C h a z z W r i t e s . c o m

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Publishing is sick. You should quit. Take up knitting.

I attended a lovely writing conference. The best value of these get-togethers is often not in the classes, but in the networking, either by finding an agent, getting  useful feedback or networking with writer allies who can hook you up with what you need (e.g. a graphic designer, beta readers, a photographer, an inexpensive website developer, software you didn’t know existed etc.,…)

A couple of instructors at this conference gave me some really great technical information. Much of the discussion was about stuff you’ll find on this very blog (Shameless plug. Subscribe and send love.) Much of the talk was yet another rehash of commonly known information (e.g. get yourself an editor for your self-published work). A bunch of it was stuff you see spread across the internet endlessly for free (e.g. a rehash of the Amanda Hocking/Barry Eisler unfoldment).

(Heh.Unfoldment. I like that.) 

There was also some bad advice. But today, let’s focus on the health of the publishing industry: It’s sick. Really sick. Especially for the ones upon whose brains and bones rest the cracked foundation: writers.

Of course, it has been thus for a long time. Even when it was healthy, publishers operated on thin margins and predicted imminent doom. Many of those publishing companies anticipating the end were right; I worked for several that are long closed. (I didn’t kill ’em, but I helped hold ’em down. Good times.)

We all know the common complaints today: fewer editors, the corporate profit-push squeezing the midlist, the crash of the bookstore (ask your parents, they’ll tell you what they were), the discount tyranny of the chains and the crush of all that self-publishing pressure and the ennui that sets in when you realize you’re a rusty cog in an old machine that needs a lot of parts replaced.

I’d like to  suggest a new measure of the health of the industry:

How many jobs do the major players have?

A short, relevant aside: I am currently a part-time massage therapist, columnist, feature writer, writer-writer, blogger and editor. Also, I’m a house husband and stay-at-home dad. That’s plenty of hats. Okay, I’m a freak, but not as much as I used to be it seems. And I’m cutting down my number of roles soon (Hint: keeping the sexy wife, brilliant kids and the horror writing that chills my victims’ readers’ blood.) 

Aside over. To business: 

Now watch what happens when we look at instructors at writing conferences:

People at the top of their game aren’t making their living from writing.

Of all the people I encountered at the writing conference, two were at it full-time. Andrew Pyper wrote a book I loved called The Killing Circle and gave a funny, charming and wise speech. Wayson Choi spoke briefly and he’s also plenty charming. (Just read Not Yet, liked it.)

Mr. Choi gave the same encouragement he did last year: You aren’t alone in this. We are all together in this. (As if writing and actually getting published is equal to a struggle with a terrible disease and all caregivers and support for the afflicted must be rallied.) As if the diagnosis is in and it’s not good. The doc is giving you that look that says you might make it, but the treatment is so horrible and there is so much pain to endure, refusing to undergo medical torture is a worthy consideration. Getting better (or published) is sort of like winning the lottery.

(Trivia bonus: Wayson Choi is not only published but once won $100,000 in a lottery. He also survived terrible lung and cardiac problems so he might be the sweetest, luckiest sumbitch you’ve ever heard of. Sure, lots of people win big prizes and survive heart attacks, but to be published? That’s rare!)

But are writing conferences really about getting published? There’s a lot of amateur desperation in that big hall. Nice people, but not all writers. Dilettantes and the terminally confused are also a large component from what I could tell.

I don’t count delusion against people, by the way. To be a writer at all, you must be deluded…well, for fiction writers,  it’s a job requirement.

Are writing conferences helping these people get published, or are they just  another income stream or promotional avenue for poverty-stricken writers? Several presenters used their seminar teaching position to flog their books and editorial services pretty hard (though I didn’t mind the guy who had the grace to be funny about being spammy.) The rest were so fed-up, sad or desperate they were perspiring audibly.

When the “stars” in an industry have to spend a lot of time doing non-writing activity to eat, that’s another indicator of an industry on life support.

If any other industry had this much necessary moonlighting (go ahead, name any one you like), you wouldn’t want your kid on that career path. Imagine if all the civil engineers also had to work as mail carriers and mimes to avoid starvation. Suppose all the doctors were also telemarketers/poets/screenwriters/dog walkers/financial advisors/supply teachers, just so they could cobble together one living income from all their part-time jobs. There’s nothing wrong with any of these jobs but…

But if you have to do it all…well, my point is, sorry…you should quit. 

