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Author Profile: Anthony Bidulka’s Date with a Sheesha

Anthony_BidulkaAnthony Bidulka’s mystery series tells the story of a world-travelling, wine-swilling, wise-cracking, gay Canadian PI living a big life in a small city. The Russell Quant series is a multi-award nominee including for the CWC Arthur Ellis Award, and was awarded the Lambda Literary Award for Best Men’s Mystery. Anthony Bidulka has enjoyed time well-spent and misspent in the worlds of academia, accounting, footwear, food services, and farming. In 1999, Anthony Bidulka, BA, BEd, BComm, CA, left a decade-long career as a chartered accountant to pursue writing.

The Russell Quant books are: Amuse Bouche (2003), Flight of Aquavit (2004), Tapas on the Ramblas (2005), Stain of the Berry (2006), Sundowner Ubuntu (2007), Aloha, Candy Hearts (2009), Date With a Sheesha (2010.)

CW: When did you first know you wanted to be an author?

AB: Pretty much as soon as I could put pen to paper. As a youngster I was completely entranced by the power of storytelling and my greatest wish was to be someone who could do that. Instead of spending my allowance on candy or toys, I’d buy books and comics. As a teenager, I began writing and illustrating stories for my nieces and nephews. In truth, those were the first books I authored.

CW: Tell us a little about your books.

AB: I write a mystery series, which is not exactly what I set out to do. My first serious attempt at a book—as an adult—was a thriller. While I was waiting for the offers to pour in, I thought it might be a good idea to spend time on something just for the pure love and fun of writing. I created the world of Russell Quant, the first and only half-Ukrainian, half-Irish, wine-swilling, world-travelling, wise-cracking, ex-cop, ex-farm boy, gay, prairie-dwelling, Canadian private eye being written about today anywhere by anyone! (I dare anyone to contradict me.) That was ten years ago. Russell Quant has been my literary companion ever since.

The current release, Date With a Sheesha, deals with a young Canadian researcher travelling to the Middle East to buy antique carpets. Unfortunately, he’s found dead in a Dubai souk wrapped in a carpet. Russell is hired by the young man’s father to discover whether this was a simple tourist mugging gone bad as the authorities insist. (Of course, it is anything but). What follows is a magic carpet ride of an adventure from Saskatchewan to the frankincense fields of Oman and scorching sand dunes of Saudi Arabia.

CW: What research was involved in your book’s development?

AB: In each of the Russell Quant books, although much of the action takes place in Saskatchewan, Russell always finds himself embroiled in some sort of shenanigans in foreign locales. He’s been to the south of France, New York, Africa, Hawaii, and now, the Middle East. Each of the locations is chosen because of time I have spent there snooping about and wondering if this is a good place for murder and/or mayhem.

CW: What’s your writing process?

AB: I am very much an outliner. I like having at least a basic structure on which to build. I like knowing where I’m going. That said, I also think the most exciting—and sometimes nail biting aspect of writing fiction is the unknown. Although I create outlines, they are only the bare bones. The flesh is all the rest of the good stuff that comes out as you write the story, develop characters, create a world that only you control. Heady stuff, it is.

Once I have a first draft, I’ll go through a number of revisions until the piece gets to the point where I think it is the best it can be. Then I send it to my editor and she tells me why it isn’t.

CW: What’s the most surprising thing you discovered writing this book?

AB: I’ve sometimes wondered if writing a series would get boring or formulaic but I don’t findDate_with_a_Sheesha that to be true. I’m writing the eighth and I’ve attempted to give each of the books in the series a slightly different flavour. One is more romantic than the others. One is more of a caper. Another is more of a thriller and one is the scariest of the bunch. It’s a delicate balance because, to maintain the essence of what people liked about the series and characters, you don’t want to change things up too much. My hope is to keep the series fresh, the readers engaged and on their toes. That keeps me interested and excited to write more about Russell.

CW: What’s the hardest part of the publishing process?

AB: Today I think the most difficult part of the publishing process is keeping up with the speed-of-light changes in the industry. How we write, read, publish, and promote the written word is changing into something that was unrecognizable only five, ten years ago.

CW: How has that changed your book marketing?

