C h a z z W r i t e s . c o m

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Writers’ Union of Canada VIDEO (plus a cool NEW word! Yay!)

Yesterday I blogged about The Writers’ Union of Canada and that particular post wasn’t altogether complimentary. In fact, I proposed that if they didn’t open up their membership criteria to self-published authors, an indie union could be formed.

I hope that isn’t necessary since it could duplicate effort across platforms and dilute the voice of the writing profession. (However, if the self-published aren’t represented at all…hm. I won’t get sucked into a rehash. If you missed it, read, cogitate, plot and plan.)

But I’m all about the balance. For instance, I complained in a long ago post that TWUC’s judging of one year’s short story competition…well, it sucked. I’ve also been very complimentary with regard to their most recent symposium in Toronto (that also went on tour across Canada.)

This video on Canada’s proposed copyright law is an example of one of the good things unions can do to deal with The Man. The education provision does appear too broad and is a detriment to writers who are, as the legislation is written, voluntold to give up recompense for their work.

Voluntold

Chazz Definition: To have your services, product and/or time volunteered by someone other than you who has no business telling you what to do with your services, product and/or time.

(e.g. “I can’t order you on a suicide mission but I need five volunteers to storm that machine gun nest. You, you, you, you and you, go! You’ve been voluntold. A grateful nation honors your blah, blah, blah…”)

Filed under: authors, Books, Cool Word of the Day, publishing, Rant, self-publishing, Writers, Writing Conferences, , , , , , ,

Edit Point: One another versus each other

Book cover (Dust jacket) for the 15th edition ...

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“The pair looked at one another.”

No, they didn’t.

Editing is often intuitive. I could tell you, for instance, which usage is correct, but I couldn’t tell you why. It came up with a project and I got curious. Then I went to the Chicago Manual of Style. Here’s why for this one:

When two people are involved, the best way to write it is, “They looked at each other.” When it’s more than two people (or things, for that matter) use “one another.”

The distinction becomes clearer with things: “His eyesight was so poor that when he looked to the bowling pins standing at the end of the lane, they were just a soft white mass. Dave  couldn’t distinguish one  from another.” (That’s right.)

“Each other” in a group hits the reader’s eyes and ears wrong and they may not know why. (This is one reason reading aloud as you edit can be such a powerful trick of the trade.)

It’s not a big deal unless you’re a word nerd or getting paid to edit something. However, usually, if you write a passage that hits the reader wrong or makes them go back, there’s something quirky there that needs another look.

Filed under: Books, Editing, Editors, manuscript evaluation, publishing, rules of writing, Writers, writing tips, , , , , , ,

Ahoy, matey! Neil Gaiman VIDEO on why book piracy can be good

I’ve spoken with several publishers on this topic. They knew they shouldn’t do what the music industry did (i.e. sue their own customers) but that’s typically where the thought process ended. At a writing conference I recently attended, there were a lot of worried writers. They worried that someone would steal their stuff.

Don’t worry about it.

It’s either:

1. pretty rare (maybe it’s not good enough to bother stealing—uh-oh!),

OR

2. the people who steal it are power users and curators who are going to read more of your stuff and pay for it and the related products and services you sell  (so be prolific and imaginative),

OR

3. the pirates are scum who never pay for anything anyway so the sale isn’t really  lost. If they weren’t stealing your stuff, they’d be stealing someone else’s stuff instead. (Don’t waste time or base your business model on the lowest common denominator douche.)

Maybe that’s counter-intuitive, but I’d rather concern myself with factors I can control rather than worry about things I cannot control.

Free not only can work, giving to get often does work. You can hide your light under a bushel or put it out there so more people can find it. Scott Sigler built a bestselling franchise, for instance. So did Cory Doctorow, and the list of authors who embrace free and easy access is growing.

Repurpose what you write so more people can find you (and find you interesting.) The churning of information raises sales.

There are some instances of publishers stealing work, but it’s a rare anecdote, especially in an era where, with Google, stolen material is so easy to find. I’ve found a few things stolen from my features and columns in magazines. Usually it’s a case of someone on the other end who is clueless rather than malicious. We just ask that they attribute the material so I get credit and make sure a link back to the source is included. That’s the basis of the Creative Commons model. It’s not really a big deal.

