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Day 8 of the Author Blog Challenge: Indie Self-defence

English: Rock Paper Scissors Lizard Spock - &q...

English: Rock Paper Scissors Lizard Spock – “The Big Bang Theory”. Español: Un diagrama de la resolución del juego «Piedra, papel, tijera, lagarto, Spock.» (Photo credit: Wikipedia)

When indie authors rock so hard they succeed after traditional publishers have turned them down, they sometimes get news coverage or, naturally, blog about it. Then some people accuse said authors of gloating. I recently read a complaint that the tone of those indie author success stories are always, “Neener! Neener! Neener!” Here’s…the truth? Well, here’s what no one else is saying anyway that I think needs to be said: 

1. When you’ve been turned down and kept down and toiled for little or no money and then you win, some gloating is in order! You get to be happy when you prove your doubters and detractors wrong. No need to name names or burn down anybody’s house, but we inspire others to aspire when we tell them the truth of our success stories, defy the status quo and flip the power differential from institutions to individuals. Some people get pissed at Konrath for his aggressive tone, for instance. I notice the people who get really angry at him often lack facts to back their complaints. It appears they are mad, not because he is wrong, but because he is right. You don’t have to be Mr. Spock to see that’s a bad reason to be angry.

2. Consider: Not everyone who is supposed to be an expert is; not everyone wants you to keep trying; not everyone acts professionally when they reject a writers’ work; and there are a lot of people who aren’t happy when you’re doing well. A friend began a pitch to a famous New York agent. Nearby diners were startled when, not one sentence into the pitch, the agent shouted, “Spare me!” That author found success with that same book elsewhere, and continues to, with his subsequent books. The big New York agent isn’t so big anymore. In fact, I don’t think he’s in the business anymore. What a loss.

3. What? We don’t get to celebrate our successes but you, in traditional publishing, do? There’s an appropriate two-word response to that assertion. The second word is “you”. The first word is not “thank”. Of course, not all of trad publishing hates indies. When I hear people in traditional publishing trash successful indies, I suspect that’s a vocal minority who are wary of change. It’s not even about the indies, per se. According to a recent survey, most traditionally published authors aren’t happy with their publishers and many plan to self-publish in the future. Only 37% of authors want the status quo of 2007. That’s okay. Entrepreneurship is not for everyone and doing it all by yourself is often a drag. (You will figure out who is bitter or behind the times pretty quick when you hear the words “vanity press”, though.) Many indies would still take a traditional book deal if the terms were sane. It doesn’t have to be either/or. It can be both. I hope traditional publishing not only survives but perseveres. Book proliferation is good for the human race.

4. As a newspaper and magazine reporter, I looked for the interesting angle on any story. You have a new book coming out? So what? So do lots of people. You have a new book coming out that agents and editors all turned down several dozen times and now it’s a bestselling series? And an editor and an agent was abysmally rude to you along the way? Bonus! Now there’s a story people will read. The “Neener-neener!” tone may well have been determined long before the reporter called up the indie novelist for the interview. That’s not the novelist’s fault. (And if you turned down the bestselling book and were rude about it, that’s your fault.)

5. If you begrudge indies their success after you turned down their work, you didn’t just make one, forgivable error in judgment in a subjective business. Now you’re revealing yourself to be a petty person, as well. Doubters will note a defiant tone in this post, but I’m not pushing. I’m pushing back. I do value civil discourse and keeping exchanges classy (Caveat: Except in self-defence where humour disarms and on those occasions when mean is funny and the target deserves it.) What I’m reacting to is the flack indies get for choosing independence. Amazon changed the equation and we’ve all got to get used to the new math.

So here’s a link to a happy self-publishing story. If you are of a certain mindset, you’ll read it as a bitter tale of “Vengeance is mine!” If you’re of another mindset, you may well think, here’s an inspiring story of self-determination, self-reliance, perseverance and success. This is a test.

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Author Blog Challenge (plus a sneak peek podcast*): Outlining, pantsing, spilling & sprinting

If you just popped in for the suspenseful sneak peek podcast, click here to hear The First Fiction Friday Edition of my podcast.

The Author Blog Challenge prompt asked how I stay organized as I write. My methods have changed over time. I used to come up with plots on the fly early on. Then I got scared off from that strategy when I got deep into a dreadfully long novel and found I had to backtrack fifty pages. Hitting a dead end is, well, death. It’s a waste of time and energy and I hate it.

I started outlining because I was writing big books and I didn’t want to lose whole sections of my book in which I was already invested. When you write 80 – 100,000 words or (ye gods!) more, an outline helps. I didn’t write an outline with Roman numerals and all that formal, high school nonsense. Instead, I planned the book one cogent sentence at a time. I described the actions in each chapter to plot the arcs of A and B stories. I looked for where those paths would logically cross, discover the beats and suss out the high and low points. Index cards got to be too much to keep track of, so in the end my outline was just three pages with a numbered list. I read and reread the outline and then I didn’t look at it again. That got me through the big books pretty well.

