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Setting writing and exercise goals that work

Grab Crack the Indie Author Code here.

Grab Crack the Indie Author Code here.

Years ago I read a book by an exercise guru who encouraged people to change everything about their lives all at once. The energy of a radical overhaul, he said, would lead to an unstoppable momentum. Recently I read The Nerdist’s Way by Chris Hardwick and I think a softer, less demanding approach has a better chance at making long-term change. I think the same slow but steady approach to writing can help us, too. Don’t get overwhelmed in your race to publication.

There are many radical exercise programs out there. On The Biggest Loser, fat people go from sedentary to athletic, working out six hours a day and often getting ground down in the process. (I used to watch the show, but the subtext of “You aren’t a worthy human until you’re the right weight,” got to be too much.) Or take P90X. If you’re already in good shape, you might try it. It has its fans. However, as someone who has treated a lot of sports injuries, I can tell you that trying to go from zero to hero too fast is a recipe for injury that really kills progress. I took a slower approach after burning out on trying to do too much too quickly. I started with drinking a kale shake a day and began building back up from there. I think there’s a lesson for writers here. I tried to do too much at once, too. I lost too much sleep and feeling awful became the new normal. We need balance.

More tips and tricks to steer your authorship. This book is free to you until Saturday, Dec. 15! Please click to get it now.

More tips and tricks to steer your authorship. This book is free to you until Saturday, Dec. 15! Please click to get it now.

When you try to write too much at once, you’re going to have to do a lot more rewrites later. You probably know when your writing sucks. You go from “I’m a genius!” to “That was somewhat competent.” You aren’t happy while you’re writing badly. You look at the clock too much and think about anything besides what happens next. Writing doesn’t get better if you bear down and grit your teeth. Bearing down and gritting your teeth is sometimes what you have to do to start writing, but you shouldn’t end that way. When you begin to write, get into it and, if it’s going well, carry on. But when you’ve been writing for a while and you stop feeling the flow, take a break. Do something else. Refresh. Go to the gym even.

I begin a writing session by reading a bit of what I’ve already written, to get into the flow.  I might have a few minutes to write or a couple of hours. That doesn’t matter. What works is to begin writing and to be consistent, just like exercise. Starting is the major hump to get over and whether you promised yourself just a few hundred words or twenty minutes on the treadmill, you’ll probably end up doing more than what you promised yourself. If not, not, but at least you will have accomplished the minimum you asked of yourself for the day.

There are plenty of useful things to do, so there’s no need for anyone to get upset at themselves if they don’t achieve the superhuman every day. Expectations that are too high leads to disappointment, failure, burnout, self-loathing, self-medication with sugar and fat and eventually stalking the neighbourhood with an AK. Ease up on yourself because you can go hard or you can go long. You can’t do both for very long. Just begin. If you screwed up, begin again. That’s the magic.

I used to write short stories and still do occasionally. As a journalist, I’d write several stories a day. That was excellent training to build up to the 2,000 to 3,000 words a day I now write. For my process, I tend to think in blocks, so I don’t stop mid-chapter. Sometimes I’ll write two chapters a day, but I’m wary because that second chapter might not be as hot if I don’t get in some down time to cogitate and refresh. 

Whether you use a word count or a time limit as your daily goal, pay attention to how you feel as you write. If you lose yourself to it and you don’t notice the time passing at all, that’s a good sign. Similarly, you may feel tired or a little sore afterward, but if you generally feel better after exercise, great. That was the right amount. (For more on setting goals exercise goals that work, listen to guest Tom J Deters on The Duncan Trussel Family Hour Podcast. It’s NSFW.)

Find more tips and inspiration here.

Find more tips and inspiration here.

~ Robert Chazz Chute writes suspense, a little quirky self-help and Write Your Book: Aspire to Inspire. Check out all the links to his books or hear the latest All That Chazz podcast at AllThatChazz.com

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#NaNoWriMo: How to make reading like cardio

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

 Get all the details of the Seven Words or Less Contest and enter here.

Last night I wrote two more chapters for my next crime novel, Hollywood Jesus, starring my Cuban hit man, Jesus Diaz. The first chapter worked very well, but the second needs tinkering right away. Here’s what happened and my rationale for how I’m dealing with it.

The first chapter of the day was a fast-paced and clever chase (even if I say so myself). Good guy* chases bad guy/reversal/good guy’s now at a disadvantage and, as they say, the hunter becomes the hunted. The tension cranked higher when I put the good guy in a seemingly impossible situation. He’s either dead or going to federal prison or maybe even Gitmo if he’s caught. The latest police tools, tactics and technology are used against him and Diaz has to figure out a solution.