AB: Extreme change had just begun to show its face as my first book was being published. Oddly enough, this has been a boon to me. I have only known upheaval in this industry. Just looking back over the past eight to nine years, one of the biggest changes is that the majority—the majority!—of small independent bookstores at which I gave readings in Canada and the US are now gone. They were the ones willing to give a new Canadian a chance. 

Oh yes, the world has changed and we must evolve with it. We used to give away electronic copies of the books for free, thinking that people would never read an entire book on screen, but perhaps it would entice them to buy the hard copy. Many of my colleagues now produce trailers for their books that rival those of blockbuster movies.

I have always seen the key to marketing a book as developing an ever-changing toolbox full of tricks. You try ten things and hope two of them work well. And even so, those two things will likely have to be tossed and replaced with something else before you blink. Daunting? Yes. Exciting? Yes. The essence is to be creative, be communicative, never give up trying.

CW: What do you most enjoy about being an author?

AB: There are so many enjoyable parts of the writing life. The firsts are top of the list. Getting that first signed contract. Seeing your book in galley format. Seeing it in a bookstore window. Getting emails from readers (who aren’t related to you!). Having your book reviewed in a major newspaper or magazine. Flying into a city you’ve never been to before and having people actually show up at a reading just to see you. It’s all so wonderful and fun and a truly unique experience.

CW:What advice would you give unpublished writers?

 AB: Get involved in the industry. Join writers groups, go to conferences, meet other writers, volunteer on boards and committees. As I’ve discovered in every part of my life, when you give back, you get back ten times more.

CW:What’s your next book project?

AB: A brand new edition of the first book in the Russell Quant series, Amuse Bouche, is being released soon. I’m currently working on a few different writing projects, one being the eighth Russell Quant mystery, tentatively titled Dos Equus.

CW: Thank you, Anthony! For more information, please visit www.anthonybidulka.com.  

 

 

 

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Writers: Five editing tricks and tips (plus editing marks)

 

1. Editing onscreen is more difficult and less accurate than printing out your manuscript and attacking it with a pencil. Unless you’re well-practiced at editing pixels, print it out.

2. As you read your manuscript, read aloud. You will pick up more problems that way and if you run out of breath, it’s probably a run-on sentence.

3. Some experts tell you to read your manuscript backwards, one word at a time, to catch more typos. Though it is true this technique works, you must have a form of OCD to act on it. This is advice editors give, but never do themselves. If you don’t believe me, try it with any book-sized manuscript. (Wait! First make sure there are no sharp objects or firearms nearby!)

4. As you edit, read slowly. Your brain is wired to skip over mistakes when you read quickly.

5. Farm it out. You need someone else’s fresh eyes on your manuscript to see the thing you are missing. Hire editors. (Here’s one!)

Filed under: authors, Books, Editing, Editors, getting it done, publishing, rules of writing, Writers, writing tips, , , , , , , , , , , ,

Writers: How to tell when your manuscript is ready

Freytag's Pyramid, which illustrates dramatic ...

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Writing takes time and is often the most fun part of the journey. Then you rewrite and revise and revise again. Before you send your manuscript to an editor, make sure you’ve done as much as you can to clean it up.

Be aware of:

Formatting, hooking the reader, character development, story arcs, consistency of narrative, consistency of voice, differentiation of characters’ voices, typos, grammatical errors, plot logic, plot holes, pacing, three-act structure, rising action, scene length, passive voice, telling instead of showing

(gasp!)

…the list goes on and on, but you get the idea.

Make it as good as you are capable.

Once you’ve gone through however many revisions  you must endure (maybe two, maybe dozens) to write your story, go through one more time.

How will you know when you’re ready to send it off to an editor for new input?

You’ll be sick of your manuscript. (And if you have been holding on to a manuscript too long, let go of your perfectionism and the manuscript. It’s a torturous form of self-hatred.)

A manuscript is never truly finished. You could polish forever. However, when your editing goes sideways, meaning it’s not better but merely different, it’s time to send it off.

 

Filed under: Editing, Editors, getting it done, publishing, Writers, writing tips, , , , , , ,

Writers: Why self-publishing sucks (and what you can do about it)

Vanity

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A couple of years ago I put together a chapbook of poetry. A few seconds after I handed a copy to a beta-reader he found a mistake. It was a glaring mistake on the first page he turned to. Alas. Embarrassment is an emotion that can run through you, both hot and cold.

