C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Have you, by chance, checked out my podcast?

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The new pod is up at AllThatChazz.com. Witness the struggle of the sad author/wedding crasher, hear the story of the cannibal in the bad chinese restaurant, mull odd and ends about honesty and spam. I get serious about feeding starving people, starving Sally Struthers and putting the military-industrial complex on a diet. I also wrestle the Pope (not naked).

Enjoy if you can and if you like it, please review it on iTunes or hit the thumbs-up button on Stitcher. Thanks for listening!

~ Chazz

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Author Blog Challenge 20: What writers owe (and an insider secret is revealed)

Garley the Persian cat

Garley the Persian cat (Photo credit: arash_rk)

I used to dream that when I finally became an author, I’d write a short acknowledgements section to myself. “Screw you all!” I’d scream. “In your face! I did this myself and I don’t owe anyone anything! Ha!” Then I’d retreat to my hermetically sealed office under a volcano within my island fortress guarded my my loyal ninja monkey assassin clones. I’d have a monocle and a white Persian cat to stroke while I ordered Hellfire missile strikes to rain down upon my enemies. As you can only imagine, that’s almost exactly what my life is like except for the thing about acknowledging people who have helped me on my publishing journey. Unexpectedly, I have the attitude of gratitude. I’m happy to have a deep stock of Hellfire missiles to protect my tropic realm and I’m grateful for all those people who have assisted me in putting out my books.

Yesterday, after my big free promo day, I sat down and wrote a little letter to a bunch of people who have been helpful along the way. Somebody slipped me some dough so I could keep going. Someone else helped me with formatting the first time I attacked the beast. Others were consultants about suitable explosives…”Um, for my crime novel’s plot!” he added hastily.

A lot of people have the wrong idea about self-publishing.

They focus on the self part.

Hitchcock said that a painter only needs a brush and a writer, a pen, but a film director needs an army. These days, indie writers need small armies, too, and many of them are volunteers. 

The key thing is: self-publishing is still publishing. You either need a graphic artist or you need to be one. You need to learn a lot about tech and promotion as well as craft. You can write a good book, but if it has a lousy cover, no one will read it. (The converse is also true, of course.) That’s why I prefer the term “indie” to “self-published”, though to the consternation of a few angry people, I do use those terms interchangeably as a concession to common parlance.

My Beta readers are volunteers. I’ll pay them in lollipops, acknowledgements in the book, a copy of the paperback and, when they’re ready to go indie, I’ll be a resource for them, too. I’m confident each of those readers could write a book if they decided to do so. I’ve thanked them all, for what that’s worth. So far all they’ve received is a book they enjoyed for free but I’ll be sure to get those lollipops to them.

I did find an unusual way to make one person’s day though. If you’re writing a book, you may wish to consider doing this (with their permission.) A great buddy of mine is undergoing treatment for cancer. It’s been a scary time that he has handled with a calm and class that I am sure I could never muster. This guy is one brave SOB. As I was writing the first draft of Bigger Than Jesus, I used his name for one of my characters.

Funny story: I called him up on Skype to ask him if I could keep his name in the book. His microphone wasn’t working. He could hear and see me but I could only see him. However, that worked out for the best because he pantomimed his approval. When somebody is that sick and you can make them laugh and smile as much as he did by putting him in your book? Why wouldn’t you? He loved the idea and showed lots of energy in giving me a thumbs up that made me laugh (and, truth to be told, a little weepy, too.)

I talked to him on the phone the other day. Things are looking up and we’re optimistic that one way or the other, he’s beaten it. Not only will he live a long life, but in a way that is tiny and totally useless except for good feelings and a funny exchange on Skype, he’s  immortalized in literature, too. I’m very grateful my buddy will be around to enjoy all the novels in The Hit Man Series and everything else I write. I’m most happy about that.

If you’re reading the Bigger Than Jesus,

my buddy is the guy wielding the SPAS-12.

Sh. Keep it to yourself.

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You’re kidding, right, Barnes & Noble? | | Venture GalleriesVenture Galleries

See on Scoop.itWriting and reading fiction

Stephen Woodfin | BLOG… My Triberr buddy Stephen Woodfin has a great post at the link about how e-marketing at Barnes & Noble falls short of imaginative. I chuckled at his line about how I’ve already alienated all my friends — a sad, desperate chuckle. He gives a succcint take on how to evaluate whether you should be staying with or running from KDP Select, too. Click and mull. ~ Chazz

 

PS Notice the B&N pubit! thingy says, “Publish with the world’s #1 bookseller.” Um…are they directing me to Amazon, then? Very generous of them, I must say.

