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Writers’ Union of Canada VIDEO (plus a cool NEW word! Yay!)

Yesterday I blogged about The Writers’ Union of Canada and that particular post wasn’t altogether complimentary. In fact, I proposed that if they didn’t open up their membership criteria to self-published authors, an indie union could be formed.

I hope that isn’t necessary since it could duplicate effort across platforms and dilute the voice of the writing profession. (However, if the self-published aren’t represented at all…hm. I won’t get sucked into a rehash. If you missed it, read, cogitate, plot and plan.)

But I’m all about the balance. For instance, I complained in a long ago post that TWUC’s judging of one year’s short story competition…well, it sucked. I’ve also been very complimentary with regard to their most recent symposium in Toronto (that also went on tour across Canada.)

This video on Canada’s proposed copyright law is an example of one of the good things unions can do to deal with The Man. The education provision does appear too broad and is a detriment to writers who are, as the legislation is written, voluntold to give up recompense for their work.

Voluntold

Chazz Definition: To have your services, product and/or time volunteered by someone other than you who has no business telling you what to do with your services, product and/or time.

(e.g. “I can’t order you on a suicide mission but I need five volunteers to storm that machine gun nest. You, you, you, you and you, go! You’ve been voluntold. A grateful nation honors your blah, blah, blah…”)

Filed under: authors, Books, Cool Word of the Day, publishing, Rant, self-publishing, Writers, Writing Conferences, , , , , , ,

Opportunity knocks? Self-published writers could unionize (plus association links for writers)

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We started off The Writer’s Union of Canada symposium with the presenter announcing,Self-publishing is mainstream!” Dead on and right on, brother! Come to Jesus! Most of the day was dedicated to authors taking hold of their careers, navigating through the logistics of self-publishing and going indie. As I’ve mentioned in several posts since, it was a great event filled with exciting information that went deep. The kick in the nuts didn’t come until the end of the day.

As we wrapped things up with questions to the presenters, someone asked if she qualified to join The Writers’ Union of Canada. Nope. It looked by the show of hands that about half of the attendees (at least) were not TWUC members, but they couldn’t join to lend their voice to Canadian professional writers.  Publishers decide who is traditionally published and only if you are traditionally published does TWUC recognize you as a candidate for the union. (Yes, there’s an appeals process in which a committee could decide your worthiness on a case-by-case basis, but I didn’t get the feeling that opened a lot of doors for the great unwashed.*)

There are people within the union who want to change this, but there is resistance. Despite all the DIY enthusiasm and knowledge of self-publishing displayed at the symposium, so far it seems the only writers the union recognizes are — and will be for the foreseeable future — the traditionally published. The concern, they say, is about quality. I’ll grant you many self-published books suck. They often are not edited or are not edited well. (In fact, I wrote a blog post not long ago entitled Why self-publishing sucks (and what you can do about it.)

However, the larger point is, you don’t professionalize a group by shutting them out. You raise the standard by bringing them in. Amateurs often become professionals by mentoring and community interaction. Self-publishers can also bring a lot to the table. Many DIY authors will have a lot of information and support to share when many trad authors switch to independent publishing. (Gasp! We talk and share and know things, too! Imagine that!)

Here’s a secret: quality is a myth. You don’t use traditional publishers as gatekeepers. Not anymore. You already refuse to read much of what they publish. You have your unique tastes. You use curators you trust to let you know about a great book to read. Anyone reading this post could name several books traditionally published that, according to their lights, do not constitute “quality.” It’s all, trad or indie, subjective. Do I have to remind anyone that The Best Laid Plans by Terry Fallis was rejected by trad publishing? That book  only saw the light of day  (and won the Stephen Leacock Award and CBC’s Canada Reads contest) because Fallis self-published first.

The presenters were not necessarily against letting self-published writers in. They seemed to say that it was the system that was slow on the uptake. “It’s an evolution,” said one.

Yeah? Since we spent the day talking about the publishing revolution, maybe we should splice some DNA and catch up!

“Apply anyway,” another presenter advised. “If they (meaning the admissions committee) get enough applications, maybe they’ll be moved.”

Bewildered, one participant asked, “Why wouldn’t you be proactive and lead” by going ahead and accepting self-published authors? Good question. I asked him if he wanted to be president of a new self-published writers union. He grinned and said, “Sure!” The presenter looked at me with…was that disdain?

