C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Travesty: The Slate Culture Gabfest “bludgeoned” by books

Bad news

Some people have committed to never buying another book again. Their e-readers are stuffed full of all the free books they could load. They’ll probably never get to most of them. Downloads do not equate to reading. When they do give your book a chance, some nasties are predisposed to one-star reviews. They’ll give your books less of a chance than you dare hope. They’re far less invested in reading it because they’ve got way too much to read already. And “How dare you attempt to entertain me for free!”

It gets worse…

From several literate sources, I’ve heard intellectual folks complain about having a book recommended to them. On the Book Fight podcast (which I generally enjoy), the hosts — who honestly love literature! — talked about recommendation fatigue. Attempts to share the glory of a good story might be viewed with a cynical eye over there. Instead of an open hand of welcome for a recommendation, book boosters can expect to be seen as mindless parrots and promoters. Holy crapballs! These guys write and teach writing. Maybe they’re tired. One host yearned to have a job fixing cars instead of writing for a living. Somebody needs a vacation, or to remember how much hard labor can suck. This? From people who love literature?

But it gets much worse…

The Slate Culture Gabfest, a podcast you’d hope wouldn’t have room for cynicism, is not a safe space for books. You’d think people who talk about culture professionally wouldn’t be so disengaged and full of resentment when book recommendations come their way. One of the hosts even said they were less likely to read a book because someone suggested he should. I guess host Stephen “I hate everything but the counter-intuitive” Metcalf is past the giddy burble some of us feel as we read a book that genuinely excites us.

You know that feeling, right? When you consciously slow your reading to make the experience last longer? Remember those books that disappoint, not because they’re bad? Remember those books that, as you close them, it feels like the last roller coaster ride of the day is over and the amusement park’s closing up for the night?

Someone’s forgotten that wistful love. The three Slate podcasters felt “bludgeoned” because they got too many recommendations. (From here, that sounds like they’re complaining they get too many valentines.)

How’s their wariness and weariness working out for them? So far, they’ve successfully avoided A Visit from the Good Squad by Jennifer Egan, or any Barbara Kingsolver or any Alice Munro. This, from culture critics. Culture is their business, but I guess that’s no reason to get too bookish about it. Let’s nerd out over Michael Cimino’s Heaven’s Gate, instead. Lord knows that poor director never had his proper shot at fame and fortune. I guess I won’t hold my breath for them to give Bigger Than Jesus a go.

Where does that leave authors who don’t get to meet Stephen Colbert on their fabulous press junket?

(Hat tip to Slate’s Emily Bazelon. I still love you, Emily.)

Stuck in the desert with a cactus in our ass is where that leaves us. You can pump your books on Triberr and Twitter and Facebook and pay for all the advertising you can afford, but some people who review books are overstimulated and it seems to have soured their milk. One of the Book Fight guys suggested that if you hardly ever recommend a book and then you finally do, he’d give that recommendation more weight. That paradigm doesn’t fit into most authors’ promotional campaigns very well, does it?

That last point struck me as particularly disagreeable this week when I ran across a brilliant author who does no promotion. I won’t embarrass him here (but I’ll promote him later). For the purposes of this post, I’ll simply say that being brilliant might get you readers in the long-term, but he isn’t getting the attention he deserves without promotion. A good marketer who writes will outpace a better writer who fails to market well.

Slate’s jaundiced eye toward any recommendation I could make suggests his brilliance will stay a secret. The gatekeepers to publishing have been sent into the forest to learn other trades and reinvent themselves, but there are still gatekeepers to publicity and attention. And they are sick of us, no matter how casually and sidelong our book recommendations.

How am I going to pull this post out of its dive into a dark, hard place?

This has been a test of the emergency broadcast system. If this were a real emergency, everybody would feel this way about book recommendations. However, there are still plenty of readers who are not fatigued and may even thank you for reviewing and sharing. They might love our books. I sure hope they love mine. When you get depressed about people who seem predisposed to ignoring our efforts (or even despise us, our silly dreams and possibly even our dogs) focus your energy elsewhere. Continue with the quixotic! Quixotic is the most noble category of quests.

Now please go write something the critics can’t possibly ignore.

Or go write something someone will dare to recommend to someone, with shamefaced humility,

in a passive way that somehow won’t erect some critics’ inborn defences against a kind suggestion.

(And don’t tell them what kind of day to have.)

