C h a z z W r i t e s . c o m

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The Subject is Subjectivity

Editor and agent submission guidelines can sometimes be silly and  hyperbolic. “Blow me away! I want to be transported!” Then you actually read their lit journal or the books they published and you think, “Really? That blew you away? I’d rather read a cereal box.”

Agents will tell you what they don’t want, which is reasonable. If editors who handle fantasy aren’t in their network, that’s fine, they don’t handle that. That’s a business decision that says nothing about your work.

Editors and agents want something that appeals to them and they’ll call whatever appeals to them “good.” Bookstores and libraries have lots of books that don’t appeal to me. I don’t assume that means they’re bad books, however. I just think, somebody must love that stuff and I don’t. I have no interest in birdwatching or golf. Still lots of people are into that.

The best rejection slips simply say, “Not for us.” That’s most accurate. Everything else is just an opinion. Don’t take your rejection slips personally.

Now go mail your manuscript again.

Want to commiserate with somebody about rejection? Meet  Writer Rejected at Literary Rejections on Display.

Filed under: agents, queries, Rejection, , ,

Make Your Life Literary

Books on writing abound and at a certain point, there’s a lot of overlap. I’ve bought so many that I’m beginning to recognize the reflex for what it is: procrastination disguised as education. My shelves are groaning for me to stop, but that’s just crazy talk. (As with all addicts, I say I can quit any time I want…just not now.)

However, Making a Literary Life by Carolyn See is different. This isn’t a day in the life of somebody camping out at the top of the New York Times bestseller list. This is somebody who teaches writing, applies for grants and has faced literary difficulty.She’s in the trenches. You’ll like her. You don’t have staff and neither does she.

There’s a lot of advice here you won’t see elsewhere. She’s a great advocate of building relationships with people in the business. You can protest and lament that it’s about who you know, or you can get out there with a campaign of “charming notes” to get to know people.

My favorite book on writing is Stephen King’s On Writing (if you haven’t got that already, you now have two books to go out and buy.) However, King’s a bit removed from the struggles of the mid-list from his perch up there in the stratosphere. See has a wry wit. She’s naked and vivisected on the buffet table so writers and would-be writers can learn from the exposed anatomy of her striving. She talks about mechanics and this insane and improbable business in an accessible way you’ll love. No wonder her charming notes worked.

The author makes an interesting argument for a non-query approach to editors. She’s also against authors buying their own books from their publisher at a discount to sell them. (That’s a pretty radical assertion in the current publishing climate where many authors are turning to their own resources to sell outside the box.)

Instead See suggests you buy your own books in bookstores, write off the expense and use the purchase to boost your tracked sales numbers while making the book a gift to bookstore staff. (I think she has a great point there. Authors doing a signing often make the mistake of thinking it’s about how many people show up to the event. It’s actually your chance to suck up to form an alliance with the bookstore staff so they’ll make an extra effort to sell for you into the future. Be nice to bookstore staff! Also, be nice generally.)

Sometimes I wasn’t sure if I agreed with her because it was brilliant advice or simply because she’s a bit of a contrarian and so am I. She lays out her publishing strategy and cheerfully acknowledges it hasn’t all been cherries and bouquets. It’s a realistic take on the literary life–several romantic moments and toasts with champagne flutes spread out amidst a lot of hard slogging.

And in what other writers’ guide are you going to find advice–and detailed advice at that–on the hows and whys of making the trip to New York to sell your work? Nowhere. Carolyn See balances the wry and practical in a book on writing unlike all the others.

I finished it the other night and I’m going to do something I never do. I’m going to read it again. The rest of the books on writing can wait.

Filed under: book reviews, Books, Writers,

WRITER’S BLOCK. EXPLODED.

Augusten Burroughs advises that when you’re stuck, write about the block itself and you’ll uncork. Or…

Maybe you need to take a break and recharge.

Maybe you need to go out drinking and start a fight and wake up on the floor of a bathroom covered in piss and puke and blood. It was good enough for Henry Miller.

Maybe you need to reevaluate if writing is really for you and if you gave it up, maybe you could, finally, be really happy.

Maybe you need to move to the desert for forty days and forty nights. Go naked but take extra socks and some weed. For more material, get there walking, from your front doorstep. At noon.

Maybe you need to walk down the road, Bill Bixby/Incredible Hulk-style with nothing but a backpack and dangerous gamma ray poisoning.

Maybe you should write something else. Anything. But not fan fiction. You toad.

Maybe you should write something short to build your confidence.

Shorter than that.

