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02/21/2014 • 6:27 PM 1

To all writers: A Call to End Hostilities (and focus on writing)

I should be writing my book and not blogging, so I’ll try to make this brief. This week someone I like very much called for self-publishers to stop pooping on traditional publishers for their choice to be awesome with the Big Five, agents and brick and mortar bookstores. There is a perception by some, possibly fuelled by the release of the Author Earnings Report, that indies hate writers who aren’t indie. Not true of anyone I know, by the way. It’s largely a myth. No one’s mad at traditional authors. What we often object to are contract terms from traditional publishers. Many of us consider Big Five ebook royalties egregious, for instance. Many of the authors trapped within the tight confines of those contracts feel much more grumpy about it and take it personally, so no controversy there.

Hugh Howey is calling for publishers to amend their contracts for ebook royalties that better reflect reality. Not so long ago, a famous agent claimed that ebooks were priced as high as paper books because they cost as much to produce and deliver. The fact that this statement was clearly nonsense didn’t seem to perforate the screen of what Romanian Canadians call “bool-sheet.” However, said agent is no longer an agent so maybe the dizzying cognitive dissonance corrected that person’s career path.

The debates and finger pointing comes in cycles.

I’d hoped the internecine vitriol had died down but it’s back, wearing tap shoes and has gone from acoustic and unplugged to plugged in, amped up and cranked up to eleven. The shite is stirred and the reaction to Hugh’s numbers, by some, is to complain those numbers aren’t accurate. Oddly, admissions to those mathematical vagaries are already in the report, but why discuss the truth of the big picture when you can argue over details that will eventually be revealed as more data pours in.

Amid this fracas, the call went out not to allow the pro-indie rhetoric to get out of hand.

Indie publishing is not, I’m told, a religion. Agreed. Good. As an atheist, I’m allergic. I was also told self-publishing is not a revolution but a disruption. With that, I do respectfully disagree. “Disruption” suggests impermanence to me. After self-publishing, how are you going to keep us down on the farm now that we’ve seen Paris? Contrary to what you may have heard, not all indies are hoping to be picked up by a “real” publisher. Some sure are hoping for that and good luck and bless them, too. (Me? I’d rather get a graphic novel going, or a series with Netflix, HBO or AMC or a movie contract or a video game deal or domination of zee vorld!…but that’s another post.)

Some (many?) traditionally published authors are going indie and others straddle the fence and opt for the hybrid sweet spot. All excellent choices as long as we go in eyes open with informed consent. As I’ve stated many times, this blog is about indie publishing, but I love all writers: aspiring, published, unpublished, indie, hybrid and mutant. The only writers I don’t care for are the ones who talk more than they type.

When I heard the call for indies to behave themselves, I nodded. Frankly, I’m tired of the indie versus trad argument. Having gone through this news cycle several times before in its various incarnations, I’m done. Nothing wrong with saying, “Let’s all play nice.” It’s about the least controversial thing anyone could say, surely!

Then the other shoe dropped through the glass coffee table.

In the very same thread that called for indies to be nice (ahem, to our betters) shots were fired the other way and several commenters took the call for indie authors to mind our manners as license to tell us how much we all suck. I don’t think that’s in the spirit of the peace treaty. I respect your choices. Please do not make assumptions about why I’m an indie author. Please do not generalize about why we’re “all” anything. No one has to justify their life choices to anyone who isn’t a business partner, spouse, federally appointed judge or priest, okay? And maybe not even then. I’m not fighting you, so why are you still fighting?

Repeat after me: We are all individuals! We are all individuals! If you write or read, by all that is unholy and wrapped in bacon, I love you all more than a basket of puppies and kittens slathered in chocolate sauce under a pile of thousand dollar bills.

Go in peace to your pad of paper or laptop or rock and chisel.

Write a book.

Read a book.

Love a book.

Filed under: author platform, publishing, self-publishing, author earnings report, authors, books, Hugh Howey, indie, indie authors, publishing, self-publishing, traditional publishers, writers, your own imprint

02/09/2014 • 5:59 PM 3

What resources do new publishers need (besides a darn good book)?

You’re a writer. You have a winning attitude and you clean up nice. You’re determined to publish a book this year. What’s needed?

Scrivener

Scrivener helps me write all my books. After experiencing its ability to organize a manuscript so I can bop around and rearrange elements easily, I’d never go back to Word. There’s a free trial or buy it for $45 USD. I now consider this software a need, at least for me.

Editors

Lionheart for editorial services. They did great job (fast and very reasonably priced) formatting my last book for print. I plan to use their services much more in the future. After many frustrating attempts, I realized I could lose my writing time to formatting or I could hand it over to an expert. (Special thanks to Jordanna East for the tip.)

This editor, Jason Whited, also comes highly recommended by the guys at Self-Publishing Podcast. (I guess he had a small hole in his schedule because if you use his services before February 15, 2014, he’s knocking 25% off his fee.)

The Graphic Artist

Hire Kit Foster at KitFosterDesign.com to design your covers (ebooks, print, audiobook, web banners, logo designs, advertising.) He works for traditional publishers and indies makes beautiful covers. As regular readers of this blog know, I can’t say enough nice things about Kit.

A website

You at least need an author page. WordPress is cheap and easy. If you expect to sell with affiliate links, self-hosted is better. If you’re going with GoDaddy or Hostgator for a domain name, just get the minimum and avoid all the upsells on features you don’t need. Hover is now my preferred place for domain names because they don’t do all the upselling and the price includes a lot of what other places sell piece by piece. Hover isn’t evil.

