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See on Scoop.itWriting and reading fiction

I said I would write a bit about my experiences with literary agents. Here is the first one that is worth noting: A few years ago a friend who is in the publishing industry allowed me to use her name…

This post, among others, got into some interesting discussion of trad vs self-pub vitriol across blogs (Nathan Bransford’s blog, Sarah LaPolla scolding us for calling ourselves indie authors and The Passive Voice‘s wry take). I report Laura Novak’s link here as a tale of endurance ending in success. For the record, I don’t think Ms. Novak’s post is vitriol at all. It’s reportage on dealings with a specific agent. I replied in the comments thread on the Passive Voice blog because I felt the crowd was a tad more evenhanded in the discussion there. As for the whole, don’t call yourselves indie thing, please don’t tell me what to call myself. I don’t wear a collar and you’re not holding my leash so I call myself an indie author proudly, even if you scream at me in all caps. As someone pointed out in one of the comment threads, self-publishing connotes less than all that I do to publish and arguments over semantics might get somebody riled up but it’s doubtful anyone will be moved to change.

If you read across the blogs, you’ll also notice a recurring theme: Some folks in traditional publishing seem to resent indies and don’t like it if we complain in a similar fashion. Then you’ll see stories of agents and editors who gushed about how great a manuscript was just before they rejected it. Gee, why is this model not working? Of course, there doesn’t have to be an enemy. We could tend to our own businesses and respect each other’s choices. We could be happy for each other’s success. We could, but sometimes we choose otherwise.

See on www.lauranovakauthor.com

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