C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

06/13/2012 • 9:23 PM 10

Author Blog Challenge 13: The meek will not inherit the earth or a book deal

Cover of "Neuropath"

Have a point of view. Yes, some people may hate you for it, but that’s better than being bland and not speaking your mind. Tell the truth, even when you’re lying through your face and your fiction. Why? Because (1) it’s honest, and (2) who will read bland? Some authors avoid controversy thinking they will keep a wider audience. Wrong. Wimps don’t get respect. Besides, you don’t want to act like a wimp because that’s not who you are. You are a writer. Publishing your book and putting yourself out there for critics to judge is an act of courage. The meek will not inherit the earth and, if they do, we’ll just take it from them.

Last night I read through a forum in which multiple contributors discussed and debated with author Scott Bakker. I am just on my second Bakker book (Neuropath) having just found out about him. I really enjoyed his novel, Disciple of the Dog. I have to say, the forum I read debating the merits of Bakker’s fiction was intriguing. It was not a lovefest for the author. Some criticized Bakker for being a misogynist in his fiction. Occasionally the author himself commented on the thread but the offended and the defenders kept their debate raging without him and Bakker popped in more for clarification and to make sure he wasn’t being misrepresented by others.

Personally, I have to admit I don’t understand the objections or their fervour. Just because a main character espouses some views, that doesn’t mean we are meant to emulate him or agree with him. The character is flawed. It’s fiction. From what I’ve read so far, Bakker isn’t preaching misogyny. He’s describing a character who is a misogynist. I grew up watching All in the Family’s Archie Bunker. I never had any doubt he was a racist and watching a TV show didn’t make me a racist. Characters that have complicated problems and conflicting motivations are interesting. I don’t want to read fiction that is diluted by one ideology that doesn’t acknowledge the world’s realities (and if you do, then go write that book and best of luck selling it.). In my case, I know my titles are a bit controversial and annoy some people, but I suspect they attract more people than they turn away. Those that give my books a try are in for surprises when their expectations are turned upside down, but I think that’s a good thing.

I don’t try to be controversial for the sake getting people in a rage. I call it as I see it because it’s honest and because if you don’t have something to say, something to stir in your reader, why bother writing? Writing that doesn’t stir feelings in readers makes wasted ink and useless pixels. Free speech allows self-expression but also guarantees that you’re going to be offended from time to time. If you’re offended by a piece of fiction or an argument, the answer is, “Too bad.” Don’t read it if you can’t handle it and respond like an adult to work that is meant for adults. You don’t have to read or listen to viewpoints you despise. Just stop reading and listening. (The funny thing is, the people who disagree will stay with something they hate longer than people who agree. People who say they loathe Howard Stern listen twice as long as people who describe themselves as fans. Humans are strange, aren’t they?)

On my latest podcast, in between a couple of jokes and Father’s Day stories, I tackle corporal punishment and explain why President Obama could lose the election in November if he tolerates nuance and fails to embrace dumb. I’m not worried about turning off potential readers. There are lots of readers out there and I’m not interested in catering to people who can’t tolerate free self-expression. They’d probably never buy my books, anyway.

In short, embrace the bad ass in you. 

Click it to get it.

Click for the Self-help for Stoners podcast page

P.S. In the spirit of being bold, have you subscribed to the Self-help for Stoners podcast on iTunes or Stitcher yet? It’s free and strange and you don’t have to be a stoner to love it. Or hate it, come to think of it.

If you like it, please leave a happy review on iTunes. It helps. All the podcasts can be found at AllThatChazz.com.

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06/12/2012 • 9:30 PM 8

Author Blog Challenge 12: How to not write your book

Good thing I wrote a self-help book full of motivation in the form of fiction or this post would really bum me out.

Today’s Author Blog Challenge prompt is:

What’s the most challenging part of your book process?

1. Facebook has some pretty cool memes, I bet. I better check before I settle into the real work.

2. My podcast helps me market my books, so that’s sort of like writing, right?

3. Can I really start the day without watching my recording of last night’s The Daily Show with Jon Stewart first? If that’s wrong, I don’t want to be right, baby!

4. What can I do about my book while still listening to my favorite podcasts: The David Feldman Show, The 40-year-old Boy and The Joe Rogam Experience? Oh, and look, there’s a new Best of the Left and The Jimmy Dore Show! And, oh, look, it’s bedtime.

5. Reading is research, right? I should read another book before I write another chapter. Just to be safe.

6. I hear food screaming up in the kitchen. It’s in distress and I need to smother it with my colon to put it out of its misery.

7. I could do some laundry or feed the skinny pig or make even more coffee.

8. If I don’t get the dishes done before She Who Must Be Obeyed gets home, she’ll give me The Look.

9. Maybe I should go take care of some errands because once the kids get home it will be too late. (For what, I’m not sure.)

10. I wonder if there’s anything else on the Internet? And what time does Twitter close today exactly?

The most challenging part of my book process is everything but my book process.

Oh, look! There’s that helpful fear of cataclysmic failure! That train is always on time. 

Gotta go write.

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06/07/2012 • 11:42 PM 13

Author Blog Challenge (plus a sneak peek podcast*): Outlining, pantsing, spilling & sprinting

If you just popped in for the suspenseful sneak peek podcast, click here to hear The First Fiction Friday Edition of my podcast.

The Author Blog Challenge prompt asked how I stay organized as I write. My methods have changed over time. I used to come up with plots on the fly early on. Then I got scared off from that strategy when I got deep into a dreadfully long novel and found I had to backtrack fifty pages. Hitting a dead end is, well, death. It’s a waste of time and energy and I hate it.