See on venturegalleries.com

Filed under: publishing

Free Tools for the Frugal Writer

See on Scoop.itWriting and reading fiction

The following post comes to us from Bob Evenhouse over at Part-Time Novel.  He gives us several great websites for writers that can’t be missed!  Enjoy! As a writer, I’ve discovered that …

 

Discovered this blog, Writing is Hard Work, because Roger Colby knows Scrivener and his posts helped out as I formatted my latest book. Now he’s got a guest post on free tools for writers at the link? (Why don’t you go ahead and bookmark/follow/subscribe/inject his blog in your arm, too?) ~ Chazz

See on writingishardwork.wordpress.com

Filed under: publishing

Author Blog Challenge 19: Choose how to grow your author platform

The Author Blog Challenge writing prompt was: What are the three most important things you are doing to grow your platform? This is such a good question and everyone has so many different answers. I don’t have an answer. I have a survey of what I do. How to grow your author platform? Eh…I have a menu of stuff from which to choose. Choose to do what you’ll enjoy so you can be effective and sustain it.

Just today I read a fellow indie author opine that one day a week of concentrated social media, pumping and pimping, hadn’t helped him a bit. Mind you, his sample was a bit too small. He was only talking about a month, which translated to four workdays. However, he’s not alone in the complaint. You can do a lot of work and still not move the needle in a measurable way, and measurable is really what counts. I suspect what was missing was connection. You have to be interested in people and what they’re doing. Interacting is better than spouting (he spouted.) Failing earnest interaction, when you just can’t bear to rip your heart out of your chest again for another blog post or comment thread, do what I do and make more jokes about strangling mimes.

I’m really very consistent in establishing my web presence. I do something every day and here’s what I’m active in: three Twitter accounts (though the main one is @rchazzchute); Facebook pages; a podcast broadcast two times a week; the author site (AllThatChazz.com) and, of course, this site. I even do a little bit of Google Plus. I always think of G+ last, but I know I picked up a new reader (who promised to review my book!) through G+ today. I know that’s a lot. This is part of my full-time job, no whining. The rest of the time, I’m writing, and no, there’s not time for much of anything else. Most people can’t devote the amount of time I do to marketing and promotion, and yes, I realize I’m very lucky to have such a supportive spouse in She Who Must Be Obeyed.

When you do a lot of social media, you do risk annoying people. I certainly risked that today. My Amazon free promo day was plastered across my podcast, my Twitter and retweeted across at least 50 other Twitter accounts. I emailed some people and reached out a bit through Facebook. Somebody must have thought, “Yeah, yeah, we get it. You’re excited about your book but I got a sammich here!” Even as I was promoting, I noticed a fellow author got cussed out severely on Facebook for his pleas. In my defence, everyone who tweeted me got my support, too. I share. They share. Some would say that adds up to a lot of noise and signal degradation. On the other hand, my novel rose from a dark place in my skull a couple of days ago to #545 on the general Amazon list last I checked (UPDATE: and #73 in Mysteries & Thrilers! Yay!) Self-help for Stoners shot up 140,000 places as a collateral benefit so something’s selling in addition to all those free books.

I curate a lot of helpful information for indie authors. On the one hand, this blog brings me a lot of traffic, but they (well…you) aren’t necessarily interested in reading suspense, funny and weird self-help in the form of fiction, strange humour and crime novels. Some people say writing about writing is a complete waste of time. I say write what you’re passionate about and you’ll never run out of blog posts. I don’t want to blog about animal husbandry. It’s icky hanging out with naked animals.

When I joined Klout, I had assumed most of my influence came through this blog or Twitter. Klout says it’s Facebook where I make the most impact (though my Ex Parte Press page only has 37 likes and my personal page only 177 friends. That’s lousy, though it’s almost 177 more friends that I ever had elsewhere.) I doubt Klout, but it’s hard to say. Besides, maybe that’s too reductionist. In layered marketing, you do a lot of things in order to appear to be just about everywhere at once, like The Flash or herpes.

