C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

India Drummond’s generous book give away

To celebrate the launch of her latest urban fantasy novel, Blood Faerie, author India Drummond will give away five Kindle copies of her book on its release day, June 1, 2011.

Blood Faerie is the first in India Drummond’s new series, Caledonia Fae.

Unjustly sentenced to death, Eilidh ran—away from faerie lands to the streets of blood-faeriePerth, Scotland. Just when she has grown accustomed to exile, local police discover a mutilated body outside the abandoned church where she lives. Recognizing the murder as the work of one of her own kind, Eilidh must choose: flee, or learn to tap into the forbidden magic that cost her everything.

To enter to win a Kindle copy of the new book, all you have to do is sign up for her email newsletter. The email list is only used to announce book releases and important events, and emails are sent out infrequently. (It’s free, and it’s easy to unsubscribe after the contest date if you find it’s not for you.) Sign up here.

Five winners’ names will be announced on the India Drummond newsletter on June 1st, along with instructions for how winners can claim their free Kindle books. Only subscribers are eligible to win.

No Kindle? No problem! Anyone with a PC, Mac, or smart-device (iPhone, Blackberry, Android phone, etc) can read a Kindle book. Download free reading software here: http://www.amazon.com/gp/feature.html/ref=sa_menu_karl3?ie=UTF8&docId=1000493771

Want to quadruple your chances of winning? Simply tweet about the contest with a link to any participating blog post and include @IndiaDrummond in your tweet. Or, share the link on Facebook. (But be sure to add @India Drummond to tag her on the link so she will see it! – You can add her to your friend list here: http://www.facebook.com/india.drummond)

And finally, add another entry to the list by posting about the contest on your blog.– Tweet and share the link as much as you like, but only one additional entry per method, per person.
Good luck, everyone!

Filed under: authors, Books, Contest announcement, e-reader, ebooks, links, , , ,

Writers: Story first. Message last.

Solar panels, thermal energy, wind power, nuclear power, the fact that you can read these words in pixels: Ours is a sci-fi continent in a horror world. The horror world is patrolled by robot drones whose pilots are on the other side of the planet raining death on warmongers and civilians alike.

So where are you in this world? Does your fiction enhance understanding? Are you making anything better? Is that even your job as a writer?

You may have a lot to say and a lot to teach, but don’t start from that place. Your themes will emerge from your story. And let your readers draw their conclusions instead of telling them what to think and how to feel.

It’s tempting to speechify. My first drafts are full of speeches. Then I cut it, or break it up or intersperse action or provide another character’s counterpoint to increase tension, drama and conflict.

A good story well told will evoke emotions. Find the truth of those emotions and people will read your story all the way through. And after they’ve closed your book they’ll still have something to think about.

Start from the message and they won’t get to the end of your book.

Filed under: Writers, writing tips, , ,

25 odd things you didn’t know about me

Photograph of right posterior human distal rad...

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1. Years ago I worked as a healer and got a woman who was nearly a quadriplegic out of a wheelchair. She recovered to the point of independence and is still walking and driving and traveling to this day. She became a healer in turn.

2. I’ve chipped two teeth, broken a toe and fractured a wrist while fighting. (The wrist belonged to someone else. It was a sparring accident.) I got much more hurt and into much more trouble preparing for violence than having to deal with it for real. I should have taken verbal judo, instead.

3. Before I was an atheist, I was a member of a fundamentalist Christian church. I lost my faith—or tossed it over my shoulder on the way out—after a couple of close friends died.

4. At one point I trained six hours a day in Hapkido. I thought I did it because I was a bad ass. Actually, I did it because I am not a bad ass. I was searching for a way to protect myself from a childhood filled with violence.

5. I didn’t have a sense of humor, or express it much, anyway, until I was 22. I learned I could make people laugh at the Banff School of Fine Arts. I had tried to be funny previously, but my family and high school and college experience repeatedly shut me down. “Who do you think you are?” they said. Once I got out of bad situations I realized the answer to that question is, “You’re uptight, I’m me. And that’s enough.”

6. I had a job from which I should have been fired. I made the boss laugh so hard every time we weren’t arguing that I kept the job until I finally left of my accord. Sadly. Shoulda gotten out of there much sooner.

7. I lost a job I did very well. The Powers that Be didn’t like questionable policies being  questioned. They assumed I did my job poorly because I was a pain in the ass. They didn’t recognize what integrity looked like. I’m better off. They’re the same.