What people forget is, though e-books and web bits are easy to snatch, so is a regular old paper book. When I worked at Harlequin, foreign knockoffs happened often in the  Chinese and French romance markets.)  The text was stolen and lousy covers were slapped on the books. All they needed was a photocopier. Easy, peasy, lemon squeezy.

Consider this: put some or all of your book up on your website (using whatever model you choose: a taste, weekly podcast-a-chapter meal or the whole feast at once) and you’ve got proof of ownership in every time stamp.

 

 

 

Filed under: authors, Books, Publicity & Promotion, publishing, Writers, , , , , , , , ,

Opportunity knocks? Self-published writers could unionize (plus association links for writers)

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We started off The Writer’s Union of Canada symposium with the presenter announcing,Self-publishing is mainstream!” Dead on and right on, brother! Come to Jesus! Most of the day was dedicated to authors taking hold of their careers, navigating through the logistics of self-publishing and going indie. As I’ve mentioned in several posts since, it was a great event filled with exciting information that went deep. The kick in the nuts didn’t come until the end of the day.

As we wrapped things up with questions to the presenters, someone asked if she qualified to join The Writers’ Union of Canada. Nope. It looked by the show of hands that about half of the attendees (at least) were not TWUC members, but they couldn’t join to lend their voice to Canadian professional writers.  Publishers decide who is traditionally published and only if you are traditionally published does TWUC recognize you as a candidate for the union. (Yes, there’s an appeals process in which a committee could decide your worthiness on a case-by-case basis, but I didn’t get the feeling that opened a lot of doors for the great unwashed.*)

There are people within the union who want to change this, but there is resistance. Despite all the DIY enthusiasm and knowledge of self-publishing displayed at the symposium, so far it seems the only writers the union recognizes are — and will be for the foreseeable future — the traditionally published. The concern, they say, is about quality. I’ll grant you many self-published books suck. They often are not edited or are not edited well. (In fact, I wrote a blog post not long ago entitled Why self-publishing sucks (and what you can do about it.)

However, the larger point is, you don’t professionalize a group by shutting them out. You raise the standard by bringing them in. Amateurs often become professionals by mentoring and community interaction. Self-publishers can also bring a lot to the table. Many DIY authors will have a lot of information and support to share when many trad authors switch to independent publishing. (Gasp! We talk and share and know things, too! Imagine that!)

Here’s a secret: quality is a myth. You don’t use traditional publishers as gatekeepers. Not anymore. You already refuse to read much of what they publish. You have your unique tastes. You use curators you trust to let you know about a great book to read. Anyone reading this post could name several books traditionally published that, according to their lights, do not constitute “quality.” It’s all, trad or indie, subjective. Do I have to remind anyone that The Best Laid Plans by Terry Fallis was rejected by trad publishing? That book  only saw the light of day  (and won the Stephen Leacock Award and CBC’s Canada Reads contest) because Fallis self-published first.

The presenters were not necessarily against letting self-published writers in. They seemed to say that it was the system that was slow on the uptake. “It’s an evolution,” said one.

Yeah? Since we spent the day talking about the publishing revolution, maybe we should splice some DNA and catch up!

“Apply anyway,” another presenter advised. “If they (meaning the admissions committee) get enough applications, maybe they’ll be moved.”

Bewildered, one participant asked, “Why wouldn’t you be proactive and lead” by going ahead and accepting self-published authors? Good question. I asked him if he wanted to be president of a new self-published writers union. He grinned and said, “Sure!” The presenter looked at me with…was that disdain?

Opening up the TWUC membership means a larger, more powerful and better-financed union. Look at the Romance Writers of America. If you’re interested and actively pursuing a writing career, you’re in. That is a big tent that’s open to anyone interested in romance books. They’re big enough they could stand up to their biggest sponsor (Harlequin) when necessary.

A powerful union filled with fresh blood and entrepreneurial, proactive people makes a small union into a big (and relevant) union.

But why should you care? What’s the alternative? Well…I’m not trying to start anything here, but since TWUC isn’t being especially proactive, there is a huge opportunity to start up a union for self-published writers. If you’re DIY, you could join, hold events, help with disputes, etc.,… Oh, and get some fucking respect.

I’m not saying we should. I’m saying we could if TWUC continues at a glacial pace while the old media models implode around them. The crazy part is there are forces within TWUC that agree. Apparently there aren’t enough of those like-minded individuals on the admissions committee. We could unionize. Should we? There are benefits, though if TWUC loosens up we wouldn’t have to invent that wheel.