Actually, it would be awesome if my hit man figured out the solution himself, but I wrote him into a corner and I had to find a plausible way to write him out of that trap. Whenever I stick him in a bad situation, he’s looking at me going, “Get me out of here, you sadist!” I did get him off the meat hook again and it was both funny and sweat-inducing. Yay, me. Now what about the next, problem chapter?

The tension has to be cranked down from that high a little bit so there’s some kind of emotional range for the reader. However, I messed up. I cranked the tension down too far with a transitional chapter. I hate that. In the transitional chapter, I had too much exposition with not enough events occurring. After a daring escape, my hero gets picked up by his Sancho Panza with fresh clothes and a new mission to add to his growing pile of trouble. The chapter is devoted to explaining to Diaz what happened in his absence.

There’s a lot to fill in for Diaz and for the reader: A friend and an enemy are in hospital, the ultra-bad guy is on the loose and the cops are investigating the violent and creepy events of the night before. The hit man has to find these things out, but changing clothes while going for a ride in the back of a van slows the pace too much. I want the reader to have a breather for a moment, but I don’t want the reader to actually recover. For cardio and thrillers to work, you have to keep the heart rate up.

The Fix: After the perilous escape, Jesus Diaz will be picked up by his aide. However, the chapter must start at the next beat where, aside from being a fugitive from the LAPD and the FBI, he’s got a new client thrust upon him by the old client. Both are beautiful, intelligent women in danger and at the moment, both hate the hit man’s guts. I’m sticking with the conflict instead of allowing the congenial conversation with the buddy who gives him a safe, friendly ride.

But why not plunge forward, blow up the word count for the day and “fix it in post”? I see the problem now so I’m fixing it now. Dealing with the problem immediately saves me revision time later. When I go into full revision mode, I want little puzzle pieces that have to fit, not big chunks that throw off the trajectory of the story, kill the fast pacing and make me go all the way back in order to move forward.

Besides, I was already well past the word count for the day with the previous chapter. On those days I’m productive, I sleep well. The sleepless nights after a non-productive day are torture. There are only so many days.

Speaking of the next book, have you entered for a chance to get your name in Hollywood Jesus yet? Get all the details of the Seven Words or Less Contest and enter here.

* I use “good” guy here loosely. Jesus Diaz is a killer, but funny and ultimately, a sympathetic vigilante. I think of my books as Bad versus Evil.

~ The sweetest  fig Chazz ever loved was the one he stole from a tree in the former Yugoslavia. Robert Chazz Chute is the author of Bigger Than Jesus, Higher Than Jesus, The Dangerous Kind & Other Stories, Self-help for Stoners and Sex, Death & Mind Control as well as the guides for writers and self-publishers, Crack the Indie Author Code (free until Friday) and Write Your Book: Aspire to Inspire. For links to all the books and to hear the latest All That Chazz podcast, slip over to AllThatChazz.com.

Free until Nov. 30, 2012. Click it to grab it now!

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#NaNoWriMo: And what if you don’t?

Free to you Nov. 26 – 30, 2012. If you love it, please review it. Thanks!

What happens if you aren’t a “winner” at National Novel Writing Month? The Mayan Apocalypse was set aside for you. The end is near and it’s going to be like that John Cusack movie, 2012, only longer, with burnt popcorn and more uncomfortable seats. 

Well, no, actually. NaNoWriMo isn’t another of those insipid chain letters that will kill you with a falling baby grand piano if you don’t complete it within the specified time. Fifty-thousand words and one month is an arbitrary deadline. It’s a fun and, I think, worthwhile challenge, but just because you didn’t make the quota — and there’s still time left, by the way — doesn’t mean you aren’t a writer. Mom still loves you, though she still prefers your brother Ted. Dad doesn’t think you’re any less unemployable (or more employable) than you were last month at about this time. You dog does not judge you…harshly. You still don’t take him out for enough walks, though. The status quo is preserved.

You’re certainly no farther behind than all those people who did make it to 50,000 words but will never look at their manuscript again. Their art is stillborn. Sadly, plenty of people who enter NaNoWriMo   have something worthy of publishing but will never know. The challenge, to them, was just a challenge, like how long can you go just eating pineapple and refried beans? Years from now they will sit in a dingy bar packed to the rafters with Rue and say, “Yeah, I wrote a novel once.” Before taking another long pull on a long neck, they’ll finish with a whisper, “…sort of.”