Opening up the TWUC membership means a larger, more powerful and better-financed union. Look at the Romance Writers of America. If you’re interested and actively pursuing a writing career, you’re in. That is a big tent that’s open to anyone interested in romance books. They’re big enough they could stand up to their biggest sponsor (Harlequin) when necessary.

A powerful union filled with fresh blood and entrepreneurial, proactive people makes a small union into a big (and relevant) union.

But why should you care? What’s the alternative? Well…I’m not trying to start anything here, but since TWUC isn’t being especially proactive, there is a huge opportunity to start up a union for self-published writers. If you’re DIY, you could join, hold events, help with disputes, etc.,… Oh, and get some fucking respect.

I’m not saying we should. I’m saying we could if TWUC continues at a glacial pace while the old media models implode around them. The crazy part is there are forces within TWUC that agree. Apparently there aren’t enough of those like-minded individuals on the admissions committee. We could unionize. Should we? There are benefits, though if TWUC loosens up we wouldn’t have to invent that wheel.

Maybe they better move before you take the idea of a Self-published Writers of Canada and run with it. (SWOC? Nah, that’s the Steel Workers.) Shutting out the self-published is a major tactical error considering the self-published are a determined group of people who don’t take kindly asking permission to do things. We are all about git ‘er done, DIY ASAP.

Brain food, comrade. If they aren’t as forward-thinking as their own symposium, they could go from The Writers’ Union of Canada to A Writers’ Union of Canada.

*Alternatives? Where you live, there’s some kind of association of varying applicability to your writing career, amiability and varying strength.

Here’s a list of links which is by no means comprehensive: The Canadian Authors Association, the Editors Association of Canada and the Periodical Writers Association of Canada, the Horror Writers Association, the Science Fiction & Fantasy Writers of America, SF Canada, Crime Writers Association (UK), Crime Writers of Canada, Mystery Writers of America and the aforementioned Romance Writers of America . Check each association’s membership criteria and see if their goals match your own. Another aspect to consider is how active each organization is in your area.

Tomorrow’s posts: If you’re up early, a style ruling on when to use “each other” instead of “one another” (well, never ‘use’ another human being) and at 11:45 EST, one of the good things The Writers’ Union of Canada is trying to do. You know me, I’m all about the yin/yang balance of the universe.

Filed under: authors, Books, DIY, ebooks, getting it done, publishing, Rant, Rejection, self-publishing, Writers, Writing Conferences, , , , , , , , , ,

Writers: Self-publishing links

Patricia Benesh writes in the Huffington Post about the five questions you should ask yourself before going the self-publishing route.

At Self-publishing Central there’s a blog post about the journey to publication and finding peer support along the way.

Eoin Purcell‘s blog writes about the state of the traditional publishing industry and how it’s not all bad news. In fact, libraries are trending up.

And Jeff Bennington over at The Writing Bomb writes a compelling post evaluating Lightning Source versus Create Space. Do check that out!

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Filed under: authors, blogs & blogging, Books, DIY, ebooks, self-publishing, Useful writing links, web reviews, Writers, writing tips, , , , , , , , , , , , ,

Writers: How to Publish on Smashwords (by Guest blogger Rebecca Senese)

Image representing Smashwords as depicted in C...

Image via CrunchBase

Firstly, thanks to Robert for allowing me to do a guest post on his blog. This is my very first guest post and I’m thrilled to “be” here!

This is an exciting time to be a writer, full of opportunity and scary possibilities. It’s easy to become paralyzed. I know I felt like that for some time over the past year as I watched the e-book market explode. I knew I wanted to start putting up my back list of pre-published short stories but I wasn’t sure how to go about doing it. I decided to jump right in.

One of the sites I decided to post my work on was Smashwords. According to their website, they claim over one billion words published. That’s a lot of typing!

Of course, the very first step is to create a free account at Smashwords. Make sure to print out and read their publishing agreement. This is true for any site you wish to publish on. When you load up your work, you are effectively acting as your own publisher and need to know what kind of agreement you are making with the site that is acting as a distributor. Take the time to print and read the contract before putting anything up. Remember to take responsibility for your own writing career.

