C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

My God! Even More Writing Advice Links!

Jane Friedman’s blog at Writer’s Digest. writers_digest_1932_11_a

If you’re a writer, you must read this.

She also includes the best links she finds each week for even more great advice.

A Newbie’s Guide to Publishing: The Changing Face of Publishing‏

A full-time thriller writer makes predictions about the future of publishing.

How Publishing Really Works

(Good blog, irresistible title)

 

 

Filed under: publishing, web reviews, writing tips, , , , , ,

Editing Exercise: Cut word density to speed reader comprehension

Novel & Short Story Writer's Market

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There are brakes in your writing. Take the brakes off. Put your foot on the accelerator. Edit.

I’m writing a little sci-fi short story just to break things up. Here’s my original paragraph.

CONTEXT: A teen who wants to be an informant for a cruel theocratic state challenges the narrator’s father about his patriotism which puts the father’s life in danger. The next day, the boy is found murdered in an alley.

1st DRAFT excerpt:

“I am glad that bully is dead, father. He shouldn’t have spoken to you that way.”

“No, Mark. What happened to that boy is a tragedy and I grieve for him and his parents. When a child is killed, all the parents’ hopes and dreams die with him.” Mark would never forget his father’s face as he mourned his accuser. His eyes were wet.

2nd DRAFT excerpt:

“I’m glad that bully is dead, father. He shouldn’t have spoken to you that way.”

“No, son. When a child dies, his parents’ dreams die with him.” His father’s eyes were wet.

EDITING COMMENTARY: Notice what I’m doing here. I’m eliminating repeated information. I can tell the story in fewer words and not lose anything. I don’t need to explain more. I gave it to the reader once clearly. After that, I’m hitting them over the head with it instead of providing the broad strokes so they can fill in the rest of the scene. It is a rare thing to underwrite. Most people overwrite. Obviously in my first draft, I write too much. Always do. Whittling is fun.

This isn’t the only way I could have edited this piece, but I want to write this one especially short. I have a  5,000 word count for this project and a lot of things happen before we get to the end, even though the structure is a slow build to a twist ending.

When I read something that is dense to read, where obvious economies are not eliminated, I often get bored and I wonder if the author is trying to disguise a lack of plot.

BONUS:

Don’t repeat yourself. Don’t repeat yourself.

 COMING THIS WEEK ON CHAZZ WRITES:

A five-part series, Monday to Friday, on a ton of useful links from

some the best writing and publishing experts I could find.

Tune in Monday morning for

MASSIVE LINK WEEK!

 

 

Filed under: Editing, manuscript evaluation, My fiction, publishing, Writing exercise, writing tips, , , ,

Writers: On Editing Yourself

 

RULE #1: Writers must have a product to sell.

RULE#2: Writers must keep submitting their work until someone recognizes their genius.

I repeat these rules to remind myself to put them into practice. I wrote a (long) short story that has bugged me. I did submit this piece to One Story because the length was suitable for them. Unfortunately, they didn’t bite (no hard feelings.) As I reviewed the story, I began to figure out why it wasn’t fully baked yet. I realized I needed to do another revision. 

In editing myself, I hadn’t been as objective as I can be with others. I found some sentence constructions awkward. I reworked the opening paragraph to amp up the mystery and intrigue. I added some here and there where characters needed fleshing out. I cut some sentences down for economy and easier reading.

Editing yourself is difficult (Yes! Even for people who are also editors!) If you aren’t going to hire someone to help you with writing issues, the second-best option is time. Put it in a drawer and give yourself time to fall in love with the next project. That way, when you pull out the manuscript again, it’s kind of like being clear on the faults that plagued your ex-girlfriend or ex-boyfriend.

I have found new places to submit the piece and this time I’m submitting with more confidence, not with the giddy frisson of a drunk at a Vegas craps table.

Today’s book recommendation:

The Artful Edit by Susan Bell.

Filed under: Books, Editors, My fiction, rules of writing, short stories, , , , ,

Chazz Writes: Q & A

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Do you have a question for me about writing or editing?

(Mr. Director! Cue the happy music!) 

