C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

02/26/2021 • 11:04 PM 0

WandaVision and expanding our vision

“What is grief, if not love persevering?”

Damn, WandaVision writers! Excellent job. Loved that.

Tiny WandaVision spoiler alert and a thought on the power of genre fiction:

You know that feeling when you attend a funeral and then you walk back out to the parking lot and the rest of the world spins on, oblivious? I have never seen that poignant subtlety depicted in television before, but WandaVision did it today. This episode was about grief and how it can shape us. Impressive storytelling.

Some people are snobby about certain genres of fiction. They say horror or superheroes or X, Y, Z don’t have the narrative power of A, B, C. Such broad generalizations and narrow views do not serve them. I have written two zombie trilogies (out of 30 books) and occasionally I run into someone who thinks I should write something “less commercial” or “elevated.” First, it’s not particularly commercial, and second, it is elevated lit if they’d drop their silly biases. My stories touch on love, death, human nature with all its drama, weakness, strength, good, evil, gods, complex familial relationships and obligation, society’s failings, cooperation, aspiration, fate…y’know, the whole freakin’ schmear!

Fiction can stimulate fascinating neural pathways from all sorts of angles. Rigidity is a cardinal sign of death and being a snob is a weak imitation of thought.

So there.

~ I am Robert Chazz Chute. You can check out the whole freakin’ schmear at my author site, AllThatChazz.com. Cheers!

Filed under: Genre fiction, books, fiction, Genre fiction, literary fiction versus genre fiction, Robert Chazz Chute, wandavision, why we should respect genre fiction, writing life

03/06/2013 • 1:52 PM 3

I screwed up. I’m going to need a bigger boat.

I screwed up

I had a publishing schedule and a plan. I committed to ship books on time. As Seth Godin says, “Artists ship.” This is business, so make a good plan and stick to it. But what if the plan sucks?

Time to adapt

Adaptation is what a small company can do that a big company often can’t. Big companies have committees and hierarchies and approval processes. I’ve got me and a couple of freelancers and an ad hoc committee of friends and allies I bounce ideas back and forth with. All the decisions, blame and reward go to me. It’s time to take blame and make new plans.

The Excuses Not to Ship

I had stalled out on writing fiction for a couple of weeks because of time management issues and sickness: My daughter got sick; I started a new podcast; I wrote a book about Vine. All those things were necessary to deal with and I have no regrets. I’m rather fond of the sick kid, so there’s that. I’m excited about adding another podcast (the Cool People Podcast!) to my tiny empire. Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App, was a fun exercise that could actually help people get more attention to their brands with a new social media tool. Diversifying helped my other books’ sales, too. As diversions go from the main war plan, these are pretty good ones. However…

The Reasons to Adapt

My production plan was off target because I need to launch a new series to get more attention to my other books. I try not to think too much about all that I have planned for this year. If I try to grok it all at once, my cerebellum pounds my brain pan until I lie down clutching an Advil bottle.

The core issue is the crime fiction I write is hardboiled, but funny. That’s a tough nut to crack. Many would call sardonic neo-noir a forgotten niche. The reviews of the Hit Man Series (Bigger Than Jesus, Higher Than Jesus) are great, but I realized I had to diversify to get the whole line of books more attention.

Self-help for Stoners, for instance, sells the best consistently, but it’s also been around longest and by some people’s lights, it’s experimental fiction, too (or at least weird and maybe challenging). The Hit Man Series would be considered experimental by some. I don’t agree. In fact, I think that’s a bit silly, but who cares what I think when I have numbers to evaluate? I have to diversify to get the tide to raise all the boats.

The Original Plan

I was going to write the third book in the Hit Man Series, Hollywood Jesus, next. I’m already more than halfway through it and I love that character and his story. The book after Hollywood Jesus will be a real twist, too. I’m going to revisit characters from the original book. My pitiable assassin, Jesus Diaz, will share the book with…ahem…no spoilers yet…but the twist will make that series achieve lift off in a huge way, I’m sure. I can hardly wait. However, in publishing Six Seconds, I’ve seen how one book can help other books in surprising ways. By giving new readers a surprising book that delivers in a more conventional way in a comfortable genre, I’ll open them up to trying my other brands of inspired lunacy.

The New Plan

I have a post-apocalyptic, coming-of-age plague thriller that’s already written. It took me a year to write. I’m revising it now. It’s 125,000 words and ripe for serialization. This book has some strange elements to it since much of the action is seen through the eyes of a boy with Aspergers. I’m going to publish the Aspergers/plague book next, instead of Hollywood Jesus. Though the subject matter can be strange and wonderful and scary and terrible, it’s an adventure story told in third person, limited omniscient. In other words, it won’t scare anyone off because it feels “experimental”. Strange at times, sure, but it’s ultimately about a family and family relationships strained by a crisis. In the Hit Man Series, there’s a lot created to make you laugh. In this series, you’ll take me seriously.

I will deliver the plague thriller in two months. Anybody who wrote me off as too weird for them just because I write stuff that challenges preconceptions of how stories should be told? Buckle up. I’m coming for you and I won’t even have to shanghai and coerce you up the plank to my party cruise. You’re going to want to be a passenger on my pleasure boat. I’m making it bigger, just for you.

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Game on.

~ Chazz’s author site is AllThatChazz.com where you can find out more about his books or check out his rants and author readings on the All That Chazz Podcast. His new website is CoolPeoplePodcast.com. The first episode features horror author Armand Rosamilia in conversation about zombies, The Walking Dead and writing more books, faster (among other things.) Check it out.

