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We are the publishing revolution

Writing and Publishing: The balls I juggle

Cool+People+Podcast+Final

I’m currently adding a scene to This Plague of Days in which Queen Elizabeth’s Corgis get fed to rampaging zombies as an appetizer before the main (royal) course. As I move through the day, fueled by coffee and rage, I stop to take care of details: Fun details, critical details, tiny details. Here’s the last few days:

1. Sent uncorrected ARCs of This Plague of Days Episode 1 to a bunch of people. The early reviews are happy ones.

2. Published a new Cool People Podcast. I interviewed Renee Pawlish about her strategies for writing and selling books. Good stuff and of particular interest if you read this blog regularly.

3. Updated several plugins across my five blogs, but the change to the Image Rotator Widget screwed up so the covers of my books were displayed in too huge a fashion. Sigh.

4. Sent off a couple more suggestions to Kit, graphic designer extraordinaire, for promotional T-shirts, prizes and giveaways. I plan to sell the shirts in the future, too. Fun, dark and brilliant designs by my man Kit. I knew he was great at book covers. He’s got an impressive flair for t-shirt designs, too. (Hint: hire him for your next book cover, website header, Zazzle product, etc.,…)

5. Commented on some blogs on a few Facebook posts and blogs of interest. Posted to my own blogs. (There are five now. I post to DecisionToChange.com almost daily.)

6. Wrote several new scenes for This Plague of Days and posted some excerpts as teasers. A novel is slightly different from a serial. I’m a teasing, surprising, cliffhanger guy anyway, but to keep the readers moving from one episode to the next, I added new material for extra punch.

7. I recorded a new All That Chazz podcast. I have to edit it and publish it later this weekend since that’s behind schedule. Sickness and book launch prep has eaten into my podcast time, but something had to give.

8. Emailed back and forth with future guests on the Cool People Podcast. People are asking to be on, so it’s picking up.

9. Did some promotions on Vine and performed an experimental giveaway with Murders Among Dead Trees. Hit #34 in free on Amazon on the short story collection list with one day of promotion. Lessons learned: Get a higher profile on Vine and post more often. Most of the people who picked up the freebie came through my friends on Facebook.

10. Did some research on book sales and picked up Chuck Sambuchino’s new book Create Your Writing Platform. I also listened to the Self-Publishing Podcast in which the hosts believe free on Amazon is dead (as is the 99-cent price point.)

Bonus 1: I just learned that the plural is Corgis, not “Corgies”. 

Bonus 2: I learned a blog post about publishing with the word “enema” in the title, gets a lot of traffic.

Question:

How about it? Is free dead to you? Does 99 cents mean the book is inexpensive or just crap? The guys on the Self-Publishing Podcast advised putting your stuff out on all platforms. I’d feel better about that if the other platforms sold more and had a more active review culture. What do you think?

And now back to edits with The Little Things by Danny Elfman as my soundtrack…

Me B&W~ Follow Chazz on Twitter @rchazzchute. If you’re feeling down, go make a kale smoothie and dance sweaty. If you’re feeling up, make sure you have permission and then get sweaty.

Filed under: author platform, blogs & blogging, book marketing, This Plague of Days, , , , , , , , , , , , , , , , , ,

Book Marketing: Problems and Solutions

It’s time to talk book marketing again and this time, I’m going to get up close and uncomfortably personal. One key to book promotion success — there are many keys and nobody knows where they all are — is to step outside our echo chambers. I’ll explore how to get out of that box and sleep with strangers…um, I mean, help new readers find us. But first…

Problems

1. I’ve noticed lately that Twitter love for me has faded somewhat. I’m getting fewer retweets. My Klout score is down to 62 from 65.8 (the horror of first world problems!) and the rate of new follows has slowed. That or, as someone told me recently, Twitter isn’t showing retweets as doggedly as they once did. 

2. I gifted copies of Six Seconds to a bunch of people who indicated their eagerness to give an honest review in exchange for a free copy. It only has two reviews thus far, and none from those who received the ebook from me. Six Seconds is a short guide to Vine, so I don’t know how to encourage them to review it without sounding churlish or whiny. Yet, I do need those reviews. I need reviews of everything.