If you want to get more fancy so you have superior design, support and a badass sales page, try Squarespace.com. The domain name is included in the price at SquareSpace. I’d have moved my author site over to Squarespace already, but the platform isn’t as friendly to podcasting as WordPress (yet).

Social Media

You’ll need a Twitter account and Facebook. (Free to begin, cheap to advertise upon and of limited effectiveness in that regard.) You’ll notice I haven’t included LinkedIn. That’s because I’m not sold on its efficacy as a tool for authors. Some authors like LI more than I do. It can be useful if you’re looking for a job.

You’ll also find forums for authors there, but I put LinkedIn and Tumblr in the same category: nice but optional. My Tumblr posts my stuff automatically. I don’t hang out there. Sadly, Google+ hasn’t really caught on as much as it will. Google+ will get bigger once Facebook alienates more users.

Sales Platforms

An Amazon account for ebooks and CreateSpace for printing. All these accounts are free to open. Other sales platforms like Kobo etc.,… are by choice and as needed. (Many indies will tell you that you must be on all platforms. That’s a debate for another post. Read that here.)

Understand that you are the publisher now and (what fun!) you’re a business owner. Amazon, Kobo, Apple and the like are not publishers. They are sales platforms. The money you hope to get from these online catalogues is not a royalty. Those are sales figures, not royalties.

Since you’re the publisher, I’d form a LLC (US) or register a sole proprietorship (Canada). Do you have to? No. But I think it’s more professional, keeps the bank account out of the hobby category and the Ex Parte Press logo on the spine of my books says, “Yeah, this is real.”

Some platforms don’t require ISBNs. I think they’re a good idea. In the United States, you purchase them through Bowker. In Canada, ISBNs are free except for sending books to the national library.

An accountant

The tax system is far too complicated for mere mortals. When looking for an accountant, don’t ask for a referral from your kid’s orthodontist. He’s got lots of money and will have a slick, high-priced suit for an accountant a young start-up such as ours can’t afford. Ask a dental hygienist instead. She’ll have someone reliable she’s used for years whose fees are not exorbitant. Your accountant won’t wear a $3,000 suit, but who needs that for a bit of handholding? Big companies need high power to hide their assets. We just need a friendly guide through the system so we can have some peace of mind.

Use Wave or Easy Accounting Pilot or any simple spreadsheet program to record all the income, receipts, mileage, publishing and equipment expenditures. This is a do-it-yourself project. Don’t show up at the accountant’s office with a box full of receipts. If you do, no matter how inexpensive their services, the time they have to take to peer at crumpled receipts will run up your accounting bill.

Report all income and pay your taxes. The good news is, chances are excellent you won’t have any such thing as income for a while. However, that laptop, if used for your publishing business, is a write-off. Consult with your accountant. Ask how much of your office space is allowable to claim. Software and hardware have different allowable claims. Find out how much your government is allowing for mileage this year and keep a mileage log. It probably won’t be much, but when’s the last time you burnt a $20 bill? Lose track of receipts and you torch money and Thor knows we can’t afford to do that.

Author Marketing Club

Spend $100 on an Author Marketing Club membership, though even their free tools are good. Do not spend thousands on a publicist. This is especially true if you don’t have thousands of dollars or if you have only one book to sell. Most authors are their own publicity department (just as it is with most traditionally published authors, really).

And remember, the writing always comes first. Twitter, Facebook and promotion is for time that would be otherwise unproductive.

Friends

I don’t have many friends, but through my books, I’ve made friends with new people for the first time in a couple of decades. As I detailed in a recent and surprisingly popular post, friends and allies are not afterthoughts and frivolous relationships. They’re important to help us deal with our questions, our stress and even our workload. No indie who is successful is truly independent. We depend on others for street teams, beta readers, information and support. We’re publishers who crowdfund. We swap services, advice and guest posts and play in our allies’ blog tours and promotional opportunities. This is shoestring publishing that stretches our resources to the limit as we make books to the best of our ability.

Don’t try to publish without support from a writer’s group or like-minded indies, friends and/or family. (Not everyone will be onboard, so don’t expect moon pies from everybody, either.) I’m lucky to have beta readers with extensive military experience. One of my best friends trains elite SWAT and all their input has been invaluable to my crime novels and This Plague of Days. One of my friends is an English major and writer who is vigilant for plot issues and insists I never take a shortcut. Another beta reader is a proud and vocal member of the Grammar Police. Most friends and family won’t buy your books, but with help from a chosen few, you can reach the strangers who will buy your books. Have as big a beta reading team as you can manage, as long as it remains productive.

We need friends to save us from ourselves. I guess that’s true no matter what we’re doing.

What would you add to this list for new publishers who are taking their first steps into the indie pool?

~ This week I went through a bunch of this stuff with a budding self-publisher over the phone. She didn’t have a Twitter account yet, so it got me thinking about the necessities to begin. I think if you start off with the items I’ve listed above, you’ve got a lot of bases covered as you start your journey. I’m sure I’ve forgotten something and I know there are advanced options to add to the list. For instance, going to ACX for audiobook creation is a logical next step after you’ve published an ebook and you’re in print. Please add your recommendations in the comments thread so we can help new indies start off well.