Writers: Shorter is better (chazzwrites.com)
Writing the novel: Overcoming plot problems & cranking up the pace (allthatchazz.com)
Micro-publishing is publishing: Tools, tech and committing to change (chazzwrites.com)
Writing and Production Schedules: What it looks like (chazzwrites.com)
The Unknown Man Edition (allthatchazz.com)
New podcast release at AllThatChazz.com (chazzwrites.com)
The Mean Streets Edition (allthatchazz.com)

Filed under: book marketing, Books, ebooks, podcasts, Publicity & Promotion, publishing, What about Chazz?, All That Chazz, Armand Rosamilia, Bigger than Jesus, book, books, Cool People Podcast, crime fiction, critics, difficulty with genre, ebooks, Genre fiction, genres, higher than jesus, Hit Man Series, hollywood jesus, Jesus Diaz, Marketing, neo noir, production schedules, publishing, Six Seconds, Time management, Walking Dead

02/27/2013 • 11:13 PM 5

Writers: Shorter is better

I found a way to get more traction selling books. The short story is, write shorter books for greater success. The long story? I’ll try to keep it short.

Last week I wrote a book, Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App. It’s a long subtitle for an 18,000 word ebook, but it’s SEO-friendly and therefore easy to find. Six Seconds is breezy and fun, but it’s also a useful book that achieves the task I set for it: To get people on Vine (the new video Twitter). It helps them use the toy and tool to its greatest promotional potential. It took me a week to write, from concept to completion. That little book is selling and helping my other books’ sales.

Readers can choose from many lengths of text, but for you, the writers, I hope you’ll begin writing shorter books for your greater success.

Here’s more about why:

1. With ebooks, length matters less. There are no page numbers. Get over that Amish worrying. It’s hurting you.

2. One of my favorite books, The Stranger by Albert Camus, is a short book (around 50,000 words or so). That length wasn’t uncommon in the ’40s and ’50s. Book length is fashion and convention. Fashion and convention are not static conditions. You can change them. Do.

3. My crime fiction in the Hit Man Series is 60 – 65,000 words. That’s fine. One reviewer thought Bigger Than Jesus was a “short, humorous novel”, but that range isn’t so short. (The story just seemed short because it powered along so fast with swift Awesomeness, so there.) Readers pop genre fiction, especially hardboiled sex and violence with quirky, noble anti-heroes, like a fat guy tosses back chocolate croissants. (Ooh, that simile hit a little too close to home.) If I can deliver a steady supply, I might have an actual career on my hands. You, too.

4. Series sell better than stand-alone books. The audience knows the characters and become invested in them. For instance, in Bigger Than Jesus, we learn about tragic events in Jesus Diaz’s childhood. In Higher Than Jesus, readers learn new things about what they thought they knew. My loveable hit man gives an adult perspective on his family history. That changes the meaning of those events and how we view his father, Marco Diaz. It’s fun to flesh out characters and play with the audience this way. It’s fun for the reader, too. They join the The Special Club of the Knowing and become as gods!

5. Some authors experiment with serialization of longer books. I’ll be one those experimenters soon. My post-apocalyptic plague tome weighs in at 125,000 words. I’m going to break that up and sell it in four or five episodes (depending on the logical break points that appear in the revision stage.) Eventually, I’ll sell it as one huge collection, I suppose. In the meantime, four or five ebooks serialized is a cheap way to feed a growing addiction.

6. More books on your electronic bookshelf give more chances for your readership to discover you. Give them more chances to discover you! Write more books.

7. Don’t pin your hopes on one book, especially if it’s your first book. That way lies Death. Well…at least Disappointment. You’ll make more selling two shorter books than one big brick, especially in the early going when you’re still finding a readership and earning their trust.

8. My biggest surprise is that selling Six Seconds is not necessarily a big boost to my other non-fiction books. It’s helping the fiction!

Crack the Indie Author Code and Write Your Book: Aspire to Inspire haven’t moved much this week. Don’t ask me to make sense of that. I even included sample chapters from Crack the Indie Author Code at the end of Six Seconds. Despite having much of the same breezy, jokey tone as Six Seconds, it’s the fiction that got the happy green arrow bump.

My working theory is that I don’t understand people’s buying behaviors; they’re crazy; I’m crazy; we’re all crazy.

~I’m launching yet another podcast soon. It’s called the Cool People Podcast. Want a sneak peek? Click here. It’s airing soon. Meanwhile, you can listen to “The Unknown Man Edition” of the All That Chazz podcast here.

Filed under: author platform, book marketing, Books, Publicity & Promotion, publishing, Vine, All That Chazz, allthatchazz, Bigger than Jesus, book length, book publicity, books, Cool People Podcast, Crack the Indie Author Code, crime fiction, ebooks, Genre fiction, higher than jesus, humorous novel, Podcast, promotion, Robert Chazz Chute, Six Seconds, Vine, Vine App, write, write shorter books, writers

02/25/2012 • 3:26 PM 4

Ebook sales are being driven by downmarket genre fiction

Via Scoop.it – Writing and reading fiction

Somebody’s going to find this piece insulting even if it’s right. Especially if it’s right. My favorite quote from this piece from the Guardian is, “The reading public in private is lazy and smutty.” This article does raise the question, “Am I busting my brains too hard writing a literary apocalyptic novel from the point of view of an autistic child with a fondness for Latin phrases?” Or should I relax my literary aspirations and ape The Road Warrior instead? Doesn’t matter this time. I’m already in love with my book and it’s almost done. But how much should we consider the market before we start out? I mean, baby’s gotta eat, too. Click the Scoopit! link below to check out the Guardian piece and let the outrage mixed withplacid agreement commence.~ Chazz
Via www.guardian.co.uk