I started outlining because I was writing big books and I didn’t want to lose whole sections of my book in which I was already invested. When you write 80 – 100,000 words or (ye gods!) more, an outline helps. I didn’t write an outline with Roman numerals and all that formal, high school nonsense. Instead, I planned the book one cogent sentence at a time. I described the actions in each chapter to plot the arcs of A and B stories. I looked for where those paths would logically cross, discover the beats and suss out the high and low points. Index cards got to be too much to keep track of, so in the end my outline was just three pages with a numbered list. I read and reread the outline and then I didn’t look at it again. That got me through the big books pretty well.

Recently I read Run by Blake Crouch, and as Blair Warner used to say on The Facts of Life,

“I just had another one of my brilliant ideas!”

It’s about speed. I resolved to write a crime novel with the same furious pace as Run — a book I couldn’t put down. Yeah. I know it’s a cliché, but this cliché is both apt and true in the case of Run. (Great book. Buy it.)

I resolved to do the thing I love with stories. The chapters would be relatively short. They would skip along. There would be lots of twists and turns to my racetrack. I wrote Bigger Than Jesus in about a month, one chapter a day, roughly 2,000 words each. There was no outline. Instead, I wrote with the expectation that I’d get my hero into a troubling cliffhanger at the end of each chapter. If I wrote myself into a corner in the process, too bad. I’d be clever and write my way out of it and keep moving forward. Writing like this is as fresh and as exciting as walking a tightrope naked in a high wind over a crowd of angry TSA agents with a new shipment of polar mint rubber gloves.

Many nights I went to bed thinking that I had no idea what I would write in the morning, but I trusted that I could figure it out. I believed in lightning strikes. The juice kept flowing and with it came a high level of complexity. It’s a crime novel so people lie a lot. If I’d taken longer to write it, it would have necessarily been less complex because I’d be afraid of losing track of the threads. There’s shocking emotional depth, too. Nobody, including me, foresaw the strange and sad angle on my main character’s childhood. It sneaks up.

Why did this work?

1. I knew the opening chapter and the last line so I had a target at which to aim. I’m also a more confident writer than I was with those early attempts, I suppose.

2. If I didn’t know what was going to happen next, the reader wouldn’t be able to guess, either.

3. Speed. The book is not especially long and I wrote it all in a short space of time so I could keep it all in my head at once without getting lost.

How else do I keep organized? 

In the Point File, I note things like street names I’ll use twice and aspects like eye colour so they don’t change from the beginning of the book to the end. I did mess up in having twin brothers as bad guys with names that were awfully similar. I had to go back to make sure I was talking about the right brother at the correct stage of the book.

I always have a Spill File handy so if I do write something that I end up dumping, I save it for later. I might change my mind about how useless it is or I might use it another time in another story. In Bigger Than Jesus, the writing went so quickly and breezily that I never had anything to pour much into the Spill File. I wrote fast and then went back to the stage of writing where I’m always sure I’m a deluded idiot: revisions. I cut, prune and delve. More of the jokes come clear on the second pass, too. Typically, by the third pass, I begin to feel good about the book again. Bigger Than Jesus was just about as easy as writing a blog post a day, actually. Maybe easier sometimes because what dictated the action was logic and surprise. When in doubt, surprise!

Some writers labor under a notion that I once shared: To be good, you must write slowly, perhaps even at a glacial pace, and the serifs are where your heart and soul get squeezed in and choked for blood. There are books I have tinkered with for years. One short story went through many incarnations over a year before I felt I nailed the landing and deserved 10s from all the judges. However, Self-help for Stoners came together quickly and everything worked out well with that.

Bigger Than Jesus will be released in the next week or so and all the feedback I’m getting from the editorial team tells me I’m glad I didn’t buy into the idea that it had to come slowly to be worthy. I think that’s true sometimes, but not always — not for every book and not for every writer. That’s good news because I’m using the same strategy with the next book in the series. It’s coming fast and well and I do enjoy the danger of not knowing what happens in the next chapter. Those angry TSA agents are actually spurring me to succeed.

*BONUS:

Please take a few minutes to enjoy my latest podcast on the author site. It’s The First Fiction Friday Edition! 

It’s a sneak peek at Chapter 8 from my first novel in the Poeticule Bay Series:

An old woman is lost with her tiny dog in the Maine woods and snow is on the way.

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06/05/2012 • 8:56 PM 15

Author Blog Challenge: I love the voices in my head

Michael Clarke Duncan at the Warner Brothers L...

Michael Clarke Duncan at the Warner Brothers Lot in Burbank, California. (Photo credit: Wikipedia)

One of the writing prompts for the Author Blog Challenge is to choose a favorite literary character. That’s tough. I mean, I relate to Tyler Durden from Fight Club, but the cognitive dissonance kicks me in the pills when I realize that, beside the insomnia and ennui, I am not even Tyler’s alter-ego. I have a few things in common with Portnoy from Portnoy’s Complaint, though. Ugh.

This isn’t a dodge and I don’t mean to fall into douchey pimping, but the truth is my favorite literary character is whichever one I’m writing at this moment. I have several works on the go, so let me introduce the interesting people I hang out with while strangers assume I’m staring off into space and drooling:

Legs Gabrielle is a very funny comedian whose career has fallen through the floor. She finds herself back in Poeticule Bay, Maine, in the house she ran away from as a teenager. A killer has come to town, the Sheriff disappears, the deputy is cute, her sister has cancer (and might also be crazy.) I love Legs’s sense of humour and she’s a pleasure to write for the jokes that work as  counterpoint to her emotional depth. Hollywood has rejected her, but she’s the star of her own book soon.