Next I downloaded their free style guide. This guide, written by Smashwords founder Mark Coker, provides a step-by-step manual for formatting your book to meet Smashwords’s requirements.

Once you’ve completed the proper formatting, Smashwords takes your single format file, processes it through their Meatgrinder software and outputs it into approximately 10 separate ebook formats, including ePub, PDF, Mobi (Kindle) and RTF among others. There’s no trying to figure out how to do it yourself. Smashwords’ Meatgrinder does it for you!

I created my cover page and formatted my first short story according to the style guide and I was ready. From the top menu, I choose Publish. This took me to the upload area.

Section 1 “Title & Synopsis” included Title, Short Description (400 characters allowed), Long Description (4,000 characters allowed) and Language of Book with a part for adult content.

Section 2 is Price and Sampling. Unlike Amazon, Smashwords allows for free content, readers set the price (with a note that Barnes & Noble no longer accepts books with this option), or with a price set from a minimum of 0.99 cents or up.

Sampling allowed me to choose the amount of my work available for a reader to download to review before buying. I chose 40% as an option, to give readers a good chance to read my work. I have downloaded e-book samples that don’t even go past the table of contents page before the sample is done. I never got a chance to even taste the author’s writing. That’s not a book I would buy. Sampling is the equivalent of being able to pick up a book and crack it open to take a look at the writing. It’s a good idea to give readers a real opportunity to see if they like your work and also to get hooked on your story. Give them enough to really get into it and they’ll want to buy to find out what happened at the end.

Section 3 is Categories which open up to the right, from general categories to more specific subjects.

Section 4 is Tags that I used to tag my e-books.

Section 5 is eBook Formats and the default is set for all of them. I left all the defaults in place. My thinking is that the more formats, the better for a reader to find one that works for her.

Finally, Section 6 Covers and Section 7 Select File of Book to Publish are where I was able to upload my cover and my e-book file. Section 8 is the Publish button. Once I pressed this, my file was uploaded for processing.

My first e-book took about twenty minutes to upload. Others have taken as long as four to five hours. It seems to depend on how many other books are being uploaded at the same time as yours.

After uploading my first ebook, I created my Smashwords author page under My Smashwords tab. Here I uploaded a photo, a small bio and was able to link to my website, blog, Twitter account, Facebook and LinkedIn. On this page, all of my uploaded e-books are listed with a tag cloud at the bottom of the page.

Smashwords includes a Dashboard tab where you can obsessively track your sales or sample downloads. As one writer suggested online, the best thing to do with e-books is to publish and forget it. It’s very tempting to check on the Dashboard every day or every few hours and become disappointed when you aren’t rivaling Amanda Hocking’s sales. The best cure is to keep writing and keep publishing. The more e-books you have available, the more chance you give the readers to find you and like your work. When that happens, they’ll look for more.

That’s my plan as I continue to move forward into this new world of publishing. And I’m sticking to it!

Rebecca M. Senese is a writer of Horror, Science Fiction & Mystery. Now that you’ve read about how she uploaded to Smashwords, complete your research and go by her stuff!

rebecca_senese

Website: http://www.RebeccaSenese.com
Twitter: http://twitter.com/RebeccaSenese
LinkedIn: http://ca.linkedin.com/in/RebeccaSenese
Blog: http://RebeccaSenese.wordpress.com

Filed under: authors, DIY, ebooks, publishing, self-publishing, Useful writing links, Writers, writing tips, , , , , , ,

Writers: Self-published book wins big on CBC’s Canada Reads

Cover of "The Best Laid Plans"

Cover of The Best Laid Plans

CBC’s Canada Reads winner is Terry Fallis,

author of The Best Laid Plans.

Congratulations to Mr. Fallis

for his well-deserved victory.

You know what’s really great about this story, right? Mr. Fallis submitted his manuscript to agents and publishers everywhere and was turned down flat.

Next, he podcasted his book.

Then he self-published his book.

That would have been the end of it, but when he won the Stephen Leacock award, finally McClelland & Stewart paid attention.

Now Best Laid Plans is celebrated.

(I wonder, are any of the publishers who passed up on the opportunity to publish the book questioning their judgment today? Of course not. That’s a rhetorical question.)