Filed under: book marketing, Media, Publicity & Promotion, publishing, readers, , , , , , , , , , , , , , , , , , ,

Odd and unfamiliar literary genres

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

People argue plenty about genres. Is Literary Fiction just another genre or The Standard? In an age of ebooks and fewer bookstores, must we be so strict about classifying genre? When is cross-genre going to get more respect? When will hardboiled come back? Why isn’t funny neo-noir bigger?

Okay, those last two are more personal to me because of my crime fiction friction (and the first question is a snob test. If you answered “The Standard”, get out.)

Let’s talk about literary genres you probably don’t think about much (yet): 

Boomer lit

Claude Nougat introduced me to Boomer Lit with A Hook in the Sky. Tailoring fiction to an age-related niche is an interesting idea. Can Zoomer Lit be far behind?

I picture further fragmentations: Debt Lit for the trials of our depressed global economy; Sandwich Lit for the generation stuck between supporting their parents and their children; Hack Lit for needful cottage-dwellers in the cottage industry of electro-self-help in an e-commute/quasi-agoraphobic Internet world without trees.

This is worth considering:

If you can identify an audience, you can create a genre. If you can create a genre, or at least put your stamp on it, you could sell more books.

Click it to get it.

Click for suspense and hilarious frivolity in Self-help for Stoners.

Case in point: Self-help for Stoners.

Zombie Erotica

Warm Bodies introduced this idea to me. Jay Wilburn discusses this genre  further on Armand Rosamilia’s blog. Creeps me out, though I guess The Corpse Bride gave it juice and Frankenstein originated it. We romanticize the dead  all the time (Marilyn Monroe, Jack Kennedy, Marty Feldman.) 

Cropped screenshot of Marilyn Monroe from the ...

Cropped screenshot of Marilyn Monroe from the trailer for the film Gentlemen Prefer Blondes (Photo credit: Wikipedia)

But sexualizing zombies? Hm. Could be a tough sell to a broad audience (depending on initial hotness, location of mortal wound and room temperature). However, we don’t need a broad audience. We need an identifiable and reachable niche of fans, fanatics and possibly freaks.

New Adult

For post-adolescent readers aged 18 to 30 or 18 to 26 (depending on whom you ask), this is mostly for those readers who are finding their way to their quarter-century life crisis. (Don’t wait for a mid-life crisis! Get started young when you don’t understand how little you really have to complain about! You still have so many crises to look forward to!) Click here for a list of popular New Adult reads on Goodreads.

New Adult is a very welcoming genre in that you can stick zombies or aliens in there, too, if you want. It’s typified by its target age-range and less by its subject. A popular misconception is that New Adult is for sub-literate people who don’t like to read. That’s not how people who write New Adult describe their work, so we shouldn’t, either.

Lad lit

Not a new genre but under-appreciated and not near as popular as Chick lit. This is fiction about young men and their lives, sex lives, failures and aspirations. It would be bigger if more men read books. Nick Hornby was crowned King of Lad Lit (by someone or other) with High Fidelity. I like High Fidelity the book, but I love High Fidelity, the movie. FYI: John Cusack is a demi-god. Also, we watched the credits to find out who that awesome young unknown was. It was Jack Black. His singing at the end of the movie was so awesome, we thought he must be lip-syncing. Nope! And that’s how I became a Tenacious D fanboy.

Dystopian versus Apocalyptic and post-apocalyptic:

A cross-genre flurry about  society's collapse under the crush of the Sutr Virus combined with a boy's love for odd words, Latin dictionaries and his father.

A cross-genre flurry about society’s collapse under the crush of the Sutr Virus combined with a boy’s love for odd words, Latin dictionaries and his father.

I include these three not because they are new or all that odd, but because they are often confused.

Apocalyptic is The Big Bad Thing that’s coming to kill us.

Post-Apocalyptic is how the few survivors deal with The Big Bad Thing. 

Dystopian comes after the fallout from The Big Bad Thing, when it becomes The New Normal. Like George Orwell’s 1984. Or getting felt up by the TSA.

~ The events in This Plague of Days, my coming coming-of-age Aspergers plague thriller, occur as society collapses. Things go from apocalyptic to post-apocalyptic. If the series sells enough books, we’ll get to see how the world devolves into a dystopia. I’m looking forward to finding out, assuming the real world flu pandemic doesn’t kill us all first. This Plague of Days launches at the end of May. To find out more, go to ThisPlagueofDays.com.

