C h a z z W r i t e s . c o m

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As NaNoWriMo comes to a close…take a break!

Congratulations to all who participated in NaNoWriMo and got it done!

You stayed up late and got up early to write your novel. You got hired a babysitter for a couple of hours of uninterrupted time. You took the phone off the hook and got writer’s cramp instead of whining about writer’s block. Good for you!

Next stop: EDITING.

But first, let that manuscript breathe. Please.

Give it some time before you go back to revisit. Take a break before you get down into the dirty business of sifting through the carnage for the good stuff. Give yourself some time. You’ve had a crazy month so tonight, celebrate. Relax. Catch up on the TV you recorded through November.

Or why not kick back and relax with a comedy podcast? Oh, look at that. I have one!  Self-help for Stoners is also on iTunes. If you like it, leave a review. (If you don’t like it, go do something you do like.)

Filed under: NanNoWriMo, , , , ,

Polls and questions: Why do you write what you write?

 

Today, I’m revising my novel This Plague of Days: a family’s world comes apart as a plague spreads across North America. As seen through the eyes of a sweet autistic boy, they must head east to survive, hoping for a haven in Poeticule Bay, Maine. There will be loss and drama and raiders and sacrifices and a very long walk. Some will be saved. Others are already beyond hope.

I especially enjoy my coffee and creature comforts when I write of a world without the cozy and the familiar. Perhaps that’s the pull of dystopian lit. We enjoy drama’s bad news because it’s an escape from our everyday, less dramatic bad news.

That’s just my theory.

What about you? Why do you write what you write? Why that genre instead of this genre or some other genre? 

All genres and comments welcome. Please leave your answer in the comments section below.

Thanks!

Filed under: Books, Genre, poll, What about you?, , , , , , , , , ,

Truman Syndrome & the writerly mindset

While sipping the best coffee ever at Coffee Culture, I saw a handsome, young black man standing across the street. Beside him sat an elderly white woman in a wheelchair.

I swear this is true: I watched him light a very fat joint, take a hit and pass it to the old woman. Without looking at him, she took a hit and passed it back. This wasn’t merely unexpected. It was surreal. As he rolled her out of sight I thought there was a story there but I wasn’t sure yet what it would be.

As I headed home, I had a Truman Syndrome moment. Everything looked slightly fake, like I was on a movie set made just for me. An old man with a nose like The Penguin’s beak and horrible posture scrabbled across the sidewalk as if pulled along by his cartoonish nose. At the same time, a woman ran the other way in a gait that looked…contrived. She wore a pastel green blouse that matched her socks and she ran like she was holding back a terrible case of diarrhea and trying to hop in time to an urgent nursery rhyme.

If I were to see each person individually, it would just seem odd. However, the juxtaposition of all of them made them not real people, but characters. As I scanned the sidewalk, everyone looked like an extra in an early 90s low-budget movie. I could picture the AD whispering instructions to concealed earpieces for each passerby. “Keep moving! Don’t look at the camera. Don’t look at the actor! Don’t look at Chazz! He still has no idea!”

The sense that everything is slightly off, somewhat “presented”, and utterly skewed? That feeling hasn’t left me all day.

I’m either in a writerly mood or this is a narcissistic psychosis.

Not that those conditions are mutually exclusive.

Filed under: What about Chazz?, Writers, Writing exercise, , , , , ,

Don’t listen to writers too much

The phrase that pays.

Image by pirateyjoe via Flickr

When I first graduated from massage school, I visited new massage therapists all the time. Too often, I didn’t enjoy the experience much. I was too evaluative of each therapist to just lay back and receive the treatment in the spirit in which it was given. I wasn’t concentrating on the feeling of the massage, but on the mechanics. It took me some time to get past that mindset.

You see the same thing with editors sometimes, too. A bad editor jumps straight to corrections too fast without reading for story first. Typos are the last thing you correct in the story construction process. You need to look at the big blocks in the structure first to see how it holds together. Developmental editing always happens before detailed copy editing.