Recently I read Run by Blake Crouch, and as Blair Warner used to say on The Facts of Life,

“I just had another one of my brilliant ideas!”

It’s about speed. I resolved to write a crime novel with the same furious pace as Run — a book I couldn’t put down. Yeah. I know it’s a cliché, but this cliché is both apt and true in the case of Run. (Great book. Buy it.)

I resolved to do the thing I love with stories. The chapters would be relatively short. They would skip along. There would be lots of twists and turns to my racetrack. I wrote Bigger Than Jesus in about a month, one chapter a day, roughly 2,000 words each. There was no outline. Instead, I wrote with the expectation that I’d get my hero into a troubling cliffhanger at the end of each chapter. If I wrote myself into a corner in the process, too bad. I’d be clever and write my way out of it and keep moving forward. Writing like this is as fresh and as exciting as walking a tightrope naked in a high wind over a crowd of angry TSA agents with a new shipment of polar mint rubber gloves.

Many nights I went to bed thinking that I had no idea what I would write in the morning, but I trusted that I could figure it out. I believed in lightning strikes. The juice kept flowing and with it came a high level of complexity. It’s a crime novel so people lie a lot. If I’d taken longer to write it, it would have necessarily been less complex because I’d be afraid of losing track of the threads. There’s shocking emotional depth, too. Nobody, including me, foresaw the strange and sad angle on my main character’s childhood. It sneaks up.

Why did this work?

1. I knew the opening chapter and the last line so I had a target at which to aim. I’m also a more confident writer than I was with those early attempts, I suppose.

2. If I didn’t know what was going to happen next, the reader wouldn’t be able to guess, either.

3. Speed. The book is not especially long and I wrote it all in a short space of time so I could keep it all in my head at once without getting lost.

How else do I keep organized? 

In the Point File, I note things like street names I’ll use twice and aspects like eye colour so they don’t change from the beginning of the book to the end. I did mess up in having twin brothers as bad guys with names that were awfully similar. I had to go back to make sure I was talking about the right brother at the correct stage of the book.

I always have a Spill File handy so if I do write something that I end up dumping, I save it for later. I might change my mind about how useless it is or I might use it another time in another story. In Bigger Than Jesus, the writing went so quickly and breezily that I never had anything to pour much into the Spill File. I wrote fast and then went back to the stage of writing where I’m always sure I’m a deluded idiot: revisions. I cut, prune and delve. More of the jokes come clear on the second pass, too. Typically, by the third pass, I begin to feel good about the book again. Bigger Than Jesus was just about as easy as writing a blog post a day, actually. Maybe easier sometimes because what dictated the action was logic and surprise. When in doubt, surprise!

Some writers labor under a notion that I once shared: To be good, you must write slowly, perhaps even at a glacial pace, and the serifs are where your heart and soul get squeezed in and choked for blood. There are books I have tinkered with for years. One short story went through many incarnations over a year before I felt I nailed the landing and deserved 10s from all the judges. However, Self-help for Stoners came together quickly and everything worked out well with that.

Bigger Than Jesus will be released in the next week or so and all the feedback I’m getting from the editorial team tells me I’m glad I didn’t buy into the idea that it had to come slowly to be worthy. I think that’s true sometimes, but not always — not for every book and not for every writer. That’s good news because I’m using the same strategy with the next book in the series. It’s coming fast and well and I do enjoy the danger of not knowing what happens in the next chapter. Those angry TSA agents are actually spurring me to succeed.

*BONUS:

Please take a few minutes to enjoy my latest podcast on the author site. It’s The First Fiction Friday Edition! 

It’s a sneak peek at Chapter 8 from my first novel in the Poeticule Bay Series:

An old woman is lost with her tiny dog in the Maine woods and snow is on the way.

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The Writing Bomb: Creating Audio Books is Easy Peasy Lemon Squeezy

See on Scoop.itWriting and reading fiction

My buddy Jeff Bennington has some great news about creating audiobooks over at his blog. This is something I’m actually looking forward to doing. The tech aspect would have intimidated me before, but after about 30 podcast episodes, I’m comfortable with it. The beauty of ACX.com, as Jeff describes it, is that you really don’t have to do much if you don’t want to. You can be more or less involved depending on how much you can do, want to do and how much of the royalties you want. Click the link and read on for the details. ~ Chazz

 

See on thewritingbomb.blogspot.ca

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How to publish on Kindle

See on Scoop.itWriting and reading fiction

You’ll find some nice detail at this link (Daisychains of Silence by Catherine MacLeod) on formatting for the Kindle. She gives a nice breakdown and more links for further detail if you need it.

