C h a z z W r i t e s . c o m

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Are you closer to publishing your own books yet?

A section of the Egyptian Book of the Dead, wh...

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Ex-agent Nathan Bransford wrote a nice piece on his blog entitled Why I’m Still Optimistic about the Future of Books. That headline caught my attention because, viscerally, my reaction was, “Still?!” His post goes deeper than that, but what I noticed first was my own urge to chuckle.

No, I’m not predicting the death of books. My view is more nuanced than that. I think paper books will be published 100 years from now (assuming we aren’t all killed by nukes, bioweapons, supergerms, climate catastrophe or armies of the undead) but in small numbers and as a premium item. 

Early this summer I attended a writers’ conference in which I saw the e-book future laid out. Many of the publishers and writers I met at the Canadian Authors Association conference in Victoria were already on board the train to the future. I met my first person there who doesn’t buy paper books anymore, for instance. Her bookshelves grow no heavier because her reading is now exclusively electronic. 

When I came back, I shared that worldview with everyone I knew. I encountered resistance, incredulity and resignation. Personally, I’m excited about the DIY opportunities ahead of us. We still need writers and those writers still need editors. Publishers and agents are becoming optional. For some authors—especially if they already have an audience—publishers are in their rearview mirrors.

Where are you on this issue now? Has your opinion changed in the last year? Do you see e-books as another expression of rage and frustration by the talentless hacks rightly trapped in the slush pile? Or are e-books a way for independent authors to steer their own course to larger percentages and greater control of their books?

If you’re an independent writer, here’s a link to a comparison of self-publishing services you definitely need to consider:

Self-Publishing Company Comparison: Amazon CreateSpace, Lulu or Lightning Source? : Blogthority‏

If you’re a traditional publisher or are monogamous about the Gutenberg press, here’s an article about how e-books might be integrated tree book marketing:

E-books need print books, IPG hears | theBookseller.com‏

 Please let me know your thoughts.

I’m staring at my comment box,

quivering in anticipation.

Filed under: Books, publishing, self-publishing, Useful writing links, web reviews, , , , , , , ,

Gender bias against female writers

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Author Tawni O’Dell has written a great piece about the bias against female writers. She writes convincingly that women aren’t taken seriously in an industry that is still (still!) very patriarchal. This is an example of WGL, or Worldview Generational Lag. The publishing industry is filled with women. Women read more books than men. Women write tons and edit tons of books every year. And yet. And yet.

I’m enlightened, so ladies, when the revolution comes, don’t forget who was on your side. That’s right. I’m a sex traitor.

…Hm, that doesn’t sound right.

Okay, I’m a traitor to my sex…except that…come to think of it…all my favorite writers…OH-MY-GOD! They’re all men!

Sorry. I was one of them and I didn’t even know it! Are you one of them or us?

Wait. Now I’m confused.

Filed under: book reviews, Books, publishing, Useful writing links, web reviews, , , , , , ,

#Publishing Workshops: Do we really need them anymore?

An attraction of Banff National Park in the Ca...

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Years ago, in an experience not unlike boot camp, I attended the Banff School of Fine Arts for a summer of The Banff Publishing Workshop. Each session was a grueling two weeks each, one for books and the other for magazines. I had the first of two panic attacks in my life there. And it changed my life in all sorts of ways.

Some nights, we didn’t sleep at all. The faculty flew in and while visiting hot shots were enjoying Banff National Park, we were slogging away making up book and magazine covers and planning publicity campaigns and pitches.

 If you want the pure knowledge gained, you don’t necessarily have to do a program like this (and people are fleeing traditional publishers. Publishers are not hiring.) You may want the knowledge to inform your DIY publishing operation. There are books that help in this regard. I’d begin with the AP Stylebook for the nitpicky stuff and read the Chicago Manual of Style cover to cover for a headstart. (A surprising amount of technical and editorial stuff I learned was cleverly concealed in the Chicago Manual of Style.)

Here are the three things Banff did for me (and how technology has changed everything):

1. Credibility. I was one of a few who went through the program and one of a very small number who graduated from both books and magazines. (They called us Lifers.) When I went back to Toronto with that on my resume, employers knew I was serious.

It’s much less important now to appeal to authority. Start asserting your authority through the power of your knowledge base and your actions. You can publish a cool book or a graphic novel or make a film without Daddy. You don’t have to ask anyone else’s permission now. (Just do it was a much better slogan for Nike than…whatever it is now.)

