C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Book promotion for self-publishers

As a self-publisher, you probably can’t afford to splash a big ad across the back page of the New York Times (and that’s of limited use anyway.) What is useful is connecting with people. Be genuine and you can share and spread useful information that brings good karma down the line. In this video I talk about Jeff Bennington’s Reunion blog tour. I won a Kindle, but I would have promoted his novel anyway. Here’s why:

Filed under: authors, Books, Publicity & Promotion, self-publishing, , , ,

Life & book marketing update shouted from a speeding car

Happy Sunday. Things are moving somewhat quickly as I start making transitions to writing full-time. I have a marketing plan: It’s important to be prolific. I believe in being available across as many e-platforms as possible (and zero DRM). Having just one ebook up won’t cut it. Being prolific allows cross-promotion (e.g. You like this? Then you might like to buy that, too!)

Over the coming months I’ll be offering individual short stories (at 0.99 each), a collection of short stories ($1.99 or 2.99, haven’t decided yet), a novella ($1.99) and another collection of short stories with a quirky hook I can market effectively ($2.99). At some point I’ll package the aforementioned individual stories—there are six—in another book (conveniently priced at $2.99 probably.)

There are several full-length novels that are written and need revision before they’re ready to be swallowed by the masses, but most of them are for next year.

A few things about the slingshot launches:

1. I’m doing a soft launch until I have a bunch of ebooks available. Then I’ll be carpet bombing (more details to come in another post on what that means.)

2. I will be launching another website in addition to this one. Chazz Writes is all about writing craft and publishing and I intend to continue. However, I have broader plans for the new website that will expand my mandate and goals. I’ll be talking about a lot of different things on the new site.

3. And I do mean talking. I’ll be incorporating video and podcasts. Fancy plans with pants to match. More on that closer to the new website launch.

4. I want to do  a hard launch of the first novel in my line, but I’m not sure if I can pull it together for Christmas. There are more than the usual variables. For instance, I need to get permissions to use the names of a major Hollywood star and a major porn star. (Yes, I’m familiar with the rules of fair use—and both characters as they appear in the novel are adored by the hero. However, this isn’t a fair use issue. It’s a Smashwords rule issue.)

5. I’m not in the least interested this year in printing books with which to assail bookstores. It’s a lot of work for less reward. It’s an exciting venture I do not, at present, have time to pursue. (And yes, I’ve looked at the numbers.)

6. However, I will need printed Advance Reading Copies (ARCs) for promotional purposes when the hard launch takes off. I’ll be using CreateSpace to print a few sample copies since there is no punishing fee for each revision. For bigger print runs, once the formatting is solidified, I’ll switch to Lightning Source.

If you’re wondering how I’ll get it all done, sometimes I wonder, too. Then I remember that I’m severely underemployed. (Except for the soul-crushing poverty, it’s a fantastic advantage and a real time saver.)

There’s more to the book marketing and promotion plan and I’ll share it with you as soon as I can. In the meantime, back to my editing suite in the batcave beneath the bunker under the Chuck E. Cheese.

Thanks to my buddies Jeff Bennington, author of Reunion, and author Rebecca Senese (look her up, she’s a fountain of short stories), for clarifying my strategy on the issues in #6. Both these lovely people have guest blogged here. You’ll remember Rebecca did a great job summarizing the workings of Smashwords and Jeff compared CreateSpace with Lightning Source. (If you don’t remember their posts, search this site in the search box top right. Sorry! I’d link it for you but I’m in a huge hurry just this minute. I bet you can guess why when you see this tiny portion of my to-do list.)

