C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

The Perfect Pitch: The Amazon Breakthrough Novel Award Contest begins

Crack the Indie Author CodeAs I write this, we’re just two hours away from the entry form becoming available for the Amazon Breakthrough Novel Award. It’s fun to think you might win $15,000 or even $50,000 and a publishing contract. There’s a trip involved, as well, but they fly you coach so that’s more penance for choosing this insane profession. I once attended a writing conference where someone worried if entering this contest was the right thing to do. Well…I suppose obscurity has its advanta—no, wait. No, it doesn’t. If you have a novel that fits their categories (i.e. Thriller/Mystery, Romance, Sci-fi/Fantasy/Horror, Young Adult, General Fiction) and you’re of a mind to get more attention to your work, the Amazon Breakthrough Novel Award is one good place to do it. They stop accepting entries after 10,000 contestants, so get on it if you are going to attack this project.

You’ll need to supply an excerpt (3,000 to 5,000 words) and the whole manuscript must be scrubbed of any features that identify you as the author. Get all the contest rules and enter at CreateSpace.com.

Most people will struggle with getting the pitch just right.

Even if you’re a genius, you should struggle. The contest requires an awesome pitch of up to 300 words. At the first stage, there are so many competitors that the pitch has to be very sharp to cut a swath through the half-assed entries. Make it memorable, touching, funny, seductive and/or beguiling. It’s got to flow from one perfect sentence to the next. It has to be as sweet as Pam Dawber on Mork & Mindy and as sexy as Pam Anderson before the hepatitis. (And it can’t be as dated as those references, oh, fellow child of the ’70s and ’80s.) 

Quick story

As I wrote the jacket copy for Crack the Indie Author Code and Write Your Book: Aspire to Inspire, I labored a long time over just a couple of hundred words. I sweated. Then I sent the jacket copy off to Kit, my graphic designer. He created the covers quickly. That was good, because I made a nuisance of myself. I went back at it and changed the copy again the next day. (Kit is patient.)

All our writing has to be right and tight, but advertising copy is its own crass poetry. You have to deliver a lot in a few words and entice without coming across as douchey. That’s remarkably tough to get right, as a plethora of lousy ads on TV attest.

I write a couple of thousand words a day, but novels and sales copy are related, but different arts. It takes a lot of writing, revising and honing to hit the compelling note so your reader feels a need to explore your offerings further.

Writing the pitch for The Amazon Breakthrough Novel Award Contest today was like that.

I agonized, maybe even too much. Then I rewrote some more. Then I let it sit while I worked on formatting the entries. I came back and tinkered until I finally asked She Who Must Be Obeyed to read it. She smirked in the right places.

Not good enough! I couldn’t be satisfied until I got a full-throated laugh or possibly an out of control giggle. She Who Must Be Obeyed is not an easy audience. She rarely giggles.

I revised again and rearranged the set ups so the punchlines hit harder. When I was sure I had it, I called her back to reread the pitch to the contest. Even though she was already familiar with the material, she burst out laughing. Then I tweaked it a couple more times.

My pitch to the Amazon Breakthrough Novel Award Contest is all of 237 words and it took hours until I was sure it was the best I could make it.* If I don’t make it to the second round of the contest, I’ll probably be quite cross. By “quite cross” I mean that, wherever you live, you will hear my howl. Strap in.

*It’s worth noting that the novel also has to live up to the pitch.

Aspire to Inspire eBook JPG~ Robert Chazz Chute is the author of a bunch of suspense, thrillers, two writing guides and one very weird book of self-help. He also podcasts with righteous abandon. For more, check out his flavor at AllThatChazz.com. 

Filed under: All That Chazz, Writers, writing contests, writing tips, , , , , ,

How to have a Christmas of Consequence

Tomorrow is Christmas and in Retail World, things get crazy. As we run around, taking care of last-minute errands in a mad rush, please remember to be patient and

Lily's Christmas message from Bigger Than Jesus

Lily’s Christmas message from Bigger Than Jesus

kind. Last year, on the day before Christmas, I saw a woman screaming at an old man who had parked at the entrance to a drugstore. She shrieked hysterically at the old man as his wife, a fragile old woman with a cane, limped weakly toward the car with her medicine.