So what are you feeling so bad about? If you’re not going to make it to 50,000 words but you’re still reading this post, I bet you’re more serious than Mr. Sort Of. You’ve made it this far, looking for commiseration and a shoulder to cry on and all that. You don’t need a shoulder to cry on (and cleavage is better for that activity.) What you need is more time.

Many people don’t finish NaNoWriMo for great reasons. Stuff happens. Cats sit on your keyboard. Your sister called too many times at midnight to complain about her husband and how his new boyfriend leaves the toilet seat up. People get sick. Maybe you got tied up with work that actually pays. That’s important. Maybe you got sucked into a marathon of Hillybilly Hand Fish— okay, even my cheerleading efforts have limits. Shoot yourself.

I’m a cheerleader for anyone who writes to a daily word count, whether they are in NaNoWriMo or slogging through and constantly sweating a book out. Today I wrote a mere 1,900 words. I usually write close to three thousand a day. What’s galactically unjust is an author friend of mine reported that she just wrote over 4,000 words yesterday. (Pavarti! Dang it! That should have been me!) You see, my NaNoWriMo challenge is 365/24/7. You know books aren’t written in a month and you know this challenge is just a start. If you wrote enough so you have a good start on a novel, good for you. It can still be brilliant. Arbitrary is just so damned arbitrary, don’t you find?

Maybe you’re simply one of those tortured artists who take a little longer to write a masterpiece. If you’re a Canadian author, for instance, the government’s Royal Department of Vaunted Canlit requires that each book must take several years to write, with extra points awarded if you write about hard Arctic winters, houses made of sod and relentless, howling blizzards. To qualify, each revision must be completed in a birch bark canoe. If CBC Television scrapes any conflict out of your book and makes it into a movie (entirely in sepia tones with lots of bonnets or at least Labrador outports), you’re a serious Canlit contender. Congrats, you poor bastard. When Jian Ghomeshi interviews you on CBC Radio, answer in murmured Zen koans and only allow a small, smug smile, like you’re holding in a fart worthy of Margaret Atwood. There’s no money in being part of the Canadian literary establishment, so instead you get a trace of mystique among U of T English majors — wear a big hat and a long coat to readings — and the vague recognition that occasionally accompanies that ghostly, elusive thing that is “Canadian celebrity”.

Even if you aren’t Canadian, there are still great hurdles to overcome before you write your book and earn the respect of the literary establishment. First, you must never mention any connection between your Great American Novel and NaNoWriMo. Next, leather elbow patches are a must and always refer to the story as “the Text”. (Make sure they hear the capital T.) To really rock the foundations of letters and get Mark Twain and Kurt Vonnegut to step aside for a new, greater entry into The Great Works of Literature Hall of Fame (and Gas Bar), give that manuscript of yours another couple of weeks.

BONUS TIP: If you’re going to take a day off from writing anyway, avoid misery and decide that at the beginning of the day. If it flogs you all day and at bedtime you decide today’s not a day to write, you’ve paid a needless stress debt. There’s enough stress in the world without adding to it.

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

~ In addition to writing about publishing in Crack the Indie Author Code and Write Your book: Aspire to Inspire, Robert Chazz Chute plots murder constantly, often in relation to fiction. His latest is a delightfully violent and occasionally sexy romp called Higher Than Jesus. He begs that you buy it and read it and review it because he has no shame anymore. Pride is a luxury bought with money. Sure, that last bit sounds like Jane Eyre, but those are his words! (This is also a  good time to admit that I, Chazz, am currently writing these words about myself in the third person. I’ve rarely loathed myself more deeply.) For more on books of suspense and nonsense by Chazz or to hear the free All That Chazz podcast, slum in his grimy little author site just off the Jersey turnpike in back of a dark bar with lipstick on the glasses, AllThatChazz.com. The glasses are all dirty mason jars and the bartender is a study in jailhouse tattoos.

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#NaNoWriMo: 50,000 words isn’t the end. Learn from my mistake.

Free to you Nov. 26 – 30, 2012

Crack the Indie Author Code is free to you as an ebook, Monday to Friday, Nov. 26 – Nov 30 at midnight. As National Novel Writing Month draws to a close this week, please consider picking up the book and its  follow-up, Write Your Book: Aspire to Inspire. Both books are packed with information and inspiration for what lies ahead, no matter where you are in your writing and publishing journey. That’s the ad, but there’s more you need to know. Learn from my mistake: Don’t stop there.