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

I did receive a fresh review of Bigger Than Jesus recently and that was a great thing that happened organically. The trouble is, to promote the books on some websites, I need at least ten reviews. If I wait for it to happen organically, it’s a trickle. If you have any ideas on how to nudge reviewers without sounding like a bad guy, please let me know. Or perhaps I should risk it because as it is, I’m screwed, silent or sounding off. 

3. Promotionally, I’m in the doldrums between book launches. This Plague of Days is a monster-size book so the editorial logistics require a longer wait between publication dates. I’m very aware that if the time between books is too long, it’s easy to be forgotten.

4. I doubt more KDP Select for old books is not the answer. I’ve already done those promotions. I’ll do them again for each fresh book launch, but after the first 90 days, I’ll switch to more platforms. KDP isn’t worth its exclusivity anymore since they made free less attractive. Free isn’t dead, but it’s not as alive as it once was, either. Use KDP to give away enough copies to get more reviews if you can, but after one 90-day period of exclusivity, I’ve taken my shot and it’s time to spread the word wider. (This could change if Amazon sweetens the pot again, but I see no evidence of that on the horizon.)

5. I have a standing offer to subscribe to my mailing list at AllThatChazz.com. Subscribers get promoted on the podcast. Though All That Chazz is heard in more than 60 countries weekly, I’m not exactly flooded with subscribers. “Not exactly flooded” is my pitiful attempt to save a shred of dignity. It’s not really not working. Therefore, I have to go to them because they aren’t coming to me.

Solutions

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

1. Attitude adjustment = no whining. Over Christmas and into January, I had a bout of depression and self-doubt that crippled my creativity and work ethic. I still wrote and produced and put out podcasts. I think no one knew for sure, but I was down-dooby-do-down-down. I kept it to myself and pretended everything was peachy. It wasn’t. That put a dent in things. I can swing back and forth from high creativity to much less when Seasonal Affective Disorder hits. When I feel down, I sleep more and life feels like pushing a truck uphill without wheels. That was then. I’m feeling better, getting more sun and exercise and drinking more kale shakes. I’m back and looking for trouble to shoot.

2. I’ve stepped out of the echo chamber by adding a new podcast. On All That Chazz, I monologue, crack wise and unwise and read from my work. (Currently reading HigherCool+People+Podcast+Final Than Jesus. Get on board on iTunes, Stitcher, or from my author website.)

With the new Cool People Podcast, I have fun interviews with interesting guests. That helps step outside the echo chamber by expanding my connections, mixing networks with more people and best of all, did I mention I get to talk to cool people?  If you like the podcasts, please leave a review on iTunes. That helps.

3. I’m expanding my following on Vine faster than on Twitter.

"You will laugh your ass off!" ~ Author of Cybrgrrl, Maxwell Cynn

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

The number of people following me so far isn’t that impressive. However, the rate at which people are getting on board through the Vine app is pleasing. They’re a tech-savvy, young and creative audience who are into what I’m doing. To let the right ones in, I’m doing an author reading on Vine from Self-help for Stoners. “Another Day at the Office” is one of my favorite, funniest stories and I’m running a contest, too. (Details on contest rules, the prize and entries at AllThatChazz.com.)

4. I’ve created more book-specific websites to inspire more qualified (read: interested) traffic. For instance,  Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App, now has its own website. It’s useful and expands on the guide’s suggestions. Vine (the equivalent of video Twitter) just upgraded so I wrote about that development. This is a significant change because the upgrade allows vines to be embedded. Some viners will become stars on Vine just as some power users are stars on YouTube. Twitter has optimized the social sharing component of the app so I can enliven my websites with vines and spread my word wider.

This Plague of Days 03285. My newest website is ThisPlagueofDays.com. The primary focus of the blog is not just my serial of the same name. The book has a lot of angles. For instance, I’ve done extensive research in survivalism and sustainability over the years. I had a battered, paranoid youth so my past is dumped into the post-apocalyptic landscape.

