C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Book Promoters: Will Google Plus kill Facebook, similar to how I slowly strangled Grandma?

For a full breakdown of the advantages of Google+, check out Gizmodo’s video summary.

It may be premature to say Facebook is in decline. Perhaps it’s more accurate to say its mercurial rise is flattening and it’s too early to declare its demise. Everything grows or dies, whether we’re talking about your business, your fan base, or your favorite social media.* Entropy rules and things change. Facebook is feeling entropy’s effect, so maybe they’ll adapt and improve and grow again (but that’s not the way to bet.)

I’ve got my problems with Facebook, but they’re mostly the same problems everyone else has: privacy issues; King Nerd arrogance; I don’t have enough Facebook friends; and, one day, I’ll suffer artificial limits on the number of friends I can have.

Note that though I love Twitter, I’m still chafing at the restrictions on the number of people I can follow there.

Please solve that problem and follow me @rchazzchute goddamnit!

Google+ (I’ve titled this post with Google Plus to emphasize the difference) is coming, and it might solve a whack of those problems if Google gets it right. One of the things I like is that you can make circles of friends, so you can choose who gets your message. Haven’t we all suffered the social stigma and financial pain of announcing on Facebook how much we’re looking forward to Grandma’s funeral, only to find Grandma’s still checking her account from her hospital bed and she’s cut you from the will? Petty old bitch.

Keep an eye out for the Google+ launch. They’re still working out the kinks with the beta version so right now the only way to join is by invitation. I’m pretty excited about the social and business possibilities Google+ offers. If it lives up to its promise, I will enthusiastically migrate away from Facebook to set up shop at Google+.

*MySpace is in a coma waiting for us to be merciful and finally pull the plug, for instance. If you still have a MySpace account, please, get your affairs in order. It’s almost as dead as Grandma.

UPDATE: This just in! MySpace has been sold. Details here. They’re starting with a workforce reduction and somehow Justin Timberlake is involved, so…nah, MySpace is still dead in the water. Like Grandma!

Filed under: Publicity & Promotion, Social Media, , , , , ,

What’s useful on my iPod? (Plus a treat)

For podcasts, the app you want is Stitcher. Most any podcast in the world is available there, so if you want a cool distraction or need to research how to do anything, there’s a great resource. And Stitcher is free.

Not on Stitcher (yet) but available through iTunes: The Creative Penn podcast. Joanna Penn interviews helpful people on all aspects of publishing. And she’s a great interviewer, too.

Twitterific: The interface on this app is better than Twitter. I like it very much.

Wolfram: The smarter search engine.

And a sampling of music to write by: Fountains of Wayne, Eminem, Cee lo Green’s F**k You, Earth, Wind and Fire, Daft Punk’s Technologic, Journey, Pet Shop Boys, Freeland’s We Want Your Soul, Queen, old Stevie Wonder, and the immortal Weird Al’s White & Nerdy (see Donny Osmond’s dancing on the YouTube video for full effect.)

Filed under: DIY, Media, podcasts, writing tips, , , , , , , ,

VIDEO: Moso, the free Mac app for vlogging

Did I mention that this app is free, free, free?  Also, it’s free.

(There’s the power of the written word over video right there. I forgot to mention the app is free, but it was easy to add the detail of the price using this ancient keyboard thingy.)

More details: You don’t edit Moso, you just do retakes. It’s easy to upload to Twitter, Facebook and YouTube, though. I’d say if there’s a social medium that’s underused for authors promoting their books, it must be YouTube. Moso will help you with that.

 Podcasts can be helpful, though access and difficulty of execution/time involved increases the variables in that argument. I don’t think Facebook is as effective for promotion as it could be. Twitter can be effective if used well (but that’s another post.)