The angry woman saw her, but she was already committed to her rage. She did not ease up on the throttle and apologize. She continued shrieking at the old man for parking where he shouldn’t. There was no compassion. 

We attach significance to special days and ask that everyone abide by a higher standard of conduct. But it shouldn’t matter what day it is! Every day is an opportunity to be kind. If Christmas is your thing, if Sunday is a special day to you, if Easter is your big deal, if you think you’re a good person who cares about others (or aspire to be) carry that kind spirit with you through all your days. Do that and all your days will be better. You’ll spread love and joy and get it back many times over. people will be drawn to your warmth and light.

And to that shrieking, angry young woman, I’m really sorry about following you home and  keying the f$#! out of your new car’s paint job on Christmas Eve. Smashing the window and stuffing the raccoon roadkill under the seat was a tad over the top, too.

Have a safe and happy Christmas, everyone. And be good. Someone knows if you’ve been bad or good, so be good for Goodness sake. We are everywhere and we are watching.

All about the love...and vengeance.

All about the love…and vengeance.

~ Hey! Just kidding, y’all! I’m a crime novelist who writes books about righteous vengeance. What did you expect? Teddy bears and kittens? Hear the Christmas Apocalypse podcast at AllThatChazz.com. Get all the books by Robert Chazz Chute by using the magic, making a wish and clicking here. With one click, suspense and hilarity are delivered to you (or as a gift) in time for Christmas so you can avoid any parking woes and holiday shopping drama.) Here’s a funny video from College Humor for more on making sure you catch and keep the holiday spirit.

Filed under: publishing, , , , , , ,

Writers, Readers and the Blame We Get

Dark Higher Than Jesus banner adI know a couple of erotica authors well enough to tell you that their private lives are not a full schedule of whips, naked gymnastics and ropes with elaborate knots. They’ve never had sex at the top of the Eiffel Tower with multiple hunky Norwegians. They’re ordinary moms who share your concerns about life. They have vivid imaginations that stay busy while they’re stuck in traffic as they chauffeur their children to play dates. Some readers draw conclusions about the character of the writer from the books they write. Unless it’s an autobiography, that’s an annoying habit.

When I wrote Self-help for Stoners, some readers assumed I was a drug addict. Never mind my liberal stance on unwinnable drug wars and the hypocrisy and sadism of sanctions against marijuana users. My addictions are sovereignty, choice and chocolate croissants. The drug I toss back most? Caffeine, just like you. When I wrote Sex, Death & Mind Control, some people thought I dabbled in the occult. Not so. I am not in a cult, either, (though I wouldn’t be averse to leading one for those awesome tax perks.) My work is fiction and my brain makes odd neural connections. Ideas get put together in new and exciting ways. That’s writing and that’s all.

When I gave my dad Higher Than Jesus for Christmas, he felt self-conscious about reading a crime novel written by his son that included sex. I know that because he tried to make me feel self-conscious about it. Yes, there’s a particularly blushworthy chapter, but I told him when I gave it to him that he never complained about the violence in my books, so he didn’t get to object to the sex. Here’s that fun phone conversation:

Me: Merry Christmas, Dad!

Him: I’m almost finished reading Higher Than Jesus. It’s quite the book.

Me (catching the tone): Uh-huh.

Him: I think you have fantasies about long legs —

Me: Stop! It’s fiction, Dad. I’m a writer. You’re an adult. I’m treating you like one.

Him (apparently unconvinced of points one through four): Mm, yeah. Well, I did enjoy it.

Me (deadpan): Imagine my relief.

Worse? Now I’m a bit worried. Since the gut-wrenching horror of the tragedy and loss in Newtown, Connecticut, even I’m becoming concerned that my fiction might intersect with real life. Part of the plot of Higher Than Jesus turns on a gun control issue and the actions of a fanatical group. Real life events have turned since I wrote that novel. Congruence make me think that my fiction and conjecture could actually line up with plots in reality. If something in particular (a very bad thing) happens in January, will some reader try to make that connection to my funny, sexy crime novel? They won’t call me prescient. They’ll wonder if a nut read my book!  