Shrill British paint guru Debbie Travis defended The Birth House (poorly). She might have fared better if she understood that (a) she should have read all of Best Laid Plans instead of dismissing it with such disdain, and (b) she might even have won if she wasn’t so damn cranky. When she dismissed other contestants’ objections as “ridiculous” I knew she already lost.

The Birth House might be a good book, but after Debbie Travis’s poor representation, I’m sure I’ll never give that one a chance. It’s kind of important to be likeable, even in debate. No, it’s not fair to the author, Ami McKay, (sorry Ms. McKay!) but it’s clear it’s more diatribe than novel.

Note to CBC Radio‘s Q host Jian Ghomeshi: Maybe she’s good for ratings but she’s no good for books. A judge who doesn’t read all of the books, and then has the temerity to condemn it without reading it all, shouldn’t be back on air.

Filed under: authors, Books, Contest announcement, podcasts, Publicity & Promotion, publishing, Rant, self-publishing, writing contests, , , , , , , , ,

Writers: Action Items and Mega-links!

Laptops were made for stickers

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Most to-do lists are torture devices that never stop. You make your list too long. You never get to the end of the list and, to assuage your guilt, you start adding things to said list that you were going to do anyway — and possibly couldn’t even have avoided—just so you can cross it off. Put on hat. Took off hat. Sit down. Cogitate. Sit on toilet. Cogitate more.

But, after my recent Writer’s Union of Canada symposium on the state of publishing (the movie poster tag line would read: Brace Yourselves! It’s the End of the Beginning!) it’s time to commit to a plan.

Out of the blue, I have been approached by an agent. Agents are useful for lots of things (more on that in another post) but since that’s all theoretical so far and may come to naught or be complementary…

I’m going ahead with these action items:

1. Switch my browser to Opera. (Already had Chrome and that’s recommended, too. Migrate away from Internet Explorer. IE is inferior. I also like the way Opera remembers my tabs for quicker zipping around.

2. Get Dropbox. Dropbox is a free tool that keeps your data safe across multiple servers (AKA The Cloud.) It uses the same security tech your bank and the military use and the system’s more stable than say, one server in California. I’m replacing my fee-for-service backup software with Dropbox and I’ll be able to access my files across multiple computers. I don’t plan to use it for file sharing with others, though that may prove useful in the future.

3. Learn more about HTML (Hypertext Markup Language) and CSS (Cascading Style Sheets, a formatting language.) Boo, scary.

4. Find a web developer capable of putting up an interactive, standards compliant website for me that looks good, works and can sell stuff. Also get said website hosted through one of these top three services: Rackspace, Dreamhost or Slicehost.

5. Most important: finish the polish on my WIP. By April 15th goddammit. I’ve been dawdling through perfectionistic tendencies. I have other books already written and more ideas for more books. As writers, we have all sorts of ideas but time is trouble. This is a time management, make short-term money working on other people’s long-term plans. I’m grateful for the work, but Ive got to find the balance and get it all done!

6. On completion of #5, simultaneously get new work (short stories, fiction, non-fiction) on website to sell using Smashwords. (I’ve heard one bad review of Smashwords and several good ones. Guest blogger, the fab Rebecca Senese, will be telling us about her Smashwords experience soon.)

7. Research blogging a book, using Create Space and podcasting a book. Blogging a book through a service like Blurb is a cool idea. I’ve heard about it but haven’t explored in detail. Basically, it’s a cheap and fast way to make a book out of the blog content you already have. I joined the Create Space community to hang out and see how it’s working for them. I will do the same with Kindle’s Writer’s Cafe (a good tip I picked up from Mike Plested’s podcast over at Irreverent Muse. Plus, Mike has asked me to join him on a podcast. Can’t wait to do that after I get the majority of this list done.) For podcasting — radio across the Internet for those of you who aren’t on board yet — I have a book and people I can consult about that.

8. Start using Posterous for blog posting. It’s described to me by writer and self-publishing guru Ross Laird as a “pre-built content management application” that posts everywhere you want in a single, elegant click.

9. Explore alternatives to word processors (like VIM). I posted about this a few days ago. What? You missed the bit about dumping your word processor?! (Don’t get annoyed. The link is just below this post.)