8.  I’m still convinced someone’s watching me but I don’t believe in God. I cannot resolve this contradiction. Could be narcissism, though. This very list would seem to tip the scale that way.

9. I read ten books at one time. Minimum. Aside from enjoying my huge book collection, I browse a library is like a crack head loots a pharmacy in a riot.

10. I’m writing four books at one time, which explains why they are so slow to come to market. When they do arrive later this year, they’ll arrive in a mighty clump. Or, if you’re not into my fiction, a big dump.

11. I’ve been a best man only once, at a gay wedding. That should be an innocuous fact. Instead, since the world is the fearful place it is, it’s a fact of which I am very proud. One day soon, it will be a fact that should construe nothing more than an idle curiosity.

12. I used to be angry all the time. Now I sublimate my rage with humor. Actually, I joke around a lot. Now that I think of it, that’s still all rage.

13. I remember every slight, real or imagined, with perfect eidetic clarity. I’m still angry at dead people who insulted me when I was seven.

14. I am an extremely gifted massage therapist. My palpation skills, knowledge and execution are beyond compare. It’s not the sort of thing that gets much respect, though.

15. If I hadn’t met my wife and soul mate, there’s an excellent chance I’d be living in a refrigerator box. Or extremely depressed in a very responsible job with a couple of angry  ex-wives. Instead I’m always safe at home, hiding in my fortress of solitude.

16. One of the best, oldest friends I ever had walked away from me one day. I called and called and he never called back. At first I assumed he was injured or dead. Then I found out I was dead to him. I have suspicions, but the truth is, I really don’t know why that happened. I wish him well, wherever he is.

17.  Before kids, fear defined me. My children redefined my life (as happens to everyone, right?) Now it’s all about the love. I thought I’d work much more after the birth of my eldest. Then I held her for the first time, locked eyes and I knew I couldn’t allow anyone else to guard her. I became a house husband and stay-at-home dad permanently.

18.  I’m scared about a future with no financial security. I’m taking more risks, not fewer, to change that. Take the shot.

19. I wish my few friends lived right next door. There’s not much chance of that considering I’ve moved about twenty times in my life and have lived for extended times in three provinces, far east, far west and central.

20. I give a lot because I’m a people pleaser. Sometimes I wonder if I’ll ever get much back. They say karma’s a bitch. I say karma’s an extremely slow bitch. Where’s my lottery win, bitch?!

21. My childhood really began when I escaped a small town childhood. They resented me for saying life would begin when I left. I was right, though. Cities are my natural environment. (Also, I was right about the algebra: Never used it, never will.) Escape is my answer again.

22. Fiction allows me to murder people in a socially acceptable way. I think about it. A lot.

23. I’m a caring and very sensitive person. I’m also selfish. I cannot resolve this contradiction for you if you are confused.

24. In my internal monologue, there’s a lot more swearing.

25. My ego’s bigger than yours. Also, my id is BIG LIKE HULK. But aside from reading that here, even if you met me in person, you would never ever know it.

I have held a human heart in my hands.

However, even if you saw open somebody’s head and peer in, no one really knows the inside of anyone else’s skull. 

 

Filed under: Unintentionally hilarious, What about Chazz?, , , , , ,

Writers & Readers: I say something new & cranky

Joe Rogan

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Alfred Hitchcock once said a painter needs a brush, a writer a pen and a director an army. The numbers needed to make a film are coming down, but it’s still a collaborative, team sport (or a war, depending how indie you are as a filmmaker.) Painting  is still a solo pursuit and for a long time writing was solitary. Then writing got decidedly less solitary. And now, with self-publishing, the game has changed again.

Authors used to have publishers. Later, agents entered the industry and took pressure off editors by curating. They helped many authors get better deals. Now a lot of agents want to intermediate and perform more of an editorial function, possibly because other traditional roles they have fulfilled are shrinking. See this post for more on that and much more.

Now there can be fewer people between you and publication. Publishing isn’t necessarily a team sport anymore. Publishing with a group of lovers of all things literary  has produced many great books (and has probably interfered with the production of great books, too.) You may think many minds produce better material because all of us have more brain power than one of us. I used to believe that was true in all cases.

Then comedian Joe Rogan challenged that idea for me and articulated something that was slowly percolating through my cranium. In his experience as a comedian on The Man Show, he found that more suits on the set diluted the funny. His stand-up is a pure art form, moderated only by his own sense of humor and direct feedback from his audience. (I saw him at Massey Hall in Toronto recently. He rocks hard.)