I hope law enforcement officers will foil any real life plots. Jesus Diaz is an interesting character, but I don’t think issues of national security and international peace should be left to my goofy, conflicted, love-obsessed, Vicodin-addicted hit man. He foils plots, too, but never in an easy, linear way. Our world has lots of tough problems, but fiction isn’t the problem. If anything, it’s a solution. Fiction is a safe outlet for revenge fantasies. Art yields entertainment, not sorrow. (Yes, I believe this is true about video games, too. Penn & Teller did an episode about the safety of video games. Here’s a link to that vulgar, NSFW video on my author site. This video is not for the easily offended or anyone who refuses to even consider that video games might not cause horrible school shootings.)

To readers: Please don’t ascribe words on the page to the character of the author. We’re just tap dancing to entertain you and most of us prefer to keep our violence where it can be safely managed: In fiction. Yes, my revenge fantasies are rooted in a deep dark place, but I learned to sublimate my rage with humour. If you’re going to make assumptions about me from my books, please assume I’m better than I am, not worse.

"Worthy of Elmore Leonard with shades of Thomas Harris..."

“Worthy of Elmore Leonard with shades of Thomas Harris…”

~ Robert Chazz Chute writes suspense and crime novels. He’s not Cuban. He’s not a hit man. He’s close to the same height as his Cuban hit man, though, so clearly he’s exactly like his fictional killer. Hear the All That Chazz podcast and check out his books at the links at AllThatChazz.com.

Filed under: publishing, , , , , , , , , , , , , , , , ,

11 Essential Things to Know If You Want to Write Fiction for a Living

See on Scoop.itWriting and reading fiction

This Masquerade Crew article by Luc Reid outlines the long shot of making a living at writing. Read all these great points at the link.

The point that I’d like to reinforce today is #10. No matter how good your writing may be, you still have to market to get your books out into the light where they can be read and enjoyed by hoi polloi.

I once attended a marketing seminar for chiropractors. Chirocrackers get a little shot of dopamine every time they do an adjustment. Hundreds of times a day, with each nitrogen bubble pop, it feels good for them to get that crack. But as far as marketing goes? Who wants to do that? Not many. And most think that since what they’re doing is so good and helpful, they shouldn’t have to do any of that dirty business stuff. Repeatedly, chiropractors say, “All I want to do is adjust. Let me get back to crackin’!” Sound familiar?

“All I want to do is write,” we say. Mm, no. You want to be read. If it were only about writing, why bother formattting, getting a cover for your masterpiece and publishing it? You could keep your manuscript in a drawer, never put up with “business” and get all those happy dopamine bumps from writing in seclusion.

Marketing is essential and it doesn’t matter that you don’t enjoy doing it. Not many enjoy that aspect of the work. It’s uncomfortable, but so what?

You’re a genius? Great. Do the world a favor and stop keeping it a secret.

~ Chazz

See on masqueradecrew.blogspot.ca

Filed under: publishing, , , , , , , ,

Not Free Much Longer: The Dangerous Kind & Other Stories

The Dangerous Kind & Other Stories (2nd Edition) is free for the last time for just a bit longer.

Here’s an excerpt I’m sure many writers can relate to.

Grab The Dangerous Kind & Other Stories here.

Stay-at-home dad.

40.

Broke.

This is not the future I did not plan. The future I did not plan, but thought somehow would take care of itself, is not taking care of itself. Squeegee kids aren’t broke like me. They aren’t still paying for a vacuüm they bought on credit last Christmas. Credit card debt is kicking my ass, or was, until my dad intervened and I discovered there are prices to be paid which are much higher than the interest on VISA.

I have no excuses and, like the rest of my generation, no clue. My wife, Cecelia, has a nursing job at an old folk’s home and I take little freelance editing jobs here and there. My main occupation is to watch our two boys and rub Cecilia’s feet when she gets home after a long shift. We have her tiny retirement investment plan. The statements go unread because neither of us read Bewilder, an alphanumeric language only understood by people in the financial services industry. We hope it works out.

My father learned his financial skills from his parents during the Depression. Grandpa was an Episcopalian preacher in Poeticule Bay before the roads were paved, when everything arrived by boat. The congregation often fed the minister’s family with cod and lobsters rather than feed the collection plate a few coins. Dad scraped up a little money here and there and somehow became what it seems no one can be anymore: The mythic Self-made Man.

