C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Queen Elizabeth (Hogsbottom) decrees “The Golden Rule and all that!”

Life is not fair, but we are supposed to try to make it that way.

In the course of Joshua’s treatment, this young man’s heart has stopped, his kidneys have failed and his hair has fallen out. These are the days of the cancer patient: Lost work, lost time, lost energy, countless appointments, waiting in fear, pain and panic and even more waiting, underdressed in cold rooms. There are long nights waiting for the dawn and wondering. Cancer patients have to face too many stare-in-the-eyes, earnest talks from well-meaning people and are sometimes ignored by others who don’t want to look their way. Exhausted, cancer patients put on brave faces through the day and cry secret, lonely, midnight tears. With cancer treatment, bad things happen to you beyond your control and worry gnaws constantly. In short, cancer sucks. You know this.

But there is also hope. Hope is bigger than all the evil in the world. Health professionals dedicated to delivering the very best care surround Joshua, a phalanx of white-coated centurions. When you join this fight with a donation (and no donation is too small), you’re joining an army in the most important fight there is. This is the war that affects all of us. Communities rally around the casualties because (and this is not a metaphor) we are all cancer’s casualties. Who doesn’t know someone who has or has had cancer?

The IndieGoGo campaign has a modest goal. We are indie authors from around the world trying to help Joshua and his family with the bills. Is $10,000 enough? Not nearly. Please help how you can and you’ll get some sweet perks. For your generosity, there are plenty of great books and useful services to choose from, but the best perk of all is the feeling you’ll get when you help.

That’s why I donate time, money and perks.

That’s why I put my hand up an old British queen’s dress: for the warm fuzzies!

Please click the IndieGoGo donate button at Indies Unite for Joshua. 


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The Many Ways to Skin a Cat | Introducing Patti Larsen

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Upcoming Blog Series: Researching the many ways “to skin a cat” in publishing Over the next few weeks I am going to be looking at all the ways “to skin a cat” in publishing. I am going to i…

 

Author Patti Larsen has some surprising advice: “Don’t use social media as a sales avenue.” Click the link for much more on branding, the learning curve and doing your research. Solid interview! ~ Chazz

See on dragonflyscrolls.wordpress.com

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Indie Authors – Latest KDP Select Results

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Bestselling author Renée Pawlish shares her KDP Select experience, showing what can work for indie authors in their marketing campaigns.

 

(Great and generous analysis of the author’s KDP Select experience. Click the link for more. ~ Chazz)

See on tobecomeawriter.com

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Avengers Assemble! Joshua needs help!

Some time ago, author Eden Baylee sent out a distress call. Indie authors from around the world answered her SOS. Joshua, the son of author Max Cyn has leukaemia. The medical bills are high. Joshua’s hold on life is threatened. We can ease the stress and help make this one a win. Eden organized an IndieGoGo campaign so we could all contribute perks to donors and help this family in the fight. Please, join us. The rewards are awesome and the cause is just. None of us is untouched. (My mom died of lung cancer and never smoked a day in her life.)

Click here to get your warm fuzzy feeling. Thanks for your generosity.

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The Myth of the Writer’s Thick Skin

I wrote about rating the dreaded one-star review last week (Scan down the page for that). Now let’s delve into the thin-skinned versus the thick-skinned as we deal with genuinely nasty and undeserved critiques. When you put yourself out there, it’s going to happen. People disagree about what’s good and some of them think that if they don’t like it, you should stop what you’re doing and stop breathing, too. (Read some of the uglier one-star reviews on Amazon or the plethora of terrible, even racist, comments on popular YouTube videos and you’ll see what I mean. I’m not talking about the thoughtful critiques you should take seriously to improve. I’m talking boneheads, here.)

