C h a z z W r i t e s . c o m

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04/09/2014 • 1:40 PM 2

Writing Process: Ten Moments in the Writer’s Life

1. You become a writer.

It’s usually not something you really decide. It happens to you, like disease. It’s a life where you’re either writing or you’re distracted and feeling you should be writing, forever. Like homework, for adults, 24/7. And some of the teachers mark really hard.

2. You escape the life of mortals.

You become so involved in the story that time flies and you don’t care that you’re cursed to do homework for life. In fact, you feel fortunate you’ve found this for yourself. You dream of seeing your name in print. And the accolades! That will be sweet! Finally, self-worth fed to you by strangers!

3. You meet your first dream killer.

Someone scolds you for daring to use an adverb and shrieks that, “A sentence fragment is not a sentence!”, as if you didn’t know. Then they tell you not to bother with writing.

“Perhaps you’ll find animal husbandry more fulfilling,” they’ll say, because they’re full of terrible advice and, oddly, they sound very confident.

This is a critical juncture.

If the person has too much influence over you or you’re young enough, you might quit. If quitting is an option, that’s okay. Writing isn’t for everyone.

4. You enter the Octagon.

You send out queries and manuscripts and you get rejection slips but you don’t care because it means you’re putting yourself out there and you’re in the game. You’re not talking about writing like it’s a dream in a far off retirement. You’re doing it now. Every moment of it feels important.

5. You get feedback on your writing that’s really useful.

You put away the first bunch of stories or your novella or even your first novel or two and you begin again. You improve.

6. You get your first success.

It might be a writing award or an article in a magazine. Maybe you get $25 or maybe you don’t, but the money’s not important to you. Your parents will ask how much you won or got paid. That dagger in your heart comes from a place of love. Probably.

7. You get your first hater.

I won third place in short story contest and $1000. Someone was offended that my story won and wrote a screed about how it sucked, I sucked and this was what was wrong with the world (and possibly this side of the galaxy.) He didn’t win so, naturally, now we’re all gonna die!

The thing about the Internet is, people will say things on their blog that, if said in person, would lead them on a trip to major reconstructive surgery and not a judge in the land would convict. As far as I know, that dude still hasn’t written anything besides his doctoral thesis in English literature. Poor guy is still unread and still brings joy to no one. If only he’d pursued animal husbandry, we’d all be happier (though that’s a terrible thing to do to innocent animals.)

8. Your finger hovers over the mouse.

You’re about to hit the “publish” button. It’s nerve-wracking. How many mistakes have you missed? How mean will the reviews be? How good might they be? You thought this would be one of the highs moments of your writing career. Instead, hitting publish is remarkably stressful. After you hit that button, birth that book and send it out into the cold air, you might even feel postpartum depression for days or weeks. I do, every time.

9. You get your first true fan.

For some reason, vague to both writer and reader, something you wrote connects viscerally. Someone loves what you wrote and you love them for it. They are invaluable. They are your chief five-star reviewer, defender, cheerleader and advocate. They’re so awesome, you’re pretty sure they don’t poop. Inexplicably, they think the same of you.

Through the simple mechanism of words on the page, you’ve bypassed his or her brain and you have their heart. Then you start to worry that, with your next book, you’ll screw it up and lose them. The thought of losing a die-hard fan? Hello, Insomnia.

10. You go deeper with your writing.

You tell yourself you’re sufficiently seasoned now so the haters should bother you less. Maybe they shouldn’t bother you, but they will. I got a belittling letter at Christmas that knocked me so far down I didn’t write anything for a month.

But then you get back to it and you remember what cartoonist Lynda Barry calls “that floaty feeling” you get as a creative.

Publication per se? That matters less. It’s the writing process itself that is the thing. Yes, you want readers and lots of them, but you write for yourself first. You discover what you think and feel by writing. The writing journey is the reward. You lose yourself in the prose and in a small way, there’s something immortal and divine about that dopamine drip, washing your neocortex as you write and dream and create.

It’s just so darn godlike to kill people…

Um…in fiction. Right. That’s what I meant.

~ I’m Robert Chazz Chute and I poop. I also create worlds. If you create worlds, too, you’d probably enjoy reading this.

If you like to read stories that make you question whether the author may or may not poop, try this.

