C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Ebooks: What makes a great cover? What makes a bad one?

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

It’s very instructive to read the analysis of what makes covers better or worse. What makes a great ebook cover? It’s often easier to learn what makes a poor one. Art is subjective. We often don’t know what components go into making art “good”. We just know what we like. However, there are graphic designers who, with skill and experience, inject more objective analysis into art than we ordinary mortals. Joel Friedlander, at The Book Designer, is one of those magicians who can break down why a cover works, or, at the very least, he knows why it doesn’t work.

 This week, Six Seconds won February’s ebook cover design award on Joel’s website. Check it out, but have a look at all the books. Once you see the covers through Mr. Friedlander’s eyes, you’ll begin to reevaluate all the covers you see. You’ll look for what’s missing as well as what design elements hit the mark.

Kit Foster: The Dude Came Through

My graphic designer is Kit Foster of KitFosterDesign.com and he gets all the credit for the win. Sometimes we have long discussions about what the covers of my books should look like. For instance, our back and forth over Higher Than Jesus was exhaustive.

For Six Seconds, I was in a hurry to get the instant guide out because it’s the first book about the Vine app. All I told Kit was: “Gimme a stopwatch wrapped in vines, please. Here’s the title. Do your thing and I won’t ask for any tweaks, I swear to God.” Kit’s solid and, as usual, he delivered excellent art. (He also won for his cover of Higher Than Jesus in the hardboiled mystery category of the Venture Galleries Award recently.) 

Cool guy talk

Higher than Jesus Final NEW copyI’ve plugged Kit plenty over time because I think authors need him and skilled designers like him. If you’re still shy, then you’ll love to eavesdrop on a conversation I had with Kit recently. I just interviewed Kit on the Cool People Podcast. You’ll find him sweet, friendly and Scottish. We talk a little about a lot of things: bad drugs, bad drug laws, good drugs, Breaking Bad, what inspires us and, of course, what goes into making a book cover work or fail. 

Step 1. Have a listen to the Cool People Podcast. (Subscribe, donate, apply to be a guest @rchazzchute on Twitter, do jumping jacks etc.,…) Enjoy.Cool+People+Podcast+Final

Step 2. Go to KitFosterDesign.com and start up your conversation with Kit about your next book cover.

 ~ If you like the Cool People Podcast, you may also enjoy my other podcast, All That Chazz, wherein I monologue, do readings from my crime novels and goof around. Find those podcasts and links to all books by Robert Chazz Chute at AllThatChazz.com. For  highlights from all my various feeds and content, check out my Rebelmouse page here.

Filed under: awards, book marketing, Books, podcasts, publishing, What about you?, , , , , , , , , , , , , , , , , , ,

Writing and Production Schedules: What it looks like

Dark Higher Than Jesus banner adThis week…

1. I’m writing a non-fiction, instant ebook. It won’t be more than 10,000 words. I had 5,500 the first day and I’m finalizing it now. The turnaround time in total will be one week. Why? Because I found a topic I’m excited about. People will benefit from knowing more about the subject and use it to expand their businesses. One more day of research and writing and another bit of interviewing should do it. More on this soon. It’s also fun, and how rare is that?

2. I still have two books of fiction in production. One is the next Hit Man novel and the other is a massive post-apocalyptic tome. Two to three thousand words a day on these has to happen to make my plans move forward according to schedule.

3. With the help of my friend, Dave Jackson from the School of Podcasting, a new website for a new podcast is born. Details to follow once the website is prettier and filled out and curvy in the right places. This is just the beginning, though I think we’ll have a few podcasts up soon.

This will be an interview show, unedited and bouncy. I’ll talk to cool people for about half an hour about their businesses, their books and their lives. Think of the coolest person you know. Email me their contact information at expartepress@gmail.com. They could be a future guest.

4. Coordinate with my graphic designer, Kit Foster of KitFosterDesign.com for podcast and cover art. Don’t have to budget much time for this. Kit knows what he’s doing without me sticking my big nose in.