Email me at:

 chazz@chazzwrites.vpweb.ca

Also, at the bottom right of this screen is an email subscription box. Please take a moment to key in your email address. You’ll get my blog posts by email and never miss another scintillating post. I don’t share email lists with anyone and I won’t sell them to anyone. Thanks! 

 

Now, to clear your palate of my lonely plea for human contact in the outside world, below you’ll find meaty links on the subject of the slush pile. 

(Cue the ominous music.) 

Filed under: Editors, Publicity & Promotion, publishing, Writers, writing tips, , , , , , , ,

3 Cliched Openings to Avoid

1. Don’t start with your protagonist waking up in the morning.

2. Don’t start with your protagonist starting a trip.

3. Please do not start with a dream…unless you’re writing Inception 2.

Filed under: writing tips, , ,

Keep Writing!

Filed under: writing tips, ,

Kevin Smith on Writing

Filed under: Writers, writing tips, , ,

It’s about the work

I’ve been a bit of a crank on here for several posts (and my whole life) so I should mention that it’s not always like that. This evening I got an e-mail. I had sent in a spec feature to a health mag and the editor bought it. The contract is on the way.

When they tell you they are sending cash, it does tend to feel good. The thrill of  seeing your stuff in print wains a bit (though I remember being quite high when I had articles in two mags that sat side by side on a news stand at one time.)

But the fun has to be in the writing itself. If it’s not fun, there are plenty of other things to do that pay more and probably hurt less, since you’re only as good as your next piece.

Filed under: writing tips, ,

Where does the Darkness Come From?

Short Answer:

The darkness comes from everywhere.

Longer Answer:

Tales of horror arrive in the newspaper every day. This week a toddler was stuck in a high chair for six days while her dead mother lay on the floor in front of her. The child managed to survive because she could reach food from where she sat. The mother had suffered a chronic illness. When a child services worker rang the bell, no one answered but she could hear the child crying, she called police. They broke down the door to find a body beginning to decay and a terrified child. 

When asked by an interviewer, “Where does the darkness come from?” these were my answers. Of course, we all have terrible childhoods and can draw on the thousand arrows flesh is heir to, but when done right, fiction can be the valve that lets off pressure. Fiction can make sense in a world that is plotless (though all stories that end with “happily ever after” are conveniently ended before the going gets nasty.)

I said to my wife (it’s funny but I’m dead serious, too): This is our happily ever after now. But make no mistake, this will all end horribly…unless a carbon monoxide leak kills us all in our sleep, of course.

Fiction is the lie that tells the truth. Humour can do that, too. There’s an element in the question that’s subtle and insulting, also. I wrote a short story that would convince you I’ve drowned at least one person in a bathtub. When people reacted to me with alarm, I smiled and pointed out, “It is fiction.” Perhaps they’re disturbed that I give these matters so much thought.

~Mr. Sunshine strikes again

Filed under: Rant, short stories, writing tips, , ,

Writing Critique Group Decoder

They say: That was interesting  and then add nothing else.

They mean: It wasn’t interesting.

They say: You made an interesting artistic choice there. At the turning point three quarters of the way through I would have done this…

They mean: If this was a totally different story, written by me, I’d like it.

They say: I found a bunch of typos here and you split an infinitive there and you like sentence fragments too much, cuz you know, that’s not a complete sentence…

They mean: I am a grammarian and hope to be an editor one day. Otherwise I am useless to you, but I can continue to be annoying. Later on I’ll be bewildered that no one ever sits near me or speaks to me at the break.

They say: Kaddoos to you!

They mean: I am an illiterate who doesn’t know the word kudos, so don’t take my praise so seriously.

They say: I absolutely love everything you write.

They mean: I want to sleep with you and hope you share my fetish.

They say: Where do you get your ideas?

They mean: Are you really the abused prostitute in the story and is it wrong that turns me on?

They say: There’s a few quibbles. Maybe you could engage more senses here and here and tell more than show in the last couple pages because it feel like you’re rushing the end.

They mean: I can make useful suggestions without trying to put you down to make myself feel good.

They say: I don’t care for fantasy stories so I really don’t have anything to say about that.

They mean: just what they said and that’s fair. If you hate a genre and can’t get past it, don’t comment on it.

They say: That wouldn’t happen.