It’s an old adage that too many cooks spoil the broth. Now science, as presented in the fascinating book 59 Seconds: Change Your Life in Under a Minute, has disproved the notion that more brains help a creative project. The most creative solutions are not arrived at by the most creative person in the room. They are directed by the loudest person in the room.

So, if your agent says “I’m not submitting your work because I don’t think it’s ready,” and you cede that power, your work isn’t going to market whether your agent is right or not.

This is the sort of thing that drives the traditional world of publishing nuts. Without those mediators, obstacles, curators, gatekeepers, shepherds and rabbis, the worry is that we shall be inundated with a slew of awful, awful books. The deluge shall be as a fire hose pointed at the tiny tea cup of our fevered minds. Without those helpful interlocutors, who will keep the bad books away?

Rather than address the curation question directly (and I’ve already addressed it many times on this blog), I’d like to say something new on the subject:

Even if that objection is valid, so the f**k what? I reject the premise. I say this is not about your convenience in going to a legacy publisher you trust for all your curation wants. This is about my freedom to express my art, which you can enjoy or not. As they say at the convenience store, “Buy or leave!”

The marketplace of ideas is opening up to a lot more shelf stock. Buckle up and put on your big boy Underoos and your big girl panties. Soon you might find more variety and much more current reading material to explore and fill your mind.

I value my sovereignty of expression more than your convenience.

I said this was a revolution. I asked you to join me.

Did you really think no one would get hurt along the way to the shinier, freer new world we’re creating? 

The results will surely be messy, but the cost of your tender sensibilities is really negligible. There will be a lot of bad books delicate grammar doilies will decry. You’ll see a lot of typos (though I see a lot of typos in traditional books, too, by the way, and yet the earth keeps on spinning.)

We value freedom and freedom of expression. A lot. The US Supreme Court allows the Westboro Baptist Church to protest at funerals with ghoulish signs without regard to the feelings of the families of the dead. Evidence obtained illegally is routinely thrown out and murderers are sometimes set free as a result. We accept some consequences far worse than inconvenience so that greater individual sovereignty is assured.

If it sounds like I’m saying your worries

about all the coming bad books don’t matter,

you’ve read this blog post correctly. 

Filed under: agents, authors, Books, censors, publishing, self-publishing, , , , , , , ,

Write your thriller in chapters: 10 tips for greater productivity

There’s no one way to write a novel. I do, however, have ten suggestions to make it go easier and faster:

1. Outline. Have some idea where you’re going and what the destination might be. It’ll save you time doubling back from dead ends. Believe me, I’ve written myself into cul-de-sacs and it’s a time suck no one can afford. (No, you’re not married to the outline and you don’t have to go OCD with the Roman numeral outline you learned in grade eight. I’m trying to increase your productivity and enhance your creativity, not shackle it.)

2. If you outline, you don’t have to write your story in sequence. With an outline, you already have the beats, the bases you have to touch as you tell your story. If you’re not feeling very inspired one day, no big deal. Focus on the high points of your outline on the days you don’t start off “in the mood.” Bonus benefit: you’ll get all your sex scenes written first.

3. Write each chapter as if it’s a short story. Your novel has a beginning, middle and end. So should your chapters. I often see substandard chapters which finish without the pulls of intrigue, a cliffhanger or a bang. Some writers reason that if they make the larger story interesting, they can afford to have a chapter or two that isn’t compelling. It does sound reasonable. It’s also wrong. Tension has one direction: up. There are way too many great books to read (and a million other things to do) so, for many readers, you bore them, you lose them. Sure, you’ve made this sale, but they won’t be burnt again.

4. For each chapter, identify a purpose. If a chapter has no dramatic purpose, drop it. Too often I see manuscripts where the characters are up and moving around, but to no purpose. (When editing, purposeless activity is called “business” as in “busy-ness.” There’s movement, but nothing’s really happening.  A chapter without purpose signals self-indulgence, a writer who got lost for awhile, not enough editing or an author who insisted on a tangent at the expense of the book.