Typos, grammatical errors, consistency problems and a host of other plagues suck the credibility and professionalism from your manuscript. At least for me it was a beta-reader and, contrary to first impressions, the rest of the manuscript emerged clean.

Some writers see self-publishing as a shortcut. When writers treat the medium as the quick and easy path to becoming an author, that’s still vanity publishing.

When you approach it seriously and make sure your manuscript has been combed for problems, that’s publishing (nevermind the “self” part.) When you choose to self-publish, publish. Form a company. Be a publisher. Hire editors (yes, I’m aware of the conflict of interest, but if you are, too—yes, I edit—we’re covered.) Get proofreaders lined up.

Take it seriously and you will be taken seriously.

Filed under: authors, ebooks, Editing, Editors, getting it done, grammar, publishing, Rant, self-publishing, writing tips, , , , , , ,

Lynda Barry tells What It Is

This is a book about writing like you’ve never seen:

What_It_Is

If you know Lynda Barry‘s work, you  know hers is an inimitable style. But I grok her. I had some reservations as I plucked the book from the shelf, but when somebody bares their soul in their art, you either look away embarrassed and confused or you look deeper, identify and get swallowed up, too.

Her ideas on writing prompts could get you going. Letting go to get going appeals to me. Most of all? I understand what she means by escaping into writing and getting “that floaty feeling.” If you write, you know what she means, too. If you don’t, buy What It Is, do the exercises and find your way into The Float. 

The immediate rewards of writing (slipping through “the escape hatch” as Stephen King puts it) are right now. Even as I write this, I feel a tickle in my brain. Some happy dopamine is spreading somewhere through my skull as I type this. I’m a junkie.

You may or not get published, but there’s more to it than that, isn’t there?

Some people don’t get that, so I ask them this: “Did you ever play tennis or run or swim? Did you keep doing it even though you knew you weren’t going to end up at Wimbledon, the Boston Marathon or the Olympics?”

Filed under: authors, book reviews, Books, publishing, Writers, Writing exercise, writing tips, , , , , ,

Josh Leib: Author of I Am a Genius of Unspeakable Evil and I Want to Be Your Class President

Yes, I’ve read this book. I love it and my kids love it.

It speaks to my inner monologue throughout elementary school.

And high school.

And university.

And now.

Filed under: authors, book trailer, , ,

Writers: About the success of Sarah Palin’s books

A crowd gathers around a temporary stage at Pi...

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This morning I touched on Sarah Palin‘s books. (See that post below)

Three more things about Sarah Palin’s books:

1. The latest one sold less than expected so even that franchise is on the way down. Not only does nobody know anything in publishing or Hollywood, you can’t depend on anything either.

2. It will still sell better than most anything else so it’s not dead yet.

3. Some people begrudge Sarah Palin (read: her ghostwriters) her success in selling her books, but those books make enough money to finance the rest of the list. She supports the arts. Despite herself.

I can’t stand her, but lots of people do and that translates to book sales.

Filed under: Books, Media, publishing, , ,

Writers: The Secret to Writing a Bestseller

bestseller_logo

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The only thing you can do to ensure

you come at all close to writing a bestseller is:

Write your book!

After that? I hate to disappoint you, but there is no secret.

There is information you should consider, however, like acting on the things you can affect (factors) and refraining from making yourself crazy trying to change things that have a negative effect on you (variables.) 

Don’t focus on variables.

Focus on factors you can control:

1. Write the best book you can.

2. Build your audience (Teach, review, tweet, blog, network, learn, connect etc.,…)

3. Get your book to market (trad or indie publishing—that’s a different post.)

4. Do it again.

You’re going to want to come back to and act on 1 – 4 again and again.

The rest is explication.

I can already hear howls of protest about the title of this post. However, if you get an email from someone claiming they have insider secrets to making your book an instant bestseller, you can safely move on. There are some wacky claims out there, so let’s unpack and debunk.

First off, there are far too many variables that are out of your hands for any one person to direct you to bestsellerdom. In the publishing process there are a lot of variables. All of them have to fall into place for your book to be sold, but even if that were to happen, there are no guarantees your book will climb the charts…even if it’s good.

