C h a z z W r i t e s . c o m

See all my books at AllThatChazz.com.

Your Friday Afternoon Reward: publishing advice links!

Eslite Bookstore in Taichung Chung-yo Departme...

Image via Wikipedia

Will Technology Kill Book Publishing?

Organize Your Writing Business  by one of my favorites, agent Rachelle Gardner.

Top Ten Statements to Scare Off a Literary Agent

How Publishing Really Works: Reverse Vanity Publishing

Why Agents May be Opposed to Self-publishing

Raccah calls time on book publishers by theBookseller.com‏

Book Industry Problems

The e-Writer’s Place Writers Resource – 10 Tips For Writing Columns‏

Talking to Agents and Editors at Conferences

Filed under: publishing, , , , , , ,

Writers! What’s Your Policy on Simultaneous Submissions?

Cover for an issue of Asimov's Science Fiction.

Image via Wikipedia

 

When magazines or editors say they don’t accept simultaneous submissions, I usually ignore them. Fortunately, most don’t ask for that anymore. If someone does ask for it, it can be okay if they get back with a yes or no quickly. Asimov’s Sci-fi asks for an exclusive, but they do get back quickly and I like them, so I’ll gladly honor their request.

However, when a magazine says they don’t accept simultaneous submissions and provide no indication when they plan to get back to you, I ignore that policy. Some magazines and journals can take up to a year (or even more) to get back to you. That’s unacceptable to me. If someone else accepts in the meantime, I’ll be sure to let other publications know right away. Most are okay with that. For instance, I submitted a piece to McSweeney’s and later had to withdraw it because the story was accepted elsewhere. McSweeney’s editors didn’t give me a hard time about that at all. In fact, they congratulated me and sent a nice note.

There is a fantasy magazine (if you’re submitting, you’ll run across it) that requires paper manuscript submissions only. Their policy rationale is that since formatting and submitting hard copy is such a pain in the butt, it decreases their submission rate. I’m sure that’s true. I object to their policy on a few counts, though. It’s not environmentally-friendly. It takes much longer to submit, but if my submission was electronic, they could reject it or accept it much faster as well. They’re inconveniencing me on purpose. Where else would you put up with that in life? They’re cutting down submissions with a guerilla tactic. There are lots of writers and we’re obviously expendable. Okay. I won’t submit at all where I don’t feel valued. Problem solved on both sides, I guess.

There are also lots of magazines to which I can send submissions, so that Luddite magazine might not be the loss they think they are. I’m in business. Electronic submission is efficient. Therefore, I’ll work in this century and they can stick to the last one. The irony is, if this magazine were to accept, they aren’t chiseling the text in stone. They’d immediately be looking for an electronic copy of the manuscript! If they worked like everyone else, they’d already have one. Enough.

The main reason I feel it’s imperative to make multiple submissions is, we, as writers, have already waited for publication long enough. There’s a long lag time because the slush pile for fiction is deep. I sympathize. I’ve worked a slush pile (more on that in another post.) But from the submissions side, the process takes so long that if you submit one piece at a time, your odds of dying before publication are excellent.

That was strident. What’s your take?

Filed under: magazines, writing tips, , , , ,

10 Reasons We Write What We Write*

Stranger in a Strange Land

Image by gideonslife via Flickr

1. We write sci-fi because we fell in love after reading Robert Heinlein’s Stranger in a Strange Land.

2. We write children’s books to retain our innocence (and explore our loss.)

3. We write what we know.

4. Or we write what we care about.

5. We write horror so real-life horror is made a little less scary.

6. We write because words put pictures in our heads and, when done well, the brain doesn’t distinguish between false and true.

7. We write because we are otherwise unemployable.

8. We write non-fiction to serve.

9. We write fiction to serve up lies (that tell the truth.)

10. We write because we can’t help ourselves.

*There are many other reasons. What are yours?

Filed under: Books, , , , ,

10 Reasons We Aren’t Writing Faster

Starbucks Shinjuku Tokyo Japan, with NTT DoCoM...

Image via Wikipedia

1. We are hooked up to the Internet. (Did you know they have porn and wrestling kittens–or both!) on the web? Why would you make your dreams come true when there are distractions like that?

2. We don’t outline and we got fifty pages in before we hit a dead-end. Now what? Back up and go again? What if I hit another roadblock?

3. Coffeemaker broke and can’t afford Starbucks. We could afford one Starbucks flavored coffee…if we get that barista job.

4. We chose the wrong point of view from the start. We did not realize this until we hit the climax on page 326.

5. Kids, job, sleep…minor, dispensable obstacles en route to glory.

6. Best friend got published. Instead of writing, it is necessary to run in circles around the house cursing god, fate, Random House…not necessarily in that order.

7. Writer’s Block. Urk! It is now necessary for us to attempt a bank robbery for new content. Could also solve #3 if our getaway works out.

8. Depression. Cold, paralyzing depression. “Why haven’t I won a Giller by now? Or at least published?”

9. False starts. Your agent tried a few publishers and dumped you. The acquiring editor took you on with glee (and then immediately switched over to educational publishing.) The journal that was going to feature you went under. Close calls are part of the writing deal.

10. Laziness. Yeah, I said it. Laziness.

Filed under: getting it done, publishing, Rant, Rejection, , ,

Pet Peeve of the Day: Anne Coulter (& this phrase)

“Of all people…”

This week I heard a radio commentator say, “Why would anyone want to try to censor Anne Coulter, of all people.”

