For fresh inspiration, I offer this uber cool image to motivate you to persist with writing your book so you, too, can have a cool ad like this!

Click the image to get Higher Than Jesus

Often when we think of graphic designers, we only think about book covers. Kit Foster from KitFosterDesign.com sent me this ad this morning. I’m using the white variation above in the Orangeberry book tour. Pretty cool, huh? Kit is not only an author and the sponsor of the All That Chazz podcast, he’s also an amazing designer. He does book covers, web banners, Quote Art and much more. If you have a podcast, you need art. If you need an ad, check out Kit’s portfolio and go get help. Great images grab eyeballs.

Graphic designers can do more than just book covers. Kit is a great consultant. For instance, it was he who suggested that I add a tag line to my covers using the ten commandments to reflect some aspect of the plots through the series. In Bigger Than Jesus, it was “Thou shalt not steal.” In Higher Than Jesus, it’s “Thou shalt not kill.” In the next book, Hollywood Jesus, it’s “Thou shalt not covet.” That tweak added a lot to the look and tone I wanted to achieve. Tweak your covers. Don’t let them lie there, weak and ugly.

I’m so excited about how my books are turning out (which explains how linktastic I am today), I want you to be excited about your books, too. Go write one.

Filed under: publishing, , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

Join my inner circle at AllThatChazz.com

See my books, blogs, links and podcasts.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,063 other subscribers