C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

#NaNoWriMo: Evolving a series from one book

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Readers love books in a series. Maybe when you’re done your NaNoWriMo manuscript, you may consider turning one book into several. I’m having an interesting experience with my crime novel series I thought I should share with you because it’s a new thing for me and it may be helpful to pull back the curtain on the process as it’s evolving.

Last year, I wrote a short story about Jesus Diaz, a hit man I included in my suspense collection Self-help for Stoners. The assassin I wrote about was a mature and experienced, cold-blooded sort of guy who, at the request of their soon-to-be ex wives, killed men going through divorce. Jesus (pronounced Hay-soose) knew what he was doing and was very slick. Still, things went awry in an interesting way. That was the beginning of the Hit Man Series, but I didn’t know that then.

The revelation came when I thought, I want to write a Coen brothers’ movie! Self-help for Stoners has a lot of funny stuff in it (my favorite is the funny erotica) but I wanted to write a whole novel that played with one character in a quirky way. I thought about what origins a guy like Jesus might have to make him more sympathetic. Despite what he does as an enforcer, he does not see himself as the bad guy. No bad guy does. He’s a victim and a vigilante caught in the gears of New York’s Machine (the Spanish mob).  Think of all those Coen brothers’ movies and you’ll get some of the flavor: The Big Lebowski, Fargo, Raising Arizona, Blood Simple and Miller’s Crossing. Death always waits on the wide and easy road out of town. Perfect fit. I write about Escape. All my books and every one of my stories is ultimately about Escape. Along the way, I try to find a balance between realism and funny. People don’t get knocked out too easily in my stories, for instance. There are some bad guys who are entertainingly dumb, but nobody’s dumb just to make the plot work. Everyone has a goal that conflicts with everyone else’s motives and perspective.

“Worthy of Elmore Leonard with shades of Thomas Harris…”

The first book in the series is Bigger Than Jesus. I wanted to start the action off with a bang, so when we meet Jesus Diaz, he’s hanging off the side of a building in New York. The book reads like one long chase scene with a few sparse flashbacks to give depth to the character. Dexter is driven by psychological issues. Jesus is driven by circumstance and a need for money and delusions of grandeur. He’s obsessed with movies and wants the life he see in them. In the first book, there’s no sex but lots of violence and funny dialogue. I’d call it more gritty than gory. The story often plunges the reader into a web of deception and, because everything is seen from Jesus’ limited perspective, we only uncover the mystery of what waits in locker #408 as the Cuban hit man discovers the truth. Jesus begins his story arc as a guy who can lie well and has some skills he learned in the military, but he’s certainly no master assassin.

I watched and listened carefully for feedback before and after publication. People loved the jokes and surprises. Some thought there should be more sex and less swearing. I kept that in mind as I got into writing the second book in the series, Higher Than Jesus. I put in more jokes and surprises and yes, more sex. We discover new things about Jesus Diaz’s history. (That’s kind of a fun tip of the hat, playing with readers as they find out that Jesus has been lying to himself as well as others.)

Higher Than Jesus has a fast pace, but not quite as fast as Bigger Than Jesus. We slow down long enough for a funny and somewhat poignant chapter in which my hit man is failing at group therapy. We get into issues around addiction, too. From the first chapter, the tension slides in like a knife between ribs with a quarter twist as Jesus kills a bad guy on Christmas Day. Complications ensue around an arms deal that has national and historic ramifications. He’s learning and getting better at his job, but things still go awry.

Free on Amazon until November 23: A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

Through each book I used research and consulted with friends, one who’s ex-military and another who is a SWAT trainer. Some clever aspects of the plot turned on technical details my research supplied. As I write Hollywood Jesus, my hit man is still on the run from the mob and the FBI. The events from the first two books are by no means erased. What’s different as I write the third book in the series is Jesus’s confidence and competence. He’s still at the mercy of Murphy’s Law, but now the book includes the latest technology and techniques in espionage and counter-espionage. Jesus is a troubleshooter for a security firm, specializing in dealing with celebrity stalkers. He deals with them in very unorthodox ways, often using their own tactics against them. None of the tactics or tech is too far out there, so it’s not like a Bond movie, with Roger Moore. However, there’s a lot of very cool spy tech that’s available to anyone commercially. 

What’s the arc of the series so far?:

#1 was a pure crime adventure with dark childhood secrets driving the character and a mystery leading to escape. That whipped the action across the finish line.

#2 goes deeper into the character, but at its heart it’s hardboiled action with a chapter that drips with sex and a lot of violent action broken up by fast, witty dialogue. There’s less swearing, especially since one bad guy hardly says a word and the other sees himself as quite pure and above all that. I’m proudest of the psychological gameplay throughout, the funny chaos, the clever kills and a fight scene that actually reveals something about the character and his past instead of fighting for action’s sale alone.