There are a lot of good books. Sadly, that doesn’t mean we’ve heard of them.

Consider Chuck Palahniuk‘s Fight Club and Choke. They both became movies, but just before it was announced Brad Pitt was going to do the Fight Club movie, I saw it in the remainder bin. They got whipped out of there when his book got the movie deal and the newest hire had to peel off all those stickers that read: Marked Down. The author wrote a great book in Fight Club, but he was headed back to anonymity before the lucky break. (He’s proved his worth since over and over, too; he’s prolific and, weirdly, I even saw a major review that didn’t even mention Fight Club.)

His case is a perfect example of something falling into place that was totally out of the author’s control. If Antonio Sabato Junior had played the role instead of Tyler Durden and Lindsay Lohan had played Marla instead of Helena Bonham-Carter, you would never have heard of Palahniuk’s books (because that’s a lot of stink to overcome.) Antonio was good in the few minutes he was in The Big Hit, but generally, if you see a movie poster with Lindsay and Antonio, you don’t think,  “Ooh, gotta see that!”

The most important reason you can’t just follow set rules and write a bestseller is that what William Goldman said about Hollywood also applies to publishing. “Nobody knows anything.”

That’s why there are sleeper hits. I wandered into Fargo and Highlander, didn’t know what to expect, and was blown away. Margaret Atwood snuck up and surprised me with The Year of the Flood—okay, maybe other people expected great things from Atwood every time, but that’s the book that turned me around on that author. (Can’t wait for the third in the series!)

When manuscripts go up for auction to big publishing houses, acquiring editors bid because they want a hit. Even when books go for big money, that’s no guarantee of great success. In fact, if the author doesn’t earn out that big advance, it’s a very public failure. That blemish on their record hurts authors when they try to sell their next book.

It’s a subjective business. If agents and acquiring editors really knew much beyond their own taste, then every book they bought would sell very well. Look at the bestseller lists. There are only so many spots in the top ten lists. Then look at the book store shelves packed with midlist titles. That’s a lot of books, and those are just the books the stores stock. There are many more books published than ever make it to bookshelves, yet somebody thought each book would earn out its advance.

Nobody’s betting on losers on purpose. The bestsellers are the frontlist. The books that aren’t expected to do as well are the midlist. Midlist authors are still generally expected to earn out their advance, however. Remember: it’s business, not charity.

Hm. Somebody’s going to object that there are exceptions (and, of course, there always are. Can we say much at all without some generalizing?) So I must admit I did know a publisher who bet on losers pretty much exclusively. Maybe he was noble and doing it only for the art (and government grants) or maybe his judgement was just galactically poor. He’s out of business now so no more art. (Last parenthetical, I promise: And if you publish poetry, nothing is frontlist or midlist because no one pubishes poetry expecting to make money.)

Back to the book store: See all those dogs in the remainder bin? Somewhere, someone bet a lot that each one of those books would sell really well.

Some books aren’t a surprise when they do well, but for those books, that’s not the game anymore. When a publisher buys a Sarah Palin book, they aren’t so concerned whether it will sell. Their concern with a book like that is, how much and how fast will it meet higher expectations and sell more? When a book succeeds, the publisher has to time the next printing right and gauge how much promotional money should go into the publicity campaign to push it as far as it can profitably burn.

Publishers concentrate their limited resources on the few books they think will have a shot at bestsellerdom because they will take a loss on most of their catalogue. Some don’t believe it and authors lament it, but publishing is a business. And it’s a business with very small margins.  

Even when publishers get books on the shelf, it’s not even over then. The sell-through is what’s important. Unlike any other business, publishing’s tradition—blame Simon & Schuster—is that books that don’t sell may be returned for credit. It’s a tradition that may eventually be dropped, especially when there are fewer book stores around.

I’m dying here! Give me some good news, Chazz!

Okay. The good news is that when you get rejected, you can take comfort in the knowledge that nobody knows anything. Maybe the guy who rejected you also rejected JK Rowling, so what do they really know anyway? Maybe you are destined to be a sleeper hit.

Do better than that, Chazz! I said I’m dying!