Maybe they better move before you take the idea of a Self-published Writers of Canada and run with it. (SWOC? Nah, that’s the Steel Workers.) Shutting out the self-published is a major tactical error considering the self-published are a determined group of people who don’t take kindly asking permission to do things. We are all about git ‘er done, DIY ASAP.

Brain food, comrade. If they aren’t as forward-thinking as their own symposium, they could go from The Writers’ Union of Canada to A Writers’ Union of Canada.

*Alternatives? Where you live, there’s some kind of association of varying applicability to your writing career, amiability and varying strength.

Here’s a list of links which is by no means comprehensive: The Canadian Authors Association, the Editors Association of Canada and the Periodical Writers Association of Canada, the Horror Writers Association, the Science Fiction & Fantasy Writers of America, SF Canada, Crime Writers Association (UK), Crime Writers of Canada, Mystery Writers of America and the aforementioned Romance Writers of America . Check each association’s membership criteria and see if their goals match your own. Another aspect to consider is how active each organization is in your area.

Tomorrow’s posts: If you’re up early, a style ruling on when to use “each other” instead of “one another” (well, never ‘use’ another human being) and at 11:45 EST, one of the good things The Writers’ Union of Canada is trying to do. You know me, I’m all about the yin/yang balance of the universe.

Filed under: authors, Books, DIY, ebooks, getting it done, publishing, Rant, Rejection, self-publishing, Writers, Writing Conferences, , , , , , , , , ,

Writers: Four simple mistakes that ruin your reader’s trust (by Guest blogger Roz Morris)

nail_your_novel

Whether you write fiction or non-fiction, a mistake-free manuscript looks professional. It gives the reader confidence that they are in good hands. This is so important that publishers employ people specifically to worm out embarrassing errors so that the reader trusts what is on the page. I used to be one of them. But as we increasingly do it all ourselves, some howlers are getting through.

And not just typos. In self-published books, on blog posts, newsletters – and indeed query letters – there are four mistakes I see often that can seriously undermine the writer’s credibility:

Names are misspelt

The other day I came across a post on a blog I respect that referred to the heroine of the Tomb Raider game as ‘Lora Croft’. In editing circles, it’s a golden rule that if you use a name, you check it is spelled correctly. Then you check that when you typed it your fingers did what your brain wanted. ‘Lora Croft’ may have been an innocent typo but it makes the writer look like a twit.

Its and it’s are confused

Its means ‘belonging to it’.

It’s is short for ‘it is’.

If you’re still confused, ask yourself if you mean ‘it is’. If you don’t, it’s probably the other one. See how easy it’s?

There and their

If what you mean is ‘where’, the word you want is ‘there’. You may also use it without any meaning of its own in a sentence such as ‘if I see this mistake again there will be blood’. If you mean ‘belonging to them’, you need ‘their’. So there.

Reigns and reins

A horse has reins. A monarch reigns. You can have a reign of terror, but daily I see: ‘so-and-so took over the reigns of power’. This is wrong. They are speaking figuratively of leather straps that steer – and so the correct word is ‘reins’. I also see ‘we had to reign in our spending’. That refers to an act of braking – which is done with a rein. Nay, nay, nay.

These mistakes aren’t just irritating, like typos; they undermine your authority. Don’t lose readers by making them distrust what you write.

Roz_Morris

Roz Morris

 

 

Roz Morris is an editor, book doctor, bestselling ghostwriter. Now she’s coming out from under the sheet with novels of her own. She blogs, slightly less bossily, at http://www.nailyournovel.com, tweets as @dirtywhitecandy and is the author of Nail Your Novel – Why Writers Abandon Books and How You Can Draft, Fix and Finish With Confidence.

Find her book on Amazon.com http://ht.ly/3MWBC, outside the US from Lulu http://www.lulu.com/product/paperback/nail-your-novel/5301103 and on the Kindle http://www.amazon.com/Nail-Your-Novel-Confidence-ebook/dp/B004LROOEQ/ref=sr_1_2?ie=UTF8&m=A7B2F8DUJ88VZ&s=books&qid=1296691437&sr=1-2

Filed under: authors, Editing, Editors, getting it done, Writers, writing tips, , , , , ,

Writers: Self-publishing links

Patricia Benesh writes in the Huffington Post about the five questions you should ask yourself before going the self-publishing route.