#3: I’m still writing Hollywood Jesus, but I think that, though the story starts fast, the tension cranks up with more range of emotion. Yesterday, for instance, Jesus confronted a very deadly and powerful stalker to make Jesus (and the reader) understand the enormity of the danger he faces. That night, Jesus scans the audience at a comedy club for the celeb stalker as the client does her act onstage. We got a sense of why this celebrity is so special and worth protecting. I loved writing that scene because every line is from the stand up act I’ve had in my head for a while and I think it’s pretty hilarious. (I’ve been thinking about doing an open mic at Yuk Yuks sometime, so maybe I’ll try my material onstage myself before publication to see if I get the same laughs as Legs Gabrielle.)

The tech stuff in Hollywood Jesus fascinates me and always has. I’m drawing on a large library of dirty tricks, revenge fantasies and bad guy techniques I’ve researched for years. This is an amazing time to be a crime novelist. There’s so much information to draw on.

What’s stays the same among all three books so far?

The humor. One thing I share with Jesus is smart-assery, especially when in danger. Reversals and bad fortune plague Jesus, often because his plans and my plots are so elaborate and my hit man is not as smart as he thinks he is. The assassin’s character does change through the books. By the third, he’s wary of falling in love too quickly, which is a fatal flaw with him. He begins to see himself differently by the end of the second book so, though he’s always been clever, by the opening of Hollywood, he’s more proactive and in control…or so he thinks.

Things are rarely as they appear in the Hit Man Series. I have an outline, but I’m not sure of all the details of what’s coming. For Jesus, I’m more of a pantser than a plotter. I can’t wait to see what he does about what I throw at him tomorrow.

Grab Higher Than Jesus before midnight, Friday, November 23rd

and it’s free!

(There’s an intriguing offer for more free ebooks inside and, fair warning, all the prices will be going up soon.)

~ Robert Chazz Chute writes hardboiled suspense with quirky twists. He’s also written two books about writing and publishing: Crack the Indie Author Code and Write Your Book: Aspire to Inspire.

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#NaNoWriMo: You’re tired. Dream some more.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks.

Writers are a tribe bound together in loose nomadic groups travelling in the same direction along parallel lines. We are  slathered in poverty and fear and unrealistic hopes. But we are also sharers and people pleasers. We are the dreamers.

If you are a writer, someone in your life is trying to wake you from your dream: You are a child lost and frantic in a busy marketplace and that chasing frenzy will pull you from sleep’s safety. Readers are beautiful objects of desire but your love is unrequited. You have disappointed yourself and fallen into the gap between the great vision you saw from far away and the lesser book you crafted with your hands. Everyone falls short, but nomads keep moving. Writers continue to stretch and reach. Sometimes you will curse your blessing and you will wake, startled and disoriented and blocked. Go back to sleep.

Stay asleep and dream. Burrow down under the blankets. Pull the quilt over your head. Some people — busy but still somehow accomplishing little or nothing — can’t bear to see someone warm and comfortable. Busy people in busyness are blind to your mind. They can’t see that you are happily occupied in Creation, elsewhere and elsewhen. We are Zen masters, actively doing nothing for a larger cause that awaits us in paper and pixels. New futures demand that you be different.

Write and, when you run out of space in your dreams, read to make more room for the next night’s escape. You have the creative virus. Those who would wake you from your dreams can’t understand the compulsion your disease insists upon.

Write and make worlds. Your dreams are important. Never doubt that. Your night work is important because we are the creators of escapes from the waking world and busyness.

Writing, above all, is a kind thing to do.

 

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Not Free Much Longer: The Dangerous Kind & Other Stories

The Dangerous Kind & Other Stories (2nd Edition) is free for the last time for just a bit longer.

Here’s an excerpt I’m sure many writers can relate to.

Grab The Dangerous Kind & Other Stories here.

Stay-at-home dad.

40.

Broke.

This is not the future I did not plan. The future I did not plan, but thought somehow would take care of itself, is not taking care of itself. Squeegee kids aren’t broke like me. They aren’t still paying for a vacuüm they bought on credit last Christmas. Credit card debt is kicking my ass, or was, until my dad intervened and I discovered there are prices to be paid which are much higher than the interest on VISA.

I have no excuses and, like the rest of my generation, no clue. My wife, Cecelia, has a nursing job at an old folk’s home and I take little freelance editing jobs here and there. My main occupation is to watch our two boys and rub Cecilia’s feet when she gets home after a long shift. We have her tiny retirement investment plan. The statements go unread because neither of us read Bewilder, an alphanumeric language only understood by people in the financial services industry. We hope it works out.