The other common problem? Too much world-building and not enough character. A writer once described to me in excruciating detail about the far out environment of his book. It was a very ethereal place in space with no points of reference between human readers and the gaseous clouds that were his characters. I had to shut him up. He was driving me crazy with exhaustive, pretty detail. “But what’s the story? How is your reader going to relate to that?” Science fiction is about people first. Fantasy is about people first. Stories are all, at their core, about people and the choices they make. Sift your world-building detail in amongst action and character development. Otherwise, it will be unreadable, confusing or the reader won’t care.

Chapters with purpose are compelling and propelling toward an conclusion the reader wants to discover. (But they also want to be fooled, too. So make them say, “Ah, I bet I know what happens next.” Then find a way to surprise them. Read any of William Goldman’s novels to really get this deep into the marrow.)

5. What are the scenes in your chapter and are they in the right sequence? Are you revealing too much early in the story? Are you being too coy with the reader in later chapters? Does the pace pick up as you reach the climax and solve the novel’s core problem? Is it really a surprise (and logical) when you get to that climax?

6. Are you taking shortcuts in logic or logistics? Somewhere in your book there’s a less favorite scene or something that requires more research that, frankly, you don’t want to do. If your heroine is in Paris and your hero is in New York, they can’t meet in the middle of the Atlantic on a train (unless your novel is set in the future or a past that never was, of course.)

Are you missing a bridge to get you from one event to another? This is a logistics problem. Your FBI investigators are in Virginia at Quantico. The kidnapping is in the Pacific Northwest. Do you need a scene of conflict within the team on the private or military jet to get to the crime scene? You may make that transition in just a single sentence or it might be a chapter, but without some acknowledgement of the travel issue, it will be jarring for the reader to have them materialize in Seattle. Time and space and placement of people in relation to each other is something to trip over if you don’t make the effort to handle it logically.

7. Do your chapters fit together? Suppose you have an entire book that takes place, A to B, sequentially over the course of the hottest August in a century. But there’s that one winter scene you’re slipping in with a flashback. Does this puzzle piece fit in with the tone of your other chapters? If not, is there a reason for it? For instance, if your hero needs a look back at an early Christmas morning for the one time he was happy to give him a clue or change of direction, it fits better than an odd chapter that seems plugged in.

8. Is each chapter satisfying? This is a little different from #3, and a larger, more esoteric editorial question. You’ve written each chapter as a short story. That’s fine and can help you face the challenge of writing an entire novel-length manuscript. Now I’m asking, does each chapter feel full? Is it contributing something more to the larger story arc? When all these short stories are cobbled together, will each contribute to a greater whole than the sum of the parts? Is there a richness in description, character and action that will leave the reader satisfied with the effort overall? Is the core problem big enough to bother with a full-length book? Do you force the reader through several hundred pages only to kill off the protagonist (can be done, but often iffy) or worse, find out said protagonist is a lummox they hate? Too often, authors make their obstacles too small, the villains too stupid, the stakes microscopic and the core problem not nearly big enough. You don’t have to save the world on every outing. Maybe you’re just saving one person, but make us care.

9. Does each chapter’s length make sense? When I say “make sense” here, I mean, do you achieve in the chapter what you need to accomplish at an appropriate pace? Chapters don’t have to have a uniform length. Mary Higgins Clarke’s chapters get progressively  shorter as she goes so it feels like a race to the finish. I find I like short chapters as a reader (and as an editor) because I feel like I’m making progress as I go through, marking up the milestones. Short chapters often feel like a breezy  read. As a writer, however, I find my chapters are longer so they have time and space to wind to their conclusion. However, some writers go so short they aren’t providing enough beats within each chapter. I sometimes see underwritten, choppy chapters where action isn’t happening and characters aren’t developing. When that happens, you don’t have a chapter yet. In that case, you probably have the components for scenes within one chapter.

10. Set a schedule. If you use each suggestion here as a guideline, you also have an estimation for how long it will take you to write your novel based in real time.  Since you’re writing your novel as short stories, progressing at a fairly predictable pace, set an end date for the first draft. Make a schedule to get to that date and stick to it.

Follow these guidelines and you’ll make real progress toward your goals. 

Related Articles

Filed under: Books, Editing, getting it done, publishing, Writers, writing tips, , , , , , , , , , , ,

Writing Conference: 10 Bad things

When you go to a writing conference, there’s going to be information that’s good and information that doesn’t apply to you and information that’s quite bad. Here are some of the things that came up at my most recent conference which you can safely ignore as wrong or silly or misguided:

1. How will we curate all those bad books coming from self-publishers? I’m so tired of this objection, and have dealt with it so much elsewhere here, I’m not ev–zzz. (See Related articles below for that rehash if you feel the urge.)