Some say there are too many books. I’m a huge fan of choice, so I say there are too many books still in drawers and forgotten on thumb drives after NaNoWriMo is complete. Sure, let it sit in a drawer so you can be realistic when you get back to it. (Have a rest and relearn your children’s names.) However, please don’t let your trip to publication end at 50,000 words.

I believe many of the books that languish after NaNoWriMo can be salvaged with revisions and editing. Okay, maybe not all of them, but many. NaNoWriMo is a fun challenge to begin the process, like a hard swim in the ocean. In braving the waves and heading straight out to sea, you complete 50,000 words or more. That’s certainly an achievement, but it’s not the finish line. You have to swim back and make it to shore. Otherwise, all your hard work is written on water. 

An incomplete manuscript niggles, doesn’t it? I know. I have several manuscripts waiting for me. I wrote for years before I began writing full-time, so I built a bank of manuscripts to return to. It’s easier to keep your head in the game when you see one manuscript through to completion. Those big books I’ve written are awfully intimidating when I go back to them to tinker. I’m afraid to lose the thread. It helps my process to be in media res, not just for the characters but for me as I write and rewrite. I will get to those books, of course. I’ll immerse myself again and get back into it, but at first it sure feels like trying to do the butterfly stroke after a long absence from swim practice. I’m always most excited about the newest project, so those books, as worthy as they will be, get pushed farther back in the drawer.

In stopping and starting, I’ve lost energy, time and money. Please learn from my mistake and see NaNoWriMo through to its logical conclusion. Keep swimming.

UPDATES

When I wrote Crack the Indie Author Code, there was a Big Six. Now, with the merger of Penguin and Random House, it’s the Big Five. As

Find tons of tips and inspiration here.

I wrote Write Your Book: Aspire to Inspire, Kindlegraph was the tool to autograph ebooks. Now authors can write inscriptions across publishing platforms using the update, Authorgraph. I mention these two updates not just because I want you to know the latest. I mention it because I published those two books on writing and publishing very recently. Publishing’s landscape is changing so fast, even ebooks updating before anyone can click the “Publish” button. Bookmark ChazzWrites, hit follow and keep coming back for the latest.

Speaking of the latest on changes in the publishing industry, you will certainly want to hear: the latest episode of the podcast, On The Media, from NPR. It’s called Adapt or Die. It’s an excellent summation about the year in publishing. Topics include: The myth of piracy, Amazon versus everyone, getting around Amazon, knockoff books, the bookstore battle over the Tim Ferris’s The 4-Hour Chef and the future of the industry.

~ Robert Chazz Chute was a martial artist when his life was still ruled by macho BS. He writes about writing and publishing, suspense and escape while making jokes to distract readers from the existential abyss that will consume us all. He likes puppies. See his author page and listen to his podcast at AllThatChazz.com.

 

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#NaNoWriMo:The mission is simple. We are not.

Find tons of tips and inspiration here.

During National Novel Writing Month, you will focus on word counts. It’s about chewing up time by filling up paper. That’s okay. That’s fine. The critics of NaNoWriMo underestimate you. They think you don’t know that this is just the first step. Strange. They know that. Why would they think you don’t know that?

Sure, there are dabblers and dilettantes and outliers who will fire off their manuscript as soon as they’ve written 50,000 lousy words. Any time a lot of people do something, there will always be those misguided people who do it very badly. But they aren’t the majority. Most of us know that first drafts aren’t our best work and we have to try harder than that. You get to make it your best, bravest stab through the work of rewriting. You have to have something to start with, on paper, to have something to revise. We know. We get it. Please don’t condemn us all.

Let’s all lighten up and know the joy of Creation. That’s the closest to godhood I’ll ever get (besides Saturday mornings when I go yell at frogs, proclaiming how much smarter I am than they could hope to be. Uh…long story. Stupid frogs.)

When you’re done, you probably share my mission: 

I want to make people laugh and think. I want to create beauty. That is all I want to do. That is all

High goals. We know it takes more than one draft to get there.

Enjoy the process.

 

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#NaNoWriMo: Evolving a series from one book

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Readers love books in a series. Maybe when you’re done your NaNoWriMo manuscript, you may consider turning one book into several. I’m having an interesting experience with my crime novel series I thought I should share with you because it’s a new thing for me and it may be helpful to pull back the curtain on the process as it’s evolving.