Chili Gillie is a Michael Clarke Duncan lookalike, Legs’ bodyguard and has Mike Tyson’s voice. He’s a sweet man who only looks mean when needed. He’s the calm rationality around which the crazy revolves. His presence is extraordinary, but he’s the most normal of my characters. Both Legs and Chili are the stars of the first story in Self-help for Stoners and Chili shows up again in Bigger Than Jesus in a larger role. I’ve got big plans for him.

Dr. Circe Papua turns up a lot in my fiction. She’s a psycho psychotherapist who is magically persuasive and can be deadly if provoked. I love her cunning, unexpected lethality. Circe’s complex relationships with her patients often demand a battle of wills and wit. She shows up in different incarnations in Self-help for Stoners, Vengeance is #1, Corrective Measures and Sex, Death & Mind Control (for fun and profit).

Jesus Diaz is a mob enforcer who doesn’t want to be what his tragic childhood and circumstance has made him. He wants, above all, to fall in love with the right woman (if he can ever find her) and go relatively straight. He’s the main character in my crime novel, Bigger Than Jesus and I like him most for three things: he’s clever and prefers to lie rather than fight; he’s not really all that tough despite his profession; and he’s funny. I like funny people and chapters that whip along, full of pops and surprises. The series reads like a Cohen brother’s movie. Bad things keep happening even though you think you have an easy way out. This book will be out very soon and I’m jonesing for it. Just nailing down the cover and then we’re just about there. Jesus Diaz originally came to me as a story for Self-help for Stoners, but in that incarnation, he’s a much older, wiser and experienced assassin.

Jack (from Corrective Measures and Sex, Death and Mind Control.) Jack is a serial killer who I find interesting because of the way he sees our world. He thinks about vengeance quite a bit, but I’m actually more interested in writing him when he’s not himself. He’s fascinating when he’s trying to fit in and working through his twisted motivations and problems. He’s a dark avenging angel who has to hide his wings (metaphorically, that is) as he punishes people he decides deserve bad ends.

What’s fun is, eventually, I’m going to have all these characters meet in one book, but they have a lot of work to do before they meet. I have a lot of books to write before that happens, too. It’s exhilarating, daunting and pretty cool. Yeah, I said so myself.

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04/20/2012 • 10:48 AM 1

Can you tie your book’s title to something larger?

When I put together my collection of short stories, I knew I had a problem: traditionally, short story collections don’t sell. I think that’s changing. With e-readers, we’re turning away from ever bigger Stephen King-size  tomes. Digital brings the short form (or at least shorter forms) back because page counts don’t count. I looked at the themes of the collection and added chapters that were inspirational and thought-provoking. I thought about how it was director Kevin Smith who inspired me to write full-time. What emerged was a bathroom book of stories: Self-help for Stoners, Stuff to Read When You’re High. It’s suspenseful, yet full of parables. Yep, it’s an odd book.

Image

Today is 4/20. I’m hoping that, because of the tie-in to a niche, my book will find readers who would otherwise have passed it by. Every day I say you don’t have to be a stoner to love it and that’s true. However, I wanted to have a hook with an identifiable market because, sadly, a book that’s for everyone is for no one.

When you choose your next title, what event or group could you tie it to? For instance, if you can legitimately come up with a book that has “Christmas” in the title, it might sell much better than a title that sounds too much like a bunch of other titles.

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03/08/2012 • 11:39 PM 5

One way to find new audiences for your books might be…

What do these things have in common?

1. Learning German from Hogan’s Heroes.

2. My first fight.

3. My other fights.

4. James Bond’s brand of lighter. 

Answer: I talk about these things on my podcast.

I had a surprise last night as I examined my podcast statistics. I’m being found. Listenership is trending up. Even better, I’m being found by people I wouldn’t encounter otherwise.

What is podcasting? It’s radio, on the Internet, usually for free. In a craven ploy to market my books, I named the podcast after one of my books, Self-help for Stoners. When I started the podcast a few months ago, I thought that if I ran out of material, I could always fall back on reading from my fiction. I’m amazed to find that each week I find new things to talk about for a weekly comedy/narrative/sometimes ranty podcast. It’s a lot of fun. It’s harder than blogging, but it’s different from a blog in good ways, too. When I podcast, I’m free to talk about whatever I want so it often ends up going in some weird directions. Surreal, even. Anything goes as long as it interests me and I think it’s fun or funny.

Must you have a voice (and face) for radio? I had a little experience with radio in university, but I don’t have the best radio voice. My delivery can sometimes devolve into such a spasmodic cadence that it’s positively Shatnerian. But it is still fun despite my vocal handicaps. I didn’t think the podcast was taking off and I vacillated between blaming my stammer and my material, among other bits of very personal self-loathing. When I saw the improvement in the stats, I decided I had been too harsh and impatient. (Thing is: I would podcast anyway. I enjoy it that much.)