10. Live free and love hard, keep rockin’  the mic and the black fedora, keep connected and reach out to give to get, fight The Man, love what’s to love and transcend what’s to hate, make fun of the hopelessly powerful, pity the stupid as long as they aren’t in power, do: do not wish, bring comfort to the afflicted, chocolate every day (non-negotiable), help the poor by not being one of them, embrace the human zoo experience and stop to smell the coffee!

Well, I’ve got most of it covered…

And, yes, I have fancy plans and pants to match—

nod to Mr. James James, the man so nice they named him twice.

And if you get that reference, I love you, you big freaky nerd you!

Ahem. This is a good start.

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Filed under: ebooks, getting it done, publishing, Rant, self-publishing, This Week's Missions, Writers, Writing Conferences, writing tips, , , , , , , , , ,

Writers: The short form is roaring back

Ernest Hemingway's Grave

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I met The Fab Rebecca Senese (I think of her as TFRS at all times) at the Writers’ Union symposium. We went to Tims and went through that excited decompression phase. You know the one. It’s where you are packed with new information to mesh and meld with your old data and you talk fast to get it all out and solidify new, useful neuropathways.

She made an observation that really got my attention:

Amid the hubbub, TFRS said that e-books were a sure opportunity for the short form to make a strong comeback. Got a short flight or need a distraction over lunch? Read a short story or two. If you just want to gulp down a tale but don’t have time for a whole book, enjoy a novella after work.

Makes sense to me. I love short fiction. For instance, it’s a mystery to me why people say they love Ernest Hemingway‘s books, but I do like some of his short stories very much.

Short stories have been relegated to the back of the bus (read: unread literary journals.)

Until recently people have been buying books by weight, so publishers laughed at their puniness and demanded big doorstops they could sell. Length is an issue with paper, constrained as it is by the strictures of the printing press and bookstore manager’s expectations.

Novellas are ignored by many professional critics who often don’t take it seriously because they think the short punch packs less heft behind it. As if we all feel that way all the time.

A good short story takes talent to write and in some ways is a different skill set from the novel. (These critics must be those same twits who scoff at Twitter just because they can’t put together one clever coherent thought in less than 140 characters.)

Now with e-books, the answers to those objections are: Who needs publishers for that? What’s a professional critic and what is this “newspaper” thing you’re babbling about? And lit journals? What’s that? Is all this stuff available online?

Click this link to see  Rebecca Senese’s short fiction.

Please do take a look.

Filed under: authors, blogs & blogging, Books, ebooks, self-publishing, short stories, Twitter, Writers, , , , , , , , , , , , , ,

Writers: Are you skeptical about self-publishing?

keys

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As you can see from a couple of posts ago, I was very enthused with the symposium put on by The Writer’s Union of Canada. I still am. However, there was so much useful information for writers (especially if you’re interested in self-publishing) that I can’t do it all in just one post. It’s worthy of many posts, and not all of them are mine. For instance, as you may have gathered, it’s official, I have a man crush on Ross Laird’s brain.

When someone else makes a great argument, I feel pretty stupid piling on with nothing else to add. (Hold on to your shorts. I still have plenty to say, but we’re going to jump to one of Ross Laird’s links in a moment.)

Why? Because the essential question before I follow up with anything else is this:

Is this the right time for you to jump to self-publishing?

Is traditional publishing so damaged it might even be crazy not to self-publish?

Now you need to click here to read Ross Laird’s short essay over at A Newbies Guide to Publishing for the answer.

I know when to shut up and let someone else make a brilliant summation to the jury.

Filed under: self-publishing, Useful writing links, Writers, Writing Conferences, , , ,

Writers: How I edit

Visualization of the various routes through a ...

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When I get a manuscript, I go through it carefully, of course, but there are many practicalities to keep in mind.

 

 

Most important commandment:

Make the author look good.

You want it to be correct and you want to preserve the writer’s voice and enhance the readability of the text. The author (if self-published) may wish to keep some idiosyncratic format (which is fine as long as it’s easily understood by the reader and consistent.) A publisher may have some requirements peculiar to that house. Some have preferred style guides, like the AP Style Guide or the Chicago Manual of Style or may prefer Canadian spelling to American spelling.

In the manuscript window I use the Track Changes feature in Word so the author sees every change I make, including my comments. The author then accepts or rejects each edit during the revision process.