Filed under: author platform, book marketing, Publicity & Promotion, publishing, readers, This Plague of Days, , , , , , , , , , , , , , , , , ,

Pricey Advertising – Should I or Shouldn’t I?

See on Scoop.itWriting and reading fiction

Robert Chazz Chute‘s insight:

Interesting that Mimi Barbour’s promoter advised not to price books up past 99 cents unless you’re above 5,000 in Amazon rankings. I hadn’t thought of it in those terms, but that does make some sense to me. Of course, I also know several authors who are pricing their books much higher and are doing well (but didn’t start there.) I also know authors who feel low prices devalue their work (some successful, many not.)

If something isn’t selling, experiment with the variables: price; cover; category etc.,…

Sometimes you hear people with a prejudice against 99 cent books. Are they a vocal minority who are quick to judge? Someone referred to 99 cents as a "bullshit price". However, with the value of free degraded (see the post directly below this one) maybe it’s not BS anymore.

 

I priced Bigger Than Jesus at 99 cents not because it’s crap but because it’s an introduction to a series. I priced Six Seconds low because, though useful, it’s short. My experimentation with pricing continues. I’ll let you know how it works out.

 

Meanwhile, learn at the Scoopit! link from Mimi Barbour at Believe.

 

~ Chazz

See on mimibarbour.blogspot.ca

Filed under: publishing

Amazon KDP Select: Is It Worthwhile for Authors? by CJ Lyons

See on Scoop.itWriting and reading fiction

Should authors take advantage of the Amazon KDP Select program? A comprehensive discussion of who the program is well-suited for, plus best strategies.

Robert Chazz Chute‘s insight:

You’re definitely going to want to read this piece from uber-successful author CJ Lyons. Make sure you consider the quotes from the Self-publishing Podcast guys farther down in the article, too. Their experience reflects my understanding of how the ROI on free has ebbed.

I have friends who are still fully committed to KDP Select. Meanwhile, I’m hoping Amazon will tweak the program to make it more attractive again. In the past, I auto-renewed every 90 days. I will still use KDP Select, but less so and much more carefully and never in the long-term if its terms remain static.

 

~ Chazz

See on janefriedman.com

Filed under: publishing

Amazon buys Goodreads. Mostly? So what?

Death and Resurrection (How appropriate!)

Sometimes change is forced upon us. It sure was forced on me today so I had to redesign this blog. Then I got the news Amazon bought Goodreads. More change. In both cases, it was worrisome at first, but I think it will work out fine. Mostly.

This Plague of Days 0328Today’s trouble started as I redesigned one of my new websites. I clicked a few buttons. Nothing good can come of that. I tried what I thought would be a five-minute experiment with this blog. I found I couldn’t revert to the merely acceptable design you usually see here. (The user interface in WordPress themes is a little different from with my self-hosted blogs, so I hit unexpected snags.) I couldn’t put the broken vase back together and Mr. and Mrs. Brady told me not to throw the football in the house! My five-minute experiment turned into lost hours. I did some pretty creative swearing. 

After I worked through the redesign, I reloaded my lost widgets. That took quite some time. Then, too late, I realized WordPress had saved my widgets. I just had to scroll down farther to find them. I lost a lot of time reinventing the wheel. However, perhaps it’s for the best. I found a couple of things that needed updating and now I’m pretty happy with how the blog looks. I get enough traffic here that it was time to spruce up. I won’t wear a tie, but I had a shower and put on clean underwear for you guys. Hope you like the new look.

Let’s talk about the Goodreads acquisition by Amazon

Some are panicky that this move heralds further world domination by the mighty Zon. Getting Goodreads is good for Amazon, but will it make that much difference to us? Some GR reviewers are saying they won’t be back since their independence has been compromised. Some authors are hoping the change will help them sell more books (yes), revamp GoodReads’ awkward interface (God, I hope so) and clean up the overly hostile atmosphere at GR some have suffered (which probably won’t change.) 

I don’t recall making a buying decision based on a GoodReads review. I prefer the user interface at Shelfari, by the way, but I don’t think I made any buying decisions over there, either. Like most people, I go to where I’m buying and decide there. I weigh genres, covers, descriptions and samples. I read reviews, but I don’t decide not to buy because of reviews. However, not everyone makes their shopping decisions the way I do. I’m guessing most people probably read the reviews and never look at samples. 