At Self-publishing Central there’s a blog post about the journey to publication and finding peer support along the way.

Eoin Purcell‘s blog writes about the state of the traditional publishing industry and how it’s not all bad news. In fact, libraries are trending up.

And Jeff Bennington over at The Writing Bomb writes a compelling post evaluating Lightning Source versus Create Space. Do check that out!

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Filed under: authors, blogs & blogging, Books, DIY, ebooks, self-publishing, Useful writing links, web reviews, Writers, writing tips, , , , , , , , , , , , ,

Writers: How to Publish on Smashwords (by Guest blogger Rebecca Senese)

Image representing Smashwords as depicted in C...

Image via CrunchBase

Firstly, thanks to Robert for allowing me to do a guest post on his blog. This is my very first guest post and I’m thrilled to “be” here!

This is an exciting time to be a writer, full of opportunity and scary possibilities. It’s easy to become paralyzed. I know I felt like that for some time over the past year as I watched the e-book market explode. I knew I wanted to start putting up my back list of pre-published short stories but I wasn’t sure how to go about doing it. I decided to jump right in.

One of the sites I decided to post my work on was Smashwords. According to their website, they claim over one billion words published. That’s a lot of typing!

Of course, the very first step is to create a free account at Smashwords. Make sure to print out and read their publishing agreement. This is true for any site you wish to publish on. When you load up your work, you are effectively acting as your own publisher and need to know what kind of agreement you are making with the site that is acting as a distributor. Take the time to print and read the contract before putting anything up. Remember to take responsibility for your own writing career.

Next I downloaded their free style guide. This guide, written by Smashwords founder Mark Coker, provides a step-by-step manual for formatting your book to meet Smashwords’s requirements.

Once you’ve completed the proper formatting, Smashwords takes your single format file, processes it through their Meatgrinder software and outputs it into approximately 10 separate ebook formats, including ePub, PDF, Mobi (Kindle) and RTF among others. There’s no trying to figure out how to do it yourself. Smashwords’ Meatgrinder does it for you!

I created my cover page and formatted my first short story according to the style guide and I was ready. From the top menu, I choose Publish. This took me to the upload area.

Section 1 “Title & Synopsis” included Title, Short Description (400 characters allowed), Long Description (4,000 characters allowed) and Language of Book with a part for adult content.

Section 2 is Price and Sampling. Unlike Amazon, Smashwords allows for free content, readers set the price (with a note that Barnes & Noble no longer accepts books with this option), or with a price set from a minimum of 0.99 cents or up.

Sampling allowed me to choose the amount of my work available for a reader to download to review before buying. I chose 40% as an option, to give readers a good chance to read my work. I have downloaded e-book samples that don’t even go past the table of contents page before the sample is done. I never got a chance to even taste the author’s writing. That’s not a book I would buy. Sampling is the equivalent of being able to pick up a book and crack it open to take a look at the writing. It’s a good idea to give readers a real opportunity to see if they like your work and also to get hooked on your story. Give them enough to really get into it and they’ll want to buy to find out what happened at the end.

Section 3 is Categories which open up to the right, from general categories to more specific subjects.

Section 4 is Tags that I used to tag my e-books.

Section 5 is eBook Formats and the default is set for all of them. I left all the defaults in place. My thinking is that the more formats, the better for a reader to find one that works for her.

Finally, Section 6 Covers and Section 7 Select File of Book to Publish are where I was able to upload my cover and my e-book file. Section 8 is the Publish button. Once I pressed this, my file was uploaded for processing.

My first e-book took about twenty minutes to upload. Others have taken as long as four to five hours. It seems to depend on how many other books are being uploaded at the same time as yours.

After uploading my first ebook, I created my Smashwords author page under My Smashwords tab. Here I uploaded a photo, a small bio and was able to link to my website, blog, Twitter account, Facebook and LinkedIn. On this page, all of my uploaded e-books are listed with a tag cloud at the bottom of the page.

Smashwords includes a Dashboard tab where you can obsessively track your sales or sample downloads. As one writer suggested online, the best thing to do with e-books is to publish and forget it. It’s very tempting to check on the Dashboard every day or every few hours and become disappointed when you aren’t rivaling Amanda Hocking’s sales. The best cure is to keep writing and keep publishing. The more e-books you have available, the more chance you give the readers to find you and like your work. When that happens, they’ll look for more.

