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Ultimate Blog Challenge: Risk more

There’s a scene in the Woody Allen movie Midnight in Parisin which Owen Wilson’s character meets Salvador Dali. I’m a fan of

Woody Allen

Woody Allen (Photo credit: ThomasThomas)

Dali and Adrien Brody makes him weird and charming and, at that moment, obsessed with rhinos. After meeting Dali, Wilson’s writer character (an undisguised Woody Allen surrogate) starts to think that he needs to let his imagination off the leash and be more creative with his writing. I do wish more writers took chances and drew outside the lines.

Experimental fiction has a bit of a bad rep and sometimes for good reasons. It also gets a bad rep for bad reasons and the big bad reason is the author’s fear. Too often we hear that readers want to be made “comfortable” with a story. Agents and editors want “the same thing only different” from the successful authors they happen upon. You can write a competent mystery, thriller, romance — whatever your flavor — but I don’t think you can do anything great if you don’t stretch at least a little bit. Playing it safe means going with the tried and true. There’s plenty of that already.

The reader and writer in me is screaming, “No!”

A writer wants to do something more, different and great. A reader wants to feel like they are in confident, competent hands so they won’t invest a lot of time in a book and three-quarters of the way through discover the story has gone off the rails. Take your risks but make it plausible within the context of the book. I’ve just put a book down because an author made a choice that was implausible and annoying. For the first chunk of the book, we understand we are dealing with astronauts just back from Mars. After the three-year mission is over, they discover that one of said astronauts isn’t what he appears to be. He’s an astronaut impersonator. Really? Maybe that would work for some people, but it didn’t work for me and I put the book down, possibly never to pick it up again. I’ve got a lot to read. Life’s too short to waste on books that don’t work for me. If the author had made the astronaut impersonator the guy who messed up more, the conceit might have worked. Instead, the non-astronaut is the ultimate astronaut. Yeah, right. Got a brain tumour? Hand the scalpel to the brilliant amateur because he’s read some books and has a fresh take on this whole “surgery” thing. Ugh.

Please do take risks with your stories.

Go to unexpected places and surprise me.

Make me believe

(because I really want to believe.)

Midnight in Paris isn’t a great movie, but there is something very appealing about a cadre of artists in Paris in the ’20s who interact with each other, bounce ideas off each other and critique and encourage each other to reach beyond the norm. Too many people were living lives of quiet desperation (like now) while Hemingway or Gertrude Stein asserted themselves and their art as an important value, not a frivolous hobby. I don’t care for Stein’s writing at all and I prefer Hemingway’s short stories, but how noble to be so invested in art for art’s sake! Are we still invested in art or is our attention too fractured? Is there an equivalent to Paris in the ’20s now? Or have we devolved in our expectations of the value of art so much that we melt into the lowest common denominator of art critic: a mewling pack of trolling eunuchs at the harem with nothing to offer but barely literate, troglodytic snipe and snark in one-star book reviews?

Midnight in Paris succeeds only so much as nostalgia for an ex-pat community of artists in the 1920s succeeds, but I do love elevating art. When two hoods in an Elmore Leonard novel or a Quentin Tarantino movie or a Guy Ritchie film have conversations that you don’t expect, that’s a writer taking a risk to bring us more beyond the usual schtick and making it work. That’s “a Royal with Cheese.” That’s “Leave the guns, take the cannolis.”

Smack your reader with something they don’t expect.

Make them love you anyway.

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Ultimate Blog Challenge: Top 10 What I’ll soon do differently with my book promotion

1. Last November I started up my podcast to reach out to new readers. I called the podcast Self-help for Stoners

English: Third generation Amazon Kindle

English: Third generation Amazon Kindle (Photo credit: Wikipedia)

after my book of the same name. The podcast was a good idea, but tying the title to one book when I have dozens in me was a tactical error and I’ll change that soon.

2. This, my main blog, focuses on information, both original and curated, for anyone interested in publishing books.  The blog is not geared to readers. That’s what the author site is for. In the future, I think I’ll post to the author site more often than I do, especially as I have more reviews and events to talk about. I don’t regret writing about writing, though. Some people think authors are stupid for doing that, but I went with my passion. If I had tackled something I was less interested in, I wouldn’t be approaching 1,000 blog posts now and I wouldn’t be able to make two books out of it.

3. My two latest books, Bigger Than Jesus and The Dangerous Kind & Other Stories, are both on Amazon and exclusive to KDP Select so they do not appear in retail outlets. That’s fine for now, but eventually I will migrate them to other ebook platforms. Amazon was great at promotion, but with their new algorithms, they aren’t so great for me anymore. (I hope they rectify this and we, collectively, get through the current summer sales slump to see a more energetic autumn.)

4. In the future, I’ll raise the price of my books. They’re all at couch change for $2.99 now. This is the introductory price and will change, which will also make more sense with Amazon’s new price-based (rather than quantity sold) algorithms.

5. I have several books in revisions that reach beyond 120,000 words. If they were shorter they’d be done and available by now. If it makes editorial sense, I may break the longest books up into trilogies.