Dad would lie in bed and plot his escape from poverty while his brother counted pennies into a mason jar each night. Childhood was so short then, it was almost imperceptible. They did escape. My father’s generation had smaller dreams and the discipline and savvy to make those lies true. They made something of themselves and I have no idea what that might feel like. Instead of selling things, my wife and I had kids and bought stuff off the TV because that was our little slice of the American dream. We trusted the Future, but the banks killed it and the government never arrested anyone for Future’s murder.

My uncle is still alive, too. He gambles his ample retirement fund with various Vegas casinos and heart by-pass specialists. Dad and Mum were snowbirds. After she died, he gave up on Poeticule Bay, Maine permanently and moved to Boca. He watches the sunrise and the sunset, takes pictures of pelicans wheeling over the water like pterodactyls and ponders his only son’s squandered potential.

“We never needed much, certainly not near as much as kids today think they need. I still don’t need much,” Dad says. “If it comes down to it, I could live off a greased rag for a month.”

Dad’s speaking to me over the phone, but he sounds like he could be talking to himself. I guess that’s true since, while he talks, I’m thinking of my boys and how all their friends have iPods now. The technological future is finally here and the party rages on without my kids.

Dad graduated from pennies to folding money, mason jars to stock portfolios. When I was a kid asking for a few dollars to buy something, his answer was always the same. “Why do you think you need that, boy?”

I was not deprived exactly. Dad provided clothes, food and shelter. But my wants? My wants eclipsed the sun. I wanted to fill my room with books and toys and music because that is how you buy happiness. Less is not more. Less is less.

My father wanted my childhood to be as short as his was and my room to be as bare as a monk’s meditation chamber. I denied him that satisfaction so long, I still don’t feel like a man. And yes, he still calls me “Boy.”

In this book, people are desperate to escape small-town Maine and maybe even elude themselves. The novella, The Dangerous Kind, is psychological mayhem and my tribute to Stephen King’s suspense.

Dad owned Poeticule Bay’s only hardware store. Early each morning he went off to work freshly shaved and optimistic. Each night he shambled home to supper, miserable. By the last spoonful of dessert he resolved that tomorrow would be better. What I did not understand then was that the tomorrow he was thinking about was the far-off tomorrow, the arthritic future wandering Floridian beaches alone collecting shells.

Retirement is not in my future. I have fitful dreams of being a writer. That is the same retreating mirage I saw on the distant horizon when I was eight. There are haphazard moments of clarity when I compose eagerly. Then I turn on the TV and fall asleep. Words with promise have died. Clever lines form skeins of sentences. I reach in spasms. I worry I’m already too late. The bills mark time.

Awake and rubbing my eyes, I am smack in middle age on the brink of last chances. I am halfway between those early promises and the sum of me. That distant horizon still recedes. I am not a bestselling author whose book is soon to be a major motion picture. I’m not even a grown-up.

Yet.

In this frame of mind, I made excuses to Dad why I could not load the whole family in a jet and wing off south for a visit. I let slip that I could not come because my wife and I had to pay off credit cards. I said too damn much.

Dad called back at seven the next morning. My debt had been gnawing at him through the night. The kids were still in bed so I was, too. “Time you got up, boy! I suppose Cecilia was at work an hour ago!”

He’s not big on preambles. Why don’t I have call display on the phone by the bed?

I didn’t tell him I was up till three last night writing. That would just be another mistake to hold on to and bring up at Christmas. “Is the book done yet? When do we see it in stores and how much will you be paid? How much, boy? That doesn’t sound like much.”

I thought about telling him the kids were painting each other with glue again and that I had to hang up. I didn’t, though. I listened because he was talking about giving me money. His was a generous offer of an interest-free loan to kill the credit cards and raise the possibility of a future without debt.

I’ll owe him.

Instead.

Again.

I said I’d think about it, like I still had a choice and pride.

Later, when I looked upon my innocent boys’ debt-free faces, I had to remember how to build a smile. Each grim facial reconstruction soon fell from my lips and I had to rearrange my face again. When they want the latest robot dinosaur, will my card be maxed out again? Will their memory of me be The Failure Who Always Said No? How different is that from the Self-made Man who says, “Why do you think you need that, boy?”