If you think you can quit, then good. You’re free to move on to something that could give you the security of three squares, dignity, hope for the future and some level of satisfaction.

If you can’t quit, either….

Maybe my writing as a disease analogy wasn’t so inept after all. 

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Filed under: publishing, Rant, Rejection, Useful writing links, Writers, writing tips, , , , , , , ,

BREAKING NEWS: BIN LADEN DEAD

Turn on your TV. That’s it for now…

UPDATE: I turned on my TV. It’s been a long time since 2001. I knew he wasn’t in a cave (no sand fleas!) However, I was sure they’d find him in Saudi Arabia.

Anyway…they’re singing outside the White House, but it doesn’t seem like swift and terrible justice to me. More like, you  kill lots of people and we’ll get to you…eventually.

Triumphalism strikes a hollow note.

He inflicted much more horror than he got. And the terrorists won. Our lives have changed forever. he Patriot Act is still in. Git mo is still open. Secret military tribunals are still in. The borders are wary and air travel is assault, radiation and possible forced colonoscopy. Worst, the War on Terror sucks billions to defense that could have been spent on social justice and health care. More terrorists have been created and racism against innocent Muslims is powerfully strong.

To kill him now? Sounds like a fighter, beaten until unrecognizable from what he was, gloating about getting in one good punch.

I feel no satisfaction in the death of the villain. Instead I feel sadness for the America’s loss.

Turn off your TV. The pundits are about to go batshit and read way too much win into this. Unless it’s FOX. Fox News will figure out a way this is terrible news for the Obama administration.

Sigh.

Filed under: Media, , , , , , , ,

The Good, the Bad and the Freelancer (via Lorena’s Epiphany)

This is a great summary of freelance challenges. It’s a tough gig, or rather, a series of tough gigs. And even if you do really well with one client, you have to keep hustling to diversify your client base. If you have just one client and they dump you, you have instant problems.

This helpful post is a guide…or a warning. Freelancing is not for everybody.

The Good, the Bad and the Freelancer Whenever someone asks what I do and I explain that I'm a freelance designer working out of my own studio, I tend to get the same reaction "You're so lucky! I wish I could work on my own too." But becoming a freelancer wasn't something I really planned in advance. It sorta chose me. Yes, being a freelancer certainly has its perks – I won't lie. I get to wake up at 9 or 10am on most days and head to the studio at my own leisure. You also get the fr … Read More

via Lorena's Epiphany

Filed under: publishing

Drop the rose-colored glasses.Typewriters are gone.

The Underwood Touch-Master 5 was among the las...

Image via Wikipedia

The last typewriter manufacturer closed last week. Unless you’re Cormac McCarthy or Elmore Leonard, you’re not exactly at a loss. And yet…

Some people feel the pull of the past strongly. They are experiencing the past again, but this time without the White Out, carbon copies and numerous typos. It’s nostalgia for a time when newsrooms and typing class were full of the chatter of these wondrous machines. I miss that sound (although I’m sure you can download a program somewhere that will mimic that sound for your keyboard.)

But nostalgia is all it is. We fetishize the past, romanticizing earlier times and forgetting the problems and annoyances. The past wasn’t better because it was a better time. The past is better because you were younger and still had hope. (I kid! I kid! Your best times could still be ahead of you, but if that’s going to be true you better take your pace up from a walk to a jog.)

Typewriters were great. Are computers better? Yes. no. Maybe. Computers are different (and a different tool) and come with their own problems and advantages. But the medium is not the message. The device is beside the point. What matters is what is communicated, not how

I can communicate much more with my keyboard than I ever could with a typewriter. So for me, typewriters suck and computers rule. (Look it just got meta because it’s happening right now.) However, for all the bellyaching over computers, there are other writers who never gave up on the warm flow of ink on the page, calligraphic pens and parchment. (Then they type it on a computer so someone will see it.)