You shouldn’t listen too much to other writers for similar reasons. They see your work through a prism that doesn’t necessarily match ordinary reader expectations.

Writers are great people, but they usually aren’t your market. We sometimes forget that there are a lot of people in the world who have no literary ambitions. They don’t want to write a book. They just want to read a good story.

Writers are readers, but they aren’t typical readers. Writers look at your work differently. Writers are not  the average reader.

Among writers, there is a higher percentage of people who will pick apart your mechanics. Any grammatical variation from what they expected (and there are variations) will provoke more irritation than may be warranted. They will be the readers who skip from irritation at your typos to outrage, indignation and threats to take away your writer’s license and livelihood. Some will want to burn down your house.

Writer friends and editors can help you develop your work, improve and self-publish. But because of the way we are wired, we might not enjoy your work as much as typical readers will.

BONUS: 

I’m networked with a lot of great writers who help me a lot. I like them, appreciate them and thank them.

However, you’ll run into some writers who are so competitive, they do not wish you well.

Either through jealousy or the misconception that your success takes something away from them, they want you to fail.

Watch out for the hypercritical, the rabid grammarians, the perfectionists, the haters and snipers. They mistake their subjective taste for law all the time.

By the way, I wish you every success.

Filed under: publishing, Rant, Rejection, writing tips, , , , , , ,

New Feature: Scoop it!

Scoop it! allows me to grab a bunch of articles to quickly curate an on-line magazine for your pleasure. My focus, of course, is writing and reading and publishing news, particularly indie publishing. It’s more great stuffing for my juicy and delicious info-turkey that will complement the Chazz Writes potatoes, mashed, potatoes and gravy you’ll find on this blog.

In other news, I think I need to go get some lunch.

Shoot on over to check it out.

Filed under: authors, blogs & blogging, Books, publishing, self-publishing, web reviews, Writers, , , , , , , ,

Writers: Balance out the sedentary life

You have to take care of yourself. I certainly haven’t been for the last week. It’s been a monster week for writing since that’s pretty much all I’ve been doing. Late last year I was writing in such a frenzy (to the exclusion of all else) that I actually hurt my shoulder and back and it was painful for weeks. As I move to writing full-time, I’ve realized that I have to get the cardio and strength training to balance out sitting and sitting and sitting. Hemingway boxed and hunted and fished. The least I can do is get my ass off the chair.

Filed under: publishing, What about Chazz?, Writers, Writing exercise, writing tips, , , , , ,

Robert Chazz Chute: Literature hater & narcissistic bastard!

I realized something about myself the other day. I’ve been writing since I was a kid. So why haven’t I published a string of books yet?

Narcissistic Bio (Feel free to skip this paragraph to get closer to the point arrived at below): I went to journalism school. I wrote for newspapers and magazines. I worked in book publishing for five years in several positions, making books, editing books, selling books and promoting books. I’ve written a column for a magazine for three years. I submitted to and won writing awards or honorable mentions. And yet…I never pushed to get a book written. I have written several books, but I never got to the point with one where I was satisfied enough. For  a long time I thought this was just laziness or perfectionism or both. Even as I edited other people’s books, I still had my own cooking in the background. But I never sent out manuscripts or pestered agents or got anything really done, except short stories and feature articles, speeches and presentations. I’ve written about writing extensively, attended publishing conferences and writing workshops, chewed through publishing issues and edited several books this year for Five Rivers Chapmanry. I’m proud of all these things and enjoy them.

But everything I’ve accomplished centered around tasks with a short deadline, stuff that paid up front, stuff that required short bursts of intensity. I wasn’t working on my personal long term writing and publishing dreams. I wasn’t digging in to do the long hail work. It’s as if I’ve been mixing dough, letting it rise, shoving it in the oven and letting it bake…and never eating any bread.