Filed under: authors, blogs & blogging, Books, podcasts, Publicity & Promotion, self-publishing, What about Chazz?, , , , , , ,

6 Effective Ways to Promote Your Book

ReunionToday’s guest post is from the author of Reunion, Jeff Bennington! I forget how I ran across Jeff, though it could have been a lot of places since Jeff is a powerful experimenter in the realm of book promotion. His site is The Writing Bomb. He’s also blogged here before on CreateSpace versus Lightning Source–a very popular post, and for good reason: Jeff’s generous with what he learns. Here’s what he picked up from his book campaigns:

In the world of publishing, authors have found many ways to promote their work ranging from book signings with a 3-piece orchestra to dressing up like their characters. After publishing two novels, I’ve tried some of those crazy stunts, but from my experience, there are a few affordable and effective ways to promote your book online that won’t leave you looking like Barney the dinosaur. In fact, online marketing has been touted, and likely is, the best way for an author to promote his or her work.

However, authors have to approach marketing differently based on their genre and subject matter. And let’s be clear, when you promote your book, you can’t always expect immediate gratification and you’re not guaranteed sales. Your premise will drive readers to read a sample and the excerpt will determine your sales. And so, the quality of your writing is ultimately the best sales pitch.

The best promotion for me has come from the following:

#1 Goodreads.com: Goodreads “giveaways” are an incredible tool to publicize your book. I recently posted Reunion in a giveaway and had 787 bites in 5 days, beating out bestsellers that have been on the list for months.

HINT: Don’t post more than one book to give away and do it in one-week spurts. You’ll have to trust me on this.

I also like what my ad on Goodreads is doing. The thing with Goodreads is not how many clicks or sales you get, but how many folks “add” your book to their “to be read” list. When they do that, they are more or less planning on buying your book when they get to it, and they will, because most readers on Goodreads are avid readers and love talking about what they read, so they will also rate and review your book, which is another benefit of that site.

Another secret here is that if you spend X amount of dollars on an ad, you will likely get a lot more “adds” than clicks, which is good because it is a pay-per-click system. But if folks add your book without clicking on the ad then you have effectively extended the life of your ad immeasurably.

#2 Blog: If you don’t have a blog or you’re afraid of starting one or you think it’s too much

Jeff_Bennington

Jeff Bennington

work, then plan on writing your book solely for your mother to enjoy because blogging is only the beginning of what it takes to market your book…and it’s the easiest. It’ll only get harder and more expensive from there.

#3 Kindlenation.com: This is a very good site but you’ll have to plan months in advance to run an ad. It will definitely make your money back and more because they have a lot of readers who buy what they advertise. Programs run from $119 to $349. Kindle Nation reaches from 7,500 to 15,000+ opt-in readers. I paid $99 for an ad that ran in mid May and sold over 200 copies that day. So if you make $2 or $3 a book and spend $119…do the math.

#4 Twitter, Facebook, email lists: These are the most obvious and basic starting points. I’ll put it this way, I got all four of my book blurbs through Twitter connections, two of which are bestselling authors. If you can get that elsewhere, go for it. Basically, you have to tell your social marketing pals about your book.

And, this is important, you have to share their work too.

If you blast your friends and followers with your personal spam, they will retweet and share less and less the more you do it. Share what they are doing and chat with them and you’ll notice a marked difference in how receptive they are to spreading the word about your book. I’ve experimented with this and I can tell you without a shadow of doubt that cross promotion helps.

Strict self-promotion hurts.

However, I have found that tweeting short blurbs, such as “A Riveting and Incredibly Powerful Story of Pain and Triumph!” grabs reader’s attention more than, “Check out my new book, REUNION”. Try both methods and see which works better. Be sure to include a “tiny url” to allow room for your #tags.

HINT: Use the twitter share button on the right side of your Amazon sales page. It has the shortest “tiny url” I’ve seen yet.

#5 Ereadernewstoday.com: I’m on the schedule, so I don’t know for sure, but I’ve heard that Ereadernewstoday.com is a good site to advertise on. This program is $25 a day. Emails will reach about 10,000 book readers through opted-in email blasts.