My father learned his financial skills from his parents during the Depression. Grandpa was an Episcopalian preacher in Poeticule Bay before the roads were paved, when everything arrived by boat. The congregation often fed the minister’s family with cod and lobsters rather than feed the collection plate a few coins. Dad scraped up a little money here and there and somehow became what it seems no one can be anymore: The mythic Self-made Man.

Dad would lie in bed and plot his escape from poverty while his brother counted pennies into a mason jar each night. Childhood was so short then, it was almost imperceptible. They did escape. My father’s generation had smaller dreams and the discipline and savvy to make those lies true. They made something of themselves and I have no idea what that might feel like. Instead of selling things, my wife and I had kids and bought stuff off the TV because that was our little slice of the American dream. We trusted the Future, but the banks killed it and the government never arrested anyone for Future’s murder.

My uncle is still alive, too. He gambles his ample retirement fund with various Vegas casinos and heart by-pass specialists. Dad and Mum were snowbirds. After she died, he gave up on Poeticule Bay, Maine permanently and moved to Boca. He watches the sunrise and the sunset, takes pictures of pelicans wheeling over the water like pterodactyls and ponders his only son’s squandered potential.

“We never needed much, certainly not near as much as kids today think they need. I still don’t need much,” Dad says. “If it comes down to it, I could live off a greased rag for a month.”

Dad’s speaking to me over the phone, but he sounds like he could be talking to himself. I guess that’s true since, while he talks, I’m thinking of my boys and how all their friends have iPods now. The technological future is finally here and the party rages on without my kids.

Dad graduated from pennies to folding money, mason jars to stock portfolios. When I was a kid asking for a few dollars to buy something, his answer was always the same. “Why do you think you need that, boy?”

I was not deprived exactly. Dad provided clothes, food and shelter. But my wants? My wants eclipsed the sun. I wanted to fill my room with books and toys and music because that is how you buy happiness. Less is not more. Less is less.

My father wanted my childhood to be as short as his was and my room to be as bare as a monk’s meditation chamber. I denied him that satisfaction so long, I still don’t feel like a man. And yes, he still calls me “Boy.”

In this book, people are desperate to escape small-town Maine and maybe even elude themselves. The novella, The Dangerous Kind, is psychological mayhem and my tribute to Stephen King’s suspense.

Dad owned Poeticule Bay’s only hardware store. Early each morning he went off to work freshly shaved and optimistic. Each night he shambled home to supper, miserable. By the last spoonful of dessert he resolved that tomorrow would be better. What I did not understand then was that the tomorrow he was thinking about was the far-off tomorrow, the arthritic future wandering Floridian beaches alone collecting shells.

Retirement is not in my future. I have fitful dreams of being a writer. That is the same retreating mirage I saw on the distant horizon when I was eight. There are haphazard moments of clarity when I compose eagerly. Then I turn on the TV and fall asleep. Words with promise have died. Clever lines form skeins of sentences. I reach in spasms. I worry I’m already too late. The bills mark time.

Awake and rubbing my eyes, I am smack in middle age on the brink of last chances. I am halfway between those early promises and the sum of me. That distant horizon still recedes. I am not a bestselling author whose book is soon to be a major motion picture. I’m not even a grown-up.

Yet.

In this frame of mind, I made excuses to Dad why I could not load the whole family in a jet and wing off south for a visit. I let slip that I could not come because my wife and I had to pay off credit cards. I said too damn much.

Dad called back at seven the next morning. My debt had been gnawing at him through the night. The kids were still in bed so I was, too. “Time you got up, boy! I suppose Cecilia was at work an hour ago!”

He’s not big on preambles. Why don’t I have call display on the phone by the bed?

I didn’t tell him I was up till three last night writing. That would just be another mistake to hold on to and bring up at Christmas. “Is the book done yet? When do we see it in stores and how much will you be paid? How much, boy? That doesn’t sound like much.”

I thought about telling him the kids were painting each other with glue again and that I had to hang up. I didn’t, though. I listened because he was talking about giving me money. His was a generous offer of an interest-free loan to kill the credit cards and raise the possibility of a future without debt.

I’ll owe him.

Instead.

Again.

I said I’d think about it, like I still had a choice and pride.

Later, when I looked upon my innocent boys’ debt-free faces, I had to remember how to build a smile. Each grim facial reconstruction soon fell from my lips and I had to rearrange my face again. When they want the latest robot dinosaur, will my card be maxed out again? Will their memory of me be The Failure Who Always Said No? How different is that from the Self-made Man who says, “Why do you think you need that, boy?”