Sorry. How about this? Contests, bestseller lists, critics and reviews might help an unknown author, but it’s really word of mouth that makes a book popular. (Or a big movie deal.) The antidote to your angst is to keep writing and pitching. Find your audience and put yourself out there to be found.

How?

Go back to Factors 1 -4 at the top of this post.

Better? Now go write.

Filed under: authors, Books, Editors, getting it done, links, Poetry, publishing, Rant, Rejection, rules of writing, Writers, writing tips, , , , ,

Writers: Mickey Spillane’s Rule for Selling Books

本の構造

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Mickey Spillane sold a lot of books. Here’s how:

“The first page sells the book,” he said. “The last page sells the next book.”

I was reminded of Spillane’s axiom as I finished the last page of Mr. Monster by Dan Wells. I’m not going to spoil it for you. You’re just going to have to go read it. That book, and his first in the series, I Am Not a Serial Killer, are sometimes harrowing reads. These are books where the author takes risks. John Cleaver is a protagonist you won’t like, but you feel for him, too.

Dan Wells has turned his protagonist, a young sociopath with a dangerous mind, into somebody I’ll follow. I’ll follow the series. Dan Wells is going to sell a lot of books off a character who will make you very uncomfortable.

It was the last line that got me. The really good ones stick with you. The end of Fight Club is a great scene with a neat twist. And William Goldman? He’s the master of the last line that stick a knife between your ribs and gives the blade a half-twist. Goldman’s trick is to make readers comfortable, letting them think they know what will happen next, and then sucker punching them. At the end of Goldman’s The Color of Light I actually threw the book across the room because just when I thought I was safely in the dénouement, he hit me again. 

Lots of writing advice is about baiting the hook on the first page. On the last page, make sure you get the barbs in deep for the next one, too.

Filed under: authors, book reviews, Horror, publishing, Writers, writing tips, , , , , , , , ,

Writers: The trick to keeping your resolution

Goal

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We make resolutions to diet when we are full. I resolved to diet many times before I got into the right mindset to lose 40 pounds. We depend on excitement, instant gratification and short-term thinking, which is why we got fat in the first place. Much the same is true with that resolution of yours to write your book this year.

You don’t need short-term thinking, but you do need short-term focus. You need long-term planning and short-term action. Each day you work toward your goal is a little course correction. Just as you drive and make tiny movements of the steering wheel along the way, each time you don’t get distracted and write another 500 words instead is a step toward finishing your book.

Sure, we can make big announcements. “This, I swear by all that is holy, is the year I will…” But it’s the little things you do, the day-to-day commitments to your goal, to yourself, that will make the difference. 

Why did your past resolutions fail? Think about it. What happened? Was your goal clear? Did you write your goal down? Did you tell somebody you trust to help you remain accountable? Did you track your progress? Did you make a game of it? Did you set up small rewards along the way? Did you set up a bet or a competition with a colleague to spur you on? Are you feeding your goals with information that helps you? Are you cautious to protect your time from short-term rewards that are really sabotaging you? (And if so, spend some time working out why you’re okay with settling for less.)

These are all useful strategies, but it comes back to the reaching your goal one day at a time, sometimes one minute at a time. Keep your resolution. Resolution means focus.

Too often we suffer from JOM Syndrome. JOM means Just One More.

Just one more cupcake. Just one more day off the diet. Just one more day without writing. Just one more day before I really start. I deserve a break. I deserve something less than my ultimate goal.

Translation:

I deserve to earn the reward without putting in the work.

Real-life answer:

No, you don’t.

Forget your grand pronouncements while your energy is high and your belly’s full. Instead, do what you can today to reach your goal (whatever it is.) Forget your entitlements. Do the work and no whining is allowed. If whining worked, you’d be done by now.

That sounds tough, but it will get better. You know why? Because the toughest part about writing is simply to begin. After you get started, you’ll be okay. You just have to keep on starting. Again and again and again, every day.

When you fail, begin again.

When you give up, begin again.

People will criticize your writing. So what? Don’t let them say you don’t write. Writers write. If you weren’t a writer, you wouldn’t have come to the end of this post.

Filed under: Books, getting it done, publishing, Rant, Writers, writing tips, , , , , , , ,

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Winner of the North Street Book Prize, Reader's Favorite, the
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