Why podcast?  I’ve already mentioned it’s a fun creative outlet. Through podcasting I’ve met some really nice people and, more to the marketing point, more people are finding me and my books who otherwise would never have heard of me. What’s really cool is seeing all the places the people are listening from! People listen from all around the world: Madrid, New Jersey, Ireland. I have a pocket of love with 22 downloads in Belgium. A whack of people in Alberta listen to my podcast every week. Somewhere in the streets of Beijing, someone’s got my voice in their ears as they take a bus to work, presumably to learn english (I’m guessing.) By far, the podcast is most popular in the SanFrancisco/Oakland area. Does that play into a stoner stereotype? My podcast may suffer the same problem as my book of the same name: in an effort to get a hook, I might have screwed myself up in the early going with the Self-help for Stoners  title. People sometimes assume my stuff is only for stoners and that’s not at all true. All my books are mostly suspense. In the podcast, I talk about anything I like, tell stories (true and false), read excerpts sometimes, recommend other books and podcasts, and say some really stupid stuff for laughs. Sometimes I come up with something deep…usually by accident.

Is podcasting for you? I listen to podcasts somewhat obsessively. It’s how I get through non-writing tasks like bringing in the wood, doing the dishes  and folding laundry. Having my own show seemed like a natural extension of going indie with books. It’s not expensive to do, though the tech stuff was daunting at first. After some initial one-time expenses and some experimentation with the mic and editing program, the only ongoing cost is that I use a pocast host service (Libsyn) for $20 a month. (I don’t drink so that would have been beer money.) If you decide to go ahead with podcasting, I suggest you save yourself a lot of time and headaches and get Dave Jackson from The School of Podcasting to help you with the set up. I’m reasonably tech savvy, but there were so many little nuances, I eventually decided I’d only ever get it started if I brought in an expert.

How will people find your podcast? People can download my podcast from Stitcher Radio (which streams it to any device), straight from my author site or from iTunes. There are podcast directories and google searches, but mostly, people find my podcast through Twitter. Here on Chazz Writes, I speak mostly about book marketing to fellow indie writers (and that’s great! Thanks for being here. You’re who this blog is for!) AllThatChazz.com is the blog for readers interested in my fiction and who want to hear the podcast. What might have also helped my listenership was that I appeared on six other podcasts recently in some capacity (including reading one of my stories from Self-help on The Word Count Podcast in support of Indies Unite for Joshua. Donate if you can, please. It’s a great cause.)

Last night I published my sixteenth podcast. It’s taken me a while to find my stride. I still stammer, though I edit better than I used to. It doesn’t have to be perfect. It just has to be fun, and yes, some of the jokes are just for me.

If I could eliminate one word from the english language, what would it be?

War.

But a close second choice choice? My dumbass, simian vocalization as I try to find the next word:

“…Um….”

~ Robert Chazz Chute has a whack of short stories available on Smashwords and his novella (The Dangerous Kind) and dark collections of suspense (Self-help for Stoners and Sex, Death & Mind Control) are available just about everywhere. He’s such a sweet guy that when he writes about himself in the third person, like right now, he collapses even deeper into a well of self-loathing.

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02/14/2012 • 12:32 AM 10

Review: The highs and lows of a book promotion campaign. What works?

Suspense, parables, inspiration, surprise.

Last week I wrote about my campaign to drag Self-help for Stoners into the world’s consciousness. If you’re new to the blog, long story short: I wrote a book of suspenseful fiction with a self-help twist dedicated to director Kevin Smith. When I had the honour of handing the book to my DIY hero at a comedy event simulcast to theatres across the US and Canada, I felt I had to take advantage of this unique opportunity. I tried an experiment with a press release distribution service called PR Web. For more on that review of the troubles I had getting the press release accepted for wide distribution, check out the original post here. 

Soon after the press release went into wide distribution, I got a small increase in traffic, but not, it seemed, in the way I’d hoped. 

The Dangerous Kind

Murder might solve your problems. Two brothers go hunting. Only one will see home again.

A fellow on Google+ was complimentary to me (I have balls!) but thought the money ($240) was wasted. He wasn’t being unkind…at least I don’t think he meant to be. He just thought there were better uses of my time and newer, more innovative ways to spread the word about my book’s existence. I’m always interested in learning more and I’m particularly interested when people have ideas about what to do instead of what not to do. (More on that in another post after I conduct more field research.)

Imagine my chagrin when I read a post by Dead Wesley Smith who decreed that spending money on book promotion is a waste of time and money until you have 50 books for sale. That’s right. Fifty! I double-checked to make sure it wasn’t the cloying cloud of depression and stress headaches obscuring my vision misleading me. Kurt Vonnegut only wrote fourteen novels in his lifetime. If Dean Wesley Smith is right, is there any place for book promotion for most of us? Maybe I struck the iron too early, but given the scope of the simulcast, my press release appeared to be a now-or-never opportunity.

My speed of production isn’t near as quick as Dean Wesley Smith, but how many of us can write (good) books that fast? Maybe I should write faster, but even at once every three months, I wouldn’t be gambling a promotional penny to let the world know I exist until 2024. Will I even live long enough to ever have to bother with book promotion at that rate? Hm. That would be a great solution except for  the part about me being dead. I do agree with Dean on one point thoroughly and I’ve said it many times myself: your best book promotion idea is to get to work on the next book and I’m certainly doing that. I’ll be coming out with three books this year (so that’s one every four months, though I confess that two and half are already written and I’m mostly in the revision stage.) I’m not as skilled as Dean Wesley Smith because I’m not up to the pace he’s setting. I honestly wouldn’t have confidence in the end product if I pushed that fast. No worries or apologies on that score. We’re all just doing the best we can. (For more on what indie production actually costs, check out Dean Wesley Smith’s post here.)

But what you’re wondering is, what did the PR Web press release actually do and could that work for your book? It’s too early to tell, so once again, my results are

Don't argue over parking spots with strangers. Or else.

preliminary. The cycle of Google analytics is 28 days long, and what follows is just the first week of results. (However, isn’t it already old news now that the event is over a week stale?) I can tell you that PR Web’s marketing guy sounded very pleased. He phoned me yesterday morning to say that I’d worked the SEO right (five links maximum was how it worked out with my word count) and he said the response to the press release was “great.”