What will happen when they grow up? When they go to college and fall into the same — or a deeper — debt trap, I will pull them out of that hole if I have a rope. No money? No rope. No hope. There lies the soul of shame’s pain.

Each New Year’s Eve, Cecilia and I say this will be the year we “get some breathing room.” We’ll save money…somehow. We’ll win the lottery or I’ll sell my novel or…something. What’s likely to change since we aren’t doing anything different? We never speak of this secret aloud for fear that, like some magic curse, the danger will only be made real in the speaking.

I’m worried about the slow, spreading stain in the bedroom ceiling. Will roofers even accept a credit card? How much will new eaves troughs cost? Will the furnace die this winter?

“How much?” Dad asked.

“Ten thousand,” I said. I braced myself but he did not say anything. The weight of the silence on the phone line stretched out. His disappointment was that heavy. My scalp burned and my body felt skinned by rusty carrot scrapers. “Five hundred a month okay?” I ventured.

“Yeah,” he said. “Promise you’ll cut up your credit cards?”

The next pause was mine, the startled kind.

“Yes,” I lied. What if I have to rent a car or get a hotel room for some ugly, unforeseen reason? I think about the roof, the furnace, the eaves troughs, the latest dinosaur robot and the look on my boys’ faces when a classmate gets a new computer. My father will not understand why I will never cut up my credit cards.

I must have that safety net for emergencies, even if it could hang me. I could try to explain my situation, what my real life is like. That’s definitely what I should do.

“Um…Dad?”

Go ahead, I say to myself, sweating and now out of my body. Tell him! Tell him that the best things in life aren’t free! Tell him iPods buy love and happiness. Explain how you’re asking for $10,000 because that’s all your stupid pride can bear to ask but you could ask for twice as much and still not cover your debt! Tell him there’s little hope but you wish he shared your dreams for success, anyway. Give him another reason to call you “Boy.”

“Yeah?” he says.

All he’s got waiting for you is the sucker punch of a loan, judgement and condemnation.

“Thanks, Dad.”

“Yeah.”

I hang up the phone, my head hot and pounding. The kids are watching a SpongeBob rerun. My wife won’t be back from work for another hour. I could steal a nap.

Instead, I sit down. I dream big.

I write.

Grab The Dangerous Kind & Other Stories here.

 

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#NaNoWriMo: Tools to get you back on track & stay inspired

Right about now, if you’re doing National Novel Writing Month, you’re feeling a little tired and you have two complaints: Where do I take my story from here and how can I better manage my time to meet my writing goals?

I can help. First, here’s a link to my guest post on Masquerade Crew today. This excerpt from my book, Crack the Indie Author Code, is an easy, fun and  genuinely intuitive exercise that will turbocharge your NaNoWriMo efforts and make your manuscript fresh. I call the strategy my Trio approach to story creation. You’ll love it and your readers will, too.

And now your free time management tool: The SlimTimer. I found it through The Nerdist Way by Chris Hardwick. (With all those Star Wars jokes and references in my books, you must have guessed my nerd secret, huh?) This tool will help you track your activities and find time. Only what is measured can be improved. Measure your day with this timer.  Then make time you didn’t know you had, get back on track and stay on track.

Crack the Indie Author Code is Book One. Write Your Book: Aspire to Inspire is Book Two in my series on writing and publishing. For fresh inspiration, I offer this uber cool image to motivate you to persist with writing your book so you, too, can have a cool ad like this!

Click the image to get Higher Than Jesus

Often when we think of graphic designers, we only think about book covers. Kit Foster from KitFosterDesign.com sent me this ad this morning. I’m using the white variation above in the Orangeberry book tour. Pretty cool, huh? Kit is not only an author and the sponsor of the All That Chazz podcast, he’s also an amazing designer. He does book covers, web banners, Quote Art and much more. If you have a podcast, you need art. If you need an ad, check out Kit’s portfolio and go get help. Great images grab eyeballs.

Graphic designers can do more than just book covers. Kit is a great consultant. For instance, it was he who suggested that I add a tag line to my covers using the ten commandments to reflect some aspect of the plots through the series. In Bigger Than Jesus, it was “Thou shalt not steal.” In Higher Than Jesus, it’s “Thou shalt not kill.” In the next book, Hollywood Jesus, it’s “Thou shalt not covet.” That tweak added a lot to the look and tone I wanted to achieve. Tweak your covers. Don’t let them lie there, weak and ugly.

I’m so excited about how my books are turning out (which explains how linktastic I am today), I want you to be excited about your books, too. Go write one.