They mean: That’s either outside my experience and I have no idea what I’m talking about or you have to write more to convince me that’s the ring of truth I’m hearing and not you working the smoke and mirrors.

You say: What do you mean, that wouldn’t happen? It did happen.

You mean: Sorry I didn’t hit the feel of verisimilitude for you. Yet. And sorry I sounded defensive.

They say: You sound defensive.

You say: Perhaps it’s because you’re being offensive.

They say: It’s just feedback. I don’t mean to be offensive.

You say: I guess I’m a delicate doily…or being offensive just comes really easy to you. Clod.

They say: Let me hit you over the head with the fact that I’m a teacher (or I’ve been published somewhere and you haven’t or as my good friend Norman Mailer used to say…)

They mean: Just do what I tell you to do and God, isn’t my voice a lovely basso profundo?

They say: Needs one more polish and you’re done. Have you thought about sending it to X magazine?

They mean: Good for you. Damn I wish I’d written that.

They say: I suck.

They mean: Somebody throw me a bone here and tell me one thing you liked about my story or I’m not coming back cuz I just can’t stand it anymore.

They say: You suck.

They mean: You shredded my favorite story last week. Payback, bitch!

They say: That’s the best story ev-er! Ev-er!

They mean: And you’re critiquing my story next! Mercy Master!

They say: I don’t understand the connection from here to there.

They mean: I wasn’t really listening.

They say: Your writing is very muscular and you know…workmanlike prose.

They mean: It’s too readable. I hate it.

They say: I hate epiphanies.

They mean: Your epiphany was banal or your story isn’t depressing enough to suit my worldview because no ending should ever connote trancendance because that would mean there is hope for the human race.

They say: It’s good but no agent or editor will ever touch that.

They mean: That’s really bad.

OR

They mean: It’s no good for agents or editors without vision who are constantly trying to catch up with the last publishing trend.

They say: Your writing is good but your subject/genre isn’t hot in market right now.

They mean: Once everybody else publishes it, then we’ll concede it had value but for now we’ll pee all over your efforts.

They say: Your writing is very accessible.

They mean: They could understand it and enjoyed it.

OR

They mean: They could understand it too easily which means you’re a commercial writer and therefore unworthy of their time.

They say: I don’t get it.

They mean: I don’t get it.

OR

I’m high.

They say: Far out! Man, that was like…I don’t know…you know…

They mean: I am incapable of expressing myself and I meant to sign up for the hemp macrame class but it was full. Also, I’m high.

They say: Nothing but once in awhile you catch more than one or two people rolling their eyes so hard it looks like they might strain something.

They mean: You’re the hobbyist in the class who is, in their opinion, truly hopeless. They’re right.

They say: Something consistently unhelpful .

They mean: Who cares? That’s all they’ve got. They’re negative clods who will not help you in your career. And if they’re so shit hot, what are they doing in a group with you? Shouldn’t they be off somewhere exotic turning down calls from the Nobel committee?

They say: Something constructive and consistently helpful.

They mean: I consistently say something helpful to you because you’re helping me. Why don’t we ditch a bunch of these opinionated bozos, go have a coffee after group and become each other’s readers? I get you. You get me. Let’s lose all these people who don’t get us and exchange stories and finally have a voice we know is worth our trust? Also, if you don’t give me 3,000 words a week I’ll really bitch you out. Please do the same for me.

(Keep an eye out for these Theys. They could be really useful to your career.)

They say: I didn’t write anything this week.

They mean: I’m just here to snipe at others and refuse to put myself out there.

They say: Your story had a compelling sense of place.

They mean: I couldn’t bring myself to read that shit but I have to say something.

They say: The twist ending (or revelation or change in character or the emotion) felt too easily achieved/melodramatic or cheap.

They mean: what they said.

They could have a point. Maybe they don’t. Maye you underwrote it or overwrote it. Whatever they say or mean, remember this:

YOU GET THE LAST SAY.

All art is subjective. Don’t take any critique too seriously. Listen and then do what makes sense to you. You must write for yourself first.

BONUS:

They say: Thank you for all your suggestions. I can’t wait to go home and implement all of them..even the ones that contradict each other.

They mean: I have no dignity and no judgement of my own.

Filed under: manuscript evaluation, Writers, writing tips, , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

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Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

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