 

I’m about to take a slightly different route by trying to format with Scrivener for the first time. (Shivers.) However you climb the mountain, go slow and be methodical and try not to cry in front of the children.

 

The first time I formatted an ebook in Word, I remember being flummoxed over tabs. I even called up a friend, author Rebecca Senese, to help walk me through it. The second time I formatted, I couldn’t remember why I’d been so thwarted because it’s so easy when you know how. Stay calm if you trip. Everything is fixable. ~ Chazz

See on daisychainsofsilence.wordpress.com

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More Steps to EBook Success… | Jon F. Merz

See on Scoop.itWriting and reading fiction

By Jon F. Merz I’m having my best month of ebook sales so far in 2012 so I thought I’d share some of the steps I’ve been taking to increase my sales.

 

(Excellent point about Facebook in this link. Also, regarding Mr. Merz’s advice to stop giving books away for free, I wonder if I’m brave enough to take it. It does seem that free is over, doesn’t it? Controversial to some, I know. See what you think at the link. ~ Chazz)

See on jonfmerz.net

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Author Blog Challenge Writing Prompt: Describe how the idea for your book first came to you

English: The entertitle of Buffy made on Paint.

English: The entertitle of Buffy made on Paint. (Photo credit: Wikipedia)

My books come to me in different ways:

With Self-help for Stoners, I saw that I could fit stories of suspense into a framework of a self-help book made of fiction. When Director Kevin Smith inspired me to quit my day job and pursue my writing dreams, I realized that I could put together a fun, genre-bending bathroom book that would defy expectations. It came together quickly as a wild mix of the unexpected melded with observations, parables and exhortations (to get off the couch.) It’s a book that’s very different but somehow familiar. The feedback has been great, though I’m often surprised when people debate, is this pro-drug or anti-drug? I tell them it’s neither. It’s suspense that asks you to draw conclusions about your compulsions. It’s pro-freedom and freedom of speech. Yes, it’s important to have a label so people can find you and your book, but in this case, pigeon holes are for pigeons. It was quite a thrill for me to hand Kevin Smith his own autographed copy of the book and he was happy about it, too.

Sex, Death & Mind Control is the book that came so slowly, it’s appropriate to use the word evolution. I wrote short stories over several years before attempting longer fiction. Two award winners are included in this collection and it’s suspense that can be creepy and surprising. I don’t care for gore and it’s not at all pornographic, but sex and death are outcomes of the key factor through all the stories: various forms of mind control (magic, persuasion, mind games, coercion, trickery and self-delusion) form the book’s theme.

I’m fascinated by mind control. When powerful forces use it on us, we are in danger.

When we gain control of our minds, we will win.

The Dangerous Kind is closest to my heart. It’s a novella about escape. The place it is set (Poeticule Bay, Maine) is fictional, but the setting draws on places I lived when I was a kid and the town is almost a character in the plot. Anyone who has felt small-town claustrophobia will recognize and feel the resonance. There’s a deer hunt, intrigue and an inheritance between brothers on the line, but it’s really about complex relationships and the friction that comes from people who live too close together and only think they know each other. That certainly reflects my small-town experience.

I wrote several stories where I found myself drawn back to run over the same demon roadkill on the back roads around Poeticule Bay so one of my WIPs is all about the place. I’ll run those demons down, exorcise them or make them dance for my pleasure.

Finally, Bigger Than Jesus, my crime series, springs from my dim world-view. I commented on another fiction writer’s blog recently that the criminal world is so like the world of Buffy the Vampire Slayer. In Joss Whedon‘s series, vampires and monsters run amok, but the normies somehow look past all the mayhem to maintain the illusion of stability in their lives. Vampires attack the school and the principal says it was druggies on PCP. Victims suffer and die by night as people go about their business in sunlight. Organized and disorganized crime is just like that. I’ve spent some time hanging out in courtrooms as a reporter and researcher and the stories that unfold there are by turns tragic, comedic and horrific. Homelessness, drugs, violence, confrontation and small, surprising acts of mercy: People would be amazed what happens in cities across the world, much of the stuff bubbling from underneath is never reported in the media. When I’m writing this stuff, I’m often reminded how the Cohen brothers and Elmore Leonard have it right. A lot of bad things can happen on the easy and wide route out of town.

I don’t know if twisted and dim world views and angry childhoods are required for all writers,

but those elements help me come up with my ideas for my books. 

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There’s Never Been a Worse Time to Buy a Laptop

See on Scoop.itWriting and reading fiction

If you’re thinking about buying a laptop any time soon, don’t. Just don’t do it. We’re at a unique point in history, where weird and wonderful new hardware and revolutionary platform changes of every stripe will converge over the next few months.