2. Don’t mix gay narrative with straight narrative. So…ghettoize gays and keep everyone separate, as if our gayness or straightness is our single defining characteristic? Nope! I reject the premise. Screw you…in whatever way you prefer.

3. Order 1,000 books because, due to cost per unit, 1,000 won’t cost much more than 200 books. This, versus the more experienced publisher who pointed out that he only ordered what he needed because he knew it would take him two years to sell 500 books. (Plus a garage full of books is so depressing and unnecessary with the advent of POD.)

4.  Any worries about Amazon’s first novel contest. You have nothing to lose from participating in it.

5. Any worries that someone will steal your idea. There is a scientific correlation to this particular worry: The more you worry about it, the more your idea sucks anyway.

6. This is the end of publishing. Publishing’s changing, that’s all. Adapt or die.

7. I shudder at e-books. Then you’re old. Get over it or wait and that problem will resolve itself.

8. “Twitter is awful. What can I say in 140 characters?” This, from an editor. My internal monologue was: You must be a really lousy editor and you’re telling me you are committed to not being at all clever.

9. “Twitter cuts into my writing time.” This, from the same editor. If she read my blog (DEATH STARE!) she’d know (CHAZZ LAW) Twitter is for time that would be unproductive anyway. Fully functional adults manage their time. (And addicts have to want to change.)

10. “Get an editor for your self-published book!” This is not bad advice. It’s not wrong. However, it is condescending. The people who will take this advice are already on board. The people who won’t take this good advice won’t change no matter what you say.

Filed under: Books, Writers, Writing Conferences, writing tips, , , , , ,

Massage & Bodywork: Good news

The magazine in which I write a column just won another major award: best digital magazine of the year, for the second year in a row.

In a word: Yay.

Here’s a sample (I’m also on the contributor’s page): http://bit.ly/fl59B4

Filed under: publishing

Publishing is sick. You should quit. Take up knitting.

I attended a lovely writing conference. The best value of these get-togethers is often not in the classes, but in the networking, either by finding an agent, getting  useful feedback or networking with writer allies who can hook you up with what you need (e.g. a graphic designer, beta readers, a photographer, an inexpensive website developer, software you didn’t know existed etc.,…)

A couple of instructors at this conference gave me some really great technical information. Much of the discussion was about stuff you’ll find on this very blog (Shameless plug. Subscribe and send love.) Much of the talk was yet another rehash of commonly known information (e.g. get yourself an editor for your self-published work). A bunch of it was stuff you see spread across the internet endlessly for free (e.g. a rehash of the Amanda Hocking/Barry Eisler unfoldment).

(Heh.Unfoldment. I like that.) 

There was also some bad advice. But today, let’s focus on the health of the publishing industry: It’s sick. Really sick. Especially for the ones upon whose brains and bones rest the cracked foundation: writers.

Of course, it has been thus for a long time. Even when it was healthy, publishers operated on thin margins and predicted imminent doom. Many of those publishing companies anticipating the end were right; I worked for several that are long closed. (I didn’t kill ’em, but I helped hold ’em down. Good times.)

We all know the common complaints today: fewer editors, the corporate profit-push squeezing the midlist, the crash of the bookstore (ask your parents, they’ll tell you what they were), the discount tyranny of the chains and the crush of all that self-publishing pressure and the ennui that sets in when you realize you’re a rusty cog in an old machine that needs a lot of parts replaced.

I’d like to  suggest a new measure of the health of the industry:

How many jobs do the major players have?

A short, relevant aside: I am currently a part-time massage therapist, columnist, feature writer, writer-writer, blogger and editor. Also, I’m a house husband and stay-at-home dad. That’s plenty of hats. Okay, I’m a freak, but not as much as I used to be it seems. And I’m cutting down my number of roles soon (Hint: keeping the sexy wife, brilliant kids and the horror writing that chills my victims’ readers’ blood.) 

Aside over. To business: 

Now watch what happens when we look at instructors at writing conferences:

People at the top of their game aren’t making their living from writing.

Of all the people I encountered at the writing conference, two were at it full-time. Andrew Pyper wrote a book I loved called The Killing Circle and gave a funny, charming and wise speech. Wayson Choi spoke briefly and he’s also plenty charming. (Just read Not Yet, liked it.)