Last year, I wrote a short story about Jesus Diaz, a hit man I included in my suspense collection Self-help for Stoners. The assassin I wrote about was a mature and experienced, cold-blooded sort of guy who, at the request of their soon-to-be ex wives, killed men going through divorce. Jesus (pronounced Hay-soose) knew what he was doing and was very slick. Still, things went awry in an interesting way. That was the beginning of the Hit Man Series, but I didn’t know that then.

The revelation came when I thought, I want to write a Coen brothers’ movie! Self-help for Stoners has a lot of funny stuff in it (my favorite is the funny erotica) but I wanted to write a whole novel that played with one character in a quirky way. I thought about what origins a guy like Jesus might have to make him more sympathetic. Despite what he does as an enforcer, he does not see himself as the bad guy. No bad guy does. He’s a victim and a vigilante caught in the gears of New York’s Machine (the Spanish mob).  Think of all those Coen brothers’ movies and you’ll get some of the flavor: The Big Lebowski, Fargo, Raising Arizona, Blood Simple and Miller’s Crossing. Death always waits on the wide and easy road out of town. Perfect fit. I write about Escape. All my books and every one of my stories is ultimately about Escape. Along the way, I try to find a balance between realism and funny. People don’t get knocked out too easily in my stories, for instance. There are some bad guys who are entertainingly dumb, but nobody’s dumb just to make the plot work. Everyone has a goal that conflicts with everyone else’s motives and perspective.

“Worthy of Elmore Leonard with shades of Thomas Harris…”

The first book in the series is Bigger Than Jesus. I wanted to start the action off with a bang, so when we meet Jesus Diaz, he’s hanging off the side of a building in New York. The book reads like one long chase scene with a few sparse flashbacks to give depth to the character. Dexter is driven by psychological issues. Jesus is driven by circumstance and a need for money and delusions of grandeur. He’s obsessed with movies and wants the life he see in them. In the first book, there’s no sex but lots of violence and funny dialogue. I’d call it more gritty than gory. The story often plunges the reader into a web of deception and, because everything is seen from Jesus’ limited perspective, we only uncover the mystery of what waits in locker #408 as the Cuban hit man discovers the truth. Jesus begins his story arc as a guy who can lie well and has some skills he learned in the military, but he’s certainly no master assassin.

I watched and listened carefully for feedback before and after publication. People loved the jokes and surprises. Some thought there should be more sex and less swearing. I kept that in mind as I got into writing the second book in the series, Higher Than Jesus. I put in more jokes and surprises and yes, more sex. We discover new things about Jesus Diaz’s history. (That’s kind of a fun tip of the hat, playing with readers as they find out that Jesus has been lying to himself as well as others.)

Higher Than Jesus has a fast pace, but not quite as fast as Bigger Than Jesus. We slow down long enough for a funny and somewhat poignant chapter in which my hit man is failing at group therapy. We get into issues around addiction, too. From the first chapter, the tension slides in like a knife between ribs with a quarter twist as Jesus kills a bad guy on Christmas Day. Complications ensue around an arms deal that has national and historic ramifications. He’s learning and getting better at his job, but things still go awry.

Free on Amazon until November 23: A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

Through each book I used research and consulted with friends, one who’s ex-military and another who is a SWAT trainer. Some clever aspects of the plot turned on technical details my research supplied. As I write Hollywood Jesus, my hit man is still on the run from the mob and the FBI. The events from the first two books are by no means erased. What’s different as I write the third book in the series is Jesus’s confidence and competence. He’s still at the mercy of Murphy’s Law, but now the book includes the latest technology and techniques in espionage and counter-espionage. Jesus is a troubleshooter for a security firm, specializing in dealing with celebrity stalkers. He deals with them in very unorthodox ways, often using their own tactics against them. None of the tactics or tech is too far out there, so it’s not like a Bond movie, with Roger Moore. However, there’s a lot of very cool spy tech that’s available to anyone commercially. 

What’s the arc of the series so far?:

#1 was a pure crime adventure with dark childhood secrets driving the character and a mystery leading to escape. That whipped the action across the finish line.

#2 goes deeper into the character, but at its heart it’s hardboiled action with a chapter that drips with sex and a lot of violent action broken up by fast, witty dialogue. There’s less swearing, especially since one bad guy hardly says a word and the other sees himself as quite pure and above all that. I’m proudest of the psychological gameplay throughout, the funny chaos, the clever kills and a fight scene that actually reveals something about the character and his past instead of fighting for action’s sale alone.