Maybe you need to stop being such a perfectionist. I mean, with your level of skill, perfect isn’t really achievable is it?

Maybe you need to channel an ancient God since the more current ones are so silent as you writhe in pain.

Maybe you should learn how to spell first. Or become a grammar fetishist so real working writers can come to your house at two in the morning and bludgeon you with ice axes. Then you shall be free. Dead. Whatever.

Maybe you should write like you don’t care who reads it. (Like I’m writing now. Just as an example.)

Maybe you should take a chance for once in your miserable life. You might finally write something fresh and unexpected.

Maybe you should write love poetry on bathroom stalls and make new friends in those stalls. Standing up and not getting caught add an exciting degree of difficulty and urgency to bad sex.

Maybe you should realize The New Yorker does not and will not give a shit about you until you don’t need them anymore. They publish people by soliciting their agents. Stop crying, strap on a pair and grow up.

Maybe you should realize you are not Stephen King. Sadly, you might be the next Dean Koontz, however.

Maybe you should get over yourself, College! Stop bagging on what’s popular. Your stuff is sensitive Oulipo MFA surreal writing exercise bullshit. Sure, your incestuous bunch of toadies loved it, but it’s only a writing exercise that’s so “inside” that, as for reading, it’s more than an exercise. It’s exhausting.

If you’re non-MFA –just one of the regular kinds–maybe you should go look up Oulipo. It’s fun, but please don’t send it anywhere. Please!

Maybe you should take up painting. When it sucks, call it abstract. Even if it’s good, call your representational art “ironic” to stave off batshit critics.

Maybe you should get an agent. Just stop saying you should get one.

Maybe you should garrote the agent you have.

Maybe you should give up for the good of society. At least give up on the great American novel and write something they’ll read. (Porn. Affidavits. Moronic websites about testicular torsion–for medical purposes or for fun and profit.)

Maybe you should get outside. You’re pasty and have forgotten the smell of roses.

Maybe you should stop breaking your parents’ hearts and get a real job.

Maybe if you worked on an oil rig you’d have something to write about.

Maybe if you had a brain in your head or were eight years older you’d have something to say.

Maybe if you were ten years younger–and prettier–you’d have a shot instead of a shit.

Maybe you should care less and write more. Maybe you should care about Swine Flu pandemics and write far less.

Maybe you should make a schedule and finally stick to it you whiny wannabe.

Maybe you should shoot up. A vein. A mall. Whatever. (You’d be much more marketable either way.)

Maybe you need to get the pipes cleared. Go have sex with somebody who you find vaguely detestable and then write about that. (Best if they’re a celebrity or a homeless person. In between? Less marketable.)

Maybe you should start a blog. Or a magazine. Or sleep with someone who does and then blackmail them so you can appear on same for far less money than you’d charge if you were a self-respecting whore.

Maybe you should have a baby and then complain it ruined your life and killed your ambition. Everybody will feel better when you’re on your deathbed. Next week.

Maybe you should have a baby and then live through them so they can do all the hard work of becoming a bestselling author someday and you’ll have a small smarmy piece of that, won’t you?

Maybe you should start a publishing house and give ’em what for.

Maybe you should look at your writing again, fall out of love with it and ask yourself honestly, what for?

Maybe you should procrastinate some more.

Maybe you should look again at character. There’s lots of action happening, but it’s clear you care about the characters about as much as you care about what happens to Mario on your Nintendo game.

Maybe you should get a plot. I’ve seen glaciers jump around with more frenetic energy.

Maybe you should read more of your genre. Don’t get me wrong! Steamships in different dimensions could sell…if you were much more talented.

Maybe you should call your mother and tell her how hard it is. If she’s a good mom who cares, she’ll tell you to shut the fuck up and get back to work cuz Mama’s ciggies don’t buy themselves. (On the other hand, a bad Mama will be so sympathetic, leaving you feeling better about yourself, simple and even more pathetic.)

Maybe you should call your Dad and tell him how hard writing really is. He can tell you (again!) how his leg was shot off in the war and today he was up on some prick’s roof, tarring it while the sun beat him senseless, getting skin cancer for minimum wage. You’re at Starbucks plotting out a really tough short story and he’s enjoying his golden years in so-called retirement plotting to kill your mom for the insurance money because she won’t shut the fuck up about what a genius you are despite the fact you dropped out of college and didn’t tell them for two years while you found yourself. (By the way, your great realization in the end? You’re half a smart as you thought you were, you’re a coward and weed sure helps you get really deep in the creative process. If only you could write it down. Also, you’re short.)