I used to think that I wanted to be a writer because I love literature. I read and read and read and still can’t get enough, it’s true. (At least some of the above headline is supposed to be ironic, folks!) Obviously I don’t hate literature, but I don’t love literature as much as I thought I did. If I loved it all that much for its own sake, I would have either settled for reading tons of books without thoughts of my own. Or I’d have finished those revisions and delivered my stuff over publishers’ transoms. I would have added to slush piles and wallowed in rejection slips until I finally started breaking through. I didn’t do that. I raised kids, did piece work, indulged another career, dabbled around the edges and did other stuff.

So why self-publish now? I was disillusioned with the failures of traditional publishing when I worked within it (another post for another time.) I loved reading, still do. I love that floaty feeling you get when you write, go deep and a story comes together.

But these loves weren’t enough on their own.

I’m self-publishing now because ebooks have finally arrived. I can finally indulge my loves as well as my need to remain independent. Clearly, I’ve got a problem with authority.

My motto is Question authority before authority questions you. I do not wear a tie and I’m the kind of dog who pulls out of his collar.

 Love of literature wasn’t enough. Love of literature plus love of self plus digital opportunity was the ticket.

Embrace independence:

Control freaks! Unite! 

(Ahem…well, do what you want. Far be it from me to tell you what to do.) 

The revolution

(I didn’t know I was waiting for)

has arrived. 

Filed under: e-reader, ebooks, Rant, self-publishing, What about Chazz?, , , , , , , ,

Writers: Get mixed up

Last week I ran across a guy on YouTube who had a great talent. He could impersonate a lot of great actors. His Al Pacino was off, but his Heath Ledger version of the Joker was bang on. His reel went on and on, and they were often astounding. As great as his talent was, there was something missing. I soon realized that it wasn’t the impression. It was the material. He was giving out the movie lines, just as they were handed down from the movies. There was impersonation. There was technique, but no transcendence or fresh invention. There was nothing of him in the characters he imitated.

Art has pretty much all been done. Sometimes artists go to absurd lengths to be different, like putting a crucifix in a jar of urine, for instance. Different isn’t the point. Mixing old elements into something fresh is how new art is created. So, what if this guy, who is an amazing voice talent, changed things up. Do that great Heath Ledger doing Joker impression, but now he’s a psychopath slinging fries at your local Wendy’s drive through. Suppose Christopher Walken explained his take on particle physics to you. Great impressionists are often not dead on, but take a well-known character somewhere new: look up Kevin Pollack’s impersonations of William Shatner on YouTube. Try the Hollywood Babble On podcast with Kevin Smith and Ralph Garmin. Ralph does Pacino, but it’s not Pacino. Pacino’s a great actor. Ralph’s version is a hilarious take on Pacino if her were a crazy ham who only spouted nursery rhymes.

Mixing things up is what writers must do, too. I once read a manuscript sample where the writer had imitated too much. She thought familiar was a safe bet for gaining publication. However, it was all too familiar to anyone who had seen a commercial for any of the Twilight movies. Too predictable. This went beyond homage and just short of plagiarism.

“Make your vampire a nerd,” I said. “Give him a weird hobby or fascination or at least a geeky name and a parent or sire who embarrasses him on prom night. Take the material somewhere new.” It’s not just about twists (though you should strive for the logical surprise.) It’s about a new take on old material. I’m sick of publishing professionals who should know better saying the vampire is finally dead. They’ve said that too many times for too many years to be listened to anymore. It’s probably all the scripts that ape old material that squeezes editors and agents into making those silly pronouncements. If you love vampires, write vampires. But do something different. (Not a Stephanie Meyer fan, but I must admit, she went a different way with vampires sparkling in sunlight instead of bursting into flames.)

We are writers. We do not work on an assembly line. We do not imitate. We innovate. 

Filed under: Writers, writing tips, , , , , , , , , ,

The Author Selects the Agent Scam

Writers’ magazines occasionally run stories on “how to select an agent” or some such nonsense. Sure, you can check Preditors and Editors and ask around about particular agents, but the power differential between authors and agents is, well…the word “egregious” comes to mind. (In fact, that’s the same word that came to mind for Kristine Kathryn Rusch. See below for that most excellent link.)