#6 Blog Tour: Plan for a lot of work. It can be nearly free, but will be the most time consuming. However, if your book sucks, I think a blog tour can backfire. I’m just sayin’.

If you go this route, you better get your book professionally edited and proofed and have a great cover and good formatting because that’s what book bloggers and reviewers expect.

Basically, when it comes to promoting your book. You better make sure it is a damn good book or you’ll have a 7-digit Amazon ranking within a month. I know. I’ve seen it. But don’t get overwhelmed. I’m a newer author and I’m not breaking any records, but I believe these six methods of promotion will help you tremendously, especially if you are in the process of building your platform as I am.

Thanks for reading. What methods have you used to promote your book? How did it turn out? Let me know.

Jeff Bennington, author of REUNION & other thrillers

CLICK THE COVER TO BUY REUNION NOW:

Reunion

And here are more of Jeff’s links:

The Rumblin’ 

Killing the Giants

The Writing Bomb 

www.jeffbennington.com

Filed under: Books, Guest blog post, Publicity & Promotion, Writers, , , , , , , , , , ,

Book promotion: I was wrong

I used to be a book publicist and, as a book sales rep, have worked with book publicists. Gotta say: not impressed with the breed. Most have a shiny coat, bark loudly, no teeth. I expected a lot of them. I don’t think I was wrong then, but now that the tech and culture have changed, I realize I’ve expected too much from publishers and their publicists.

In the old days, publicists organized events, book tours, mailed out advanced reading copies (ARCs) and hoped for reviews. The publicists I knew were pretty smug and full of themselves, especially considering how frequently they were unsuccessful.

The other wrinkle in the mix from an author’s point of view is, if you’re with a trad publisher, the publicity department has little time to get attention to any one book or author. The other continual complaint is, besides the small media/promotion window, most of the promotion budget always goes to the author who seems to need it least. That’s the publisher trying to maximize profits (rather than pimping a mid-list author.)

The world has changed and authors need to shift expectations: Publishers don’t publicize your book much and mostly download marketing duties to the author. That annoyed me. Now I think that’s the way it should be.

My reasoning is that the author/reader relationship has changed. Readers don’t want to interact with your publisher. They want to interact with you. Who cares about publishers. With the exception of Harlequin—the one company where you always know what you’re going to get—publishers don’t have brands. Authors have brands.

Old model:

Send stuff out (press releases, ARCs, bookmarks, catalogs, book tours) hoping media will bite.

New model:

Engage readers directly with Twitter conversations, blogger reviews and blog tours and hoping they will bite.

Yes, there’s still room for old model tactics, but they are either limited, outmoded, less effective or costly.

So nevermind that your publisher’s publicists aren’t returning your calls two weeks out from your book launch. Chances are they’re busy with another book and have expended your promotional budget. You can do better for yourself over the long run, anyway. (Or you can hire your very own publicist and do it up right for a longer time.)

Publishers unloaded marketing responsibilities to authors for budgetary reasons. Authors should shoulder that responsibility for a better reason:

Your readers want to talk to you, not them. 

Filed under: authors, Publicity & Promotion, publishing, Rant, , , , , , , ,

Announcements and changes 1, 2, 3

First, author India (The Great) Drummond will be profiled right here in a few hours. She’s really nice, which I value immensely. And her book sounds interesting, so check her out and order some copies.

(Also, if you’re an author, you know I do author q&a profiles, right? Shoot me an email by clicking my happy pic above and we’ll chat about publicizing your book, too.)

Second, I have a big announcement coming this Friday. If you follow me on Twitter, you already know the broad strokes. If not, follow me on Twitter! Also, here’s a hint: I found a publisher for my novel. More to come on that but it’s all very exciting. Well, especially to me. Lots of new news unfolding over the coming year on the publishing front. You’re used to lots of links, opinion and non-fiction in this space. My fiction will be coming to the forefront in a big way soon(ish).