What will happen when they grow up? When they go to college and fall into the same — or a deeper — debt trap, I will pull them out of that hole if I have a rope. No money? No rope. No hope. There lies the soul of shame’s pain.

Each New Year’s Eve, Cecilia and I say this will be the year we “get some breathing room.” We’ll save money…somehow. We’ll win the lottery or I’ll sell my novel or…something. What’s likely to change since we aren’t doing anything different? We never speak of this secret aloud for fear that, like some magic curse, the danger will only be made real in the speaking.

I’m worried about the slow, spreading stain in the bedroom ceiling. Will roofers even accept a credit card? How much will new eaves troughs cost? Will the furnace die this winter?

“How much?” Dad asked.

“Ten thousand,” I said. I braced myself but he did not say anything. The weight of the silence on the phone line stretched out. His disappointment was that heavy. My scalp burned and my body felt skinned by rusty carrot scrapers. “Five hundred a month okay?” I ventured.

“Yeah,” he said. “Promise you’ll cut up your credit cards?”

The next pause was mine, the startled kind.

“Yes,” I lied. What if I have to rent a car or get a hotel room for some ugly, unforeseen reason? I think about the roof, the furnace, the eaves troughs, the latest dinosaur robot and the look on my boys’ faces when a classmate gets a new computer. My father will not understand why I will never cut up my credit cards.

I must have that safety net for emergencies, even if it could hang me. I could try to explain my situation, what my real life is like. That’s definitely what I should do.

“Um…Dad?”

Go ahead, I say to myself, sweating and now out of my body. Tell him! Tell him that the best things in life aren’t free! Tell him iPods buy love and happiness. Explain how you’re asking for $10,000 because that’s all your stupid pride can bear to ask but you could ask for twice as much and still not cover your debt! Tell him there’s little hope but you wish he shared your dreams for success, anyway. Give him another reason to call you “Boy.”

“Yeah?” he says.

All he’s got waiting for you is the sucker punch of a loan, judgement and condemnation.

“Thanks, Dad.”

“Yeah.”

I hang up the phone, my head hot and pounding. The kids are watching a SpongeBob rerun. My wife won’t be back from work for another hour. I could steal a nap.

Instead, I sit down. I dream big.

I write.

Grab The Dangerous Kind & Other Stories here.

 

Filed under: publishing, , , , , , , , , , , , , , , , , , ,

Guest Post: Wenona Hulsey author of the Blood of Burden Series

First off, thanks so much for letting me chat on your site, Chazz! I think your crime thriller readers mixed with my paranormal thriller readers make for some of the best kind of fans.

I’m Wenona Hulsey, author of the Blood Burden series that can be found on Amazon and B&N. Like Chazz, I love to thrill my readers and keep them guessing what will happen next. A great read shouldn’t be predictable so let me start out by telling you what you WILL NOT find in my series: A weak woman waiting for a prince to save her…NO.  A relationship that could be classified as stalking in the court of law…NO. Sparking vampires…ABSOLUTLY NOT.

The Blood Burden Series is about a small town woman with what she thinks is a slightly off kilter mind-reading ability brought on by the stress of losing her mother to cancer. But as time moves on her powers start to evolve, develop and grow into something much, much more. A war is brewing under the surface of the world we know and Nicole is the key weapon. She will have to decide whether she should embrace the powers along with the unusual other-worldly trainers sent to her or try to bury who she is risking all she loves.

Inside the pages of this series you will find mystery, heartbreak, test of loyalty, and romance that will keep you enthralled to the very last word. I mix Irish folklore and southern tradition into a setting with modern day fae and ancient warriors (the smoking hot kilt wearing kind) to take you into a completely new world that I hope you will enjoy.

Thanks you all so much for spending a moment with me.  Be sure to connect with me out in the social networking world after you check out my books.  I love to chat with readers!

Buy Links: B&N & Amazon 

Wenona’s blog  Twitter Facebook

Join my email list for the latest on all my books, contest and much more! 