Jeff tells me he will do me the honour of another guest blog soon. I think the discussion will be about book promotion and what he found effective for his massive push for Reunion

Filed under: authors, blogs & blogging, Books, DIY, e-reader, ebooks, getting it done, Publicity & Promotion, publishing, What about Chazz?, Writers, , , , , , , , , ,

The Author Selects the Agent Scam

Writers’ magazines occasionally run stories on “how to select an agent” or some such nonsense. Sure, you can check Preditors and Editors and ask around about particular agents, but the power differential between authors and agents is, well…the word “egregious” comes to mind. (In fact, that’s the same word that came to mind for Kristine Kathryn Rusch. See below for that most excellent link.)

When you submit work to an agent (note you’re already in submission and they are in dominance from the get go) it’s kind of like applying for a job. You send out a resume (your manuscript proposal) and agents say no. And more agents say no. Repeat until doubt and self-loathing kicks in.

When you do finally get the call, you’ll say yes to anybody.

Pick your metaphor: 

1. It’s the end of the world and don’t you want to experience the act of physical love just once before you die?

2. You’re a serial killer/diabetic and the warden says they’re fixing the electric chair and would you like your first and only chocolate éclair before they electrocute your ass?

3. The vampires have risen and this is the last sunset before Dracula’s armies of the undead close in on you, the last human survivor on the roof of The Mall of America. Suddenly Carrie Moss shows up piloting a helicopter. Do you jump on the rope ladder to safety? Or do you negotiate so she wears an even tighter leather outfit like the one from The Matrix?

Answers:

1. Of course, devirginize!

2. Eat that éclair. The sugar won’t have time to migrate to your rotten pancreas.

3. Board that helicopter and maybe you’ll live long enough for the sequel!

If you’ve run the long gauntlet of trying to find an agent, or just heard a few horror stories to that effect, you sign that contract as fast as you can. You’re closer to publication than you were, so an agent calling must be good, right?

“Must” is a strong word. In fact, read The Passive Voice  and you’ll be running to publish yourself after all. It’s about enslavement via contractual obligations that go on forever. This is scarier than anything Stephen King could possibly dream up. 

Passive Voice also links to Kristine Kathryn Rusch, which you should also read before you do anything. Don’t even poop before reading this.  

Before you put on that electric collar and tie the leash around your genitals, read your contract carefully. Make informed choices. Show contracts to a lawyer. Negotiate the egregious. Take responsibility so you hire the agent, not the other way around. And always be willing to walk away from any deal. Walking away may be the only way to get a decent deal.

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Filed under: agents, authors, DIY, publishing, queries, Rant, Rejection, Writers, writing tips, , , , , , , , , , ,

Publishing: Ownership

Ever see the follow-up to Get Shorty? It was Be Cool with Uma Thurman and John Travolta. While generally entertaining, there was a sour note and just didn’t feel at all right. It’s a problem with a lot of artistic gestation.

Uma’s character confesses her life’s ambition. She wants to turn on the radio and hear one of her songs. She says, “A song I produced.”  But she’s not talking about a song she wrote or sang or drummed or strummed. She’s talking about the bureaucracy that brings the art out and to the masses.

Producers talk about “their” films, “their” writers, “their” stable of talent. Like they own that talent, or at least rent it. When I hear an editor or agent refer to “their” writers, entitlement and ownership creeps into their tone. “I tell my writers…” “My books….”

But they aren’t your books, films and music, are they? Bureaucrats, like the rest of us, are each the star of their own movie. Money and access has been the root of that uneven power relationship.

Key words: Has been. Now agents and publishers are struggling harder to justify their roles. Why do you need an agent for access to digital publishing when you can DIY? Why should an author only get 25% for ebooks? (Or Harlequin’s egregious offer of 8%!) Meanwhile, some agents are morphing into writing coach services, expanding their offerings to stay in the role of taking care of authors. Some authors want to be taken care of. That’s fine, as long as they know their options.

The writer has been the last to get the cash. The writer has written on spec and often been a “speck” in the way they’re treated. It’s upside down. Writers are content providers. We make up things from nothing.

If you still feel powerless before the system, a small cog in a great machine, a serf among lords, a peon The Man pees on—now you’re just doing it to yourself. Take ownership of your ambitions and destiny.

