C h a z z W r i t e s . c o m

Apocalypse Art for This Plague of Days by Kit Foster of KitFosterDesign.com

As I work on This Plague of Days revisions, there’s a big difference: This is the first of my books my 13-year-old daughter is allowed to read. No one is swearing in TPOD and any sex is PG-13, at most. Sometimes I think this serial (to be released at the end of May) could be suitable for Young Adult. However, I’m also not pulling back on elements of horror that range from Hitchcockian allusion (The Birds) to classic horror (a gross-out or three). It’s a post-apocalyptic world and things aren’t pretty. 

Crass Commercial Considerations

A cross-genre flurry about society’s collapse under the crush of the Sutr Virus combined with a boy’s love for odd words, Latin dictionaries and his father.

I’ll admit it: I want This Plague of Days to sell to a wide audience. I want it to go huge! Multiple translations and audiobooks and mass consumption. I want this serial to be made into a movie or a franchise with TPOD lunch boxes and T-shirts at conventions. I don’t want to return to a day job and a very popular serial without cursing will help me toward that goal. I watched an interview with director Kevin Smith recently in which he breaks down the movie market. The same principles apply to us: R sells less than PG-13. Soften the blow. Make more money.

Yes, I know Fifty Shades of Gray is bondage porn that makes a ton of money off a wide audience. However, this isn’t that. This Plague of Days is about an autistic boy who is a selective mute. A plague spreads across the earth and as the mayhem goes up, society spirals down. Bad things happen. However, the story revolves around the boy and, though it’s third-person limited omniscient, much of it unfolds through the boy’s filter. His special interest is English dictionaries and Latin phrases. Nothing is lost if I don’t make TPOD a cursefest and I’ll gain more readers.

The Irony I Frankly Don’t Understand

Many people are comfortable with just about any depiction of violence but get squeamish about certain words and sex. We’re downright weird about cursing. It’s in mainstream media and on any school playground, but in print, daily newspapers put in coy asterisks like this: f***. As if our brains don’t just fill in the word automatically. Swearing is ingrained in everyday conversations, but we pretend it’s not.

Watching a show like Dexter on a non-Showtime channel, censors ensure the dialogue sounds silly. “Mothertruckers?” Really? (The practice was played to great comedic effect when, in the latest Spider-Man movie incarnation, our beloved hero blurts, “Mother Hubbard!“)

Meanwhile, I get queasy about certain entertainment that is considered mainstream even though it’s extremely violent. I’ll never see Jodi Foster in The Accused and I refuse to watch A Time to Kill. Frank depictions of sexual assault and child rape are not something I want to

My luckless hit man is a funny guy in big trouble.

see. I can’t watch CSI or its many iterations. That whole Special Victims Unit thing feels way too voyeuristic and definitely not for me. (I’m not campaigning for a cleansing, by the way. I don’t want art censored. What I don’t like, I don’t watch, read or listen to and that solves my problem nicely.)

Ever since I had kids, I’m generally more queasy about violence that’s too realistic. I’d rather keep my violence diet to thrillers like Bigger Than Jesus. Though there’s plenty of death and even allusions to Jesus’s abuse as a young teen, it’s treated carefully, not graphic, and balanced by the hero’s sense of humor. The funny makes the horrible feel safe, somehow. 

This Plague of Days’ post-apocayptic genre puts the story into a realm that isn’t ours…at least not quite yet. 

Sex and Curses Have Their Place: Serving the story

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

My crime novels are funny but still gritty and hardboiled. The swearing in the Hit Man Series is a need. It would have been unnatural to write workarounds for simple, salty language. Acting too coy would have drained too much realism away. 

As for sex, in Bigger Than Jesus, Jesus Diaz is constantly running for his life. The book plays out like a long chase scene. Beatings and murder don’t put the hero and heroine in the mood, even for a quickie. There is a great romantic love interest in Lily Vasquez, but her intimacy issues with the hit man aren’t about sex. Lily and Jesus’s drama deepens character and shows the impact of his awful history on his life. Through their interaction, the reader understands Jesus more and sees why he’s so screwed up (particularly about women). The reader ends up empathizing with a guy who kills for money. As for Higher Than Jesus, the sex scene with Willow Clemont and Jesus is both integral to the plot and erotic. Sex raises the stakes.

The Balance:

Despite any commercial considerations and the joy I feel at being able to show my daughter what I really do,

story has to come first.

Gee, I hope she likes it.

~ Chazz has new websites: CoolPeoplePodcast.com, onlysixseconds.wordpress.com, DecisionToChange.com. In the latest podcast at the author site, AllThatChazz.com, there’s some swearing (in a funny rant) and a fresh reading from Higher Than Jesus.

Filed under: book marketing, Genre, Horror, rules of writing, This Plague of Days, writing tips, allthatchazz.com, Apocalypse, Art, Aspergers, autism, censorship, cursing, DecisionToChange.com, Dexter, entertainment, Hit Man Series, Kevin Smith, Literature, post-apocalyptic fiction, story, swearing, Violence and Abuse, when to swear, writer, writing