 

Writers! Hold off and save up. The new tech that’s coming looks amazing. (Or stick with a caligraphic pen and the computer at the library.) ~ Chazz

See on gizmodo.com

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Big-Time Authors Aren’t Happy Either | | Venture GalleriesVenture Galleries

See on Scoop.itWriting and reading fiction

Caleb Pirtle III | BLOG… Interesting stats about how green the grass is on the other side of the publishing fence. You’ll be particularly interested and/or aghast at what 75% of traditionally published authors are thinking and how happy they aren’t. The next time your mom asks you where the big publishing contract is, you could send her Mr. Pirtle’s blog post. Read on at the link. ~ Chazz

See on venturegalleries.com

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Author Blog Challenge: I love the voices in my head

Michael Clarke Duncan at the Warner Brothers L...

Michael Clarke Duncan at the Warner Brothers Lot in Burbank, California. (Photo credit: Wikipedia)

One of the writing prompts for the Author Blog Challenge is to choose a favorite literary character. That’s tough. I mean, I relate to Tyler Durden from Fight Club, but the cognitive dissonance kicks me in the pills when I realize that, beside the insomnia and ennui, I am not even Tyler’s alter-ego. I have a few things in common with Portnoy from Portnoy’s Complaint, though. Ugh.

This isn’t a dodge and I don’t mean to fall into douchey pimping, but the truth is my favorite literary character is whichever one I’m writing at this moment. I have several works on the go, so let me introduce the interesting people I hang out with while strangers assume I’m staring off into space and drooling:

Legs Gabrielle is a very funny comedian whose career has fallen through the floor. She finds herself back in Poeticule Bay, Maine, in the house she ran away from as a teenager. A killer has come to town, the Sheriff disappears, the deputy is cute, her sister has cancer (and might also be crazy.) I love Legs’s sense of humour and she’s a pleasure to write for the jokes that work as  counterpoint to her emotional depth. Hollywood has rejected her, but she’s the star of her own book soon.

Chili Gillie is a Michael Clarke Duncan lookalike, Legs’ bodyguard and has Mike Tyson’s voice. He’s a sweet man who only looks mean when needed. He’s the calm rationality around which the crazy revolves. His presence is extraordinary, but he’s the most normal of my characters. Both Legs and Chili are the stars of the first story in Self-help for Stoners and Chili shows up again in Bigger Than Jesus in a larger role. I’ve got big plans for him.

Dr. Circe Papua turns up a lot in my fiction. She’s a psycho psychotherapist who is magically persuasive and can be deadly if provoked. I love her cunning, unexpected lethality. Circe’s complex relationships with her patients often demand a battle of wills and wit. She shows up in different incarnations in Self-help for Stoners, Vengeance is #1, Corrective Measures and Sex, Death & Mind Control (for fun and profit).

Jesus Diaz is a mob enforcer who doesn’t want to be what his tragic childhood and circumstance has made him. He wants, above all, to fall in love with the right woman (if he can ever find her) and go relatively straight. He’s the main character in my crime novel, Bigger Than Jesus and I like him most for three things: he’s clever and prefers to lie rather than fight; he’s not really all that tough despite his profession; and he’s funny. I like funny people and chapters that whip along, full of pops and surprises. The series reads like a Cohen brother’s movie. Bad things keep happening even though you think you have an easy way out. This book will be out very soon and I’m jonesing for it. Just nailing down the cover and then we’re just about there. Jesus Diaz originally came to me as a story for Self-help for Stoners, but in that incarnation, he’s a much older, wiser and experienced assassin.

Jack (from Corrective Measures and Sex, Death and Mind Control.) Jack is a serial killer who I find interesting because of the way he sees our world. He thinks about vengeance quite a bit, but I’m actually more interested in writing him when he’s not himself. He’s fascinating when he’s trying to fit in and working through his twisted motivations and problems. He’s a dark avenging angel who has to hide his wings (metaphorically, that is) as he punishes people he decides deserve bad ends.

What’s fun is, eventually, I’m going to have all these characters meet in one book, but they have a lot of work to do before they meet. I have a lot of books to write before that happens, too. It’s exhilarating, daunting and pretty cool. Yeah, I said so myself.

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The Provocative Questions Indie Authors Never Ask | Wise, Ink.

See on Scoop.itWriting and reading fiction

Wise Ink is new to me, but this looks like a fantastic resource for indie authors I’m going to enjoy exploring. Great questions in this article: What’s your author train? What about accepting credit card sales at events? (Frankly, never thought about it.) What opportunities are we missing? At the link, see what you can discover about what you aren’t thinking about as an indie author. ~ Chazz

See on www.wiseinkblog.com

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Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

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