Don’t blame them.

If you want power, don’t ask permission.

Just go take it.

I did. I’m now president and chief bottle washer, turd polisher and executive in charge of toilet paper replacement and Creative Arts at Ex Parte Press. Boo-ya!

Filed under: agents, authors, Books, DIY, ebooks, Editors, getting it done, Useful writing links, Writers, writing tips, , , , , , , , ,

Book promotion: I was wrong

I used to be a book publicist and, as a book sales rep, have worked with book publicists. Gotta say: not impressed with the breed. Most have a shiny coat, bark loudly, no teeth. I expected a lot of them. I don’t think I was wrong then, but now that the tech and culture have changed, I realize I’ve expected too much from publishers and their publicists.

In the old days, publicists organized events, book tours, mailed out advanced reading copies (ARCs) and hoped for reviews. The publicists I knew were pretty smug and full of themselves, especially considering how frequently they were unsuccessful.

The other wrinkle in the mix from an author’s point of view is, if you’re with a trad publisher, the publicity department has little time to get attention to any one book or author. The other continual complaint is, besides the small media/promotion window, most of the promotion budget always goes to the author who seems to need it least. That’s the publisher trying to maximize profits (rather than pimping a mid-list author.)

The world has changed and authors need to shift expectations: Publishers don’t publicize your book much and mostly download marketing duties to the author. That annoyed me. Now I think that’s the way it should be.

My reasoning is that the author/reader relationship has changed. Readers don’t want to interact with your publisher. They want to interact with you. Who cares about publishers. With the exception of Harlequin—the one company where you always know what you’re going to get—publishers don’t have brands. Authors have brands.

Old model:

Send stuff out (press releases, ARCs, bookmarks, catalogs, book tours) hoping media will bite.

New model:

Engage readers directly with Twitter conversations, blogger reviews and blog tours and hoping they will bite.

Yes, there’s still room for old model tactics, but they are either limited, outmoded, less effective or costly.

So nevermind that your publisher’s publicists aren’t returning your calls two weeks out from your book launch. Chances are they’re busy with another book and have expended your promotional budget. You can do better for yourself over the long run, anyway. (Or you can hire your very own publicist and do it up right for a longer time.)

Publishers unloaded marketing responsibilities to authors for budgetary reasons. Authors should shoulder that responsibility for a better reason:

Your readers want to talk to you, not them. 

Filed under: authors, Publicity & Promotion, publishing, Rant, , , , , , , ,

Writers: Why you should read John Dies at the End

Sometimes I see manuscripts where there’s a lot going on. That’s good. The problem is that the protagonist is always around the action, but isn’t initiating any actions. Heroes are self-starters.

It’s okay to have your hero or heroine gobsmacked when zombie terrorists attack the city. However, if things are still happening to the protagonist rather than him or her being proactive, your protagonist will soon annoy the reader.

It happens more often than you’d think. I suspect it’s a plotting problem. If the hero runs around in circles while everyone around him knows more than he does, it’s easier to get him into trouble.

There’s a place for weak-willed characters. They’re called secondary characters. Your protagonist can do the wrong thing or draw stupid conclusions, but notice the words “do” and “draw.” Protagonists are verb-oriented.  Yes, the hero can be fooled. The hero can have room to grow as a person. But he can’t be an idiot who grows into a genius unless his name is Charlie and his pet mouse is named Algernon.

For instance, I’m reading a great book now called John Dies at The End by David Wong. Aside from managing to be a clever mixture of Stephen King and Douglas Adams, I noticed Wong’s protagonist makes decisions that are perfectly reasonable in context. And he acts immediately.

So many books allow villains to do what they made of fun of in The Incredibles: Monologuing. (Example: “I expect you to die, Mr. Bond! But first, let me give you a tour of the complex and explain my evil plan to corner the world’s teddy bear market.”)