When you submit work to an agent (note you’re already in submission and they are in dominance from the get go) it’s kind of like applying for a job. You send out a resume (your manuscript proposal) and agents say no. And more agents say no. Repeat until doubt and self-loathing kicks in.

When you do finally get the call, you’ll say yes to anybody.

Pick your metaphor: 

1. It’s the end of the world and don’t you want to experience the act of physical love just once before you die?

2. You’re a serial killer/diabetic and the warden says they’re fixing the electric chair and would you like your first and only chocolate éclair before they electrocute your ass?

3. The vampires have risen and this is the last sunset before Dracula’s armies of the undead close in on you, the last human survivor on the roof of The Mall of America. Suddenly Carrie Moss shows up piloting a helicopter. Do you jump on the rope ladder to safety? Or do you negotiate so she wears an even tighter leather outfit like the one from The Matrix?

Answers:

1. Of course, devirginize!

2. Eat that éclair. The sugar won’t have time to migrate to your rotten pancreas.

3. Board that helicopter and maybe you’ll live long enough for the sequel!

If you’ve run the long gauntlet of trying to find an agent, or just heard a few horror stories to that effect, you sign that contract as fast as you can. You’re closer to publication than you were, so an agent calling must be good, right?

“Must” is a strong word. In fact, read The Passive Voice  and you’ll be running to publish yourself after all. It’s about enslavement via contractual obligations that go on forever. This is scarier than anything Stephen King could possibly dream up. 

Passive Voice also links to Kristine Kathryn Rusch, which you should also read before you do anything. Don’t even poop before reading this.  

Before you put on that electric collar and tie the leash around your genitals, read your contract carefully. Make informed choices. Show contracts to a lawyer. Negotiate the egregious. Take responsibility so you hire the agent, not the other way around. And always be willing to walk away from any deal. Walking away may be the only way to get a decent deal.

Related articles

Filed under: agents, authors, DIY, publishing, queries, Rant, Rejection, Writers, writing tips, , , , , , , , , , ,

Four Traits of Successful Writers (Besides, You Know, Writing Ability)

Guest post by Marjorie McAtee

Skill and talent go a long way towards making a successful writer. But being a writer takes more than just skill and talent – it takes a strong character, as well.

People always ask me, “What qualifications do you need to be a writer?” And I answer, “None, really.” To be fair, if you’re trying to break into a specialized niche, like journalism, a degree in the field is usually necessary. But, if you paid attention in high school, you already know all about grammar, composition and style. With study and practice, anyone can learn to write well. But becoming a success as a writer, creative or otherwise, requires traits and qualities that can’t be learned in school.

1) A Successful Writer Holds Herself Accountable

If you want to be successful – in writing, or in life – you need to play by the rules. Do your own work. Respect the work of others. Treat your clients fairly; do the best job you can, and don’t cut corners. Be honest and upfront; if you don’t have the skills to take on a particular project, or if you need a deadline extension, say so. Remember the Golden Rule; if you have a problem with a client or colleague, respect, tact and courtesy are your greatest assets.

2) A Successful Writer Loves to Write – And I Mean Really, Really Loves to Write

I’m sure few people would disagree that it’s crucial to love what you do. As a former job-hater myself, I can vouch that it’s hard to feel fulfilled when you’re not fulfilled in your work.

I can’t even tell you how many times I’ve heard, “You’re so lucky to be able to do what you love.”

That’s right. I am. I went pro because I love writing more than anything else. It doesn’t even matter what I’m writing about. I’ve been writing professionally for a couple of years and in that time I’ve written on at least a dozen topics. Even the most interesting projects can become mind-numbingly dull when you’ve worked on them for a few hundred hours. Some are just mind-numbingly dull to begin with.

But, two years on I seem to know something about everything (my friends call me “Google.” That’s how bad it is). And I still love the writing. No matter the subject, the mere act of researching, organizing and writing an article or blog post or page of web copy gives me pleasure. It makes me happy. It takes me out of my head and away from my problems. After a long day of writing for my clients, all I want to do is write some more. I always have a story, an essay or a poem in the works.