So what are the three things I do that are most effective? I’m sorry. No easy answers. I couldn’t narrow it down that much. I think my podcast, though small, helps me reach out to new people around the world and when the podcast went up at 6 pm this evening, listeners snapped up the free promo. Triberr is effective. World Literary Cafe Tweet Teams help. I’m exploring new ways to advertise on a tiny (to zero budget) like Masquerade Crew, Kindle Nation Daily, and Kindle Book Review. I have to reach out to book reviewers to get noticed. I have to find crime novelists or suspense writers willing to give up a blurb for Bigger Than Jesus.

There’s only one thing I am sure will help me sell more books: I have to get the next book up. And the next, and the next and so on until I am discovered, die or you decide you want you r kids back with all their thumbs attached.

What to do?

Do what you can. Do what you love. Get the writing done first. Nothing should cut into your writing time.

How do I do it? I don’t sleep much. It’s like cramming for finals every day and night.

It would be hell, except I’m having fun.

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Author Blog Challenge 18: The Top Ten Reasons You (yes! You!) Crave This Book

Please click here to get Bigger Than Jesus

To whom will Bigger Than Jesus appeal? I have serious and much less than serious answers to this Author Blog Challenge writing prompt:

1. People who like a fast beach read of a crime thriller that’s hard to put down. I got the idea for my pacing from Blake Crouch’s Run. There’s a cliffhanger or an aha moment, or several, in every chapter. The tension only cranks up.

2. People who like old caper movies, like To Catch a Thief, Sneakers or The Italian Job. My fondest childhood memories are getting lost in movies to shut out everything else.

3. People who like Coen brothers‘ movies where simple solutions lead to more and more complex problems and the hero is thwarted again and again. Rock? Meet hard place. And now a badger is chewing your jugular as you try to do your taxes.

4. People who like funny, punchy dialogue, including a debate between two hoods: Who shot first, Han Solo or Greedo? (Yes, that’s one of the serious answers and the question does bear on the action at the time.)

5. People who like a lot of twists and surprises. I modelled my plot after screenwriter and author William Goldman‘s penchant for sucker punches where, just when you think you know what happens next, it goes a different way.

6. People who value clever more than gory. For a book about a hit man trying to escape the mob, there’s a lot of word play and when the violence does occur, it’s realistic yet somehow funny in the same way Pulp Fiction could be. The chapters skip along with logical complexity offset by humour.

7. People who like genre fiction that reaches up. Much of the novel has a lighthearted slant, but underneath, when you discover some of the main character’s history, it’s unexpectedly disturbing and heartbreaking. Are you worried I’ve just spoiled  something? Don’t be. I like magic tricks in all of my fiction. I’m telling you up front that I’m going to deceive you and you’re going to watch to catch me at my sleight of hand. The game is, I’m still going to fool you anyway. “Consider the gauntlet thrown,” he said smiling. I know this will work because I often surprised myself while writing Bigger Than Jesus.

8. Movie buffs with an Elmore Leonard sensibility in their reading tastes. Jesus Diaz, the anti-hero of the novel, is a movie buff and, since movies were a large part of his education, he sees the world through a Hollywood lens. The action is definitely influenced by Elmore Leonard’s take on shady characters having strange dialogue.

9. Readers who like a book that plays with them. The entire book is written in present tense, second-person. I loved Bright Lights, Big City for that and I decided that, after twenty-seven years, somebody should try that again. But it’s not just my personal preference or a gimmick at work. There’s a reason. Late in the novel, you get a strong hint as to why the narrative is told as it is.

10. Readers who enjoy a story that ends up in some unexpected places, like a discussion of Salvador Dali’s life, for instance. Bigger Than Jesus is a fun game and a puzzle box of a crime thriller that packs serious emotions behind it.

Some of the less serious answers to this Author Blog Challenge writing prompt include: Everyone with a Kindle or anyone who gets the free Kindle Reading app for any device, NMD (Not my dad), people who enjoy breathing, gorgeous and empowered Latinas, New York pizza joint owners who bought it thinking it was about Jesus Christ but will get sucked in anyway, criminals plotting to go straight, intelligent people (so if you don’t get it…eh, you figure it out), Beatles fans who also love the SIG Sauer, and the authorities who put me on a watch list for my Google searches because of the research for this book.

The second part of the writing prompt asked: How do I connect with them to market to them?

Um. I’m not sure. Have I convinced you yet?

Click the book cover if yes.