2. Contacts. Friends, professional and non-collegial, were really important at that time and a network of people are just as important as ever, but now for some different reasons. (And now you call many of them you tweeps.)

Then it was about getting a job. Now it’s about knowing people to reach out to who have information you need and who are willing to assist you. If you start up your own publishing company, you don’t have to work so hard at connecting with people. If you get out there, you’ll soon find they are coming to you. Technology makes for an entirely different narrative to your work.

3. Personal transformation. This one aspect made the entire experience of Banff worthwhile because somehow, in just four weeks, I got back something four years of journalism school pounded out of me: a sense of humour.

I used to be angry all the time. I preferred people to fear me because I mistook that for respect. I wasn’t friendly and open because I was too afraid of criticism. When you’re a hater, you think everyone else is, too. In Banff, I bounced back from the panic attack in spades with a magazine presentation and reading that blew everyone away. I learned to let go and, when I relaxed, I found I could make people laugh and I didn’t have to act like a tough guy anymore. (Testosterone poisoning is insulting, but maybe it’s appropriate in this case.) Maybe you don’t need to improve yourself like I did. Or you can achieve the same results in a yoga class or years of therapy. I don’t know. I can only say, whether you’re writing alone in a basement or out there in the cold slogging, seek out new experiences and maybe some of them will be transformative. (See post: 10 Lessons Learned from An Evening with Kevin Smith.)

Addendum: This year at a writing conference, the (now defunct) Banff Publishing Workshop came up over lunch. An old and well-respected editor who made her name at Penguin muttered that, in her day, she didn’t need to attend any such program. She achieved her status through just doing the work. Yeah. Kind of bitchy.

However, maybe the circle is now complete. Maybe you don’t need to go to some fancy publishing program and pay a whack of money for the privilege of sleepless nights and nasty remarks from visiting know-it-alls. It seems the old editor’s time has come again and, as I’ve described, the ticket to the show is simply to get up from your seat and climb on stage. In a world where we’re all authors, publishers, editors and poets, now you can.

Filed under: Books, DIY, Writing Conferences, , , , , , ,

Wednesday Publishing Links

Here’s some useful links for you. I’m still under the weather. Looking forward to getting out from under gray skies. In the meantime, enjoy some publishing wisdom from these useful sites:

The Millions : The Sorry State of the Rejection Letter‏

Rachelle Gardner, Literary Agent: Utterly Original‏

How to Sell Books : Tips and Tricks: Creating a Book Marketing Plan Budget‏

10 Writers that WILL probably Haunt You « The Curse of the Drinking Class

Filed under: agents, Books, publishing, Rejection, writing tips,

Comparing E-readers (because I’m running out of room!)

 
Friday's Library Sale Haul
Friday’s Library Sale Haul

 

But the problem is...
But the problem is…

 The bookshelves are groaning. I’m going to need to get an e-reader so I can store my books in the weightless, spaceless ether.

Are you wondering what e-reader to buy? Here’s a an interesting link that compares the tech:

How five e-readers stacked up – USATODAY.com‏

Filed under: Books, ebooks, web reviews, , , , , , , , ,

Poll: What’s your favorite children’s book?

Filed under: Books, poll, , ,

Your Friday Writing & Publishing Links

Dante and Virgil in Hell

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Babbles from Scott Eagan: I Was Published In The Past And Want To Be Published Now!‏

How to Integrate Video Into Your Social Media Marketing | Social Media Examiner‏

Thoughts on Ebook Publishing: Trapped in Ebook Hell?

 How-to for Writers: Turn Archives into ebooks

Self-Publishing Central: Why NaNoWriMo is Very Cool‏

This Writing Life: The Writer’s 10 Commandments‏

 

Filed under: blogs & blogging, Books, links, publishing, writing tips, , , ,

10 Reasons We Write What We Write*

Stranger in a Strange Land

Image by gideonslife via Flickr

1. We write sci-fi because we fell in love after reading Robert Heinlein’s Stranger in a Strange Land.

2. We write children’s books to retain our innocence (and explore our loss.)

3. We write what we know.

4. Or we write what we care about.

5. We write horror so real-life horror is made a little less scary.

6. We write because words put pictures in our heads and, when done well, the brain doesn’t distinguish between false and true.