That’s my plan as I continue to move forward into this new world of publishing. And I’m sticking to it!

Rebecca M. Senese is a writer of Horror, Science Fiction & Mystery. Now that you’ve read about how she uploaded to Smashwords, complete your research and go by her stuff!

rebecca_senese

Website: http://www.RebeccaSenese.com
Twitter: http://twitter.com/RebeccaSenese
LinkedIn: http://ca.linkedin.com/in/RebeccaSenese
Blog: http://RebeccaSenese.wordpress.com

Filed under: authors, DIY, ebooks, publishing, self-publishing, Useful writing links, Writers, writing tips, , , , , , ,

Come for the flash mob VIDEO. Stay to think about why word choice matters.

 

The power of the pink shirt inspires me. When I was in high school, a guy would have definitely been harassed and probably been beaten if he wore a pink shirt. (Notice I didn’t say beaten up. For some reason, “up” trivializes what it really is.)

I don’t even care for the word “bullying.” I know schools everywhere have anti-bullying campaigns, but that trivializes the act, as well. If an adult tries to bully another adult, we don’t call it that. We call it assault and we call the police and a lawyer. Children are more vulnerable because we say “boys will be boys” and “girls are just like that sometimes.” Boys fight. Girls typically employ social shunning behaviors to manipulate their victims. Both sexes do damage that lasts.

What is the point of videos like this? I think it shows kids there are better ways to be cool than to be angry loners. The kids in this video are having fun doing something positive together. Kids who bully or are bullied are not having fun. These issues tear me up now more than ever because I worry for my son. Perhaps because he’s profoundly colorblind (or way cooler than his dad was at his age), social anxiety around the color of clothing is a mystery to him. He’s much more open to trying new things than I was. His life is richer because it’s not ruled by fear of criticism, failure, derision or violence.

Unlike me. I was an angry loner. I was bullied until I learned self-defense. That’s how I coped at the time, but it wasn’t the best way. I mistook fear and wariness for respect. You can’t have a sense of humor when you’re wound that tight. You don’t try new things or go out of your way to meet new people and make friends because everyone is a potential risk.

Bullies and victims come to share something: oversensitivity to any slight, real or imagined. (Maybe they’re that writer in your critique group that went home enraged and never came back.)

My training did give me some confidence, but it also made me suspicious and hyper-reactive.  I was still trapped in fear. I was afraid I’d have to fight. I was afraid of getting hurt. I was afraid my rage would boil over and I’d go too far. (And yes, sadism breeds sadism and victims can become victimizers.) I was afraid to be honest and connecting with others was a risk. Community is a threat when all you expect is violence and criticism. Violence in our words and our actions  breeds life’s bystanders.

Your words matter. Choose them carefully. Use them well and they can stimulate, educate and entertain. Choose them poorly and you may rob yourself and the victim of dignity for a day. Or the victim may live a smaller life forever after because of your influence.

Are people glad to see you coming? Think about that.

And this:

Adults shamed as children.

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Filed under: getting it done, movies, Rant, Rejection, What about Chazz?, Writers, , , , , , , , , , , , , ,

The Charles Bukowski Quote

Charles Bukowski

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From the novel, Hollywood:

The screenplay went well. Writing was never work for me. It had been the same for as long as I could remember: turn on the radio to a classical music station, light a cigarette or a cigar, open the bottle. The typer did the rest. All I had to do was be there. The whole process allowed me to continue when life itself offered very little, when life itself was a horror show. There was always the typer to soothe me, to talk to me, to entertain me, to save my ass. Basically, that’s why I wrote: to save my ass, to save my ass from the madhouse, from the streets, from myself.

~Charles Bukowski, Hollywood, p. 88, 1989, HarperCollins

He’s an ordinary guy who transcends ordinary. His poetry inspired me to write poems (that he would hate.) His prose reminded me how easy writing should feel, even if I don’t share his ease at the keyboard all the time. He was a bewildered, unapologetic drunk. He didn’t write from his brain or his heart. Bukowski wrote from his balls. If you’re unfamiliar with his work, I recommend it (whether or not you enjoy the image of writing that seems to originate from the genitalia.)

Hollywood takes a delicious stab at Jack Kerouac for whom Bukowski obviously had no respect. It’ a fun read, especially when Norman Mailer shows up in a disguise so thin you can imagine Bukowski giving you a funny little wink.