I’m not worried about the dreaded Amazon monopoly. Amazon made a good move for Amazon, but I don’t think they’re out to get us. Indie authors are a tiny factor among many larger variables. Interestingly, GoodReads assures us that the links to Kobo will not be shut down and GoodReads will remain an independent entity. I’m sure that’s true…for a while.

The part I don’t believe

Neither Amazon nor GR wants reviewers fleeing to some new, truly independent site. Their announcement about the buy-out makes the right noises about not shutting down the feed to Kobo. However, I can’t believe that will remain GR policy. Amazon is getting their data now and will further optimize with that information. However, if you spent a buttload of money to buy a company, would you let it continue to feed your competitors? I wouldn’t and I’m the nicest guy you know. I’d wait a bit to let the happy PR machine make everyone settle down and get comfortable. Then I’d announce one day that “There’s been a slight change in policy.” Do what everyone feared incrementally and you can do almost anything. I’ve seen it happen before.

I’ll leave you with that quibble, and refer you to the great David Gaughran’s blog, Let’s Get Digital,  where he has a much more sober, non-alarmist analysis. Be sure to check out the comment thread, too.

Happy Bunny Day! I understand he craps chocolate eggs…so…no, I wouldn’t eat that if I were you.

Filed under: publishing, , , , , , , ,

Apologies. For some reason, WP reblog won’t let me break my commentary into paragraphs. This underlines the larger point about every human endeavour: “…we all know there’s a debacle bearing down on us, but we never know what form that debacle will take. The failure attack is always expected, yet somehow always new”. Original commentary starts here: 

My friend Armand has been betrayed! Release the zombie dogs! (And please read this reblogged post before I go on a similar tangent below.)

Gory undead quadruped vengeance aside, what strikes me about Armand’s situation is how simple the solutions were. It pretty much came down to communication. Armand was doing all the communicating and none was bouncing back from the publisher. That’s considered rude everywhere on this planet.

The authors in the anthology could help promote the anthology to a wide audience. Why wouldn’t they coordinate with the contributors to promote the anthology? Baffling. As it stands, it seems the only people who will have received any charity are the publishers of the anthology. People don’t generally read anthologies for the editor’s name. It’s about the authors and their stories. We all know this. Why the problem? Shouldn’t happen. Did. That’s book promotion, I guess (and everything else that includes that ever-fallible “human” factor.) This sort of failure is why I prefer my robot sex surrogates to people. And the robo-butler always gets my espresso order right.

Personally, a communi-gaffe put a dent in my mood last night. A site meant to connect writers with new readers held one of those “featured hot title” sort of promotions. I’ve marked Bigger Than Jesus down to 99 cents on kindle, so I paid $25 and registered but didn’t hear anything back. When I followed up, (thinking I was on a waiting list) they answered quickly to cheerily report that the promotion had already taken place! The ad ran, though it didn’t even show up in my Google Alerts and nary a blip in sales.

It was just a one-day thing, true, but had I known it was happening, I could have coordinated the promo effort so it might have had some effect. I could have moved some copies of my funny neo-noir and, not for nothing, boosted traffic back to the promo site, too. (Robo-attack dogs, stand by.)

I don’t know what went wrong there. The confirmation wasn’t in a spam folder. Somehow, the connection was lost. I agonize over every promotional effort and purchase, so this loss bugs me. Since I can’t imagine what the glitch was on my end, I won’t gamble $25 that way again. It’s not “only” $25. When you have $25 to throw away (which I don’t), you don’t throw it away in the gutter. You throw it away on lottery tickets.

Every book promo site has a disclaimer that says they don’t guarantee sales. I understand that. However, “awareness” is over-rated. Awareness can’t be measured and doesn’t deliver. Awareness isn’t a click, a buy or a like, a connection or a review. I’m shifting my efforts and my tiny promotion budget to new horizons. I’ll blog about those book marketing strategies in my next post in this space.

In the meantime, don’t just be “aware” of Armand Rosamilia’s pain (or at least mild annoyance.) Hit like on his post or offer the man a word hug or something. Commiserate. Connect. He’s a good guy, a good author to know and the beard’s awesome. (Catch my interview with Armand at CoolPeoplePodcast.com, by the way.)

What’s amazing about book promotion is that, with experience, we all know there’s a debacle bearing down on us, but we never know what form that debacle will take. The failure attack is always expected, yet somehow always new.