7. We write because we are otherwise unemployable.

8. We write non-fiction to serve.

9. We write fiction to serve up lies (that tell the truth.)

10. We write because we can’t help ourselves.

*There are many other reasons. What are yours?

Filed under: Books, , , , ,

Authors: Networking Lessons from the Master (not me!) PART I

Cover of "Get Known Before The Book Deal:...

Cover via Amazon

 

By master, I’m not referring to me. I’m referring to my friend Peter. We are each other’s oldest friends and he’s a master of human relations. I have lots to learn from him. I’ll get to that in very straight forward terms (i.e. the ever-popular Top Ten List in Part II coming this afternoon), but first, a concrete example:   

I attended Word on the Street with Peter in Toronto. I got Peter his first job in publishing and he was fabulously successful at it. He’s now a shipping magnate, but he still has a keen interest in books (reading and writing them.) After we met up at the book fair, we’d made it about twelve feet through the crowd before an author offered him a bookmark to advertise her book. If it were just me, I would have smiled, thanked her and moved on. That’s why I’m not the master networker. Peter is, so he asked what her book is about. The author, Sue Kenney, wrote of about her pilgrimage on Spain’s Camino. Sue was very nice and her book sounds interesting. Peter had travelled the Camino so he was especially enthused. (Peter’s a world traveller, too, so he’s been everywhere and sometimes it seems like he’s done everything. Somehow, he never makes you feel bad about that. Ever watch The Amazing Race? That’s Peter’s life without the humiliating mini-games along the way.)   

Peter asked Sue a couple probing questions and it sounded like she was well on her way with her book (and two others.) Most important, she already had a movie deal, she’d already sold a lot of books on her own and she had a spirit of adventure and a great personality. What she needed was an agent and a publisher to break out. In a few minutes I’d suggested a couple of ways to search for the right agent and Peter threw out a couple of names of Toronto agents he knew. We then went on to discuss a publisher to avoid and a big publisher to approach. After a few more minutes of discussing some fine points of sales, Sue said, “Thanks! But…who are you guys?”   

“Just your friendly neighborhood Spider-Man. Here’s a card, read my writing and publishing blog…” (Okay, I didn’t say the first part.) Sue’s going to be a success. She already has all the elements she needs in place and her publisher and agent will love her. As is required more than ever these days, she’s already done the heavy lifting for them. All she has to do now is concentrate on getting to be a known entity. (I also pushed her to get Christina Katz’s book Get Known Before the Book Deal to that end. Yes, I confess I’ve flogged that book already on this blog several times. Why haven’t you gone and bought it yet, hm?) Besides writing My Camino, Sue is already a speaker and filmmaker. She’s on her way. Come to think of it, one more thing about Sue and her book…   

My Official Sue Kenney Plug: Her book is My Camino.

Agents! What’s not to love? Snap her up while she’s still available!

Go to www.suekenney.ca

  

THIS AFTERNOON: Part II and the ever-popular Top 10 LIST!

Filed under: agents, Books, Publicity & Promotion, publishing, , , ,

Word on the Street Toronto

The Word on the Street

Image by mgerskup via Flickr

 

I spent a good chunk of yesterday at Toronto’s Word of the Street books and magazine fair. The event is huge. I remembered it when it was a much smaller festival. Now they take over all of Queen’s Park and close the streets. I met some old friends and made some new ones. Word on the Street takes place across Canada in various cities. If you can go, I recommend it. 

I know I loaded you up with links last week. As a result of my day trip to Word on the Street, here are just a few more: 

The Horror Writers Association is the only organization dedicated to the support of authors of dark literature. Check it out at www.horror.org

Details about Bloody Words, the Canadian Mystery Conference, can be found at www.bloodywords.com

For information on the Crime Writers of Canada, go to www.crimewriterscanada.com. Members include authors, publishers, editors, booksellers, librarians, reviewers and literary agents as well as developing writers. 

Canadian Journalists for Free Expression is a non-profit organization supported by Canadian Journalists and advocates of free expression. They defend the rights of journalists around the world. www.cjfe.org 

PEN Canada also advocates for writers in prison, writers in exile and works to promote freedom of expression. www.pencanada.ca 

  

Filed under: banning books, Books, Media, publishing, writing tips, , , , , ,

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