GET BIGGER THAN JESUS

If not, send me your email address at expartepress@gmail.com.

Maybe I’ll come to your house.

Maybe I’ll send you something in the mail.

Maybe you’ll wake up hanging upside down.

We’ll work it out.

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Author Blog Challenge 17: How to talk with your graphic designer about your book cover

Well, not your graphic designer. I can only say how I talk to my graphic designer, but I think new authors might benefit from pulling back the curtain on the process. Everybody’s a little nervous the first time they outsource a book cover, but this guy makes it easy and I recommend him. As you’ll see below, I’m going to come across as a bit of a pain in the ass in this post.

Indie author and graphic designer extraordinaire Kit Foster of Kit Foster Design creates my covers. I can’t create a good cover to save my life, but I can recognize a good one. There are certain things that are pretty easy up front: cookbooks need phat, fat, sexy food (and a thin celebrity chef on the cover); green books don’t sell unless they’re about golf or lawn care; ugly isn’t different in a good way, it’s merely ugly and won’t sell. I worked as a sales rep for several publishing companies and got so I can recognize a bad dog. That said, I have no idea how Kit does his magic to create covers (magic herbs and tattooed Scottish elves are involved), but my covers look like they could have been produced in a traditional publishing house because Kit is the go-to guy.

I rarely come to Kit with an idea for the cover image. Instead I tell him about the book or send him some chapters or the whole thing (depending what stage I’m at with the book.) I trust Kit immensely because, when I’m in revisions, I really don’t want anyone to see it before I’m done and a red bow is tied around the manuscript.

What follows are excerpts from our emails (used with Kit’s permission, of course) to give you the gist of how the Bigger Than Jesus cover came to be, what I was looking for and how we arrived where we did. There were actually at least a dozen or so emails back and forth over a month because Kit supplied new art for my podcast and whipped up a cover for the non-fiction book I have in the works. Kit will use the new covers to update the banner for my author site, too. He’s a multi-talented fellow. That and we keep each other up to date on how we’re doing. Find allies, folks. Friends and coffee are critical.

My initial email about the Bigger Than Jesus cover:
Hi Kit,
 I finished Bigger Than Jesus. I have some work to do yet on the manuscript. Uncharacteristically, I’m coming to you with an idea that I think will work for the cover and it’s kind of a John Locke cover (or a James Bond book cover from the ’80s.)
 
The story: Bigger Than Jesus revolves around Jesus Diaz, a Cuban hit man who wants out of the mob. There’s gunplay and a lot of duplicity and twists. Every chapter has a twist or an aha moment. At the heart of the story is a key to storage locker #408 with millions of dollars in it which could fuel Jesus’s escape and that of and his girlfriend, Lily Vasquez. Jesus doesn’t just love Lily. He worships her. <Spoilers deleted.> It’s kind of a Coen brothers movie in that whatever Jesus does… at every turn he’s thwarted.
 
She Who Must Be Obeyed suggested this idea for a cover: We need a gorgeous Latina for Lily. In one hand she holds a key (to a padlock) labeled 408. In the other hand, a SIG Sauer 225 (Jesus’s handgun) or a Beretta if you prefer. And around this gorgeous woman’s neck? A big gold cross hanging by a thick gold chain. Think Madonna/High Catholic ornate for this. Title: Bigger Than Jesus. Author tag: Robert Chazz Chute in my usual cherry red. I’ll just need an ebook cover to start but I’ll be needing a full front/spine/back cover for the paperback as well soonish.
 
I sent you a link to an article about making the author’s name bigger. As this is a thriller and I’m trying to build a brand for a series, I’d like to try that. I can always switch it up later, but let’s try big author name up top to make it look more brandy, less indie, more swagger. What do you think of that idea?
Ideas get bandied about. Kit does other work for me. Then:
Hi Chazz,
…as discussed, I’m attaching a few drafts of Bigger Than Jesus (covers) for you to have a look at…Sorry there are so many drafts, but it should at least give you a little variety. Of course, as well, at this stage they’re all pretty rough. As ever, if none of them are suitable, I’m more than happy to go back to the drawing board.
Note: Any of the covers Kit sent me, and there were six in total, would have been pretty great to great, but Kit is patient and doesn’t mind fine tuning. Sorry I can’t show you the other covers to see what I’m talking about and to compare, but the draft covers are proprietary until they’re paid for. My break down gives you a hint, though:
Kit! My man!