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Amazon Overboard: Further thoughts

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four! Just released, so no reviews yet, but any second now….any second…Amazon’s doing what?! I’ve gotta sit down on a stump and think about this!

Publishing blogs will be burning up about Amazon’s new review policy tonight. Here’s my soothing balm: I think the idea of clamping down on authors reviewing their “competition” is so nuts, somebody on Amazon’s end will step in and say, “Sorry! Never mind. It was Todd’s first day and he locked himself on the bridge and took the helm and we almost crashed into that small moon.”

(Everybody all together now: “That’s no moon!”)

This is such a classic overcorrection to the comparatively minor problem of sock puppetry that I have to believe cooler, smarter heads will prevail. This is Amazon. They’re smart! (“…right?” said a small, nervous voice.)

In case they aren’t smart about this issue, here are my thoughts and predictions for what might happen if they don’t break past the locked door to the bridge and wrestle Ensign Todd to the deck.  

1. Following this logic, if Steven King were to step out of a pillar of literary white light, lay his sword upon my shoulders and give The

Steven King! Click here! Small-town terrors and psychological mayhem in Maine.

Dangerous Kind & Other Stories his blessing, Amazon wouldn’t want a share in my ensuing windfall? (I choose that book because, hey, comparisons have been made and, ahem, Steve, if you’re reading this…)

Okay, that’s not going to happen, but the principle strikes at the heart of the problem. If Steven King — or any other writer who springs to mind — says a book is good, that recommendation is given more weight in the real world, not less. We’re writers and we’re serious. We might know a little something about craft. I wrote two guides to writing and publishing and used to work in traditional publishing. For that reason, I should get less of a voice and opportunity to exercise free speech? To put it less eruditely but more succinctly: Um…huh?!

2. She Who Must Be Obeyed pointed out that the Oscars would have to be closed down by this policy’s logic. In that group, only directors can vote for directors and cinematographers vote for cinematographers. No one questions their moral fortitude and how honest their opinions are. Amazon’s giving me less credit for honesty than Hollywood people?! Again: What?!

If the core issue is trust — and we do want to trust that the review system works despite some evidence to the contrary — that trust is tested in two directions, not one.

3. Amazon’s great at a lot of things. If they keep this review policy, they will give their competitors a chance to be good at something at which Amazon, at present, suckeths. It doesn’t help that the policy is an insult aimed right at us. Most people can be trusted to write an honest review. My fear is that this move enables a lot of bad reviewers (who happen not to be authors) to go rogue and unchecked. Without balance, we all fall down.

4. I’m concerned that there’s a bunch of fear cropping up around this issue. As someone on Twitter told me today, it doesn’t help that they threaten to pull the book down if you argue with them. In dealing with artists, authors and content providers, threats are a tactical error. We’re all adults here, so let’s take this as an opportunity to solve problems. I’ve already been told, not unkindly, that I should watch what I say for fear of punishment. JA Konrath has mentioned that he’s got so many reviews, he’s above the fray. I have few enough, I’m beneath it. Take me down and I’ll get more publicity from the capricious attack. 

5. The Law of Unintended Consequences is one of my favorite laws. It rules throughout my plots. In fact, as Konrath has pointed out, it’s this bitch of a law that got us into this mess. If this policy stands I predict:

A. Fewer reviews on Amazon. Well, d’uh. If they just take them down, why bother?

B. Bad reviews stay up, depressing our star ratings. What many readers suspicious of reviews don’t understand is how incredibly difficult it is to get any reviews at all. That’s especially frustrating because many sites won’t help us promote our books until we have at least 10 reviews that yield a ranking above four stars. Put up another barrier to our livelihood and hopes and dreams and you get…

C. More paid reviews will rear up from clever, shady companies who will get around the system. Put desperate authors in a game they can’t win and more will cheat (only this time they’ll feel justified instead of furtive.)

D. Reviews will matter less than they do now. Many would say “even” less, and I repeat my oft-repeated plea: Read the sample and base your buying decisions on that, please.

E. Competitors and book review sites and book bloggers will rise higher as this policy change makes reviews less relevant. In many cases, authors will have to pay for those reviews, too, just to get to the head of the line.

Sigh. Okay…it’s off my chest. Now  what? 

My suggestions:

Sign the Change.org petition asking Amazon to please stop taking down reviews arbitrarily.

Get back to NaNoWriMo and have some fun being awesome.

Get back to reading something great and review it.

By the time you do so, this mess will probably be sorted out and Todd will be safely stowed in the brig.

*Geek test: Yes, I’m aware I mixed allusions to Star Trek and Star Wars in this post. Climb down off my back. It was a joke.