Third,  I’m changing the schedule of the blog starting next week. You’ll recall I switched to three posts a week (unless I saw something that caught my fancy and couldn’t wait.)

I’m still in the publishing/information/curation business here

and will continue to be.

However, I notice that my Friday post stats take a dip so next week I’ll be posting Mondays, Wednesdays and Thursdays. Apparently on Friday afternoons, y’all just want to get the hell away from your desks and out into the sunshine! I don’t blame you. Might add or switch in a Sunday post in the future depending on how the stats work. I’m watching how I hit you for optimum impact with minimum annoyance on your part.

The blog is growing faster now that I only post three times a week! What does that say about me? Either a little of me goes a long way or girls just hate it when you look desperate.

Have a great night! Or make it one.

Filed under: blogs & blogging, publishing, Useful writing links, Writers, , , , , , , ,

Writers: What I learned from Kevin Smith about AUDIENCE (they don’t own you)

Follow me on Twitter logo

@RChazzChute

The other day I was feeling feisty and I said something about DIY on Twitter (full of bravado):

Burned bridges with a blog I wrote tonight. Fuck the bridge. I’ll swim. Go indie. Live free or die hard.

Someone shot back with a sarcastic:

Proudly alienate those who are not your fans. Awesome.

Well…yeah. People who don’t get me are not my fans. Why should I chase people who don’t like me for me? I have a particular voice and point of view, in my fiction and non-fiction and my blog, that will appeal to you or it won’t. If it doesn’t, no hard feelings and I hope you find something you do enjoy. However, when I dilute my voice, I lose the little tribe I have and any hope of real fans in the future. I’ve heard the quote attributed to a couple of celebrities, but basically it goes like this:

I don’t know what the secret to success is,

but to guarantee failure, try to please everyone.

Which brings us to my personal icon for all things indie, director Kevin Smith. For years, he argued with people who didn’t love him. If you look at his old tweets, he had a serious anger (and sometimes still does) for media, critics and haters. He would do battle with them and, despite all his success and wealth, would still end up arguing with some loser living in his parents’ basement. People who complained about what he did in his career—sometimes about everything he attempted—really bothered him. (Think on that a second: Some people wouldn’t even give him credit for getting something right once in a while even by accident!) Mr. Smith engaged in flame wars while his lovely wife looked on perplexed saying, “You have a wonderful life and live in a mansion! Why do you care?”

Mr. Smith is more relaxed now. Part of his new attitude is the prodigious amount of weed he smokes, but it’s not just that. He’s been successful for so long that he recognizes the pattern: People who are haters don’t do much else. People who don’t write will tell you how to write. People who can’t do, don’t teach. They snipe and snark.

You don’t find your audience so much as your audience finds you. As you try to build your platform and reach out to express your art, you’re going to dredge up some people who are pissed you aren’t what they’re looking for. We don’t do this with things other than art. You don’t go to the pharmacy and get pissed off because they don’t have coconuts in stock. You go to the grocery store for coconuts instead.

Do what you do. Write what you write. Define your voice through your expression and remember that it is your voice. I think harsh critics think they own your art (even if they haven’t paid a dime for it) because, unlike those coconuts, they take what you write into themselves. That doesn’t mean they own it, though. And they certainly don’t own you. They can react to it. They can criticize it. They can argue with it. They can move on (which makes the most sense.)

People who do nothing but hate think hate is art.

They’re wrong.

Art is a creative force, not a destructive one.

What does matter is your core audience. Now if you write and write and produce and put your stuff out there and very few people are feeling any love for it, that’s a different problem. However, if your core audience can be built big enough, that’s all you need. You don’t have to go chasing after the people who are running away from you. No one gets universal acceptance. Don’t even try for it. Expect obstacles and naysayers and pay little or no attention to them if you can. For everything you love, for everything you think is the best, there are millions of people who sneer and call it shit.