When Wong’s hero confronts Big E Evil, he doesn’t let the Big Bad lay out plans for world domination. He  pulls out his pistol and fires immediately, no warning shots. The results may not be what you expect, of course, but his hero isn’t dumb. The effect of this narrative efficiency is so powerful you’ll find yourself asking, “Wait, what was the evil plan? Oh, nevermind. I guess I’ll find out later.”

Don’t worry. You will. But I won’t spoil anything for you. Just go buy John Dies at the End by David Wong. You’ll be glad you did. It’s the best book I’ve read in quite some time.

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Filed under: authors, book reviews, Writers, writing tips, , , , , , , , , , ,

India Drummond’s generous book give away

To celebrate the launch of her latest urban fantasy novel, Blood Faerie, author India Drummond will give away five Kindle copies of her book on its release day, June 1, 2011.

Blood Faerie is the first in India Drummond’s new series, Caledonia Fae.

Unjustly sentenced to death, Eilidh ran—away from faerie lands to the streets of blood-faeriePerth, Scotland. Just when she has grown accustomed to exile, local police discover a mutilated body outside the abandoned church where she lives. Recognizing the murder as the work of one of her own kind, Eilidh must choose: flee, or learn to tap into the forbidden magic that cost her everything.

To enter to win a Kindle copy of the new book, all you have to do is sign up for her email newsletter. The email list is only used to announce book releases and important events, and emails are sent out infrequently. (It’s free, and it’s easy to unsubscribe after the contest date if you find it’s not for you.) Sign up here.

Five winners’ names will be announced on the India Drummond newsletter on June 1st, along with instructions for how winners can claim their free Kindle books. Only subscribers are eligible to win.

No Kindle? No problem! Anyone with a PC, Mac, or smart-device (iPhone, Blackberry, Android phone, etc) can read a Kindle book. Download free reading software here: http://www.amazon.com/gp/feature.html/ref=sa_menu_karl3?ie=UTF8&docId=1000493771

Want to quadruple your chances of winning? Simply tweet about the contest with a link to any participating blog post and include @IndiaDrummond in your tweet. Or, share the link on Facebook. (But be sure to add @India Drummond to tag her on the link so she will see it! – You can add her to your friend list here: http://www.facebook.com/india.drummond)

And finally, add another entry to the list by posting about the contest on your blog.– Tweet and share the link as much as you like, but only one additional entry per method, per person.
Good luck, everyone!

Filed under: authors, Books, Contest announcement, e-reader, ebooks, links, , , ,

Writers & Readers: I say something new & cranky

Joe Rogan

Image via Wikipedia

Alfred Hitchcock once said a painter needs a brush, a writer a pen and a director an army. The numbers needed to make a film are coming down, but it’s still a collaborative, team sport (or a war, depending how indie you are as a filmmaker.) Painting  is still a solo pursuit and for a long time writing was solitary. Then writing got decidedly less solitary. And now, with self-publishing, the game has changed again.

Authors used to have publishers. Later, agents entered the industry and took pressure off editors by curating. They helped many authors get better deals. Now a lot of agents want to intermediate and perform more of an editorial function, possibly because other traditional roles they have fulfilled are shrinking. See this post for more on that and much more.

Now there can be fewer people between you and publication. Publishing isn’t necessarily a team sport anymore. Publishing with a group of lovers of all things literary  has produced many great books (and has probably interfered with the production of great books, too.) You may think many minds produce better material because all of us have more brain power than one of us. I used to believe that was true in all cases.

Then comedian Joe Rogan challenged that idea for me and articulated something that was slowly percolating through my cranium. In his experience as a comedian on The Man Show, he found that more suits on the set diluted the funny. His stand-up is a pure art form, moderated only by his own sense of humor and direct feedback from his audience. (I saw him at Massey Hall in Toronto recently. He rocks hard.)