Maybe you should hang out with a friend. He’ll have lots of good ideas about the hilarious antics and paperwork snafus down at the Quantity Surveying Office that would make a great book. Sure.

Maybe you should compare yourself to JK Rowling again, except you still don’t even have a book to send out to be rejected. You are a single mom, so you have that in common…actually, any similarities pretty much stop right there. Yes, you both breath in oxygen, but she’s produced an industry worth billions and you’re still sitting there stupefied reading this shit and producing carbon dioxide.

Maybe you should feel sorry for yourself some more. That’s been very helpful so far.

Maybe you should join a writing group so you can get shredded by losers who aren’t published either.

Maybe you should trust the instincts of your acquaintance in publishing who’s very clear she hates everything and won’t tell you what on earth she might ever approve of. (And if she goes on for five more minutes about how you’ve captured “a sense of place” pull out your nickel-plated .38 with rubber-handled grips and the mercury-pointed bullets. Shoot her first, then you. Five bullets for her, one for you.)

Maybe you should reread something you wrote. Anything! Please! Do not put it in the envelope without doing this several times. Please! Please!

Maybe you should cut the five-page preamble and open the chapter in the middle of the action.

Maybe you should finish a chapter with a cliffhanger instead of boring us with your bullshit about “cheap tricks” and–God help us–your “integrity.”

Maybe you should whore yourself out to the greeting card industry. You’d have a better shot and, given the length, you could get a feeling of accomplishment every day! Imagine! (Agh, get over yourself. We’re all whores to somebody.)

Maybe you were meant to be a shoe salesperson. Admit to yourself that you’re really 90% foot fetishist and only 10% writer, not the other way around.

Maybe you should succumb to the lure of a regular paycheck. Your next high school reunion will come up fast. Saying you’re a writer is cool. Praying for an asteroid strike when your asshole high school buddy (who became a plastic surgeon) asks what you’ve published is distinctly uncool. Worse, he knows you haven’t published a thing and still live with your parents. Meanwhile he’s spending his days elbow-deep in tits, crotch-deep in sexy nurses and knee-deep in cash. You’ll be taking the bus home. He’ll be flying first class. “Poor Margaret/Josh/whatever. He/She is such a dreamer but never got it together. More tequila to lick off my nipples? Birgit? Heidi? Russel?”

Maybe you should finally get it that being a dreamer is great. In fact, before you’re expected to pay taxes, it’s fantastic.

Maybe you should stop thinking this list is too harsh. You’re too old for summer camp, too. Get serious and write your goddamn opus or stop pretending to try.

Maybe you should cut the last hundred pages. You know, the denouement. That part after all the action ends and the reader starts wishing you had left him wanting more.

Maybe you should become an editor. You’re already a frustrated writer so you’re halfway there.

Maybe you should forget about college and go to a library. Unless you want to major in being a conversationalist. That’s what a liberal arts degree and that expensive tuition is for, you know. After graduation you won’t be building bridges into publishing with your pissant thesis in Elizabethan poetry. You could build lattes, though.

Maybe you should go to a studio and get your author photos done now. You’re getting older and uglier and fatter by the week. If lightning strikes, you do want to be ready.

Maybe you should use that inheritance to splurge on a real author website. Your meteoric prose that could change the face of literature is useless since you don’t already have a platform. (Your child’s burst appendix can probably wait. Tell your adorable six-year-old to suck it up and walk it off. Daddy has to pay a web designer, not another doctor for every little boo-boo.)

Maybe you should do us all a favor and quit.

Maybe you need to begin again.

Maybe I should stop before I kill again.

You should definitely pick up a tangent from the above list of maybes, pick up a pen, and explode your writer’s block.

Oh, and gentle reader, leave a comment, please. I’d like your vote on your favorite of the Maybes…

Filed under: Rant, rules of writing, Writers, Writing exercise, , ,

Unintentionally hilarious is the best hilarious

The real tragedy is that it takes almost as much effort and money to make a bad movie as it does a good one.

Filed under: Unintentionally hilarious, , ,

Writerly is Out

If I write something beautiful, fine. However, if it sounds like I’m reaching and trying too hard to be writerly, it’s out.

That’s how I resolved the conflicting advice dilemma which gave me such an ache in the ass in a recent post. See? Aching ass. That’s some beautiful goddamn writing right there and I didn’t have to reach far to scratch that–uh–literary itch.

Filed under: rules of writing, ,

Just to be clear, this is a blog about writing

Just received an objection to a post. The comment listed some of Israel’s war crimes and tied those sentiments to a rather benign post in which I used Margaret Atwood as an example of a writer many other writers admire. The writer assured me they did not envy Ms. Atwood because she accepted an award from Israel.