Armand Rosamilia's avatarARMAND ROSAMILIA

I’ve been a prolific writer for many years, and I have quite a backlog of unpublished short stories, most of which shall always remain unpublished. That’s just reality. There are some solid ideas in the pile, but overall most of them aren’t really worthy of being sent out into the world unless I go back and rewrite them. With so many new ideas always invading my head, it doesn’t seem logical. 

I’ve had a couple of stories submitted and ‘bought’ by small press publishers that have never seen actual publication, and that is the price you pay at times for dealing with companies that range from professional to scatter-brain, broke and just a dreamer with an idea. I have no problem with presses tanking and shutting down, because it’s just the way the business works. What I have a problem with is a small press company that strings your story…

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Filed under: publishing

On Writing Well: Openings, Distractions and the next Million Dollar Idea

The Challenge of the Slow Open

Crack the Indie Author CodeAs I work on revising my coming-of-age, love story cleverly disguised as an apocalyptic plague thriller, I worry about the beginning most. (I’ll give you a minute to digest that first sentence.)

This is a long book I will serialize (soon). The story unfolds largely through the eyes of a boy with Aspergers Syndrome, sixteen-year-old Jaimie Spencer. He’s a selective mute. I wanted to impress upon the reader how different he is from the first page. The story starts with the boy observing the plague as it infects his next-door neighbor. The neighbor is a pilot who happens to be having sex with a flight attendant at the time, but Jaimie is detached about such things. He’s asexual. His point of view is an interesting hook, but it’s not really an action hook. It reads like a character hook.

I’m going for intrigue and showing this book is more serious than much of my other work. I’m satisfied it’s a good start, but it’s a risk because of that slow start. I’m starting the novel with a long lit fuse instead of an explosion. That could be a problem and I will have to revisit this issue several more times before I commit to the slow burn open. There are plenty of explosions, strained family dynamics, obstacles, reversals, betrayals, realizations, death and a long journey  ahead. Amid the chaos, Jaimie is a detached, almost Christlike figure. The world is falling apart and he’s fascinated with dictionaries. (Expect Latin phrases, weird words and an amusing annoyance over homonyms.) The boy perceives the world as an alien might. His peculiar point of view questions how everyone else sees the world.

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

Big openings hook more readers faster. For instance, is it a cheap ploy to kill somebody off in the first paragraph? Many critics, both amateur and professional, seem to think so. However, I suspect the average reader doesn’t think that way at all. Some lit snobs say they shouldn’t think that way. Irrelevant. Many readers do think that way.

Every story should jump right in without throat-clearing, of course. (Don’t start your book with a weather report, as a baffling number of novels still do.) But how late should you enter the action? Bigger Than Jesus starts in media res with my loveable hit man out on a slippery ledge high over Tribeca with the bad guy hiding behind a gargoyle. Higher Than Jesus starts with a slower open in a dive bar, but right from the start, you know Jesus Diaz is there to kill someone on Christmas Day. Crime fiction should start with action. But can Jaimie Spencer do it?

Distractions

I’m confident in the writing for those who stick around for the show. However, we, as writers, are not competing with other books in our genre. We’re competing with Call of Duty, Game of Thrones (on TV), people working second and third jobs to earn enough to live, laughing babies on YouTube, the gym, the laundry, and all the other paperwork of life. Readers have so many distractions, it almost makes me yearn for a time when books were much more central to our culture. The good news is, if you survive the coming world flu pandemic that will wipe out billions, there will be fewer distractions and a bit more reading time.

Solutions and Opportunities

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

I have a suggestion to help combat The Distraction Problem. It’s not really open to me at the moment* but you might be able to use this suggestion: If you’re American, make audiobooks on ACX part of your publishing platform so people will be able to consume your goodness while they do the laundry, commute to their second job, run on a treadmill or play Call of Duty. Publish an audiobook on ACX and it goes to Amazon, iTunes and Audible. Audio is the future. That, and the massive killer virus thingy.

*I encouraged writers to go for ACX in Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Since I’m a Canuck, they aren’t set up to deal with me yet. That creates a huge hole in the market for audiobooks worldwide. If I had the money, I’d start a company to compete with ACX and deal with all them foreigners immediately.