Whee! This is exciting! Bigger Than Jesus II.png has a nice Pulp Fiction feel. Bigger Than Jesus III.png is closer to what I was picturing to begin with and the model is awesome. I wish we had the model from Bigger Than Jesus III.png in the pose from Bigger Than Jesus IV.png. Bigger Than Jesus I (blur).png has a movie poster vibe, though I like the colours in the next, more cartoonish variation. But, the winner is…I think we should go with a variation on the last one, Bigger Than Jesus IV.png. 

So here are my thoughts for the variation on Bigger Than Jesus IV.png: 
1. Put my name at the top and bump up the size. Please put the title where the author tag is, not at the bottom. 
2. Love the key. Can we make the key shiny gold? 
3. Love the model. Can we make the cross she’s wearing gold and or bigger so it pops out? Hard to make it out as is. Too bad she’s not wearing red. Do you think we could make the gun gold as well so it pops? (Either that or lighten the background a little so we see the gun better? I’m worried the awesomeness of the cover will be lost at thumbnail size.) I’m playing off the Jesus-thing obviously, but I also don’t want anyone to actually think it’s a religious book. I want them to be intrigued with the juxtaposition of the gun and the word Jesus. As is, I think potential readers might skip over it if the “Jesus” pops out quite as much as it does.
4. Also, with the girl in the centre, can we make her any bigger? I think Bigger Than Jesus III.png will at least be the alternative cover for the future just as it is. 
5. I think the gold accents of the key, the gun and the cross will really make it pop. 
Doable? Thoughts?
Kit sent me the revised draft that was close, but I was still worried:
 
Hi Kit!

 We’re getting there. This looks pretty good, but I’m concerned it’s too dark. Especially at thumbnail size, I don’t think the image will show up well enough. Can we go with a lighter background and make the cross and key even brighter gold so they pop like the gun, please? I don’t mind if the shine is so bright it’s unrealistic (i.e. think Man with the Golden Gun movie poster.) The shinier the better. And a question: When I find someone to give me a cover blurb for this, do we just scale down the title a little bit so we can fit it in somewhere?
 Thanks, man. (Hey, she looks better in the red dress!)
And finally, by Thor I’m hard to please, but Kit is patient:
Hi Kit,

 Better, but I’m thinking the answer for this cover is more contrast. Up for an experiment? What if we make the background white and the text black or maybe cherry red? Can the cross be a shinier gold, or bigger, or both? The cross is still getting lost. I think it will pop more this way.
Success! Though we went for a white background in the end, Kit added a black frame which was not present in earlier drafts. White backgrounds tend to look lost in the retail catalogue if they don’t have a defined edge. Amazon takes .tiffs and jpegs, so Kit sent me a cleaned up version where he edited the fine points on the image I’ll never know about. That’s for the tattooed Scottish elves and Kit to know about.
This was the most protracted back and forth we’ve had over one cover, mostly because I’m picky and kept asking, “What if we made the key and cross so shiny the reader actually gouged out their own eyes to stop the searing pain in their retinas?” By contrast, the art for my book on writing (TBA) came together very quickly. Kit sent me four or five variations of the cover for that book and I pretty much just picked one and that was it, right out of the gate.) If you’re thinking you need a graphic artist for your book, I can’t sing loud enough about the powers of The Kit.
Oh, and here’s the cover. I love it.

Here’s the final draft of the Bigger Than Jesus cover.

Filed under: publishing, , , , , , , , , , ,

Self-publishing a book: 25 things you need to know

See on Scoop.itWriting and reading fiction

Considering self-publishing a book? CNET’s David Carnoy discusses the ins and outs of what it’s all about. Read this blog post by David Carnoy on Fully Equipped.

 

This is an excellent overview that starts out with the basics and then delves deeper. Enjoy at the link (and happy Father’s Day!) ~ Chazz

 

 

See on reviews.cnet.com

Filed under: publishing

Author Blog Challenge 16: Why ebooks?

One of the writing prompts for the Author Blog Challenge questions how we came to choose ebooks. Did you ever see the movie Annie Hall? Woody Allen gets stopped by a cop after crashing into several cars. He drops his license and the cop says, “Pick that up.” Woody tells him he has to ask nicely because he has a problem with authority. The cops sighs and says, “Please.” Woody picks up the license. “I just have a thing about authority,” he says, “don’t take it personally,” as he tears the license to bits and lets the wind carry the shreds away.

