C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Proofing a manuscript

My local newspaper fired its copy editors as a cost-saving measure. Now typos and grammatical errors abound. It’s a detail that particularly bothers older readers and fired copy editors. It’s happened in publishing as well. Fewer bodies mean fewer lines of defence against the dark arts errors in manuscripts.

When I was a proofreader for a publisher, the manuscripts had already gone through the author-editor-copy editor-first proofreader stages. I’d put the books together on computer and probably find up to thirty-five errors on average. The last proofer might find two to eight formatting errors or problems that I missed if it was an especially long book. By the end of all that, the text would be pretty clean. (I’m not counting the errors readers think are errors but aren’t. Usually this rears up when people misunderstand the differences between affect, effect, comprise and American vs. English english.)

If you catch a lot of problems in a published book, that may mean the book is self-published and an editor didn’t look at it at all. It may also indicate the publisher cut back on the expense of multiple lines of defence (proofers and editors.) Another possibility is that the manuscript was packed with errors to begin with and lots of errors were caught, but the sheer number of typos overwhelmed the worker drones.

When next you notice a short guy has turned into a tall guy or someone’s eye color has changed or you see a flock of geese instead of a gaggle, you’ll know why. I’ve just finished reading a Writer’s Digest book and noticed ten or so errors. I don’t get too self-righteous about it, but I’d be lying if I said it didn’t irk me, especially when you think of all those people who are now out of work. With the idiosyncrasies of text messaging, the new generation of readership are much more tolerant of textual errors than their parents and grandparents.

Curmudeonly grammarians are a pain, but too many errors are distracting and can detract from reader’s confidence in the work.

Filed under: Books, publishing, , ,

Medieval help desk for luddites

Filed under: Books, publishing

Your Book, Publishing Platforms and Cross-pollination

Brainstormed some ideas for a friend last night. He makes films. He’s not an author yet, but he’s in an excellent position to get published and build a media empire. I have every confidence he will be a published author soon after he decides to do it. Here’s why:
1. His films provide excellent material.
2. Book launch + world film premiere = mucho moolaaaah because one medium cross-pollinates the other!
3. He has a background in writing.
4. He’s not shy about going on the road for screenings, signings and presentations.
5. I think he could bring a distinct voice to the material.
6. He has the equipment and know-how to launch websites and a podcast to build his audience.
7. The film tie-in is very attractive to grant institutions, agents and publishers.

I went on and on about my enthusiasm for his publishing potential but it boils down to these seven points plus this:

BONUS

If you want to write a novel, you are better off writing non-fiction first. Non-fiction is more profitable (generally) and is easier to sell. If you’re selling fiction, you need the full manuscript. Do not go to an agent or editor with an idea for a book if you’re a first-time author. They need to see you have the full, complete and polished manuscript. No exceptions.

With non-fiction, you can put together a killer book proposal and synopsis and swing a deal before you officially type “Chapter 1” and begin pulling your hair out. Non-fiction is a different skill set in many ways, but after you’ve got an audience, agents, editors and publishers are much more receptive to the fiction you want to write.

I’m not saying never write fiction first. I’m saying that, in this person’s case, the road to publication will be wider and smoothly paved compared to the goat path most writers find themselves on at the beginning.

DOUBLE BONUS:

Have you got an advantage in a particular niche either through specialized knowledge or unique access? Who is your audience? Can you reach them through networking, association connections, websites, blogs, speaking engagements? Do you have expertise and the credentials to back it up? Are you comfortable speaking in front of an audience?

The potential abounds in many people I know. For instance, I know a professional woman who has a special interest and experience with bullying in the workplace. She’s connected to a community of like-minded people. She’s a non-fiction book proposal away from making her book happen.

More examples: I know an opinionated teacher who uses imaginative approaches to reach his students. Another friend is a SWAT expert who could write an antiterrorism manual (or a terrorism manual, come to think of it.) I know a couple of cops whose fascinating career experiences would make great memoirs. I’m editing a memoir for a lady now who catalogues all the tragedies, events and family foibles into a loving memoir that sees the pain through humor. A great friend of mine travels the world constantly. He’s a font of hilarious travel stories, each tale the length of a Blackberry entry. I know an expert in strategies to deal with mental illness and I’m married to an expert in learning disabilities. Another friend was a casualty of Multiple Sclerosis, overcame it and became an expert on MS and alternative health treatments. My God! There are potential books everywhere!

If you’ve got a special interest, (and who doesn’t?) start working on your platform now. Publishers expect it as part of the business plan for your book.

Filed under: Books, Publicity & Promotion, publishing, , ,

Stephen King’s advice to aspiring writers

Filed under: Books, Writers

I’m a Niche Undefined (and that’s bad!)

I like a blog that knows what it’s about. Here’s one: A Book Blog. Period. Read book reviews and fill your brain.

Disclosure:

I haven’t decided what this blog is about in laser focus. Is it a platform for my fiction? Is it an ad for my editorial work?

Book and magazine writing, editing, speeches, ghosting, ranty blog goodness, publishing, writing and being a writer…? I should decide. Really I should.

Filed under: Books, What about Chazz?,

JANUARY 1: What’s your 2011 writing resolution?

WIP means Work In Progress.

This is my WIP.

First draft: 438 pages.

 

         

Romeo_Juliet_Jerome
Manuscript: Romeo, Juliet & Jerome

 

As Yoda said, “Edit it, Chazz, you must!”

By May 1.

Resolved it is.

Filed under: authors, Books, My fiction, publishing, What about Chazz?, Writers, , , , , , ,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

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A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

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An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

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