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

~ Earlier today I published an article on ChazzWrites.com that was meant for my website about Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App. Apologies for the mix-up and a suggestion: If you’re on WordPress, don’t ever use the Quick post feature. Any problems I’ve ever had posting to WordPress started there. I decided to leave it up since it automatically shot out to subscribers and I never did announce a page dedicated to that book, so…yeah, I’ve got a web page just about Vine and the useful glory that is Six Seconds. If you’re interested in checking out Vine and promoting your books with it, here’s the link to onlysixseconds.

If you’re on Vine and would like to hear a reading from Self-help for Stoners, find “Robert Chazz Chute” on Vine. I’m doing the first author reading on the Vine app. Interested in winning a signed copy of Bigger Than Jesus? I’m running a contest with that reading. Get the details on how you could win from this link to AllThatChazz.

Filed under: audiobooks, blogs & blogging, book marketing, Editing, My fiction, publishing, Vine, Writers, writing tips, , , , , , , , , , , , , , , , , , , , ,

Mashable asks for your best #Vine art

Mashable asks for your best #Vine art

Stopmotion, beautiful views, clever designs, dynamic art. Many viners can do amazing things with the Vine app. Spread the word and share the Vine art you love most. Personally, I love anything from yelldesign on Vine. Always crisp and clever. Look ’em up!

Filed under: publishing, , ,

Ebooks: What makes a great cover? What makes a bad one?

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

It’s very instructive to read the analysis of what makes covers better or worse. What makes a great ebook cover? It’s often easier to learn what makes a poor one. Art is subjective. We often don’t know what components go into making art “good”. We just know what we like. However, there are graphic designers who, with skill and experience, inject more objective analysis into art than we ordinary mortals. Joel Friedlander, at The Book Designer, is one of those magicians who can break down why a cover works, or, at the very least, he knows why it doesn’t work.

 This week, Six Seconds won February’s ebook cover design award on Joel’s website. Check it out, but have a look at all the books. Once you see the covers through Mr. Friedlander’s eyes, you’ll begin to reevaluate all the covers you see. You’ll look for what’s missing as well as what design elements hit the mark.

Kit Foster: The Dude Came Through

My graphic designer is Kit Foster of KitFosterDesign.com and he gets all the credit for the win. Sometimes we have long discussions about what the covers of my books should look like. For instance, our back and forth over Higher Than Jesus was exhaustive.

For Six Seconds, I was in a hurry to get the instant guide out because it’s the first book about the Vine app. All I told Kit was: “Gimme a stopwatch wrapped in vines, please. Here’s the title. Do your thing and I won’t ask for any tweaks, I swear to God.” Kit’s solid and, as usual, he delivered excellent art. (He also won for his cover of Higher Than Jesus in the hardboiled mystery category of the Venture Galleries Award recently.) 

Cool guy talk

Higher than Jesus Final NEW copyI’ve plugged Kit plenty over time because I think authors need him and skilled designers like him. If you’re still shy, then you’ll love to eavesdrop on a conversation I had with Kit recently. I just interviewed Kit on the Cool People Podcast. You’ll find him sweet, friendly and Scottish. We talk a little about a lot of things: bad drugs, bad drug laws, good drugs, Breaking Bad, what inspires us and, of course, what goes into making a book cover work or fail. 

Step 1. Have a listen to the Cool People Podcast. (Subscribe, donate, apply to be a guest @rchazzchute on Twitter, do jumping jacks etc.,…) Enjoy.Cool+People+Podcast+Final

Step 2. Go to KitFosterDesign.com and start up your conversation with Kit about your next book cover.

 ~ If you like the Cool People Podcast, you may also enjoy my other podcast, All That Chazz, wherein I monologue, do readings from my crime novels and goof around. Find those podcasts and links to all books by Robert Chazz Chute at AllThatChazz.com. For  highlights from all my various feeds and content, check out my Rebelmouse page here.

Filed under: awards, book marketing, Books, podcasts, publishing, What about you?, , , , , , , , , , , , , , , , , , ,

Rebelmouse Review: How to Gain Readers and Listeners with a Collage of You

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

My author platform is a sprawl of social media. I’m bringing my voice to a more effective public address system with Rebelmouse.

Recently a social media expert told an author to bring two blogs together, amalgamated to one site for better SEO. That way, more people would discover her awesomeness. The problem resonated with me. I have (deep breath) three WordPress blogs, two podcasts, three Twitter feeds, a tumblr site, a Facebook page, Google+, a Pinterest board and occasionally I send out a SONAR pulse from my one-man attack submarine. I wondered, how could I possibly bring everything together without becoming some expensive programmer’s buttockal pain? I wanted to curate all my content so my readership and podcast listeners could hit the highlights in one convenient place and receive one harmonic signal. Tough problem. I now have an easy answer, and it doesn’t include hiring a programmer I can’t afford. In fact, the solution was free. It’s me on Rebelmouse.