Cut to a few years ago: I was at a writing conference in Victoria, British Columbia. There I met the first person I’d ever met who had given up on paper books completely. It was ebooks or nothing for her. It was the early days of early adopters and missionary zeal. It all seems evident to most of us now, but at the time, the self-publishing revolution was still new to many. Naysayers and doubters noted that Stephen King had tried an ebook and it hadn’t achieved flight. Actually, what hurt that venture was a lack of convenient reading technology and he said he wouldn’t continue the story instalments if there was an insufficient audience of subscribers. It wasn’t the death knell to ebooks. Mr. King was just a little ahead of the audience. Seeing the future at that writing conference was the moment I’d been waiting for: the technology was catching up with my anti-authoritarian temperament.

Sex_Death_&_Mind_ControlFor me, the revolution was less about ebooks per se and more about the potential for achieving autonomy. I began to prepare in earnest. I stopped buying Writers Digest and started researching the net for all the latest information. I didn’t want to read the old guard’s bias toward so-called “real” publishing still evident in industry magazines. The web was full of what I needed: new friends and DIY information.

Go back farther for a little history: Before Amazon, ebooks and CreateSpace, there were vanity publishers and scandals and writers defrauded, writers ignored by the establishment and a market that was very much a buyer’s market. By “buyers” I don’t mean actual readers like now. I mean agents and editors who were reluctant to take a chance on new authors. I didn’t even bother knocking on the palace door.

I had worked in traditional publishing for five years in a variety of capacities and I wasn’t that impressed with most of my colleagues. Almost all of the publishers I worked with from those days are gone. Harlequin (where I got my first publishing job) is still around. So is Douglas & McIntyre. That’s about it. Cannon Book Distributors, Lester & Orpen Dennys, The Canadian Book Information Centre, and numerous publishers I repped are all bankrupt and gone.

Instead, I wrote for myself, not a nameless agent’s whims. I went away and did other things: magazine columns and editing. I dabbled and freelanced. I wrote short stories and entered contests and several of those ended up winning awards. Eventually those stories found their way into my collections (Self-help for Stoners and Sex, Death & Mind Control.) I wrote several books, but given my experience with traditional publishing, I was averse to even trying to get my work published. I just wasn’t interested in going anywhere to a gatekeeper on bended knee. Let the palace burn. My practice was to write a book and then, before I could even think of sending it anywhere, I wrote the next one. That sounds silly, doesn’t it? Like Woody Allen in Annie Hall, I was headed to jail and I didn’t care. Jail was preferable to being a cog in a machine. I hate having a boss so much, I haven’t worked for anyone else since 1991.

With self-publishing, finally what some considered a flaw in my character can be a virtue. I approach the work not as a self-publisher, but as a publisher. I have higher hopes and lower overhead than all those companies I worked for so long ago. It’s not a question of whether founding Ex Parte Press and doing the DIY thing is a good idea. My personality allows nothing else: Does not share toys, does not play well with others. Many are familiar with “ex parte” from watching Law & Order. The strict Latin definition means “from one.” Sure, I still hire out jobs I need done that other people can do better, but basically, Ex Parte Press is “from one.” Is it scary? Sure. But then, this morning, I got two beautiful reviews, one for my new crime novel, Bigger Than Jesus and the other for Self-help for Stoners. I get all the blame and all the credit and I didn’t have to ask permission from The Man. I haven’t felt this free since I was twelve when I didn’t have to work at all. I am Spartacus. I am Woody Allen in Annie Hall. I am a child again. I am a free man.

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Maxwell Cynn: Review: Self-Help for Stoners by Chazz Chute

See on Scoop.itWriting and reading fiction

Finally, a book review that makes me laugh out loud and cheer! Just as my new book is up, I was alerted to this review of one of my other books this morning! 

And…(sit closer) it’s excellent timing. (whisper) See, I called my dad this morning to announce the news that Bigger Than Jesus is on Amazon and…well…he couldn’t get away from the subject fast enough. I was about to get my feeling hurt (yes, I only have one nerve left) and then I saw on Twitter that author Maxwell Cyn had reviewed Self-help for Stoners. The yang outweighs the yin. I am happy. ~ Chazz

See on maxwellcynn.blogspot.ca

Filed under: publishing

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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