5. I’ll also have to get a new blog theme going and generate content for the new website. I’ve explored different options for a recorder for Skype interviews. Fortunately, Dave saved me some money by suggesting Call Recorder for that job. I recommend Hover for your website registration needs. They’re easy to deal with and there is no hard up sell of services you don’t need.

6. Record the original podcast, All That Chazz in a few days. Yes, All That Chazz will continue. These next nine months in particular are going to be a little more furious than usual. We’ll see what’s born at the end of that gestation period, literature-wise. 

This week it’s another reading from Higher Than Jesus and I really don’t know what else yet. When I put my mind to it, something will come. Something always does come along. I hope it’s funny in the right spots for the right reasons when it arrives.

7. I’m going to resist an exhaustive listing of the rest of my to-do list because it’s mostly the mundane stuff everybody has to do. Sometimes I do actually write “floss” (so I will floss) and “brush teeth” because it feels great to cross an item of that damned list so easily.

When I get tired, I dip into Cormac McCarthy’s No Country for Old Men and remember what really great writing feels like. It spurs me forward. 

I’ll get it all done. C’mon. Write your way to happiness with me.

 

Filed under: author platform, blogs & blogging, getting it done, , , , , , , , , , , , ,

Quote Art: A new way to promote your books

This is not a book cover. It’s Quote Art for my suspense novel, Bigger Than Jesus. The quote is pulled from the book. The art is by Kit Foster of KitFosterDesign.com.

Jesus Diaz is my luckless Cuban hit man in the first of the Hit Man Series: Bigger Than Jesus. (It’s pronounced “Hay-soose”.) Follow his exploits as he tries to escape New York’s Spanish mob with a fortune in stolen mafia money and the lovely Lily Vasquez.

Great book covers sell books. Now picture a quote pulled from your book with another compelling, related image. See it on Facebook, as a Twitpic, on your author site or as a poster at your next book signing. Quote Art is a different way to promote your books to new audiences. It’s a clue about your characters and another chance to intrigue potential readers. Why try to grab them with just one image when you can hold their attention with more using a new, integrated and savvy marketing tool?

Click it to grab the paperback or the ebook. Thanks!

Kit is my graphic designer. If you’re a regular reader, you know I’ve already sung his praises. Now I’m complimenting him for his innovation in doing something a little different to help me spread the word about my books. Thanks again, Kit!

To find out more about his book cover designs and to see samples of his art,

go to KitFosterDesign.com.

Want another marketing tool to build buzz?

I need a couple more volunteers for my Next Big Thing Blog Hop post. If you have a work in progress you want to build some buzz about, I have two more spots available for this event. All you have to do is answer ten quick questions about your WIP and post them on your blog a week from Wednesday. You link back to me and I link to you and the word spreads farther. Volunteer at expartepress@gmail.com and I’ll send you an email with the blog hop specs.

I’m doing another blog hop in the near future, so watch this space.

Filed under: publishing, , , , , , , , , , , , , , , , ,

Book cover troubles and solutions

Too many books won’t be read, and not because they aren’t great. They don’t look good enough for a second glance. There are graphic design solutions. I just fired off an email to my solution, author and cover designer Kit Foster of KitFosterDesign.com. He sent me some samples of ideas for the cover of my upcoming plague thriller. One image was particularly strong and we’ll definitely go with some variation of that draft. You want great, not just good. Book covers are not easy. Unless you’re a graphic designer, get professional help with your cover. Maybe even then, you should outsource. Most authors who edit still need editors, so why don’t cover designers need another set of eyes on their book project?

Book art is hard to get right. With his first inkling about my book, Kit has already balanced out two opposing demands: We want readers to be struck by the uniqueness of the image on the one hand (and compelled by graphic design magic to buy, of course). However, the tone of the cover must also be so familiar that the reader will know intuitively and instantly to what genre the book belongs. Unique, yet familiar. Quite a feat, really, isn’t it? I’ve seen some indie authors insist they can do a DIY cover with PowerPoint. Looking at their cover art, I’m sorry, but I can’t agree. I want a cover that’s a delicious chocolate croissant, not a lentil and sewage burrito. I’m glad those writers can succeed despite their covers, but I’m sure they’d sell even more without the self-inflicted handicap of DIY delusion.