Filed under: publishing, , , , , , ,

#NaNoWriMo Tip: How to blast out of the gate

Find tons more tips and inspiration here.

As you write your manuscript, grab your readers by the eyeballs right away. Here’s how:

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

1. Start late and bait the hook. When writing guides say, “Come in late,” they mean to bring the reader into the action quickly without throat clearing. Stick your media in the res.

2. “Throat clearing” means  focussing the back story and distractions more than the action. (Usually weak first draft paragraphs tarry too long over the weather, flora and fauna.)

3. Instead of taking too long to set the scene, let character be revealed through action and dialogue.

4. Look for the unusual and strong verbs in to give your hook strong bait.

5. Preserve mystery to pull readers in. Don’t give it all away at once. For instance, if your protagonist is chasing someone through a dark warehouse in your opening paragraph, don’t tell me she is FBI right away. Focus on the pursuit and the danger around the next corner. Let the details leak through. It’s much more intriguing to have a woman chasing a bad guy when you don’t know right away that she’s on the righteous side of justice, has a ton of training and resources and her back up is on the way.

Free to download Nov 5 to Nov 9, 2012.

Here’s my opening to Bigger Than Jesus (which, ahem, happens to be free to download here from Monday, November 5 to Friday Nov. 9.)

Water drips from the soot-black gargoyle’s tongue like thin saliva, as if the grotesque statue is mocking you and eager for blood. Panama Bob Lima clings to the gargoyle, using it as a shield. You are on a thin ledge on the side of a very high building and for once you wish you wore your Nikes instead of twelve-hundred dollar Tanino Crisci shoes. So far, this job is not going at all as planned.

Rationale: A mood is set in an unusual situation. Weather (the water through the gargoyle) is mentioned because it’s relevant to the danger the protagonist faces and we get a taste of the crazy to come. The second-person, present tense brings the reader into the middle of the action and provides immediacy. The second-person present tense and reference to the ominous gargoyle is purposely disorienting in the first sentence, just as the threat of the long fall is dizzying. It’s an opening that poses questions: What is the job and why the pricey shoes? The protagonist is probably not there to help since Panama Bob uses the gargoyle as a “shield”. The opening tells the reader they can expect a fast pace and the ironic last line is a clue that the story won’t be told straight. Dry humor is ahead.

6. Open every chapter with a baited hook and action. Give readers action that propels and compels and you’re on your way to a better book.

Higher Than Jesus, the follow-up to Bigger Than Jesus, is available here.

~ Robert Chazz Chute is the author of five books of suspense and two writing guides that, if you’re reading this far into this blog, you obviously need. They are Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Check out all of Chazz’s books here.

Filed under: publishing, , , , , , , , , , , , , , , , , , , , , , , , , , , ,

#NanoWriMo Tip: How to finish with a flourish

Jodi McMaster asked a great question: Got any tips on how to approach endings? As a matter of fact, I do! I talk about story arcs and related whatnot in the writing guides, but here’s my take:

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

1. Some people think you have to have happy endings. I prefer satisfying endings. A satisfying ending isn’t necessarily a happy one, but it should be generally perceived as an inevitable ending in retrospect. Surprising, yet logical and inevitable when you look back on it. That’s the ticket to reader happiness. It’s a tough order to fill, but it works every time when you do it right.

2. I love surprise endings. Twist endings are shunned in some literary circles, but the readers in those circles are squares. I once read a literary critic sneer at surprise endings as “too, too O. Henry.” Oh, please. “Too” O. Henry? As in the guy who wrote some of the most memorable, popular and enjoyed fiction of his time and beyond? It’s not a cheap ending if it’s logical and entertaining. Do that and nobody minds a surprise ending.

3. No cheap tricks, such as “And then the little girl fell out of bed and realized it was all a dream.” A really bad movie called Wisdom with Emilio Estevez did something like that. It was not wise and that’s why you’ve never heard of that movie, unless some unfortunate movie goer was speaking about lousy films on which to spit.

4. Readers should not be puzzled with your ending. If you’ve read a bunch of winning short story contest entries at some pretentious lit mag, you’ve read this sort of ending. It’s the nebulous ending favored by some very expensive MFA programs. It’s the sort of ending that’s so vague, it’s unsatisfying or downright opaque. You read it and reread and wonder if there’s any meaning behind that poetic last paragraph? Then you wonder if you just had a stroke and that’s why you can’t figure out what the heck the author is trying to say. Annoying. You can have intriguing endings. You can’t have loose ends that read like a quantum physics equation.