I have some preferences, too. I avoid passive voice and too many adverbs where it’s reasonable to do so since those often indicate a weak verb choice. I strip out excess use of the comma. Commas used to be used more in text but now it’s generally accepted commas slow the reader. Semi-colons are used too much and are often used incorrectly (and almost always slow the reader.)  Gratuitous exclamation points indicate drama where there is none. Excess dialogue tags (i.e. said, replied, said, replied) can also be stripped out. Run-on sentences must be broken up. Sentence length, paragraph length and order are more evaluations to make and may conflict with formatting considerations.

(There are numerous other considerations: factual issues, narrative arc, missed opportunities, missing scenes, orphaned characters etc.,… which I’m not going to delve into in this post.)

I also have a bunch of other pages ready in the background. They are typically these:

Google, Wikipedia, Canadian and American spelling dictionaries, Chicago Manual of Style (I have the hard copy, too), Ask.com, and my email window so I can quickly jump to query the author or publisher as necessary. I’ve also used a legal dictionary and a Spanish-English dictionary. Looks like I’ve attained my childhood dream of working on the bridge of the Enterprise.

I keep a legal pad beside me to make notes (and track my time so I know I’m staying on schedule for the day.)

Editing has changed a lot. Before the Internet, there was a lot more getting up and down to run to check a reference source. Now it’s all on my pixellated desktop. I take a break every hour to do air squats (it’s a 4 Hour Body exercise I like) and the rest of the exercise comes from running back and forth from the coffee maker to the bathroom. Ah, the glamor of being a book editor.

The take away is:

Your word processing program’s spell check isn’t enough.

 

NEXT POST:

MY REACTIONS TO AND REVIEWS OF THE WRITER’S UNION SYMPOSIUM ON THE STATE OF PUBLISHING.

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Filed under: Books, Editing, Editors, publishing, self-publishing, Writers, writing tips, , , , , , , , , , ,

Writers: Dump your preconceptions (and your word processor)

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Image via CrunchBase

Just a quick note to say I’m back from The Writers’ Union of Canada Toronto symposium on the state of publishing. I’ll be going through my notes and giving out reviews and information a bit at a time in coming days as I unpack my notes and cogitate. The conference was packed with information to act upon. Sorry for the tease, but I’m busy setting up a new browser (Opera) and a new file management system (Dropbox) tonight. (Both are free and come highly recommended by a guy you should bookmark,  get to know, subscribe to and read assiduously: Ross Laird. More on that in a moment.)

I met  some nice potential clients and made a couple of new friends. Since last year’s experience  at two writers’ conferences I realize I’ve been impatient for people to catch up with my worldview. At one conference a publisher displayed a pathological resistance to e-book reality. At the next conference I met my first e-reader power user who pledged never to buy a p-book again. I’ve been harping on the change from vanity publishing to self-publishing and all that entails ever since. So it was that I became cynical about this weekend’s symposium. I was so used to the sound of my own voice saying “the future is now” — voice in the wilderness that I am — that I didn’t think anyone was catching up. In most ways, the Writers’ Union certainly has caught up and is forging ahead with the new publishing reality. (I’ll address how they haven’t changed in another post soon.)

The Nugget You Need Tonight

Tech guru Ross Laird opened his first lecture with this:

SELF-PUBLISHING IS MAINSTREAM.

Note that he didn’t say it will be some day.

His message was strong: stop looking backward because the future of reading is on devices. Choosing self-publishing is to embrace a startling degree of freedom, fun, adventure, work and independence. Scary cool, huh? It was relief to hear someone articulate what I’ve been saying (although he’s more tech-oriented, glib and has slides.)

There is much to chew over from the symposium, but for tonight I’ll start you off with this link:

Read Ross Laird’s article on why you shouldn’t write on a word processor.

 

Tomorrow morning’s post:

How I Edit

I promise you’ll find this useful.

I’m deep into a heavy edit for a client this week but I’ll throw out some more gems I picked up at the symposium in coming days.

There is a lot of stuff happening all at once for me, this blog, my writing and my editing. It will take some time to get to it all.

Happy days.

It’s all scary cool.

 

Filed under: blogs & blogging, Books, DIY, ebooks, Editing, getting it done, publishing, Rant, self-publishing, Useful writing links, , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

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You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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