Some say it takes discipline to be a successful writer and I’m not saying they’re wrong. If you have a day job, it takes discipline to get up early and stay up late to do the writing. If you have a rich spouse or your grandma left you ten million dollars – it still takes discipline. Even if you don’t have any of those things and you rely solely on your writing work for income, it’s all too easy to just go back to sleep or take off early and go out with your friends. No one will to tell you to get to work; you have to tell yourself.

And where does that sense of discipline come from? Not from a need for money, approval or success. It comes from love. If I didn’t love this, I’d quit yesterday.

3) A Successful Writer Never Gives Up

I have plenty of writer friends — some career writers, some doing it for pocket money. Others keep their stories, essays and articles confined to Facebook, personal blogs, or, worst of all, a notebook in a drawer. These are the friends who say, “Gee, I’d really like to be a writer, but I just don’t know.” They want to be a writer the way some people want to travel Europe. They’ll talk about it for the rest of their lives but they’ll probably never do it. Maybe they tried once, didn’t succeed, and gave up.

And I can’t blame them. You hear these stories from famous authors who say they could paper the walls of their home, inside and out, with rejection slips. Those stories are true.

Publishing is a hard industry. It may be the hardest. Great manuscripts go into the trash unread every day because they arrived unsolicited, or the editor didn’t like the first sentence or it was a day that ended in Y. If you’re writing content, most people won’t even pay you minimum wage. Writing is the most under-valued skill in the world.

It’s not enough to want to be a writer in an idle sort of way. You have to want it more than you want anything else. You have to want it more than you want food, or sleep, or friendship, or approval, or vacations or sick days. You may have to give up all of those things to get it. You’ll try and you’ll fail. You’ll try harder and you’ll fail harder. You’ll try harder than that and you’ll fail harder than that. You’ll try even harder still — and guess what? You’ll still fail.

Sit down, cry, wail, moan, complain, tear your hair out for the unjust world. When you’re done, try again.

4) A Successful Writer Believes in Herself – Because No One Else Will

I’ve wanted to be a writer since I wanted to be anything. I wrote my first short story when I was four. I didn’t know the alphabet yet so I made one up. When I tried to show the story to my mother, she said, “Not now, honey, I’m busy.”

Okay, so obviously I wasn’t doing myself any favors by writing in what looked like a prototype of WingDings. Maybe some people have more supportive families or more considerate friends. I’d be lying if I said I’ve had no support at all.

But, for every one person who’s supported and encouraged me, there have been ten who’ve told me I’d fail. My mother insisted I train as a teacher so I’d have “something to fall back on” when the writing thing didn’t work out. When I start to talk about my current creative project, eyes glaze over and the subject changes. When I tell a new acquaintance what I do for a living, the response is often, “Yeah, but what do you really do?” Or  sometimes they just laugh. Even if they pretend to take me seriously at first, eventually they’re bound to ask, “So…do you um, ever, um, sell any of your articles?”

When I complain about not having enough work, I’m told to “get a proper job like the rest of us.” If I brag about having a lot of work, I’m praised like a puppy learning to widdle outside.

Everyone else is “pursuing a goal.” I am “chasing a dream.” Writing is a hobby, not a profession. Few will take your writing goals as seriously as you do. People will laugh and point, and laugh some more, even after you’ve proven yourself time and time again.
Let me tell you a secret about these people: they’re idiots. Ignore them.

They don’t know you like I do.

Marjorie McAtee has been writing since she was old enough to clutch a baby pencil in her chubby little fist and she will be writing till you pry that pencil out of her cold, dead hand. She writes SEO content and copy to make ends meet. Her work appears in print journals including The Blotter and Center: A Journal of Literary Fiction, and online at Amarillo Bay and Flashquake. She blogs about stuff and things at Don’t Call Me Marge. You can follow her on Twitter @marjoriemcatee or find her on Facebook.

Filed under: Guest blog post, Writers, writing tips, , ,

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Winner of the North Street Book Prize, Reader's Favorite, the
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