#3: I’m still writing Hollywood Jesus, but I think that, though the story starts fast, the tension cranks up with more range of emotion. Yesterday, for instance, Jesus confronted a very deadly and powerful stalker to make Jesus (and the reader) understand the enormity of the danger he faces. That night, Jesus scans the audience at a comedy club for the celeb stalker as the client does her act onstage. We got a sense of why this celebrity is so special and worth protecting. I loved writing that scene because every line is from the stand up act I’ve had in my head for a while and I think it’s pretty hilarious. (I’ve been thinking about doing an open mic at Yuk Yuks sometime, so maybe I’ll try my material onstage myself before publication to see if I get the same laughs as Legs Gabrielle.)

The tech stuff in Hollywood Jesus fascinates me and always has. I’m drawing on a large library of dirty tricks, revenge fantasies and bad guy techniques I’ve researched for years. This is an amazing time to be a crime novelist. There’s so much information to draw on.

What’s stays the same among all three books so far?

The humor. One thing I share with Jesus is smart-assery, especially when in danger. Reversals and bad fortune plague Jesus, often because his plans and my plots are so elaborate and my hit man is not as smart as he thinks he is. The assassin’s character does change through the books. By the third, he’s wary of falling in love too quickly, which is a fatal flaw with him. He begins to see himself differently by the end of the second book so, though he’s always been clever, by the opening of Hollywood, he’s more proactive and in control…or so he thinks.

Things are rarely as they appear in the Hit Man Series. I have an outline, but I’m not sure of all the details of what’s coming. For Jesus, I’m more of a pantser than a plotter. I can’t wait to see what he does about what I throw at him tomorrow.

Grab Higher Than Jesus before midnight, Friday, November 23rd

and it’s free!

(There’s an intriguing offer for more free ebooks inside and, fair warning, all the prices will be going up soon.)

~ Robert Chazz Chute writes hardboiled suspense with quirky twists. He’s also written two books about writing and publishing: Crack the Indie Author Code and Write Your Book: Aspire to Inspire.

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#NaNoWriMo: You’re tired. Dream some more.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks.

Writers are a tribe bound together in loose nomadic groups travelling in the same direction along parallel lines. We are  slathered in poverty and fear and unrealistic hopes. But we are also sharers and people pleasers. We are the dreamers.

If you are a writer, someone in your life is trying to wake you from your dream: You are a child lost and frantic in a busy marketplace and that chasing frenzy will pull you from sleep’s safety. Readers are beautiful objects of desire but your love is unrequited. You have disappointed yourself and fallen into the gap between the great vision you saw from far away and the lesser book you crafted with your hands. Everyone falls short, but nomads keep moving. Writers continue to stretch and reach. Sometimes you will curse your blessing and you will wake, startled and disoriented and blocked. Go back to sleep.

Stay asleep and dream. Burrow down under the blankets. Pull the quilt over your head. Some people — busy but still somehow accomplishing little or nothing — can’t bear to see someone warm and comfortable. Busy people in busyness are blind to your mind. They can’t see that you are happily occupied in Creation, elsewhere and elsewhen. We are Zen masters, actively doing nothing for a larger cause that awaits us in paper and pixels. New futures demand that you be different.

Write and, when you run out of space in your dreams, read to make more room for the next night’s escape. You have the creative virus. Those who would wake you from your dreams can’t understand the compulsion your disease insists upon.

Write and make worlds. Your dreams are important. Never doubt that. Your night work is important because we are the creators of escapes from the waking world and busyness.

Writing, above all, is a kind thing to do.

 

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#NaNoWriMo: Tools to get you back on track & stay inspired

Right about now, if you’re doing National Novel Writing Month, you’re feeling a little tired and you have two complaints: Where do I take my story from here and how can I better manage my time to meet my writing goals?

I can help. First, here’s a link to my guest post on Masquerade Crew today. This excerpt from my book, Crack the Indie Author Code, is an easy, fun and  genuinely intuitive exercise that will turbocharge your NaNoWriMo efforts and make your manuscript fresh. I call the strategy my Trio approach to story creation. You’ll love it and your readers will, too.

And now your free time management tool: The SlimTimer. I found it through The Nerdist Way by Chris Hardwick. (With all those Star Wars jokes and references in my books, you must have guessed my nerd secret, huh?) This tool will help you track your activities and find time. Only what is measured can be improved. Measure your day with this timer.  Then make time you didn’t know you had, get back on track and stay on track.