Mr. Choi gave the same encouragement he did last year: You aren’t alone in this. We are all together in this. (As if writing and actually getting published is equal to a struggle with a terrible disease and all caregivers and support for the afflicted must be rallied.) As if the diagnosis is in and it’s not good. The doc is giving you that look that says you might make it, but the treatment is so horrible and there is so much pain to endure, refusing to undergo medical torture is a worthy consideration. Getting better (or published) is sort of like winning the lottery.

(Trivia bonus: Wayson Choi is not only published but once won $100,000 in a lottery. He also survived terrible lung and cardiac problems so he might be the sweetest, luckiest sumbitch you’ve ever heard of. Sure, lots of people win big prizes and survive heart attacks, but to be published? That’s rare!)

But are writing conferences really about getting published? There’s a lot of amateur desperation in that big hall. Nice people, but not all writers. Dilettantes and the terminally confused are also a large component from what I could tell.

I don’t count delusion against people, by the way. To be a writer at all, you must be deluded…well, for fiction writers,  it’s a job requirement.

Are writing conferences helping these people get published, or are they just  another income stream or promotional avenue for poverty-stricken writers? Several presenters used their seminar teaching position to flog their books and editorial services pretty hard (though I didn’t mind the guy who had the grace to be funny about being spammy.) The rest were so fed-up, sad or desperate they were perspiring audibly.

When the “stars” in an industry have to spend a lot of time doing non-writing activity to eat, that’s another indicator of an industry on life support.

If any other industry had this much necessary moonlighting (go ahead, name any one you like), you wouldn’t want your kid on that career path. Imagine if all the civil engineers also had to work as mail carriers and mimes to avoid starvation. Suppose all the doctors were also telemarketers/poets/screenwriters/dog walkers/financial advisors/supply teachers, just so they could cobble together one living income from all their part-time jobs. There’s nothing wrong with any of these jobs but…

But if you have to do it all…well, my point is, sorry…you should quit. 

If you think you can quit, then good. You’re free to move on to something that could give you the security of three squares, dignity, hope for the future and some level of satisfaction.

If you can’t quit, either….

Maybe my writing as a disease analogy wasn’t so inept after all. 

 Related Articles

Filed under: publishing, Rant, Rejection, Useful writing links, Writers, writing tips, , , , , , , ,

BREAKING NEWS: BIN LADEN DEAD

Turn on your TV. That’s it for now…

UPDATE: I turned on my TV. It’s been a long time since 2001. I knew he wasn’t in a cave (no sand fleas!) However, I was sure they’d find him in Saudi Arabia.

Anyway…they’re singing outside the White House, but it doesn’t seem like swift and terrible justice to me. More like, you  kill lots of people and we’ll get to you…eventually.

Triumphalism strikes a hollow note.

He inflicted much more horror than he got. And the terrorists won. Our lives have changed forever. he Patriot Act is still in. Git mo is still open. Secret military tribunals are still in. The borders are wary and air travel is assault, radiation and possible forced colonoscopy. Worst, the War on Terror sucks billions to defense that could have been spent on social justice and health care. More terrorists have been created and racism against innocent Muslims is powerfully strong.

To kill him now? Sounds like a fighter, beaten until unrecognizable from what he was, gloating about getting in one good punch.

I feel no satisfaction in the death of the villain. Instead I feel sadness for the America’s loss.

Turn off your TV. The pundits are about to go batshit and read way too much win into this. Unless it’s FOX. Fox News will figure out a way this is terrible news for the Obama administration.

Sigh.

Filed under: Media, , , , , , , ,

The Good, the Bad and the Freelancer (via Lorena’s Epiphany)

This is a great summary of freelance challenges. It’s a tough gig, or rather, a series of tough gigs. And even if you do really well with one client, you have to keep hustling to diversify your client base. If you have just one client and they dump you, you have instant problems.

This helpful post is a guide…or a warning. Freelancing is not for everybody.

The Good, the Bad and the Freelancer Whenever someone asks what I do and I explain that I'm a freelance designer working out of my own studio, I tend to get the same reaction "You're so lucky! I wish I could work on my own too." But becoming a freelancer wasn't something I really planned in advance. It sorta chose me. Yes, being a freelancer certainly has its perks – I won't lie. I get to wake up at 9 or 10am on most days and head to the studio at my own leisure. You also get the fr … Read More

via Lorena's Epiphany

Filed under: publishing

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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