Writers are often told that rejection itself is good for them. Somehow, all the bad news from agents and editors is supposed to toughen you for when you earn your right to stand among the pros and get bad reviews. What a buttload that is. Seasoned pros feel anguish over their detractors, too. You’ve heard it gets better? It doesn’t. It gets worse. Unless you have the self-possession of a serial killer, almost all of us are thin-skinned when it comes to nasty reviews. Not that it will necessarily matter to them, but one-star reviewers should know that their unkind words are burned into our brains forever. The Pulitzer and the Nobel prizes? We’ll have to dig out the letters to remember the positive stuff but our memories for nasty is eidetic and forever.

Comedian Jimmy Pardo related a great story on a podcast called The Myoclonic Jerk this week. (Download it from iTunes or Stitcher. There are some great segments on writers dealing with rejection, dejection and writer’s block.) Pardo opens up about his first and last disastrous appearance on The Tonight Show. For reasons that aren’t on him, the set did not go well and it took him years to get over it. “And this,” he points out, ” was before the Internet!” It’s a great point. The same experience today would have been vivisected across the Internet by thousands of snarky, anonymous nasties, critiqued barbarically on YouTube and would live on even now. As it was? It still took him years before he got over the trauma.

Director Kevin Smith has a cult for a fan club. He also has people waiting for him to do anything just so they can pull it apart, sometimes sight unseen. They criticize his weight and his appearance. Some people wouldn’t give him credit for making a smart artistic choice even by accident. Surprise! Surprise! Growing up fat and criticized doesn’t make you any less sensitive to the nasty comments when you grow to adulthood, especially when you get kicked off a plane for being a person of size. Hurtful comments remain hurtful because words matter, even when the losers and wannabes making said comments don’t.

Performer Penn Jillette has some really interesting things to say about criticism. His show, Penn & Teller, actually gets very few criticisms in the run of a year, but he remembers every single ugly one. The unfair critiques still bother him, but he did come to the realization that they shouldn’t. Jillette points out that every snarky criticism he takes too seriously is an insult to all the thousands of fans who take the time to send him praise. He’s right! We should focus on the reviews that can help us. Those won’t all be the five-star kind, but a healthy ego and confidence serves any writer in moving forward. Again, I’m not campaigning for worship, here. Respect will do.

Now if only we could figure out how to not let the bad reviews bother us. As I pointed out in last week’s posts about reviews, the higher you climb in Amazon’s rankings, the more likely you are to attract people who wouldn’t like your work no matter what. As author Russell Blake suggested on his blog, that could be because the one-star reviewers are grabbing up free copies to fill their Kindles indiscriminately and getting books that are outside their preferred genre. Those reviews that say, “This is crap because it isn’t at all what I expected,” are annoying. (As I suggested to all reviewers, both naughty and nice, please check the  sample before clicking the buy button.)

We can try to accentuate the positive and focus on the good. I don’t know how to do that, do you? Really? Do tell! (Seriously, we all want to know. Leave a comment on how you deal with particularly nasty reviews. One idea from last week was simply to look at the nasty reviews for the books you love and recognize you share a commonality with your most favorite writers: doofuses.)

We can grin and bear it, but not many of us can do that without a lot of pretending while we simmer inside, plot our enemies destruction and, in the end, allow a nasty review to ruin an entire morning of what would otherwise be productive time. (Hell, I got into a scuffle over politics on Facebook which slowed me down for an hour and that was with a great friend!)

We can tell ourselves to consider the source and dismiss it. It might be a good idea. It’s never actually been tried in recorded history. That’s just something people tell victims of bullies. We get hung up on that mysterious “dismissing” part of the plan.

We could meditate, which someone once said is better than sitting and doing nothing. I meditated for a long time. I learned something powerful about meditation: It’s boring and not for me.

We could tell ourselves that any critic is only talking about your book, not you. That’s might be right. Maybe it’s more like when a stranger insults your child. We all take that well.

We can theoretically just avoid reading reviews, but no one will do that and even if you did, your mom would call to read the bad review to you over the phone.