Check the comments on any book you love on Amazon.com. See all those nasty reviews? Now, do you really love that book any less because some guy  you don’t know thinks it’s the worst thing on earth since the rise of Hitler and Pottery Barn?

Great people make you feel like you can be great, too.

Haters don’t do that. They don’t even know how to do that.

Now is the time for all good indies to stand up. You now have the technology in your hands to let your unique voice be heard. You can be read when, just a short time ago, gatekeepers could hold you back. There are no gatekeepers anymore. You don’t have to approach publishing or film or any other art as if you’re going to The Man for a job! You can employ yourself and deploy yourself. You can Crowd Source your financing or  convince a fan of your blogged fiction to spend a few bucks for an e-book that costs nothing to distribute. You can grow your fan base without old media’s distribution system and middle man percentages. You can be the boss if you want to be. Your art doesn’t have to wait and you don’t have to ask permission. Make your art and see who shows up. Whoever shows up and stays is your audience.

Remember Chili Palmer in Get Shorty? Some guy tells him how easy it is to write a screenplay. “We can do this…we can do that…” Chili lights a smoke and says, “It’s really that easy? Then I got one question. What do I need you for?”

Here’s today’s message for you if you’re my core audience:

Not sure how to proceed? Resolve to ask questions, learn and try.

When you mess up, resolve to begin again.

If you’re new here and like it, welcome. I’m Chazz.

If you don’t like it, via con dios, friend. I hope you find what you’re looking for.

If you don’t like it and you choose to stay, well, that’s your own damn fault

because you’re looking for coconuts at the drugstore, you idiot!

Oh, and the person who felt alienated by my Twitter post? I saved her some trouble. I agreed with her.

Then, in honor of Kevin Smith’s fine example, I didn’t just block that bitch. I KA-blocked her.

Filed under: publishing, self-publishing, Twitter, Writers, writing tips, , , , , , , , , , , , , , , ,

Writers: The short form is roaring back

Ernest Hemingway's Grave

Image by gharness via Flickr

I met The Fab Rebecca Senese (I think of her as TFRS at all times) at the Writers’ Union symposium. We went to Tims and went through that excited decompression phase. You know the one. It’s where you are packed with new information to mesh and meld with your old data and you talk fast to get it all out and solidify new, useful neuropathways.

She made an observation that really got my attention:

Amid the hubbub, TFRS said that e-books were a sure opportunity for the short form to make a strong comeback. Got a short flight or need a distraction over lunch? Read a short story or two. If you just want to gulp down a tale but don’t have time for a whole book, enjoy a novella after work.

Makes sense to me. I love short fiction. For instance, it’s a mystery to me why people say they love Ernest Hemingway‘s books, but I do like some of his short stories very much.

Short stories have been relegated to the back of the bus (read: unread literary journals.)

Until recently people have been buying books by weight, so publishers laughed at their puniness and demanded big doorstops they could sell. Length is an issue with paper, constrained as it is by the strictures of the printing press and bookstore manager’s expectations.

Novellas are ignored by many professional critics who often don’t take it seriously because they think the short punch packs less heft behind it. As if we all feel that way all the time.

A good short story takes talent to write and in some ways is a different skill set from the novel. (These critics must be those same twits who scoff at Twitter just because they can’t put together one clever coherent thought in less than 140 characters.)

Now with e-books, the answers to those objections are: Who needs publishers for that? What’s a professional critic and what is this “newspaper” thing you’re babbling about? And lit journals? What’s that? Is all this stuff available online?

Click this link to see  Rebecca Senese’s short fiction.

Please do take a look.

Filed under: authors, blogs & blogging, Books, ebooks, self-publishing, short stories, Twitter, Writers, , , , , , , , , , , , , ,

Writers: Two links on promoting your work the right way

business,accounts,accountant,office,boss,manag...