Free to download Nov 5 to Nov 9, 2012. Grab it now!

FRESH UPDATE: My crime novel, Bigger Than Jesus just reached #1 in Hardboiled and #9 in Action/Adventure. That’s an example of something Amazon does very well. Click it to grab it free until November 9!

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Author interview with Robert Chazz Chute

Over at Forgotten Realms, a fun interview awaits, including why the people at Staples were so mean to me last week.

I’d never been asked free association questions before. Tarek asked  “Child?” I thought “Money.” “Ocean?” “My answer was, “South Pacific”, but I meant the musical. My next thought was SpongeBob. Of course I also talk about Higher Than Jesus: bigger, even funnier, more hardboiled, more skip tracer tricks and The Major Chapter of Sex will melt your wallpaper.

By the way, Bigger Than Jesus, the first funny, clever, hardboiled thriller in the Hit Man Series is free this week! That’s right! FREE, until Nov. 9. Click it to grab it. If you love it, please review it. Thanks! 

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#NaNoWriMo Tip: How to blast out of the gate

Find tons more tips and inspiration here.

As you write your manuscript, grab your readers by the eyeballs right away. Here’s how:

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

1. Start late and bait the hook. When writing guides say, “Come in late,” they mean to bring the reader into the action quickly without throat clearing. Stick your media in the res.

2. “Throat clearing” means  focussing the back story and distractions more than the action. (Usually weak first draft paragraphs tarry too long over the weather, flora and fauna.)

3. Instead of taking too long to set the scene, let character be revealed through action and dialogue.

4. Look for the unusual and strong verbs in to give your hook strong bait.

5. Preserve mystery to pull readers in. Don’t give it all away at once. For instance, if your protagonist is chasing someone through a dark warehouse in your opening paragraph, don’t tell me she is FBI right away. Focus on the pursuit and the danger around the next corner. Let the details leak through. It’s much more intriguing to have a woman chasing a bad guy when you don’t know right away that she’s on the righteous side of justice, has a ton of training and resources and her back up is on the way.

Free to download Nov 5 to Nov 9, 2012.

Here’s my opening to Bigger Than Jesus (which, ahem, happens to be free to download here from Monday, November 5 to Friday Nov. 9.)

Water drips from the soot-black gargoyle’s tongue like thin saliva, as if the grotesque statue is mocking you and eager for blood. Panama Bob Lima clings to the gargoyle, using it as a shield. You are on a thin ledge on the side of a very high building and for once you wish you wore your Nikes instead of twelve-hundred dollar Tanino Crisci shoes. So far, this job is not going at all as planned.

Rationale: A mood is set in an unusual situation. Weather (the water through the gargoyle) is mentioned because it’s relevant to the danger the protagonist faces and we get a taste of the crazy to come. The second-person, present tense brings the reader into the middle of the action and provides immediacy. The second-person present tense and reference to the ominous gargoyle is purposely disorienting in the first sentence, just as the threat of the long fall is dizzying. It’s an opening that poses questions: What is the job and why the pricey shoes? The protagonist is probably not there to help since Panama Bob uses the gargoyle as a “shield”. The opening tells the reader they can expect a fast pace and the ironic last line is a clue that the story won’t be told straight. Dry humor is ahead.

6. Open every chapter with a baited hook and action. Give readers action that propels and compels and you’re on your way to a better book.

Higher Than Jesus, the follow-up to Bigger Than Jesus, is available here.

~ Robert Chazz Chute is the author of five books of suspense and two writing guides that, if you’re reading this far into this blog, you obviously need. They are Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Check out all of Chazz’s books here.

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#NanoWriMo Tip: How to finish with a flourish

Jodi McMaster asked a great question: Got any tips on how to approach endings? As a matter of fact, I do! I talk about story arcs and related whatnot in the writing guides, but here’s my take:

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

1. Some people think you have to have happy endings. I prefer satisfying endings. A satisfying ending isn’t necessarily a happy one, but it should be generally perceived as an inevitable ending in retrospect. Surprising, yet logical and inevitable when you look back on it. That’s the ticket to reader happiness. It’s a tough order to fill, but it works every time when you do it right.

2. I love surprise endings. Twist endings are shunned in some literary circles, but the readers in those circles are squares. I once read a literary critic sneer at surprise endings as “too, too O. Henry.” Oh, please. “Too” O. Henry? As in the guy who wrote some of the most memorable, popular and enjoyed fiction of his time and beyond? It’s not a cheap ending if it’s logical and entertaining. Do that and nobody minds a surprise ending.