“How do I quantify ‘great’?” I asked. I’m sure I whacked him with a heavy note of skepticism but he seemed no less bouncy at my glorious prospects. He told me how to get the analytics for the press release. Apparently, the number of people who read the release, liked the headline and read to the end of the article was impressive, perhaps even unusual. Nice, though I wish I liked the press release more. (For more on that, once again, refer to the original post.)

8,027 media deliveries boiled down to 49 “interactions” (where a link was clicked or a pdf was downloaded) and eight “pickups”. The report contains a sample of Web sites that picked up or syndicated my story. It’s apparently not the full list, but media outlets included: Hollywood Industry, Mac DVD Pro, Digital Journal, San Francisco Chronicle, Corporate Media News, Yahoo! News, and Consumer Electronics Net.

But these aren’t the numbers you really want to know. Has this press release helped sales? Sadly, not much so far that is measurable. I saw a bit of a bounce up on my Amazon sales, but that settled quickly. And the truth is, since I’m doing several other things, I could easily attribute that blip to the success of other marketing tactics. But before I draw conclusions in this review, see if you can follow the roller coaster of author thrust and bureaucratic parry that has brought me to my sad current state.

Here are the highs and lows and forays

of my marketing campaign for Self-help for Stoners:

High: I sent out several press releases about meeting Kevin Smith to CBC shows and to my local paper. These forays cost me nothing.

Low: CBC didn’t call back. The local columnist who showed enthusiasm seems to have lost my number. Or he’s sick and not at work. Gee, I hope he’s sick.

What if God gives you what you want? What if you win an argument against God?

High: Kevin Smith has a cult and for a shining moment I was in front of them. I paid $200 for a one-minute ad to run on Smith’s Smodcast network the day he got back on the mic. I figured since he hadn’t been on the mic for such a long time, the first day he got back on the show would have high ratings and many downloads. And maybe they’d remember said shining moment from the broadcast of the Live from Behind Show in Toronto.

Low: The ad didn’t run on schedule. There was a communication breakdown. Despite my best efforts at keeping in touch with the ad guy at Smod, it didn’t happen. It’s supposed to run today (February 14th on Smodcast Internet Radio. I’m sacrificing a goat to Thor, hoping it happens this time. Don’t worry about the goat. He’s suicidal.)

High: I did two podcasts about my Kevin Smith experience, before and after. They’ve been well-received by those who have heard them. “One and a quarter hours of narrative gold,” said one, Thor bless him. Bliss. (See all the podcasts here.)

Low: Though they may catch on in the long term, not many people have actually heard them! I screwed up the metadata so, on Stitcher, the first words that show up in the tiny window that give the podcast summary are not Chazz Meets Kevin Smith and Jay Mewes. Instead it reads: Show notes and podcast details… That won’t get anybody new to check out my filthy jokes and stream of consciousness trips in order to find me utterly delightful and worthy of their love and bucks.

Twisty and twisted. Click the pic for more.

High: I thought KDP Select might be my salvation to really get things going. Amazon told me all I’d have to do was tell Bookbaby to withdraw from all other platforms to meet the exclusivity caveat. Any other action might risk duplication on Amazon’s site.

Low: BookBaby disagrees. I got a nice email (eventually—BookBaby seems awfully slow to respond to me of late) saying that they would have to withdraw the books from all channels, it would be permanent, and I’d have to enter my books into KDP Select myself. With no confidence in how long that might take, I don’t want to risk not having any books for sale anywhere, especially with all the promotion work I’ve done. I replied to BookBaby that rather than risk a screw up and no availability of my books for an indeterminate amount of time, I’d keep my books where they were through BookBaby and just get the new books straight into KDP Select without them next time. That’s a loss all around, I’d say, but I’m the one who will feel it most.

There are a lot of tragic starts and stops to this tale, aren’t there?

The word “thwarted” is pushing into the centre of my brain like the capricious thumb of an angry god.

High: I tried to organize a Buy X Get Y promotion for my book on Amazon.

Low: Amazon Advantage said they couldn’t do it because fulfilment for my paperback is through CreateSpace, which is POD and they’d need stock on hand. After a light scolding, they told me to go to CreateSpace for a similar promotion program.

Asia_Unbound

Are we ever free from our secrets? Find out here.

Lower: CreateSpace said they’d call back. Then they sent me an email instead saying they have no idea what Amazon is talking about. (Note that CreateSpace is owned by Amazon, too, but never the twain shall meet, I guess, even if the plan would have made a buttload of money.) Once again, Chazz hurts moms. So much so, he begins to write about himself in the third person. With loathing,

Lowest: As I write this, I’m feeling a bit emotional and teary. The sum of the message so far is: Nobody knows me, I don’t matter and as good as the book is, it still doesn’t matter if I can’t convince anyone to try it out. And a fresh pile of bills arrived yesterday. There isn’t an author on earth who hasn’t felt this way, yet the lash feels equally new for every person every time.

Clawing and climbing out of the mire: So there are a few things I am doing which I’m more positive about. Writing and revising the new stuff is going well. (Three new novels this year! Whoo, and also hoo!) The Writing World will run an interview with me in early March. My friend Eden Baylee will also run a saucy little interview with me soon. I’ve sent out a couple more copies for book reviewers and will continue to seek out reviewers for all my books. The Self-help for Stoners podcast continues weekly and I had a clip broadcast on Succotash, a popular comedy clip show. I think I’ll have an excerpt from Self-help appear on the next The Word Count Podcast, in support of #IndiesUnite4Joshua (fun and a great cause.) I’m also getting quite a few nice mentions on other podcasts, like Logical Weightloss and The School of Podcasting.