Image via Wikipedia

Sometimes the toughest part of marketing is not annoying your target audience.

Try to market in smart and happy ways to avoid overkill.

I know when you’re talking about your babies, it’s hard to hold back.

An Author’s Plan for Social Media Efforts by Bestselling Author and Social Media Expert, Chris Brogan

Book Marketing Floozy

Filed under: Publicity & Promotion, publishing, , , , , , , , ,

Old ideas about publishing, Twitter and your worldview

The M2 tidal constituent. Amplitude is indicat...

Image via Wikipedia

Sometimes it feels like we’re fighting the tide.

The world as it was is the tide.

1. There’s the tide of institution, wherein the established people put down those who aren’t established because they aren’t established…or just because they’re different. I wear a black fedora and a long black coat with a red scarf. I look like a bad immortal from Highlander. Some people look at me funny. And what fearful mortals must they be.

2. There’s generational inertia, where old ideas get enshrined and people don’t want to change.  I made the mistake of trying to have a conversation about theoretical physics with someone who thought the field of physics had stopped developing in 1964 (coincidentally the year of his graduation from university.)

3. There’s the know-it-alls who can give you lots of reasons why you’re wrong and shouldn’t attempt anything new. Just. Like. Them. Doing something creative and new and different takes are certain amount of unreasonableness. We’re nice. But we have crazy ideas that just might work. “Put away your market analysis and focus groups and look what I made!”

4. There are envious people who feel safe in their rut if you get down in that rut with them.

5. There are people who are afraid and don’t know the way out is to act brave, especially when you don’t feel brave.

6. There are people who have their opinions and those opinions were true a short time ago. Those outdated opinions were dead on, but things changed and now they are dead. I’m hearing people worry about the death of newspapers who haven’t ever given a single thought to the end of home milk delivery.

7.  Some opinions were snarky and funny for a short time, like Twitter being all about what you had for lunch. This is usually from people who haven’t tried Twitter…yet. Are these people still going around saying, “You are the weakest link!” How about, “Where’s the beef?” Move on, please. And spring for dial-up, will you? You’re Internet connection is nearly unusable.

8. There are know-it-alls, but many more know-nothings. Don’t cast your pearls before swine.

9. Then there are people who have a vested interest in keeping things as they’ve been. (Publishers holding back on e-books to squeeze a little more out of trees and authors comes to mind. Outmoded contracts are bad. Trying to retrofit old contracts to new markets is criminal conspiracy.)

10. And sometimes we’re wrong to fight. Sometimes we’re on even ground and don’t know it.

Story time: When I graduated from the Banff Publishing Workshop, one of the faculty said, “Welcome to publishing. Come to create, not to destroy us.” It hit a rather defensive note. They had put us through the wringer, so maybe they had some reason to expect us to be a little pissed.

I stood up and said, “We aren’t coming to destroy…but we value our opinions just as much as you value your own and this is a subjective business. Nobody has to feel bad about that. No one knows what’s going to be a bestseller, so let’s not pretend we know. There is no secret to selecting the right book to publish. That’s the secret.”

And yet, we were expected to feel bad, even in areas we had experience if not expertise. I often felt too young to have an opinion, year after year. With every one of my birthdays, the establishment got a year older, too. Screw that. I’m old enough to see the pattern now. Or am I too old to have these opinions?

Below is a link to an interesting article about how Twitter is changing.

It starts a bit slow and the lead is buried, but once you get to the charts, you get the real chocolate flavour.

As Dennis Miller used to say—way back when he was good and relevant “Of course, that’s just my opinion. I could be wrong.”

How Twitter is Changing: A new study reveals Twitter’s new direction

 

Filed under: publishing, Rant, Rejection, Unintentionally hilarious, Useful writing links, What about Chazz?, Writers, writing tips, , , , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

Join my inner circle at AllThatChazz.com

See my books, blogs, links and podcasts.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,063 other subscribers