First objection: In this context, the phrase is misused because it suggests irony where there is none. Anyone familiar with Anne Coulter’s vitriol would not be at all surprised that someone would want to censor her hateful, homophobic comments. (I’m not for censorship. The best response to Anne Coulter is an empty room. She should be ignored. Why people like her, or listen anymore, is beyond me.)

Second objection: It’s misused in that it’s condescending. When the Governator was elected in California, I heard tone-deaf know-nothing critics say, “Who would vote for Arnold, of all people?” Arnold the American Dream who’s a Republican with strong family and social ties to powerful democrats who’s adored by millions of movie fans? At that time, the better question was, “Who wouldn’t vote for him you morons?”

Third objection: “Of all people” is a bit of throat clearing that takes up space in a sentence but adds nothing to it. Avoid using this phrase in your writing.

Filed under: publishing,

Links for Advice on Pitching Your Book

Adventures in Agentland: the pitch session from the agent’s side of the table.pitching and querying agents

The Pitch is a Bitch (but don’t fear the query)

And agent Rachelle Gardner asks, are you into writing for the long haul?

 

 

Filed under: agents, publishing, Rejection, writing tips, , , ,

Reasons We Aren’t Published by 25

1. We overslept and underwrote. fs_worst_excuses_edit

2. Because the Man wuzz keepin’ us down, man! Also, weed.

3. Cabbage Patch Kids and comic book obsession. Also, heroin.

4. We were chasing other dreams. Idol didn’t work out.

5. Kids. Good trade there.

6. We got distracted with the regular job so we could do exotic things…like eat. And not live under an overpass.

7. We thought living under an overpass and too much alcohol was bad. Turns out, it was research. 

8. For girls, boys. For boys girls. Also, multiple variations of those two factors.

9. What we thought was good when we were young writers was not good.

10. Face it. When we were in our 20s, we just didn’t have anything to say yet.

BONUS:

We didn’t write enough. We’re catching up now, aren’t we? Right? Right? Okay, go write.

Filed under: getting it done, Unintentionally hilarious, , , , ,

All About MFAs: Read these links before applying for an MFA.

The MFA meme struck this morning in a big way. I tweeted a few great links about Master of Fine Arts programs. Here they are in one aggregation formemes-danger your edification and enjoyment. There’s some heavy points among the fun stuff.

The Rumpus on MFAs.

Bark on How to be an MFA student.

Writers Digest’s MFA Confidential, Surviving the MFA

Filed under: MFAs, publishing, Rant, , , , , , ,

First and Third Person Viewpoint Problems

first-person-point-of-viewSometimes writers  can’t decide from which viewpoint to tell their story. Here’s why your agent or editor rejected your work when, assuming everything else rocked the Casbah, the problem was that the narrative‘s viewpoint failed to engage them.

1. They wished you had gone with the viewpoint you didn’t choose. (They didn’t tell you because that’s not their job unless they’re already working with you.)

2. Your viewpoint choice works, but it’s simply not their cup of pee. It’s subjective. It’s not to their taste. You can’t blame someone for not liking something viscerally (any more than you would blame someone for preferring vanilla to chocolate (even though that choice is inexplicably insane.)

3. Third person is limited omniscience. (No, no one does pure third person omniscient anymore.) First person viewpoint is much more limited in scope. In third person, the author may slide into keeping the reader in the dark. The reader may resent you for it if the execution is flawed.

4. Your first person reads like third person. In other words, third person lends itself to a more dispassionate telling of events. First person viewpoints are parades for character. If the character doesn’t have much character (i.e. unique voice, perspective, expression and sounds like all the other characters) the road to publication ends in a dead-end ditch. If I’m going to be seeing through this person’s eyes for several hundred pages, I want to enjoy the company.

5. The first person’s point of view can be unreliable (not necessarily a con, often a pro) but your protagonist is a static wimp. This is similar to #4, except here I’m talking about action. In first person, it’s easy to fall into the mistake of making your hero (or anti-hero) watch the action. I once critiqued a script that had a lot of action, but the protagonist wasn’t doing any of it. He was always around the action, following it instead of initiating. That won’t fly in the long run. 

BONUS:

Do what works for you. Tell the story your way and, keeping these points in mind, you’ll figure out how to proceed. (If you can’t…) An author critiquing at a writers conference once dismissed a manuscript out of hand. His reason? It was written in first person and he didn’t think there was enough of a market for that. There was a guy who had a very limited first person point of view.

Filed under: manuscript evaluation, writing tips, , , , ,

And here’s yet another contest link (not mine)

Back to the Beginning Book Giveaway.

For this contest, you could win some books. Fill out a short poll and check out the Writer’s Block NZ blog. It couldn’t hurt.

Filed under: Contest announcement,

Bestseller with over 1,000 reviews!
Winner of the North Street Book Prize, Reader's Favorite, the
Literary Titan Award, the Hollywood Book Festival, and the
New York Book Festival.

http://mybook.to/OurZombieHours
A NEW ZOMBIE ANTHOLOGY

Winner of Writer's Digest's 2014 Honorable Mention in Self-published Ebook Awards in Genre

The first 81 lessons to get your Buffy on

More lessons to help you survive Armageddon

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Available now!

Fast-paced terror, new threats, more twists.

An autistic boy versus our world in free fall

Suspense to melt your face and play with your brain.

Action like a Guy Ritchie film. Funny like Woody Allen when he was funny.

Jesus: Sexier and even more addicted to love.

You can pick this ebook up for free today at this link: http://bit.ly/TheNightMan

Join my inner circle at AllThatChazz.com

See my books, blogs, links and podcasts.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 2,063 other subscribers