Showcase pics and vids

You’ll notice at the top left there’s a new Rebelmouse follow  button. Please click it for The Full Chazz Experience. It’s free and ready for your unending delight. As for signing up to curate your own stuff, you can pay for premium services at Rebelmouse (starting at $9.99 a month). I opted for free now and may upgrade later. When you go to my page, it looks remarkably like a Pinterest board. The difference is, Rebelmouse pulls the feeds from the far reaches of my book and podcast empire (mmmkay, tiny kingdom) so you get the latest from the All That Chazz podcast, The Cool People Podcast, ChazzWrites.com, AllThatChazz.com, my primary Twitter feed (@rchazzchute), Facebook and Pinterest. I even added a few videos from YouTube, which, until now, most of my readers were unaware I even made. That’s the power of Rebelmouse.

Advantages for selling books

The move to Rebelmouse was especially important to me so I could show off the work and play I do with the Vine app. I make announcements about my books and podcasts on Vine amongst quick videos of our skinny pigs chattering and having fun as a six-second comedian. I wrote an instant ebook about Vine (Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App). I wanted to draw more attention to the book and show the fun I was having with the app all in one place. Potential readers could see what I was so enthused about in Six Seconds and I could help them with the decision to buy my book and join up by showing them vines (that’s videos made on Vine). Traffic to AllThatChazz.com shot up since I joined Vine so there’s definitely value there (and the book’s just 99 cents on Amazon, by the way. Please and thank you.)

Pros

I’ve already noticed another increase in visitors since adding Rebelmouse. One easy curation page obviously makes it much easier for readers to consume my content. You can also share your offerings on Rebelmouse back to your networks. When visitors arrive to check out one offering, they can quickly check out what else is on display and get my flavor. That’s a funnel and funnels are valuable in building an audience and getting fans who buy all your books.

The front page on Rebelmouse even has further curation options. You can click on the tabs at the top so you only see the podcast page, books page or Pinterest page. (These pages were suggested by Rebelmouse based on the tags in my feed content.) Comparisons to Pinterest are obvious, except it’s a collage of the Magic that is You instead of a collage of the things you like. The beauty of this solution is an attractive page with everything in one place that’s easy to take in. When you click on the link, you’re whisked back to the original page. Not many authors are on Vine yet and very few are on Rebelmouse (I noticed Jane Friedman is there, for one). The time to get in early on these tech solutions and enhance your author platform is now.

Cons

I did have a glitch or two when I put the page up but I figured it out pretty quickly. Be careful about which feeds you authorize and be hesitant to hit the auto-update when it is offered. That got overwhelming when everything came in at once. I clicked on auto-update and then couldn’t figure out how to switch it back. I also changed the name of the page to my name (rather than confuse readers with another All That Chazz page.) That change messed up my first announcement link so eager readers got a “404, Page not found error” when they tried to follow. That fixed, I’d say most of Rebelmouse’s interface is fairly intuitive and I really like the page now.

There are certain posts I’d like to be sticky at the top, but that might be a premium feature in my future. The Pinterest look is effective, but if you never or rarely use pictures or video on your posts, it won’t work so well for readers. Like Vine, Rebelmouse is a visual medium first and text comes second. That’s fine. We’re visual creatures. Your future boyfriend or girlfriend across the dance floor might have a great sense of humour and a powerful intellect, but your first impression is eyes, hair, cheekbones, build and how well they fit in those jeans as they do the funky chicken.

Conclusions

Rebelmouse looks great for authors, photographers, musicians, graphic artists and anyone who wants a more social pitch site (compared to a pricier, upscale, hard sell, sales site like Crushpath). As we continue to search for new ways for authors to find readers (and help readers find us), Rebelmouse is one easy way. It’s the free solution I was looking for to create a magazine experience of all that I offer in one convenient page.

Book promotion and marketing is damn tough. It just got a little easier to curate ourselves in a happy way.

Filed under: author platform, book marketing, podcasts, Publicity & Promotion, publishing, rebelmouse, Vine, web reviews, What about Chazz?, What about you?, , , , , , , , , , , , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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