For Higher Than Jesus, my first ending was clear-ish. One of my beta team told me to make it more explicit and less poetic because that’s the last impression the reader gets before they go write a review. He was right so I rewrote the last paragraph for more of a punch between the eyes.

5. It should be an ending but you can hint that there’s more to come. I love leaving the door open a little. When readers invest themselves in a character, it kind of hurts to say goodbye to them. Characters should be so rich that the reader feels that the heroine’s and hero’s story will continue beyond the life recorded in the book. Hope for more from your characters in the future is uplifting. It can also uplift your sales when you turn one book into a series.

6. If you’ve got a too-easy ending, think about it longer. At the end of Casablanca — a movie I love — there aren’t any Nazis at the plane checking travel documents, the point the structure of the movie turned on. They could have wrung a little more tension out of that final plot point if there was some question of an external factor keeping Ilsa and Victor from getting on the plane, too.

7. Don’t stay too long saying goodbye. This is the dreaded viscous ending. Think of the last Lord of the Rings movie. It didn’t have one ending. It had five endings that dragged on and on. This was meant to appease lovers of the book. It made my butt numb in the movie theatre. Instead, hit your last power peak in the story and opt for the short dénouement. (Note that the end of the trilogy had a little of Casablanca’s plot niggle, too: Why all the walking when you can ride a giant eagle and zip back to the Shire in no time?)

8. Be very careful about killing off your protagonist. It’s a lot to ask of a reader to go through a whole book cheering for a character and killing them off at the end anyway. (See Point #1 again.) Remember how everybody hated Alien 3? There was lots to hate, but consider (spoiler alert) that after rooting for the little girl to live all through Alien 2, she dies in her cryotube at the beginning of Alien 3. It wasn’t a great start and it did not get better. Why? Because the audience was cheated of their earlier victory. It’s not that you can’t kill off a protagonist, but be smart about it and give the reader a payoff to make the sacrifice worth it. If you’re going to kill off Bruce Willis on an asteroid in Armageddon,  for instance, it better serve the cause of saving the planet from said asteroid. (This was back when Bruce Willis was more popular. We’re okay with killing him off earlier in the show now.)

9. More specifically to Jodi’s question: Great endings and great books spring from character. What does the protagonist want? Are they  worthy of that goal? As we make the reader care and amp up the tension along the way, the story is all about the obstacles in the protagonist’s way. When we’re through the obstacles, failures and reversals of fortune, have they won the day? Does the hero or heroine mourn the sacrifice it took to get them to end of the story but at least reach a higher level (e.g. wiser, stronger, redemption, making the family unit whole, saving the world, saving themselves, vanquishing their enemies, winning love etc.,…)? The protagonist doesn’t have to meet all their goals to provide a satisfying ending, but for the reader to be satisfied, they should feel that the trip was worth the time and the stakes were high enough.

Another example from movies  (and a spoiler alert ahead): Michael Keaton is awesome in the film Clean and Sober. However, as good as Keaton is in the drama, the ending is unsatisfying. It ends with Keaton declaring his first days of sobriety, but it doesn’t feel like he’s really earned the achievement. He goes through a lot, yes, but it seems like he gets sober through an unlikely inability to get his hands on any drugs rather than an act of will and discipline. Sobriety is something that happens to him, not something he went out and did or didn’t do. Heroes own the locus of control. That’s why everyone’s a sucker for a training montage in any sports movie.

10. The clue to a great ending is often hinted at in the beginning of the book. Your opening is a statement of the core problems the protagonist faces. Your ending is the solution to whatever that problem is. At the opening of Higher Than Jesus, I’ve got my hit man, Jesus Diaz, about to kill a guy in a sleazy after-hours joint in Chicago on Christmas Day. Jesus needs money and he has to get rid of the bad guy. I won’t spoil anything, but I will say that at the end of Higher Than Jesus, he’s clearer about his own character and why he does what he does. The payoff is wisdom and growth and…much more I can’t tell you.