Bukowski is the uncle you’re supposed to hate, but you can’t bring yourself to think he’s unredeemable. There is an innocence there, like a child unaware of social norms that define good behavior.

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Filed under: authors, Books, Poetry, Writers, , , , , ,

Writers: Action Items and Mega-links!

Laptops were made for stickers

Image by ifindkarma via Flickr

Most to-do lists are torture devices that never stop. You make your list too long. You never get to the end of the list and, to assuage your guilt, you start adding things to said list that you were going to do anyway — and possibly couldn’t even have avoided—just so you can cross it off. Put on hat. Took off hat. Sit down. Cogitate. Sit on toilet. Cogitate more.

But, after my recent Writer’s Union of Canada symposium on the state of publishing (the movie poster tag line would read: Brace Yourselves! It’s the End of the Beginning!) it’s time to commit to a plan.

Out of the blue, I have been approached by an agent. Agents are useful for lots of things (more on that in another post) but since that’s all theoretical so far and may come to naught or be complementary…

I’m going ahead with these action items:

1. Switch my browser to Opera. (Already had Chrome and that’s recommended, too. Migrate away from Internet Explorer. IE is inferior. I also like the way Opera remembers my tabs for quicker zipping around.

2. Get Dropbox. Dropbox is a free tool that keeps your data safe across multiple servers (AKA The Cloud.) It uses the same security tech your bank and the military use and the system’s more stable than say, one server in California. I’m replacing my fee-for-service backup software with Dropbox and I’ll be able to access my files across multiple computers. I don’t plan to use it for file sharing with others, though that may prove useful in the future.

3. Learn more about HTML (Hypertext Markup Language) and CSS (Cascading Style Sheets, a formatting language.) Boo, scary.

4. Find a web developer capable of putting up an interactive, standards compliant website for me that looks good, works and can sell stuff. Also get said website hosted through one of these top three services: Rackspace, Dreamhost or Slicehost.

5. Most important: finish the polish on my WIP. By April 15th goddammit. I’ve been dawdling through perfectionistic tendencies. I have other books already written and more ideas for more books. As writers, we have all sorts of ideas but time is trouble. This is a time management, make short-term money working on other people’s long-term plans. I’m grateful for the work, but Ive got to find the balance and get it all done!

6. On completion of #5, simultaneously get new work (short stories, fiction, non-fiction) on website to sell using Smashwords. (I’ve heard one bad review of Smashwords and several good ones. Guest blogger, the fab Rebecca Senese, will be telling us about her Smashwords experience soon.)

7. Research blogging a book, using Create Space and podcasting a book. Blogging a book through a service like Blurb is a cool idea. I’ve heard about it but haven’t explored in detail. Basically, it’s a cheap and fast way to make a book out of the blog content you already have. I joined the Create Space community to hang out and see how it’s working for them. I will do the same with Kindle’s Writer’s Cafe (a good tip I picked up from Mike Plested’s podcast over at Irreverent Muse. Plus, Mike has asked me to join him on a podcast. Can’t wait to do that after I get the majority of this list done.) For podcasting — radio across the Internet for those of you who aren’t on board yet — I have a book and people I can consult about that.

8. Start using Posterous for blog posting. It’s described to me by writer and self-publishing guru Ross Laird as a “pre-built content management application” that posts everywhere you want in a single, elegant click.

9. Explore alternatives to word processors (like VIM). I posted about this a few days ago. What? You missed the bit about dumping your word processor?! (Don’t get annoyed. The link is just below this post.)

10. Live free and love hard, keep rockin’  the mic and the black fedora, keep connected and reach out to give to get, fight The Man, love what’s to love and transcend what’s to hate, make fun of the hopelessly powerful, pity the stupid as long as they aren’t in power, do: do not wish, bring comfort to the afflicted, chocolate every day (non-negotiable), help the poor by not being one of them, embrace the human zoo experience and stop to smell the coffee!

Well, I’ve got most of it covered…

And, yes, I have fancy plans and pants to match—

nod to Mr. James James, the man so nice they named him twice.

And if you get that reference, I love you, you big freaky nerd you!

Ahem. This is a good start.

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Filed under: ebooks, getting it done, publishing, Rant, self-publishing, This Week's Missions, Writers, Writing Conferences, writing tips, , , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

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Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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