Mickey Spillane sold a lot of books. Here’s how:
“The first page sells the book,” he said. “The last page sells the next book.”
I was reminded of Spillane’s axiom as I finished the last page of Mr. Monster by Dan Wells. I’m not going to spoil it for you. You’re just going to have to go read it. That book, and his first in the series, I Am Not a Serial Killer, are sometimes harrowing reads. These are books where the author takes risks. John Cleaver is a protagonist you won’t like, but you feel for him, too.
Dan Wells has turned his protagonist, a young sociopath with a dangerous mind, into somebody I’ll follow. I’ll follow the series. Dan Wells is going to sell a lot of books off a character who will make you very uncomfortable.
It was the last line that got me. The really good ones stick with you. The end of Fight Club is a great scene with a neat twist. And William Goldman? He’s the master of the last line that stick a knife between your ribs and gives the blade a half-twist. Goldman’s trick is to make readers comfortable, letting them think they know what will happen next, and then sucker punching them. At the end of Goldman’s The Color of Light I actually threw the book across the room because just when I thought I was safely in the dénouement, he hit me again.
Lots of writing advice is about baiting the hook on the first page. On the last page, make sure you get the barbs in deep for the next one, too.
Related Articles
- American Pulp Fiction (bookstove.com)
Filed under: authors, book reviews, Horror, publishing, Writers, writing tips, better endings, book, Dan Wells, first page, last page, Mickey Spillane, surprise endings, twist endings, William Goldman






