Crack the Indie Author Code is Book One. Write Your Book: Aspire to Inspire is Book Two in my series on writing and publishing. For fresh inspiration, I offer this uber cool image to motivate you to persist with writing your book so you, too, can have a cool ad like this!

Click the image to get Higher Than Jesus

Often when we think of graphic designers, we only think about book covers. Kit Foster from KitFosterDesign.com sent me this ad this morning. I’m using the white variation above in the Orangeberry book tour. Pretty cool, huh? Kit is not only an author and the sponsor of the All That Chazz podcast, he’s also an amazing designer. He does book covers, web banners, Quote Art and much more. If you have a podcast, you need art. If you need an ad, check out Kit’s portfolio and go get help. Great images grab eyeballs.

Graphic designers can do more than just book covers. Kit is a great consultant. For instance, it was he who suggested that I add a tag line to my covers using the ten commandments to reflect some aspect of the plots through the series. In Bigger Than Jesus, it was “Thou shalt not steal.” In Higher Than Jesus, it’s “Thou shalt not kill.” In the next book, Hollywood Jesus, it’s “Thou shalt not covet.” That tweak added a lot to the look and tone I wanted to achieve. Tweak your covers. Don’t let them lie there, weak and ugly.

I’m so excited about how my books are turning out (which explains how linktastic I am today), I want you to be excited about your books, too. Go write one.

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#NaNoWriMo Tip: How to blast out of the gate

Find tons more tips and inspiration here.

As you write your manuscript, grab your readers by the eyeballs right away. Here’s how:

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

1. Start late and bait the hook. When writing guides say, “Come in late,” they mean to bring the reader into the action quickly without throat clearing. Stick your media in the res.

2. “Throat clearing” means  focussing the back story and distractions more than the action. (Usually weak first draft paragraphs tarry too long over the weather, flora and fauna.)

3. Instead of taking too long to set the scene, let character be revealed through action and dialogue.

4. Look for the unusual and strong verbs in to give your hook strong bait.

5. Preserve mystery to pull readers in. Don’t give it all away at once. For instance, if your protagonist is chasing someone through a dark warehouse in your opening paragraph, don’t tell me she is FBI right away. Focus on the pursuit and the danger around the next corner. Let the details leak through. It’s much more intriguing to have a woman chasing a bad guy when you don’t know right away that she’s on the righteous side of justice, has a ton of training and resources and her back up is on the way.

Free to download Nov 5 to Nov 9, 2012.

Here’s my opening to Bigger Than Jesus (which, ahem, happens to be free to download here from Monday, November 5 to Friday Nov. 9.)

Water drips from the soot-black gargoyle’s tongue like thin saliva, as if the grotesque statue is mocking you and eager for blood. Panama Bob Lima clings to the gargoyle, using it as a shield. You are on a thin ledge on the side of a very high building and for once you wish you wore your Nikes instead of twelve-hundred dollar Tanino Crisci shoes. So far, this job is not going at all as planned.

Rationale: A mood is set in an unusual situation. Weather (the water through the gargoyle) is mentioned because it’s relevant to the danger the protagonist faces and we get a taste of the crazy to come. The second-person, present tense brings the reader into the middle of the action and provides immediacy. The second-person present tense and reference to the ominous gargoyle is purposely disorienting in the first sentence, just as the threat of the long fall is dizzying. It’s an opening that poses questions: What is the job and why the pricey shoes? The protagonist is probably not there to help since Panama Bob uses the gargoyle as a “shield”. The opening tells the reader they can expect a fast pace and the ironic last line is a clue that the story won’t be told straight. Dry humor is ahead.

6. Open every chapter with a baited hook and action. Give readers action that propels and compels and you’re on your way to a better book.

Higher Than Jesus, the follow-up to Bigger Than Jesus, is available here.

~ Robert Chazz Chute is the author of five books of suspense and two writing guides that, if you’re reading this far into this blog, you obviously need. They are Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Check out all of Chazz’s books here.

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#NaNoWriMo: The key tip to write a much better book

When we plunge into writing a book, there’s lots of enthusiasm on the front end of the challenge. But how will we fill all those pages, especially in that saggy middle where we really don’t know exactly what’s going to happen? How will we give our story verisimilitude? How will we make readers care about our characters and give the book depth? Where will all the conflict come from? How will we sustain our enthusiasm all the way to the end of NaNoWriMo?