My discussion with Kit got me thinking again about what makes a great book cover. A solid title that grabs the

Click to get Bigger Than Jesus here

reader can make a difference. A recognizable name is bigger factor. If you have a bland, soundalike title (change it!) or haven’t broken through (yet), your best hope is a great cover image and hiring a graphic designer create it. As I’ve already confessed in this space, I experimented with DIY and I hurt myself. I’ve sold enough books in trad publishing that I know a good cover when I see one, but actually creating a decent book cover? Ha! No. I’m not the graphic designer. All hail Kit. He’s a book cover solution.

The problem I see with some book covers is they try to do too much at once. Covers are crammed, as if the author hopes the image will tell the whole story instead of giving the reader an intriguing taste and tease. It’s tempting to try that. I’ve almost succumbed myself, which is another reason to have a helmsman with a steady hand on the wheel to keep you from crashing into all those pretty icebergs. It’s tempting because, admit it, we still think we should pull in anybody and everybody who can read. In my opinion, that’s a mistake. I want readers who really love mystery and suspense mixed with witty repartee. All others need not apply because “all others” probably won’t like my books. That’s okay. You don’t like “music”. Our tastes are much more specific than that. You like neo-thrash synth-metal, industrial-Asian jazz fusion and Tom Jones singing It’s Not Unusual in a duet with the ghost of Tupac. Go after whatever your niche is. Instead of taking little bits from all over your plot and compressing them into a graphical soup, more specific, evocative and emotional images make compelling book cover art.

Please avoid a cover that only makes sense after you’ve read the entire book. The purpose of the cover is to seduce innocent virgins. Don’t require Holmesian cryptographic skills from people who aren’t even your readers yet. Before they are your readers, they are disinterested browsers. Convert them to actual readership with book covers that promise a secret revealed, invite them on a journey and make them hope for a braingasm. (Then deliver it when they actually buy it and read it.)

I see a lot of books where the author’s name is too small. That’s not an ego problem. That’s a branding problem. I understand how that happens. Readability is sacrificed so more elements can be crammed on the cover. It’s the Throw Everything at the Wall and Hope Something Sticks Approach. Take that cover down to thumbnail size and it’s not just readability that’s sacrificed, but legibility and sales. Kit goes with powerful, evocative images so we move toward covers that show and sell. I’m proud to be indie, but I want author name recognition in the long term. To do that, the cover has to look like a traditionally published cover. What’s common among trad published covers? Bigger author name tags.

For more on what makes a great cover, check out e-book cover design awards for insightful commentary that helps make better book covers and sells more books. Or just head over to Kit’s website and get going on your new book cover (or revamp an old one that isn’t selling. I did that with my DIY cover.) Kit Foster is a very helpful guy who does so much for authors at very reasonable rates. You’ve put so much work into your book. Give it a fighting chance to be read. Give your book, and all those virgins, a striking cover.

The paperback has arrived. For $9.99. Did you hear that? Distant thunder of the Book Gods mumbling to each other. Oooh, shivers!

Filed under: publishing, , , , , , , , , , , , , , , ,

TOP TEN TIPS: How to set up your podcast

Why should you want to make podcasts and appear on podcasts?

English: Podcast or podcasting icon Français :...

English: Podcast or podcasting icon Français : Icône pour les podcasts ou la baladodiffusion (Photo credit: Wikipedia)

It’s radio with a low barrier to entry. It’s like having your own no-stupid-rules radio station that’s really close to free. You could be on iTunes a few days from now, promoting your business, your books, and yourself to the world. I’ve got fans in San Francisco, Dubai, Beijing and places I’d never heard of because of podcasts.

Since I began podcasting my crime novel a chapter at a time, several people have asked me how I set up my podcast and what’s involved. I can give you the broad strokes with an easy TOP 10 list. Don’t get overwhelmed. It’s not that hard, especially if you take my strongest advice and go straight to Tip #10.