But wait, Chazz! How do you account for that blip where sales came up a bit? It could be my promise on my podcast to gain converts individually by tying each new reader up and torturing them with sexual delights to gain converts. It could be that some new people I met lately have checked out my books or some found me through the Kevin Smith event when I was on

Get Vengeance and get surprised.

camera. Maybe the press release had some effect, but I tend to doubt it, at least until more evidence arrives through Google analytics.

So what have we learned about promoting our books? So far? We need more data.

I’d say I’ve learned this much:

1. Triberr has helped me get more new traffic to my blogs than anything else. I can see that clearly in my stats and my Twitter feed.

2. I have to find more innovative ways to get the word out. I’m working on that. (More later.)

3. I have to get more reviews. I have had excellent feedback on much of my work, but even when people are enthused, it doesn’t necessarily translate to reviews. I am soliciting reviews as my writing schedule allows.

4. I have to remember how much I believe in my books, because in the beginning, no matter who you are and no matter your experience, you’re just another schmo until you’re discovered. After you’ve made it, you’re a genius. Until then? Schmo. The writing awards and all the experience don’t matter. Yet.

Most important?

Did I mention I have more books coming out?

That will be what counts more than anything.

I have to provide a larger target for my readership to find me. 

My people are out there. I will find them. They will find me.

UPDATE: In keeping with the theme of getting thwarted, the Smashwords website is down at the moment, so the links from the short story covers are directed back to the author site until Smashwords is back up. The links in the The Dangerous Kind, Self-help for Stoners and Sex, Death & Mind Control (for fun & profit) covers work fine. You can still get everything I write across most digital book platforms, of course, (i.e. search Kobo and there they are) but as long as Smashwords is down, you can’t grab the short stories directly from that site. I will update as soon as the Smashwords server is back up. It’s all very…consistent with today’s theme, isn’t it?

LATEST UPDATE: SMASHWORDS IS NOW BACK ONLINE AND THE SHORT STORY COVERS NOW LINK BACK TO THAT SITE. Find out more about these short stories here.

~ Robert Chazz Chute is the author of Sex, Death & Mind Control (for fun and profit), the novella The Dangerous Kind, Self-help for Stoners and several suspenseful short stories with gut-punch endings, available at Smashwords. He’s in suspense, figuratively and literally and his comedy podcast, Self-help for Stoners, airs each Friday on Stitcher and iTunes. Visit the author site, AllThatChazz.com,  for updates on Chazz’s fiction and to download the podcast.

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12/31/2011 • 1:54 PM 5

Self-pub Highlights: The Best and Worst of the First and How to Succeed by Failing

Please click here to pick up Parting Shots.

When you can’t get out of the bathtub on your birthday, something’s gone wrong in your life. And by your life, of course, I mean mine. The other night I tore a rotator cuff muscle boxing. It hurts when you throw a hook and miss. I ripped it up pretty well. I’d had shoulder pain off and on for weeks due to to my incredibly sedentary lifestyle and the computer mouse. I sit very still to write. I can’t write and walk around at the same time. I’m chained to a desk by an intravenous tube that carries coffee. When the shoulder pain hit, I shouldn’t have been surprised, but I was. The pain is enormous. I almost called my wife to help me out of the bathtub. On my birthday. Not one of my best birthdays, I have to say. In fact, it might have been the worst.

Long-term?

Pain is good.

I will use this.

I did manage to get myself out of the tub. Getting my shirt on? That was five minutes of hell and wishing the Advil would kick in faster. It didn’t. I’ve had shoulder pain this bad before (on the other shoulder.) When it hurts to laugh, you know it’s bad. When you have to devise new strategies to do mundane tasks, it’s makes you mad. When it happens on your birthday, it makes you sad.

However, I won’t let all this sadness and badness and madness go to waste. At some point, I’m sure I’ll have a hero try to fight the bad guy in a climactic scene and the hero’s shoulder will be all messed up. That’s the easy take away from this experience.

Let’s go deeper.

Staying home to write books full-time? This is awesome. This is the fulfilment of a dream. I am so lucky to be able to devote myself to this enterprise all day. However, if I don’t take better care of my physical body, I will lose this opportunity. When every movement reminds you of pain, it’s hard to concentrate on work. Pain saps productivity, whisks away opportunities and manufactures misery far from the site of origin.

But let’s go deeper.

The pain in my shoulder is not simply a rotator cuff tear. It’s a symptom. I have not been to the gym for quite some time. I have not been taking care of myself. Why is that?

My excuse…no…my dumb reason is that I have been swimming in the launch of my books. I have no excuse. I let myself forget that success is not a single facet. To get my shit together, I have to take time to take care of all aspects of my life: family, fitness and work. I am not of one dimension. I was so busy with work, it gave me the excuse to be lazy in other areas of my life.

Translation:

I have books to publish! I have no time for the gym! Publishing is so exciting I don’t even have to feel bad about not going to the gym because I’m being productive!

Yeah, right. But for low long, Spock? How long?!