My first clues to great endings were in reading Esquire magazine. Any great magazine article saves a little punch at the end. (Newspapers use the inverse pyramid model, so all the good stuff it’s up top and they edit coarsely by cutting from the bottom.) Magazine pieces always end on a strong note. It can be ironic or funny or powerful or triumphant or geared to make you cry. Read a bunch of those articles and then compare that feeling to the feeling you get at the end of your book. If you have a similar tickle in your brain and pull at your heart, you’ve got a memorable ending with punch.

~ Robert Chazz Chute is the author of two writing guides: Crack the Indie Author Code and Write Your Book: Aspire to Inspire. They aren’t your Grampy’s and Grammy’s guides to writing and publishing. Lots more inspiration, zero scolding and tons of ideas and motivation for writing your books to completion. (“To completion” is not an orgasm joke. That’s a terrible euphemism. Don’t use that!)

 

Filed under: publishing, , , , , , , , , , , , , , , , ,

NaNoWriMo: My crucial mistake

The first time I tried National Novel Writing Month, I did a lot right but I did one crucial thing wrong. 

What went right:

1. I created a loose outline before NaNoWriMo started so I wouldn’t write myself into too many corners and dead ends.

2. I planned my calendar and even reserved babysitters to make sure I had enough time to write.

3. I wrote more than the bare minimum each day (1,666 words) so I got ahead of my word count goal early. You don’t want to derail your NaNoWriMo challenge just because you had the flu for a few days or other work demands pulled you away unexpectedly. 

The crucial mistake:

It’s okay to paste in the broad strokes to fill in later (e.g. “insert awesome sex scene here” or “this is the chapter where little Bobby discovers he can crush badger skulls with the power of his mind.”)

However, as I reached 50,000 words, I stopped short. I didn’t write the last scene before typing “The End”. Later, when I returned to my manuscript to revise and edit, the magic momentum was gone. The missing end sucked my enthusiasm for the project. NaNoWriMo is a sprint and it feels great to cross that finish line. Fifty-thousand words isn’t the only finish line. Build the skeleton of the entire book and you’ll have something more solid to work with when you’re done.

For more on National Novel Writing Month and brainstorming tips, tricks and inspiration to carry you to the end, get my new book, Crack the Indie Author Code.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

Filed under: publishing, , , , , , , , , , , , , , , , , ,

Links-a-plenty: Giveaway, coffee for weight loss, video & becoming more like Joe Rogan

Read my interview and enter to win free ebooks on Jo Michael’s blog today. I get to talk about ninja monkeys, social media and

First it was kale shakes. Buttered bulletproof coffee is next!

what’s next for me, my hit man and all the people we’re going to kill together. 

On AllThatChazz.com, I’ve got:

1. An article for you on drinking coffee to lose weight and growing your brain.

2. A podcast of one of my favorite chapters from Bigger Than Jesus. It’s dark and creepy and action-packed and, if you haven’t slipped into the warm pool of sexual chocolate that is my first crime novel, you can listen to this stand alone chapter to get the flavor of my Cuban hit man’s scary childhood. You even find out Jesus’s full name.

3. Check the video to get your first sneak peek of the sexy cover for Higher Than Jesus (launching next week!).

4. I got some unexpected, teary inspiration from Here Comes the Boom! Flick your switch and be more Rogan.

5. While you’re perusing the many podcast and book offerings at AllThatChazz.com, please do sign up for my newsletter. I won’t pester you, but when you sign up (on the left by my stylish photo), you’re up for giveaways and news about what’s exciting at Ex Parte Press. I’m releasing five books this fall, so lots of fun is on the way. 

UPDATE: Forgot to mention, if you sign up for my newsletter, your website gets a free mention on the All That Chazz podcast. Also, for a couple more days, I’m still taking “Praise for ChazzWrites.com” for two upcoming books about writing and publishing, inspired by and boiled down from this blog. One happy blog review gets you in the books along with a plug for your book! Jump on it!

 Excelsior!

Scoop.it

Filed under: publishing, , , , , , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

Join my inner circle at AllThatChazz.com

See my books, blogs, links and podcasts.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,063 other subscribers