Technology is always destines to become outmoded at least until technology outmodes us in a fiery ball or the last plague. I love ebooks, but ( paper book  lovers brace yourselves) ebooks are transitional devices, too, and I’ll embrace the next wave of tech after they go. Tablets are next, better smart phones with expandable screens, contact lens screens and eventually chip implants as The Singularity makes us cyborgs.

I’m not looking back fondly at a past that never was.

I’m looking forward to an exciting future

that I hope won’t suck. 

Filed under: e-reader, ebooks, Rant, Writers, , , , , ,

Writers: Choose choice, not ideology

Bertrand Russell's views on philosophy

Image via Wikipedia

Talking politics with someone the other day, they said a particular candidate was so stupid they didn’t know when a reporter was rude to them. I doubt that. Assuming the politician dressed himself that morning, he did know and instead of reacting to the rudeness, he stayed on topic. He was polite—or even too polite.

The guy I was talking to already didn’t like the politician, so he chose not just to disagree with him, but to assume he was an idiot.

People choose sides. Sometimes they don’t even know why, but they get heavily invested in one outcome, often before we have any facts. Sure, people like to think they’re logical, but in fact they’re often intuitive. They jump to their conclusion and the logic that’s recruited only feels like logic. It’s actually rationalization.

We’re hardwired to make quick decisions. It’s in our genes to choose a tribe, too. We stick with that tribe, even when the tribe doesn’t serve us. Even when it’s a bunch of  millionaire basketball players, fans think they’re somehow on the team. It’s a religious fervor to join, to believe, to be one with a larger whole.

And it gets goofy. Nationalism, for instance, is tribalism write large. If you own a Mac and extol its virtues, a bunch of disproportionately angry people will call you a wuss in some web forum or other. We take ownership of things we don’t own. We choose up sides to divide us and them where there is no us and them. Gay teens get ostracized and bullied, many to suicide. Liberals are too quick to write off all conservatives. People can’t seem to make a distinction between “supporting the troops” and “disagreeing with the mission.”

Or, for writers, watch traditionally published authors shit on self-publishing. But this post isn’t about traditional versus indie. I’m not talking today about which way is best (as if any one way is best for everyone.) This is not another one of those posts debating the use of terms, indie versus self-published and who gets to claim what (as if words are owned or static.)

This is a post that simply says: compared to all the big problems we have, traditional publishing versus the new publishing? Pretty trivial. (And it doesn’t have to be all one thing or the other thing, anyway.)

Lighten up. Choose your own path. If you’re shitting on somebody or telling others what to do, ease up on tribal tendencies and focus on you.

Man in the Mirror and all that.

You be you. I’ll be me.

Filed under: Books, ebooks, links, publishing, Rant, self-publishing, Writers, , , , , ,

Pandigital Novel: The e-reader review

Do not buy this e-reader. I own a Sony e-reader (which I’m very happy with) but I was looking for another device for my wife. The Pandigital looked good, but I was soon disappointed.

Out of the box, it’s impressive. Not only is it an e-reader, it’s a tablet. That, and the price at $189, is what got my attention in the first place. The e-reader function was primary, but to pick up a cheap tablet with which She Who Must Be Obeyed could access Facebook, e-mail and the internet sounded great. And it has a color display! Hurray, I’d give it a go.

I learned a lesson I seem to have to learn over and over:

You get what you pay for.

The Pandigital Novel seemed to work fine as an e-reader and I liked the option of night reading (black field/white text) in addition to daytime reading (though I understand that’s an energy suck. We charged it up (using a wall outlet adapter.) It was already at 97% charge so it was soon ready to play with and we were anxious to experiment with our first Android tablet.

We were pretty chipper at first since it was so easy to set preferences. Then  things soon went south. The first and worst thing was that the touch screen was so bloody unresponsive. I’m used to the ease of working with my iPod Touch. I foolishly thought all touch screens were made equally. Uh-uh. I swiped with one finger, then two, then three. The response was hit and miss and always slow and frustrating.

We switched to the stylus and that didn’t make much difference. In fact, the stylus had to be precisely perpendicular to the screen and pressed just so to be at all effective. Even then the Pandigital Novel’s screen was often uncooperative.

Then things got worse. The e-mail wouldn’t configure. It wouldn’t play YouTube videos. Then it froze when we played the sample movie that came with it! And it stayed frozen until its battery ran down.