Concentrating so much on marketing made the disappointment at the initial outcome darker. My sales aren’t anywhere near where they need to be (yet, goddamnit! Yet!) The reviews haven’t been rolling in (yet, goddamnit! Yet!) But I’ve started up businesses before. I know how this works…or doesn’t work. These things take time. Readers will get around to writing reviews. Word will spread. It doesn’t happen on a schedule. You may as well try predicting cloud formations as plot book sales. But I do have a strategy. While figuring out how to manage our time in the new year, I told She Who Must Be Obeyed that I think I’m through The Worst of the First.

The Worst of the First is the downside of that incredibly creative, energetic time when you start up a new enterprise. You have to get a business license and take care of paperwork that is not directly related to your success. You order business cards or figure out technical aspects that feel removed from the core of your enterprise. The Worst of the First is about trying to do everything at once, just to get things rolling forward. The Worst of the First is about the trivia that no reader ever sees. It’s the behind-the-scenes stuff no one cares about, including me, but it has to get done. It’s part of building inertia, too.

Then there is The Best of the First. Here are the highlights of my first couple of months as founder, president, author and Chief Dude in Charge of Wastebasket Emptying at Ex Parte Press: Three ebooks up on Amazon and just about everywhere else by November 1. Recorded a podcast, Self-help for Stoners, to help market my book of the same name. Tried and failed to get my first podcast published. Dave Jackson of the School of Podcasting helped me to get the podcast up and out there. He helped me get control of my author website, too (allthatchazz.com). Got the paperback formatted with Jeff Bennington’s help. Got new art for the paperback done with my graphic designer, Kit Foster. Published Self-help for Stoners through CreateSpace. Published three short stories in the last week (Parting Shots, Asia Unbound and Vengeance is #1) on Smashwords.com. Maintained my Scoopit! Page, three blogs, three Twitter accounts and published six podcasts. Now the podcast is also available on the Stitcher app as well as iTunes, so it’s everywhere.

When so much positive stuff was happening at once, I was riding high. But I wasn’t leaving my desk. I’ve been married to my Mac, which makes She Who Must Be Obeyed jealous. I’m through the imbalanced part now. My shoulder reminds me with every move that I have to concentrate on the core. That means publishing three novels in the next year, yes. That also means taking better care of me so I can accomplish those goals. It means eating right and getting to the gym. That’s also part of the writing process. It clears the brain and keeps my body ready for writing marathons. Sitting still for too long is too hard on the body. We’re made to move and if we don’t, we die.

On my birthday, I checked my book sales and found the accounting had finally come through. It wasn’t good, but the beginning is rarely good. I’ve been here before. I know the terrain. I know the pain hammering me in the shoulder is a reminder of what a low point feels like. The sinking feeling as I looked at my first sales numbers—on my birthday!—made me think for a moment that all my marketing efforts had been wasted. But no. It’s just a normal part of The Worst of the First. My readership hasn’t found me yet. You have to market your books when you think you should be using all your time to write. In weak moments I do think, All I should do is just write and revise and do nothing else. But then I remember this is not 1987. Seclusion is a luxury for old media authors. I’m a new media author. I must not hide from the world if anyone is to ever hear me.

The fattest kid at Fat Camp has the most potential. When you reach critical mass and are feeling low, you can look up. There is so much to learn and so much to conquer. I am grateful to have so much fun and trial ahead of me. When we succumb to the idea that the best times of our lives are behind us, we truly begin to die. This is just the beginning and there is so much to look forward to! Writing this post, holding tight to this pain and this disappointment? That’s going to make the triumph all that much sweeter, don’t you think? I’m going to appreciate the win more when it comes. And I’m through the gauntlet and into the glove already! I made it through the Worst of the First. Yes, there will be frustrating times ahead, but I got through the first couple of months of the enterprise. I got to the starting line. A lot of people dream of the starting line but never get there. They never get the chance, or take the chance, to run. Now I’m running and I’ve got some inertia behind me. I have you behind me. (I know because you’ve read this far.)

My resolutions for 2012?

I will use this. Failure is fuel.

Failure is only failure if you let it keep you stuck in the tub. 

Happy new year.

If it isn’t happy,

MAKE IT SO.

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12/12/2011 • 3:57 AM 11

Book Marketing: What I didn’t know about resistance to ebooks

I’ve been thinking about how to promote my books quite a bit. There was a lot I wasn’t sure about as I embarked on getting the word out. In the beginning, I didn’t know for sure if I even wanted hard copies of my book. I do want a printed book for Self-help for Stoners now (for various promotional experiments to be announced.) I didn’t know how hard it would be to ask friends to help spread the word. I didn’t know how difficult it would be to get friends to take the time to read and review the books and listen to my podcast. Even the people who care about me don’t necessarily care about my tales of suspense, comedy and magic realism.

I underestimated how loyal people are to the media they are used to. For instance, I know several people who want to support my work, but for one it has to be print only (I’m sure he’s not alone) and for another, she’ll have nothing to do with Amazon. She’s waiting for the Kobo version (so she’ll be waiting a long time unless she orders the print version straight from me.) I was getting a little down about that, but then Andrew, another kind fellow, said that though he’d prefer paper, failing that, he’d be ordering the ebooks anyway. Change happens, but not on my schedule.

And then there is traditional publishing’s inertia. It’s slowing, like a big ship that’s lost power but still has momentum in the Zeitgeist Sea. This afternoon I listened to the annual book recommendation show on CBC’s Cross Country Checkup. Dozens of callers recommended which books to buy for Christmas. Not a single ebook was in the mix. The CBC demographic either skews toward a generation that hasn’t bought its Kindles or iPads yet, or the resistance to the ebook revolution is so entrenched that we won’t see the CBC recommendations change until a cataclysmic shift, like Chapters closing its brick and mortar outlets. (For reasons I’ve already covered on this blog, that’s in the works, but it’s a process and won’t happen overnight. The change is as easy to predict as the contraction of HMV and the fall of Blockbuster, however.)