3. No cheap tricks, such as “And then the little girl fell out of bed and realized it was all a dream.” A really bad movie called Wisdom with Emilio Estevez did something like that. It was not wise and that’s why you’ve never heard of that movie, unless some unfortunate movie goer was speaking about lousy films on which to spit.

4. Readers should not be puzzled with your ending. If you’ve read a bunch of winning short story contest entries at some pretentious lit mag, you’ve read this sort of ending. It’s the nebulous ending favored by some very expensive MFA programs. It’s the sort of ending that’s so vague, it’s unsatisfying or downright opaque. You read it and reread and wonder if there’s any meaning behind that poetic last paragraph? Then you wonder if you just had a stroke and that’s why you can’t figure out what the heck the author is trying to say. Annoying. You can have intriguing endings. You can’t have loose ends that read like a quantum physics equation.

For Higher Than Jesus, my first ending was clear-ish. One of my beta team told me to make it more explicit and less poetic because that’s the last impression the reader gets before they go write a review. He was right so I rewrote the last paragraph for more of a punch between the eyes.

5. It should be an ending but you can hint that there’s more to come. I love leaving the door open a little. When readers invest themselves in a character, it kind of hurts to say goodbye to them. Characters should be so rich that the reader feels that the heroine’s and hero’s story will continue beyond the life recorded in the book. Hope for more from your characters in the future is uplifting. It can also uplift your sales when you turn one book into a series.

6. If you’ve got a too-easy ending, think about it longer. At the end of Casablanca — a movie I love — there aren’t any Nazis at the plane checking travel documents, the point the structure of the movie turned on. They could have wrung a little more tension out of that final plot point if there was some question of an external factor keeping Ilsa and Victor from getting on the plane, too.

7. Don’t stay too long saying goodbye. This is the dreaded viscous ending. Think of the last Lord of the Rings movie. It didn’t have one ending. It had five endings that dragged on and on. This was meant to appease lovers of the book. It made my butt numb in the movie theatre. Instead, hit your last power peak in the story and opt for the short dénouement. (Note that the end of the trilogy had a little of Casablanca’s plot niggle, too: Why all the walking when you can ride a giant eagle and zip back to the Shire in no time?)

8. Be very careful about killing off your protagonist. It’s a lot to ask of a reader to go through a whole book cheering for a character and killing them off at the end anyway. (See Point #1 again.) Remember how everybody hated Alien 3? There was lots to hate, but consider (spoiler alert) that after rooting for the little girl to live all through Alien 2, she dies in her cryotube at the beginning of Alien 3. It wasn’t a great start and it did not get better. Why? Because the audience was cheated of their earlier victory. It’s not that you can’t kill off a protagonist, but be smart about it and give the reader a payoff to make the sacrifice worth it. If you’re going to kill off Bruce Willis on an asteroid in Armageddon,  for instance, it better serve the cause of saving the planet from said asteroid. (This was back when Bruce Willis was more popular. We’re okay with killing him off earlier in the show now.)

9. More specifically to Jodi’s question: Great endings and great books spring from character. What does the protagonist want? Are they  worthy of that goal? As we make the reader care and amp up the tension along the way, the story is all about the obstacles in the protagonist’s way. When we’re through the obstacles, failures and reversals of fortune, have they won the day? Does the hero or heroine mourn the sacrifice it took to get them to end of the story but at least reach a higher level (e.g. wiser, stronger, redemption, making the family unit whole, saving the world, saving themselves, vanquishing their enemies, winning love etc.,…)? The protagonist doesn’t have to meet all their goals to provide a satisfying ending, but for the reader to be satisfied, they should feel that the trip was worth the time and the stakes were high enough.

Another example from movies  (and a spoiler alert ahead): Michael Keaton is awesome in the film Clean and Sober. However, as good as Keaton is in the drama, the ending is unsatisfying. It ends with Keaton declaring his first days of sobriety, but it doesn’t feel like he’s really earned the achievement. He goes through a lot, yes, but it seems like he gets sober through an unlikely inability to get his hands on any drugs rather than an act of will and discipline. Sobriety is something that happens to him, not something he went out and did or didn’t do. Heroes own the locus of control. That’s why everyone’s a sucker for a training montage in any sports movie.

10. The clue to a great ending is often hinted at in the beginning of the book. Your opening is a statement of the core problems the protagonist faces. Your ending is the solution to whatever that problem is. At the opening of Higher Than Jesus, I’ve got my hit man, Jesus Diaz, about to kill a guy in a sleazy after-hours joint in Chicago on Christmas Day. Jesus needs money and he has to get rid of the bad guy. I won’t spoil anything, but I will say that at the end of Higher Than Jesus, he’s clearer about his own character and why he does what he does. The payoff is wisdom and growth and…much more I can’t tell you.