Also, right now, for a more buck, you can get a box set from me and seven other writers who are so awesome, they definitely don’t poop. Get the Horror Within box set now.

This is the most I’ve written the word “poop” in one blog post. Or 3,000 blog posts. Why was I denying you this joy for so long? Now I feel bad. Better go kill some people…

Filed under: Writers, writing tips, books, Crack the Indie Author Code, fiction, Lynda Barry, Murders Among Dead Trees, publication, publishing, Robert Chazz Chute, teaching writing, This Plague of Days, writers, writing, writing advice, writing process, writing tips

09/02/2010 • 8:19 AM 3

Writers: Rejection does not build character

Image via Wikipedia

Some say rejection is part of “paying your dues” in the writing business. That’s over-analysis. Rejection is just someone saying no. When your query is rejected, do not read too much into it.

Rejection is not useful on its own. It doesn’t thicken your skin for when you become a “real” writer. After you are published, you will get angry with critical reviews just as you are angry with rejections now. And why not? Your book is your child and an extension of you. If you are bent toward getting pissed off, you still will be. Rejection is not part of your training. Writing is your training. Learning your craft is a different proposition from receiving a form rejection slip.

Rejection can be useful if you get specific feedback on why your story was rejected. Standard reply forms that say “not for us” tell you nothing except you must resubmit elsewhere. A manuscript evaluation (whether done by an editor you pay–ahem, like me) or by the people you submit to, can be useful. However, even then, it may be a question of taste in some regard. Agents and editors do sometimes take the time to tell you what they found wrong with a near miss. (Even if you disagree with their feedback, send a thank you note.)

Understand this:

1. An agent or editor may give you a critique, but after you “fix” it, they are under no obligation to accept the manuscript. Many writers report great frustration over doing what they were told (perhaps even compromising their vision for the faint hope of publication) and still find themselves on the wrong side of the gate. No with details is still no. Doing everything you are told without running it through the filter of your own sensibility is no guarantee you’re on the right track. It also leaves you spineless and soulless.

2. Publishers, editors and agents are extremely busy people. (Sometimes they wear that like a badge that they feel makes them special. However, I don’t know anybody who is at all cool who isn’t extremely busy, do you?) The point is, no one owes you a critique unless you paid them for said critique (ahem–like me.) Agents and editors typically say yes or no (mostly no.) They aren’t in the business of teaching you the craft. If they do send you a personal rejection and not a form rejection, it does mean you’re making progress. Handwritten notes of encouragement can make your day even though it’s a rejection doused with a little sweet perfume.

3. If you send out a bunch of manuscripts and you receive no personal rejections, it means you have to tweak your manuscript or revisit your target selection process or both. Only you can decide how many rejections you suffer before you undertake further revision. Some say don’t tweak after you’re dome with revisions because by the time you’re finsally finsihed with revisions, you should be a little sick of it and ready to send your baby off to college. Fresh enthusiasm is what the new baby is for. Even as you edit the last book, your fickle nature should be pulling you toward the next book’s greatness.

4. The rejection might not be about you. There are many variables that go into editorial decisions. Maybe the subject matter or execution is too foreign to the publisher or too much like one of the books they already have which failed. Maybe the editor loved it but it got shot down for budgetary reasons. Don’t get hung up on each rejection. Resubmit and move on to people who get you as quickly as possible.

5. Don’t worry about rejection. It will occur. Expect it. It’s more important to do the writing and trust that good things are coming. Optimists are the only ones who succeed in this business. Pessimists, realists and the meek have the good sense not to try. They never succeed at much, but they’re cozy. Writers aren’t cozy with their place in the world. If they were, they wouldn’t be writers.

6. Once you are published, you’ll realize the journey was more important than the destination. It’s the writing that matters, which is good because you’ll spend much more time writing than you will receiving prizes and getting drunk on fancy publicity junkets.

BONUS:

When I was a kid, seeing my name in the paper was a big deal. By the time I was seventeen I had a regular byline in my local newspaper. By the time I was twenty, there was still a small thrill to see my byline on the front page of a provincial and city newspaper. My back page column in a magazine tickles. Recognition is still cool, but it’s not the same thrill and if a byline is all you write for, that’s not enough gas for the trip.

The thrill is in the writing. The fun was finding just the right turn of phrase. It was always really about the writing. It always should be.