No, it wouldn’t turn off and reboot. No, there wasn’t even a reset button I could stab with a wire paper clip. There might have been a way to solve the problem, but tech support wasn’t answering at that time of day. (I’ve since learned from other reviews that the help center is often unresponsive anyway, perhaps overloaded with calls for help from disappointed customers.) The user manual was, of course, filed on the tablet, which as I mentioned, was already frozen. It would not thaw.

In a word, G-G-G-GAAAAAaaaaaaaaaagh!

Best Buy cheerfully refunded me for the tablet, its protective case and the warranty I got for it (about $220.) For the same amount of money, I’ve got the gold standard e-reader: A Kindle with extra adapter and case is on its way. 

Lesson learned.

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Filed under: e-reader, ebooks, Rant, reviews, ,

Author profile: Saffina Desforges’ Sugar & Spice

When you think the unthinkable, where do you turn?
Sugar & Spice is the groundbreaking debut novel from Saffina Desforges.
Yet to be published on paper, Sugar & Spice has swept up the Amazon UK Kindle charts with sales of more than 18,000 a month despite having neither an agent nor a publishing house behind it.
~
Inspired by a news story of a man who begged a Judge to give him a longer sentence because he knew he would harm another child if released without treatment, Sugar & Spice is meticulously researched, asking questions society prefers not to have answered.
At once disquieting and challenging, this is car-crash reading.
~
It’s every parent’s worst nightmare: A child fails to return home.  Some children never come back.

“An unsettling read with echoes of Mo Hayder.”
Crimetime.co.uk

“A disturbing and cleverly-woven story. Powerful first novel.”
Jake Barton

“Compelling! A very tough subject handled exceptionally well.”
Mel Comley

CW: When did you first know you wanted to be an author?Sugar_and_Spice

SD: I have always known. As a child, I would spend hours scribbling in an exercise book and making up stories in my head. In fact, most would say, I have spent my whole life living in a fantasy world!

CW: Tell us about Sugar & Spice.

SD: As the louder half of a writing team, I cannot personally take credit for the concept for Sugar & Spice, that was Mark’s. (There is a full guest post on the subject here if anyone is interested.)

CW:  Do you have any formal training in writing?

SD: I don’t, only a couple of on-line courses, but (co-author) Mark Williams has written before as a journalist, a teacher and for stage and television.

CW: How did you arrive at the decision to self-publish?

Saffina DesforgesSD: We took the decision to self-publish rather quickly with Sugar & Spice. Agents liked the book, but were uncomfortable with the subject matter. With the growing popularity in the UK with e-readers, it was a no-brainer. We have sold 40,000 plus copies since Christmas and are currently selling just under 20,000 a month in the UK alone. The book is currently out with an agent who has requested to read it fully. We would have to think long and hard about any deal (with traditional publishing.)

CW:  What was the biggest disappointment you experienced through this book?

SD: The biggest disappointment for us with Sugar & Spice is how no one (thus far) has had the balls to see the book for what it is, a great story, and convince a publisher to do the same, but hey, that may change. Another disappointment is how some readers have misread the messages within the book and suggested that we are being sympathetic to criminals, when that certainly isn’t the case.

CW: What was the hardest part of the publishing process? What did you most enjoy?

SD: Self-publishing is relatively easy these days. Getting people to buy your book is the hard part.

CW: What advice would you give unpublished writers?

SD: Forget being a writer, you have to be the complete business person. No matter which route you take, writing is a very small part of the process.

CW: Have changes in the book industry forced you to change how you published or marketed your work?

SD: Yes, and will influence any future decisions we make. We are confident that if time allowed, we could have at least 3, if not 4 books a year published as ebooks and be making money from them. Traditional publishing will not allow that, nor will we have any control over what we write.

CW: What’s your next book project and what can you tell us about it?

SD: We have several projects on the go, but the most imminent, is the first book of The Rose Red Crime Series, Snow White. This is a series of fast-paced, commercial crime thrillers, set in modern day but based on fairy tales. Snow White will be available on Amazon and Barnes & Noble for the end of July 2011.