1. You’ll need a microphone. I have two, one for $127 and one for $90. The cheaper one works better. Some people say you have to use a mixer to make sure your audio doesn’t peak and hurt listeners’ ears. However, I prefer the mic that plugs straight into the computer.  No need to be fancy with your podcast. You don’t have to be a Mac user. A chair that doesn’t squeak is a better investment. You don’t have to buy expensive shock mounts of your mics (but do get a screen for your microphone, called a sock, so you don’t “pop your ps”. Popped ps do thud into your listeners’ eardrums. You don’t have to have enhanced videocasts. Most of the people who listen to podcasts are either out for a walk, doing laundry or on a treadmill as they listen to programming. Video in podcasting is a deficit, not an asset.)

2. You’ll need a computer program to record and edit your podcast. Audacity is free. I use GarageBand. Though it does cost, I found the interface easier, especially since a friend gave me a one-on-one tutorial. I tried Audacity without help and the learning curve was a bit steeper. (I’m not turning anyone away from Audacity, though. It’s free and useful. It was just easier for me since I already knew someone who knew the software. Having a buddy who’s already in the know might make for a different choice for you, too.)

3. You’ll need a blog. WordPress is free and most anyone who reads this post already has a blog. Those lovely non-problems are the easiest to solve. There is also an ID3 tag editor (app) to buy, but it’s just a few dollars for a little program that will help you label your podcast and prepare it for upload to Libsyn. Speaking of which…

4. You’ll want a Libsyn account. Libsyn is the company that will publish your podcast to iTunes, your blog and elsewhere (even apps). Go for the $20 a month option. You can pay less, or even go with some outfit that will give it to you for free, but they cost more in the long term in other ways. For instance, lots of places will let you use them to broadcast your podcast, but you can’t move it anywhere later, so, effectively, they own your podcast, not you. You hold on to your rights and options by going with Libsyn. The best thing about Libsyn is that you bank unused broadband. When I started, I was worried about the hidden costs. What if my podcast is so popular, the broadband gets too expensive to pay? With Libsyn, there aren’t any hidden costs and they have an excellent stats page so you know exactly how popular you are. (Or not.)

Once you’re set up, you can also get your podcast on Stitcher. Stitcher is a very popular podcast outlet because it’s free and it  allows listeners to wirelessly stream podcasts to their phone or iPod. They don’t have to hook up to their computers. The podcasts take up no space on any device. Since I discovered Stitcher, I hardly ever use iTunes.

If you’re thinking of joining Stitcher, please use my promo code: SELFHELPSTONERS. By joining, you’re also entered into their draw for a $100 cash card.

5. You’ll have to have some time set aside. Every minute on air means four minutes in total invested with production. That’s a good rule of thumb, though I’ve managed to shorten it a bit over time. Don’t cut too many corners, though. I missed an edit a few podcasts back and the paper rustling seemed a tad unprofessional. Don’t be too professional, though. Mistakes are authentic moments and I like when the unexpected happens in a podcast. The unexpected never happens in radio and that’s one of the reasons radio is boring and only people who are trapped in cars or terrorist attacks listen to radio anymore.

Want a horrific example of authenticity? I’ve talked about the hilarious aspects of my colonoscopy, my first schoolyard fight, how I got screwed over by a financial adviser and a publisher, and worst of all, how I felt too fat and unsuccessful to go to my college reunion. You don’t have to be this revealing, but being real works in podcasting.

Don’t be self-conscious about your voice, either. I have a stammer that becomes evident when my brain works faster than my tongue. My delivery is positively Shatnerian. I talk in bursts and when I speed up I talk like a Nova Scotian, really fast and in the back of my throat. Most of that either isn’t a real issue, improves with practice or can be edited out.

6. Get good album art. I used a cover from my book Self-help for Stoners because I wanted to publicize the book and podcast to an identifiable audience. Calling the podcast Self-help for Stoners made sense at the time. (As discussed in a recent post on book promotion, I’m changing that because I have so many more books now. One book is not your brand. You are your brand. Think long term.) You’ll need a couple of images of different sizes for this. When you know those sizes and have an idea for an image to represent your podcast, talk to Kit Foster at KitFosterDesign.com. His prices are very reasonable. He’s my graphic artist. Heck, Kit is The Graphic Artist. (Can’t wait to show everybody what he came up with for my print cover for Bigger Than Jesus!) If you go without a professionally designed image, your podcast listing makes you look like a hack and you’ll definitely be skipped over.