My first clues to great endings were in reading Esquire magazine. Any great magazine article saves a little punch at the end. (Newspapers use the inverse pyramid model, so all the good stuff it’s up top and they edit coarsely by cutting from the bottom.) Magazine pieces always end on a strong note. It can be ironic or funny or powerful or triumphant or geared to make you cry. Read a bunch of those articles and then compare that feeling to the feeling you get at the end of your book. If you have a similar tickle in your brain and pull at your heart, you’ve got a memorable ending with punch.

~ Robert Chazz Chute is the author of two writing guides: Crack the Indie Author Code and Write Your Book: Aspire to Inspire. They aren’t your Grampy’s and Grammy’s guides to writing and publishing. Lots more inspiration, zero scolding and tons of ideas and motivation for writing your books to completion. (“To completion” is not an orgasm joke. That’s a terrible euphemism. Don’t use that!)

 

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My crucial brain hack to win #NaNoWriMo

There’s a trick I use for problem-solving, plot twists, brainstorming and inspiration that really works. (I blogged about it long ago, but it’s so powerful, it bears repeating and you probably haven’t seen it.)  This writing tip will be especially useful to you if you’re a pantser, but plotters can use it, too.

I wrote Bigger Than Jesus and Higher Than Jesus (each over 60-some thousand words in about a month for the first drafts) using the hypnogogic state. I wrote these thrillers chapter by chapter, covering at least a couple of thousand words a day. Most nights I went to bed not knowing what adventures and twists my hit man, Jesus Diaz, would face in the morning.

If you’ve read the books, you know  it’s always something surprising. Things go well and things go awry (mostly awry) in clever, unexpected ways. Getting into the hypnogogic state is not hypnosis per se, but this technique does access a state of mind that’s particularly useful for writers, especially during National Novel Writing Month where you need a lot of cool ideas in a short time.

To access the hypnogogic state for greater creativity:

STEP 1: Just before I go to sleep, I plant the seed. What question do I want answered in the morning? (e.g. What will happen to my Cuban hit man in the next chapter? How will he get off that cliff he’s hanging from?)

STEP 2: Go to sleep. No light in the bedroom, no TV. Beds are for sex and sleeping and that’s all. Turn your clock face away so the big glowing red numbers don’t taunt you. Avoid stimulants, alcohol and exercise late in the day. The magnesium in mineral water can help you relax, but don’t drink so much you’re up peeing all night. Do whatever you normally do to achieve a good night’s sleep.

STEP 3: Wake up slow. It’s far preferable if you do not wake to an alarm clock. The time between sleeping and waking is a precious time and you want to prolong it. (That’s what all that great stuff in Step 2 is about, so you don’t need to wake to alarm bells.)

In that time between sleeping, dreaming and waking? That is where you will access your creative genius and, as you slowly swim up to consciousness, ask yourself: What’s the answer? The answer will come to you in that special, relaxed state.

Sounds too simple doesn’t it? It works for me every night and every morning.

~For more writing tips, inspiration and motivation for your journey from keyboard to publishing, pick up Crack the Indie Author Code and Write Your Book: Aspire to Inspire by Robert Chazz Chute. Chazz — a former newspaper journalist, magazine columnist and insider in traditional publishing — now has seven books for sale.

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NaNoWriMo: My crucial mistake

The first time I tried National Novel Writing Month, I did a lot right but I did one crucial thing wrong. 

What went right:

1. I created a loose outline before NaNoWriMo started so I wouldn’t write myself into too many corners and dead ends.

2. I planned my calendar and even reserved babysitters to make sure I had enough time to write.

3. I wrote more than the bare minimum each day (1,666 words) so I got ahead of my word count goal early. You don’t want to derail your NaNoWriMo challenge just because you had the flu for a few days or other work demands pulled you away unexpectedly. 

The crucial mistake:

It’s okay to paste in the broad strokes to fill in later (e.g. “insert awesome sex scene here” or “this is the chapter where little Bobby discovers he can crush badger skulls with the power of his mind.”)

However, as I reached 50,000 words, I stopped short. I didn’t write the last scene before typing “The End”. Later, when I returned to my manuscript to revise and edit, the magic momentum was gone. The missing end sucked my enthusiasm for the project. NaNoWriMo is a sprint and it feels great to cross that finish line. Fifty-thousand words isn’t the only finish line. Build the skeleton of the entire book and you’ll have something more solid to work with when you’re done.

For more on National Novel Writing Month and brainstorming tips, tricks and inspiration to carry you to the end, get my new book, Crack the Indie Author Code.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

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