In October, we will release the first of a dark, urban (adult) fantasy series – Equilibrium: First Blood. At some point before the end of the year, we might even share our experiences in a ‘how to’ book!

 For details of how to purchase Sugar & Spice – the UK bestseller and the recently released US edition, please visit here : www.sugarandspicethenovel.com

Our website:

www.saffinadesforges.com

Twitter: @safficscribe

Filed under: Author profiles, Books, self-publishing, , , ,

Top 20 Facebook Apps for Book Lovers – GalleyCat

Top 20 Facebook Apps for Book Lovers – GalleyCat.

Got a book you want to review, find, sell or promote? Your publicity list starts with this link. Supremely useful collection of apps for the author, publicist and book lover.

Filed under: authors, blogs & blogging, book reviews, Books, Publicity & Promotion, self-publishing, , , , , , , , ,

Writing Exercise: Idea Generation

 

 

 

Last Saturday I attended a great workshop on Editing and Revising with editor extraordinaire Brian Henry.

I’m deep into doing revisions on my own work and that of others, so a refreshing blast of continuing education was a nice change of pace. Brian is on the road every weekend to teach a workshop. He’s a genuinely nice guy and a skilled editor with tons of experience.

(Click here to find out more about his teaching or to receive his newsletter.)

The odd thing is, I did some freelance work for Brian when I worked at Harlequin in 1988/89. I was working in production, proofreading romance and after romance with a few military books mixed in so I wouldn’t grow breasts. (I proofread a lot of the Mack Bolan series back then.)

To pick up a little more cash, I waded into the slush pile for Brian, who was an editorial assistant at the time, to evaluate spec manuscripts. After taking several of his workshops over the last few years, he finally remembers who I am when I see him now. (I think.)

I’ve written a short story in two of his workshops now. I’m not usually a great fan of writing prompts from other people. I’ve got lots of ideas on my own. However, at Brian’s workshops I’ve leaped into the breach and come up with a couple of short pieces, written on the spot, with which I am quite pleased.

On Saturday, here’s what got the ball rolling; Brian called it his Chinese Fortune Cookie Exercise: We wrote a short fortune, say six words. Each participant came up with two fortunes to share. The fortunes preferably had a verb, included two people (implied was fine, not named) and there had to be an element of “tension or strangeness.”

Also, it’s okay if the fortune sucks. It’s just a prompt, not a plan. We exchanged fortunes with people at our table so everyone had something fresh. Then we started writing furiously.

The fortune I focused on was this:

“A relative will vex you.”

What I came up with was short and surprisingly soulful with a murderous sucker punch. My fellow participants were enthused. It is very affirming for any writer to come up with something quick on the spot that works so nicely. Now I have yet another short piece to add to my short story collection (available through Smashwords this summer!)

If you write, go read Quick Brown Fox, too. 

Filed under: ebooks, links, manuscript evaluation, publishing, self-publishing, short stories, Writing Conferences, writing tips, , , , , ,

How much should fiction cost?

There’s quite a gap between what publishers charge for ebooks and how self-publishers are pricing their work. Many authors (and readers) have a visceral reaction to price. Of course people are sensitive to a price they perceive too high, but many believe that if it’s too cheap, it must be crap. (JA Konrath suggests self-publishers play with price, and experiment to find the right price point.)

However pricing affects you intuitively, there’s no direct correlation between price and quality. Many fine ebooks are often priced low because the author is not well-known. Lower prices encourage timid readers to take a chance on new fiction. When the price is lower, readers buy more. It is freeing to click, click, click and still pay less for fiction than you might for a latte and a croissant.  Self-publishers hope to make it up on volume.

If you are trying to figure out how to price your ebooks, or what a fair price might be, Dean Wesley Smith has a great and useful  summary.

His suggestions have influenced my thinking greatly. As a result, my first book (that will be available digitally) will be a short story collection. I still plan to roll out my big novel in November, but the collection, including some award winners, will come this summer!

It’s all happening very quickly. It has to. And most glorious of all, now it can happen.

Time and me?

We wait for no one.

Not anymore. 

Filed under: Books, DIY, ebooks, grammar, links, My fiction, publishing, self-publishing, Writers, writing tips, , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

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Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

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