6. I will write shorter books. As I wrote Bigger Than Jesus, I discovered that I love to write a book with a high momentum. A fast write (and read) energizes me. The paperback will still clock in at 249 pages, so no one will feel I’m shortchanging them.

7. I will write no stand-alones. Bigger than Jesus is the first of The Hit Man Series. The Poeticule Bay Series is in development. The books are meant to stretch out into long series following certain characters. Stand alone novels are a heavy investment of my time that do not develop a following to the same numbers as a series can. To make more art, I have to make that business decision. What will be fun is when I have crossovers, where many of my characters from different books meet.

8. I will write faster. I wrote Bigger Than Jesus in a month. To perfect it, the editorial pipeline was longer than that, but I find I can write effectively and well at speed. My editor and beta team made that possible and, maybe it’s the journalistic training talking, deadlines are my friend.

9. I will have print versions available for all my books going forward. Currently I just have Self-help for Stoners available as a paperback. The other short story collections didn’t have quite the length needed to make for a paperback with heft. Everything I do from now on makes for a great mass market paperback. I just finished all the book design and print formatting on Bigger Than Jesus today so I’ll have the paperbacks on hand pretty soon. (I’m in love with Georgia. She’s a beautiful font.)

10. I will be less shy about contacting other authors for blurbs and book blogger for reviews. This is more of an affirmation than a plan since I have yet to compose those emails. I’ve sent out a few copies for review, but it’s an issue about which I am still an introvert. (I’m only pretending to be an extrovert here so someone will read my books.)

~ Like my flavor? Listen to the first chapter of my crime thriller, Bigger Than Jesus. I’m

Get Bigger Than Jesus

podcasting the book through the summer. Enjoy! (Or be a hero and just click the cover to grab it. Thanks for reading!)

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Author Blog Challenge 20: What writers owe (and an insider secret is revealed)

Garley the Persian cat

Garley the Persian cat (Photo credit: arash_rk)

I used to dream that when I finally became an author, I’d write a short acknowledgements section to myself. ”Screw you all!” I’d scream. “In your face! I did this myself and I don’t owe anyone anything! Ha!” Then I’d retreat to my hermetically sealed office under a volcano within my island fortress guarded my my loyal ninja monkey assassin clones. I’d have a monocle and a white Persian cat to stroke while I ordered Hellfire missile strikes to rain down upon my enemies. As you can only imagine, that’s almost exactly what my life is like except for the thing about acknowledging people who have helped me on my publishing journey. Unexpectedly, I have the attitude of gratitude. I’m happy to have a deep stock of Hellfire missiles to protect my tropic realm and I’m grateful for all those people who have assisted me in putting out my books.

Yesterday, after my big free promo day, I sat down and wrote a little letter to a bunch of people who have been helpful along the way. Somebody slipped me some dough so I could keep going. Someone else helped me with formatting the first time I attacked the beast. Others were consultants about suitable explosives…”Um, for my crime novel’s plot!” he added hastily.

A lot of people have the wrong idea about self-publishing.

They focus on the self part.

Hitchcock said that a painter only needs a brush and a writer, a pen, but a film director needs an army. These days, indie writers need small armies, too, and many of them are volunteers. 

The key thing is: self-publishing is still publishing. You either need a graphic artist or you need to be one. You need to learn a lot about tech and promotion as well as craft. You can write a good book, but if it has a lousy cover, no one will read it. (The converse is also true, of course.) That’s why I prefer the term “indie” to “self-published”, though to the consternation of a few angry people, I do use those terms interchangeably as a concession to common parlance.

My Beta readers are volunteers. I’ll pay them in lollipops, acknowledgements in the book, a copy of the paperback and, when they’re ready to go indie, I’ll be a resource for them, too. I’m confident each of those readers could write a book if they decided to do so. I’ve thanked them all, for what that’s worth. So far all they’ve received is a book they enjoyed for free but I’ll be sure to get those lollipops to them.

I did find an unusual way to make one person’s day though. If you’re writing a book, you may wish to consider doing this (with their permission.) A great buddy of mine is undergoing treatment for cancer. It’s been a scary time that he has handled with a calm and class that I am sure I could never muster. This guy is one brave SOB. As I was writing the first draft of Bigger Than Jesus, I used his name for one of my characters.

Funny story: I called him up on Skype to ask him if I could keep his name in the book. His microphone wasn’t working. He could hear and see me but I could only see him. However, that worked out for the best because he pantomimed his approval. When somebody is that sick and you can make them laugh and smile as much as he did by putting him in your book? Why wouldn’t you? He loved the idea and showed lots of energy in giving me a thumbs up that made me laugh (and, truth to be told, a little weepy, too.)

I talked to him on the phone the other day. Things are looking up and we’re optimistic that one way or the other, he’s beaten it. Not only will he live a long life, but in a way that is tiny and totally useless except for good feelings and a funny exchange on Skype, he’s  immortalized in literature, too. I’m very grateful my buddy will be around to enjoy all the novels in The Hit Man Series and everything else I write. I’m most happy about that.

If you’re reading the Bigger Than Jesus,

my buddy is the guy wielding the SPAS-12.

Sh. Keep it to yourself.

Filed under: publishing, , , , , , , , , , , , , , ,

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