7. Choose your category. My categories for different podcasts range from politics to fiction to comedy. Some of your audience might like variety, though if you go deep into a particular topic or niche, you’ll definitely find your audience quicker. Go with your passions. Stick with one podcast to start. Setting up the first one and doing it right will probably cost $200 or $300. After that, it’s cheap (and a claimable promotion cost.)

Do it with someone else and not only do you split the cost, you’ve got a co-host to bounce ideas with. Monologuing (as I do) is not for everyone and I sometimes wish I had someone else on the mic.

Also decide if your podcast will be a swearfest or family friendly, explicit or clean. I started out swearing and came around to PG. Also, consider that if you want advertisers, unless you’re Joe Rogan or Kevin Smith, most advertisers prefer clean podcasts.

8. You’ll need to promote your podcast. I’ve been a guest or I’ve been mentioned on other podcasts about ten times or more so far. Similar to guest blogging for bloggers, I think that’s helped the most. I learned recently that it’s been proved statistically that there’s no correlation between a large Twitter following and a large podcast following. That surprised me but I have no reason to doubt the stats. That said, if you can be rich and famous first, that doesn’t really hurt any endeavour, does it?

9. Do you have enough to say? When I started podcasting last November, I reasoned that if I ever ran out of stuff to say, I could always just read some of my fiction. I did read a bunch of my fiction on the podcast, but I also found I had a lot to say that had nothing to do with fiction. I’ve done skits and bits and improv. I’ve gotten angry and sad and confessed and condemned. Just as you would with a blog, brainstorm what you might talk about.

There’s no rule that says you have to do a podcast that’s an hour, two hours or three hours long. Most of

Click to get Bigger Than Jesus

my podcasts were 40 – 45 minutes once a week. Then I decided to make shorter podcasts but a twice a week. Then, to get the word out about The Hit Man Series, I’m podcasting Bigger Than Jesus a chapter at a time. Book 2, Higher Than Jesus, might be ready for podcast before I’m done recording the foundation book. Podcasting helps with the final proof, as well. We’ll see. No rules, remember? I love that about being indie in whatever I do.

Listen to a lot of podcasts to get a flavor of what works for you. Figure out where you fit. Are you the next Grammar Girl (the first podcaster on Oprah) or Mur Lafferty from I Should Be Writing? How-to podcasts are very popular (if you have enough to say on the subject long term.)  I listen to Litopia (for everything publishing); some stuff from the Kevin Smith network since he started my career; The Joe Rogan Experience has awesome guests (and depending on what you’re doing with your podcast, guests are great); The David Feldman Show (because I’m a lefty who loves comedians); and The Best of the Left (for smart politics). There are, of course, thousands of podcasts to choose from, those are a few of my favourites. You should also listen to The School of Podcasting by Dave Jackson. You can even join up and learn more. Dave is an enthusiastic educator who loves podcasting. He can teach you everything from how to set it up to how to monetize it properly. He’s forgotten more than I’ll ever know about podcasting.

10. Which leads me to my most important tip of this monster post: Talk to Dave Jackson from The School of Podcasting to get help setting up your podcast. He teaches and consults. I am not an expert on podcasting. That doesn’t stop me from being a podcaster thanks to Dave.

When I started out, I read all the FAQ I could find. I made my first podcast, but I couldn’t figure out how to get it out into the world. I had launched my first books and I was anxious to promote them via an avenue I knew a lot of people were missing out on. I was missing out! A lot of people are still missing out! You’re probably missing out right now! After days of frustration, I called Dave Jackson: Great guy, smart guy, patient guy. He knows the nuances of feed burner and RSS feeds and setting up your podcast without tears or time lost. He’ll get you past the mechanics and into what matters: reaching a wider audience you would never otherwise reach.

UPDATE: Dave just emailed me that he is revising his website this weekend. Hang in there if it’s not completely available when you check in. He’ll have chat on, so Dave can still set up a consultation to help you set up your podcast.

Filed under: publishing, , , , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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