It is always interesting to see how readers interpret your writing. Some read everything through their own particular lens, so brace yourself for some interesting reactions. You can not predict how some people will see what you write. I’ve seen many examples over the years and it almost always takes me by surprise. Actually, I was not unsympathetic to all the arguments presented, but, this is not the forum for Middle East politics. There are lots of sites for that and frankly, I get so much exposure to those topics, I’m glad to have a space on the web dedicated to better writing. It’s through better writing and reading comprehension that ideas are better expressed and conflicts (I hope) resolved. If you want my attention, a screed is not the right gas for that engine.

If you are interested in the issue of Margaret Atwood accepting an award in Israel, here’s a link to Pulse which sums it up. Tablet magazine printed a response from Ms. Atwood. You can engage in the topic there since I want to keep my issues here about language, writing better books, and getting published. It’s all about the fun here, folks. (And I promise I won’t try to hijack your political forum by talking about grammar and what you should read and write!)

Filed under: Uncategorized,

Martin Amis on Charlie Rose

Filed under: publishing, rules of writing, Writers, ,

Witness the power of a few lines of dialogue

When my mother dying, her patched hair thin and falling out, someone said, “Make sure she’s not hoarding pills.”

“Why?” I said.

“So she won’t kill herself, of course.”

I shrugged. “She’s inevitably dying a slow painful death.”

“It’s up to God to choose our time.” She saw my eyes and shrugged back at me. “I’m pro-life.”

“You’re pro-suffering,” I said.

Take a look at what’s going on here. You’re thinking cancer, but the word isn’t used. Did you picture two different kinds of shrugs? You don’t know who the speakers are, but you have an idea where each is coming from with little information. There’s no telling here. I don’t say the first speaker is “perplexed” or “angry” or “irritated.” I don’t state that the unwanted advisor is rigid or stern or oblivious. It’s not all spelled out for you. The reader has room to draw conclusions.

As a writer, you don’t want to leave the reader at sea for long as to who the speakers are, but passages like these draw people into your story very quickly.

Filed under: rules of writing, Writing exercise,

The “I Want to Watch You Suffer” Rant

Sure, I don’t like you. In fact, sometimes I hate your guts. Sometimes I want to stab you in the eye with a Number 2 pencil and then slit you open with an Exacto knife, take a blow torch to your pancreas and, while you’re thinking about that, slowly strangle you with loops of your own intestines. Look up the word decerebrate. That’s what’s next. (Yes, I’m talking about your characters.)

The many reasons I despise you make you more interesting, so I’ll be glad to read about you or watch you on-screen. Gee whiz, I sure hope I get to watch you suffer! As somebody pithy said, “TV allows you to have people in your livingroom you’d never want in your livingroom.” Writers are often told that it’s important your protagonist is a likeable character. Ahem. Fiction is full of people, heroes and anti-heroes, who have traits that are unappealing. I want to read about people dealing with complications who are full of doubt–just like me. Their flaws make them believable. I prefer psychotic Batman to the perfect, impervious boy scout that is Superman.  Superman’s too hard to kill. Shoot Batman in the face and he’s dead. (Why don’t they just shoot him in the face? He’s more vulnerable so he’s more interesting.)

I haven’t seen a better illustration of this than the anti-hero bound for quasi-redemption in District 9. Here’s a guy who is a nerdy bureaucrat who gleefully kills little alien babies. <SPOILER ALERT> You don’t actually make it all the way to liking him, but amid the action you begin to feel sorry for him as he literally becomes his victim.

But what do I know? All through Star Wars I was cheering for Darth Vader to cut that simpering Jedi school dropout Luke Skywalker into light saber-diced cheese. Or is it really Mark Hamill I loathe?

BONUS:

Is your book a happy story? Those tend to suck.

Filed under: publishing, Rant, rules of writing, , ,

Don’t dream about the look of the story too long

I’ve met with a couple writers lately. They had designed elaborate worlds. One guy had invented new physics and had some interesting ideas about gravity.  He made notes, but he was much farther from publication than he thought he was.

The problem was that neither of these writers had a story in mind at all. There was no rising plot boiling characters whose needs cross swords. Complications did not ensue. There were no people/aliens/sulphur-based plants doing anything. When these writers do some further inventing, they might have interesting environments for their protagonists.

When you’re thinking about your book, ask yourself, “What’s the story?” These folks had a where but no what. Where is less important.

Filed under: publishing, queries, , ,

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Winner of the North Street Book Prize, Reader's Favorite, the
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