Another prejudice for us to overcome is the giggle factor. “Self-published?” (I covered that subject a week ago so I’ll not delve further into that.) But I face another giggle factor: my title is Self-help for Stoners, Stuff to Read When You’re High. An acquaintance saw my business card and said, “Stoner? You?” I replied that I had indulged. I also told him that many of my stories of suspense have elements of violence and murder. “The research for that…” I grinned, “well, let’s just say you’re worrying about the wrong thing, pal.”

I added that you didn’t have to be a stoner to enjoy my stories (though my standard joke is that anyone who is high is automatically a better audience…for anything.) Still, no sale there. He walked away worrying about my immortal soul and questioning what he thought he knew about me. (Answer: I’m complex. Like Batman. Okay?!)

In part, I chose Self-help for Stoners for cold and calculated strategic marketing reasons. It wasn’t just that it fit the book. Many titles might have fit the book. However, I had a short fiction collection (a difficult sell) that was a weird hybrid. I knew going in this would be a self-help book in the form of fiction. The fact that the book was inspired by two celebrity stoners to whom I dedicated the book also played a major role in my choice. For that collection I reached back to a non-MFA approved format: Amid the short stories and brain tickles, it’s kind of preachy. On purpose, it’s fiction that packs a point as well as a gut punch. Kind of like Vonnegut, it’s plot driven and yet there are forays into stories that invite the reader to introspection. It’s preachy in the same way The War of Art* is preachy: consciously and on purpose and without apology.

To the surprise of some, the book has nuance in that I do not advocate throughout for marijuana use for everyone. It’s not for everyone, but free speech and free thought and control over one’s own consciousness are things I do advocate throughout the book. This is a book that will have to find its audience or its audience will find it. However, I don’t regret the title. Collections of short fiction, and the weird hybrid this is, are a tough sell no matter how wonderful I think short stories are. They’re so tough, in fact, that I’m done with short fiction for a long time. The next books will all be novels. However, since stoners are a reading, identifiable market, I tailored many of the stories from Self-help for their enjoyment. (Yes, stoners are readers and are often an intellectual bunch. Don’t believe the hyped stereotype of a bunch of dumbasses blitzed on a beach. That’s alcohol.) My people will find me, either through my friends, my networks, social media or through my podcast of the same name. For any book to be successful, ultimately it will have to found through good reviews, excited readers and Google.

Here’s what I’ve learned so far:

1. Choose your title carefully. In the long term, targeting an identifiable niche will help me. In the short term, it’s uphill slogging.

2. Get a good cover. We’re told we’re not supposed to judge books by their covers, but of course we do. I did my cover for a novelette (The Dangerous Kind). I liked the cover well enough because it was for a 10,000 word story I’d sell as a loss leader for 99 cents. In retrospect, I’d ask Kit Foster, my graphic designer, to do that cover now. I recognize the elements that go into a great cover but I can’t create one. I have no idea how Kit does his magic. I just know that I get a lot of compliments about how good the covers are for Self-help for Stoners and Sex, Death & Mind Control.

3. Have a strategy. I named the book strategically, but perhaps more important, I named the podcast strategically, too: It has the same name. In the long run, I’ll probably find more people through the Self-help for Stoners podcast (delivered free and weekly through iTunes) than any other strategy I plan to use (except one.)

4. Don’t be a jerk, but don’t be too shy, either. Keep asking for help spreading the word. Just be sure you give lots of positive content beside the occasional request for reviews, shares and assistance. It’s not begging when you’re giving more than you’re receiving. It’s quid pro quo, the basis of all civilization.

5. You noticed the end of point three and you wondered, “What’s that about?” What’s the ‘except one?’ “ The best strategy is to keep on writing the next book and the next and the next. Revise and edit the hell out of them. After about book five, you have a better shot at getting noticed.

It’s a process. It doesn’t tend to happen quickly until a critical mass of forays— failing, learning and winning— are traveled through. I’m on my journey and these are exciting times at Ex Parte Press. Last week, I finally got the print formatting done for Self-help for Stoners by calling in the cavalry (thanks to Jeff Bennington). This weekend my graphic designer (the inimitable Kit of KitFosterDesign.com) and I finalized the cover for the paper book. Kit even put a new logo together for me (pictured above right). Some things are coming together, but a lot more is not. It’s a learning experience. Some day I’ll look back and say these scary times were the most exciting.

 

*And by Thor and all that’s holy, if you’re a writer and you haven’t read The War of Art yet, do!

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11/30/2011 • 6:50 PM 0

As NaNoWriMo comes to a close…take a break!

Congratulations to all who participated in NaNoWriMo and got it done!

You stayed up late and got up early to write your novel. You got hired a babysitter for a couple of hours of uninterrupted time. You took the phone off the hook and got writer’s cramp instead of whining about writer’s block. Good for you!

Next stop: EDITING.

But first, let that manuscript breathe. Please.

Give it some time before you go back to revisit. Take a break before you get down into the dirty business of sifting through the carnage for the good stuff. Give yourself some time. You’ve had a crazy month so tonight, celebrate. Relax. Catch up on the TV you recorded through November.

Or why not kick back and relax with a comedy podcast? Oh, look at that. I have one!  Self-help for Stoners is also on iTunes. If you like it, leave a review. (If you don’t like it, go do something you do like.)

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Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

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Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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