We could exercise out stress away. That’s really good advice I’m keep telling myself I should take.

There is one thing that seasoned pros do that’s different from overly delicate dilettantes: Writers keep writing. A nasty review can put a speed bump in your day, but the only remedy I know to assuage the pain of adversity is to pull my WIP up on the screen, put my head a few inches above the keyboard and write. Furiously. Move on to the next. “Next” is a powerful word. “Begin again” are two powerful words. Your people are out there. Your readers will appreciate you. And the ugly one-star reviewers writing undeserved vituperation? Nasty reviews are probably the extent of all the writing they’ll ever do.

Swear under your breath and keep writing, just like the seasoned pros! 

Continuing to write despite it all, not thick skin, is the mark of a professional writer.

If you’ve got thick skin, try a loofah.

Thin skin? That’s okay. If you look closely, writers are almost human, too.

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I have a friend who is still thinking of going the traditional route, and he can still publish that way after he self-publishes. This article elucidates the reasons why self-publishing is a good way to go.

Robert David MacNeil's avatarFrom Robert David MacNeil

(To read this in a black-on-white format, click here.)

WHY IT’S FOOLISH NOT TO SELF PUBLISH — PART ONE

BY ROBERT DAVID MACNEIL – I’m not a newbie at writing.  I’ve been writing books for 20 years—two through a major publishing house and three self-published.  All have sold well.

For my first book I went through the traditional publication process, partly because I thought that was what you were supposed to do, but largely because I believed the “myth.”

That myth, propagated through the media, pictures an author’s life like this… you sit at your computer, composing your latest book, occasionally taking a break to go to the mailbox and pick up your next royalty check.  The myth says once you’ve published a book, life will be easy.  You will be rich and famous.  You can live anywhere and have lots of free time.  All your problems will be…

View original post 1,899 more words

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The Window is Closing | The Passive Voice

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The times are changing but traditional publishers are not. This is two links in one: the original article is from Futurebook and The Passive Voice comments on the lack of adaptation. Click the link for more. (And follow that blog!) ~ Chazz

See on www.thepassivevoice.com

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How to become an e-book sensation. Seriously.

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Beverly Akerman gleans the secrets of DIY bestsellerdom from Martin Crosbie, who went from mainstream reject to e-book sensation…

 

(And here, friends, is a calming counterpoint from The Globe & Mail to the article linked below this one. Read both and see what you think. Cheers! ~ Chazz)

See on www.theglobeandmail.com

Filed under: publishing

Author collectives signal a new chapter for self-publishing

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Alison Flood: With online groups working to sift out the hidden gems, and a New York co-operative instituting a ‘seal of quality’, is the world of independent publishing finally getting organised?

 

Please read the Guardian story at the link because I’m not feeling like the article is telling me to feel.

 

The Question of the Day: If you’re an independent author, some of the snobs in the comments thread of this Guardian article will make you tear your eyelashes out. However, a “seal of quality” by earnest people will at least appease those who condemn all indie books. What do you think? Could this be the next great thing for the readers who can’t be bothered to look and decide for themselves? For everyone? Is it good for authors as well as readers, or is this instituting another star chamber of a small group that gets to decide what is “worthy”? Is this an opportunity or deepening ghettoization of non-traditional literature?

 

To tell the truth, I got off on the wrong paw with this article as soon as I read the tagline: “Is the world of independent publishing finally getting organised?” Isn’t that kind of an oxymoron? Can indie still be indie if it’s New York trad publishing all over again? Honest questions. What are your answers? ~ Chazz

See on www.guardian.co.uk

Filed under: publishing

Keta’s Keep: The Ten Commandments of Reviewing by Mayra Calvani

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In keeping with last week’s theme of how to review well, hit the link to Keta’s Keep for an excellent article on the subject. Good stuff! ~ Chazz

See on ketaskeep.blogspot.ca

Filed under: publishing

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

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Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

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