It’s an old adage that too many cooks spoil the broth. Now science, as presented in the fascinating book 59 Seconds: Change Your Life in Under a Minute, has disproved the notion that more brains help a creative project. The most creative solutions are not arrived at by the most creative person in the room. They are directed by the loudest person in the room.

So, if your agent says “I’m not submitting your work because I don’t think it’s ready,” and you cede that power, your work isn’t going to market whether your agent is right or not.

This is the sort of thing that drives the traditional world of publishing nuts. Without those mediators, obstacles, curators, gatekeepers, shepherds and rabbis, the worry is that we shall be inundated with a slew of awful, awful books. The deluge shall be as a fire hose pointed at the tiny tea cup of our fevered minds. Without those helpful interlocutors, who will keep the bad books away?

Rather than address the curation question directly (and I’ve already addressed it many times on this blog), I’d like to say something new on the subject:

Even if that objection is valid, so the f**k what? I reject the premise. I say this is not about your convenience in going to a legacy publisher you trust for all your curation wants. This is about my freedom to express my art, which you can enjoy or not. As they say at the convenience store, “Buy or leave!”

The marketplace of ideas is opening up to a lot more shelf stock. Buckle up and put on your big boy Underoos and your big girl panties. Soon you might find more variety and much more current reading material to explore and fill your mind.

I value my sovereignty of expression more than your convenience.

I said this was a revolution. I asked you to join me.

Did you really think no one would get hurt along the way to the shinier, freer new world we’re creating? 

The results will surely be messy, but the cost of your tender sensibilities is really negligible. There will be a lot of bad books delicate grammar doilies will decry. You’ll see a lot of typos (though I see a lot of typos in traditional books, too, by the way, and yet the earth keeps on spinning.)

We value freedom and freedom of expression. A lot. The US Supreme Court allows the Westboro Baptist Church to protest at funerals with ghoulish signs without regard to the feelings of the families of the dead. Evidence obtained illegally is routinely thrown out and murderers are sometimes set free as a result. We accept some consequences far worse than inconvenience so that greater individual sovereignty is assured.

If it sounds like I’m saying your worries

about all the coming bad books don’t matter,

you’ve read this blog post correctly. 

Filed under: agents, authors, Books, censors, publishing, self-publishing, , , , , , , ,

Top 20 Facebook Apps for Book Lovers – GalleyCat

Top 20 Facebook Apps for Book Lovers – GalleyCat.

Got a book you want to review, find, sell or promote? Your publicity list starts with this link. Supremely useful collection of apps for the author, publicist and book lover.

Filed under: authors, blogs & blogging, book reviews, Books, Publicity & Promotion, self-publishing, , , , , , , , ,

Support authors. Buy books.

FYI: I promised the big announcement today.

That post drops here

at 12:01 pm EST.

Now, to business:

Author Jeff Bennington from The Writing Bomb wrote a very helpful post for Chazz Writes comparing his publishing experience with Lightning Source vs CreateSpace. 

Besides helping self-publishers out with some great information, Jeff’s written a great book. The early reviews are very exciting, so I’m not just asking that you help out an author. I’m asking that you enjoy a good book.

http://www.amazon.ca/Reunion-Jeff-P-Bennington/dp/0615450865/ref=sr_1_1?ie=UTF8&qid=1302828982&sr=1-1Jeff is trying to climb high in Amazon‘s rankings today so readers can find his novel. Get in on the ground floor and help kickstart Jeff’s career. He’s encouraging fans and future fans to buy Reunion today. The novel has received great reviews, so why not? It’s not expensive.

Check out the awesome reviews and blurbs here.

Why not buy two? I will.

For this strategy to work best, it would be great if you bought the book today, April 15, if you please. It’s tax day in the States, so console yourself and forget about that horror by reading Jeff’s cool horror story.

Please support the arts and chill with a good book. Thank you.

UPDATE: Just bought two copies of Reunion.

Can’t wait!

Filed under: authors, book reviews, Books, publishing, Writers, , , , , , , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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