There is a solution that many writers shy away from to their detriment. They want their protagonists to be likeable so they make them Christlike figures. This saps a lot of juice from your book. Here’s why you must make your characters more flawed:

1. With flawed characters, there’s much more to write about. A former writer on Seinfeld said recently that stories that focussed on Jerry were always the hardest to write because he had the fewest flaws. George and Kramer and Elaine had plenty of neuroses and quirks, so that allowed the writers plenty of material with which to play. Give your detective an obsession or a hobby that doesn’t help him. Nero Wolfe had the orchids upstairs. Monk has OCD. Everybody has a blind spot or maybe even a fatal flaw that your plot can turn on.

2. Flawed characters have an interesting past that has a bearing on the present and future. My hit man in Bigger Than Jesus and Higher Then Jesus was abducted and abused as a child. Those scars interfere with his love life now. He wears very expensive suits and can’t stand to have sex without his clothes on because he has emotional scars. He also doesn’t want a lover to see the physical scars across his chest. His psychological quirks go deep, dealing with PTSD, addiction and his relationships with women. He falls in love too quickly always searching for a woman he can idolize and worship. Or is he really looking for mom?One of my favorite chapters in Higher Than Jesus is the one in which my hit man goes to group therapy (and fails miserably at it.)

You don’t want to stop your narrative cold with flashbacks too often, but if you can weave those flashbacks into the story well — and if those flashbacks are compelling enough — you’ve got a tool to give your readers a much richer story.

3. Flawed characters create tension. Your plot should spring from character. For instance, Jesus Diaz is prideful. If there’s a problem, he feels he has to handle it. Other circumstances conspire to make him feel he can’t simply call the police to handle his issues, but his resolve is key to that plot point. Higher Than Jesus would be at least a third shorter if Jesus solved problems the same way normal people solve problems.

4. Flawed characters have more conflict with their world. Jesus has a hard time relating to anyone else as a “boss”, for instance. He’s not a guy who is meant for the 9 – 5 world, especially with his limited skill sets in finding people, his inability to work in law enforcement because of his shady history and the creative uses he finds for super glue. Tension and heat increase from friction so be mean to your protagonist and make at least some of his problems his own damn fault.

Crack the Indie Author Code and Write Your Book: Aspire to Inspire both have bonus offers of free ebooks. Buy two books and you get four!

5. Readers relate to flawed characters. A novice writer asked me to read a chapter from her paranormal romance. The hero was very heroic — blandly so — and had an impossibly heroic name. The heroine was everything you’d expect from a heroine and more. They’d never done anything wrong and never would. They were always right, always predictable and always relatively safe because they were amazingly capable. Meanwhile, most readers think they should get to the gym today and most of us won’t make it. When you write your hero as if he’s Superman, he’s boring and you have a book the length of a comic book with just as much believability. Go Batman. In the ’60s comics, he was written as The World’s Greatest Detective, kind of Sherlock Holmes in a cowl with a cool car. The character’s real surge came when writer Frank Miller tuned into the underlying subtext of Batman’s vibe: He’s a billionaire with Daddy issues who trains himself to become a psychotic badass vigilante who won’t kill, but he’s no boy scout, either. That’s much more interesting than relentless virtue.

My hit man is obsessed with movies (just like me). Movies are our society’s touchstone, so Jesus has seen the same movies you’ve seen and sees the world through that Hollywood prism. He not only wants the Happily Ever After ending; he thinks he deserves it. Through movies, I make readers share a common interest and knowledge base with a hit man.

Consider Elmore Leonard’s characters: They’re often a bunch of criminals doing crazy things you’d never do, but some of their traits remind you of your crazy, racist Uncle Larry or that nutty girl you shared a room with in second semester before she dropped out to go to Art School. Flawed characters are people we know and believe because we’re surrounded by people who are flawed.

Resist the urge to make your characters better than human. In fact, we’ll like and believe them more if they aren’t perfect.

For more tips, inspiration and motivation for National Novel Writing Month, check out Crack the Indie Author Code and Write Your Book: Aspire to Inspire, on sale now.

~ Robert Chazz Chute is the author of Crack the Indie Author Code, Write Your Book: Aspire to Inspire, Self-help for Stoners, The Dangerous Kind & Other Stories, Bigger Than Jesus, Higher Than Jesus and Sex, Death & Mind Control (for fun and profit).

BONUS:

A fresh podcast is up at AllThatChazz.com which explains how you can get free ebooks. 

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