I’m sure this serial will have a wide appeal, but providing specifics about surviving a world flu pandemic provides more added value than being yet another author talking about his or her book endlessly. I recently posted about the best books on disaster preparedness. In an upcoming post, I write about the SARS crisis in Toronto that killed 44 people, the mistakes that were made and how they’ll be made again in the next contagious disease crisis.

Find your angle and help people with it. If you’ve got a romance set in Martha’s Vineyard and you don’t think you’ve got an angle, write about tourism to Martha’s Vineyard. Find the angle and you’ll find a niche that’s identifiable. I’m sure Self-help for Stoners sells best because stoners recognize it’s fiction especially for them. That was by design. Bigger Than Jesus doesn’t sell as well because, on hearing it, someone will think my funny crime novel is a religious book or has something to do with the Beatles. That’s why those books have the covers they do.

6. Go to your niche. TweetAdder has a bad rap because last year, whoever is in charge of what’s polite on the Internet decided auto-tweeting is rude. Okay, but there’s more to TweetAdder than that. To find more readers who might be interested in This Plague of Days, I can search for Twitter users who are into post-apocalyptic fiction, emergency preparedness, Aspergers and survivalism. I can follow those who follow big names in post-apocalyptic fiction and interact with them. What’s your book’s area of interest? Readers want to know about you (assuming your intrinsic awesomeness bears up under examination.)

7. Advertise. As the power of free spirals out of the heights it has occupied, those of us who tried to get away with less promotional investment will have to change our patterns. I’ve been reluctant to use tools I don’t respond to as a consumer. For instance, I’ve never clicked on a Facebook ad once. However, I’m not all consumers and it’s time I got over myself to give my books a better shot. Other authors have had success with pay-per-click advertising and you can limit how much you spend. Spending is scary. I’m still working with a very limited budget, but I can limit the risk so it doesn’t get out of hand. This is the time to double-down on my bet on myself, not stick to the nickel a chip table. We used to be able to get away with zero ad budgets. We at least have to promote the crap out of free days now (if we have them) and that means paying some ad fees.

8. Send out more copies to book bloggers. More reviews will allow me to post the books to those sites that require a minimum of ten reviews above four stars. Sites like BookBub, for instance. I’ve heard good things about BookBub, but because of pricing, timing and review restrictions, it’s still out of reach for me.

9. Ask for help. I guess we’re out of the theoretical and I’m talking directly to you. If you’re interested in an advanced copy of the serial, please let me know at expartepress (AT) gmail (DOT) com. The serial overall is over 130,000 words, but the episodes are short. I’m still in revisions, so I haven’t nailed down episode word counts yet. However,  it won’t be an arduous read for those interested in a plague apocalypse pitted against an Aspergers kid who is a selective mute. His special interest is Latin and the nuances of the English language and it’s quite possible he’s hiding strange powers. Also, if you’ve read any of my books and liked them, please review them.

10. Take suggestions on how to effectively spread the word about my books that do not, as Guy Kawasaki suggests, require $10,000. Got any ideas?

All about the love...and vengeance.

All about the love…and vengeance.

~ Robert Chazz Chute is everywhere, yet nowhere, at the fork in the writing road. One path goes up and the other goes down-dooby-do-down-down.

 

Filed under: author platform, book marketing, , , , , , , , , , , , , ,

On Writing Well: Openings, Distractions and the next Million Dollar Idea

The Challenge of the Slow Open

Crack the Indie Author CodeAs I work on revising my coming-of-age, love story cleverly disguised as an apocalyptic plague thriller, I worry about the beginning most. (I’ll give you a minute to digest that first sentence.)

This is a long book I will serialize (soon). The story unfolds largely through the eyes of a boy with Aspergers Syndrome, sixteen-year-old Jaimie Spencer. He’s a selective mute. I wanted to impress upon the reader how different he is from the first page. The story starts with the boy observing the plague as it infects his next-door neighbor. The neighbor is a pilot who happens to be having sex with a flight attendant at the time, but Jaimie is detached about such things. He’s asexual. His point of view is an interesting hook, but it’s not really an action hook. It reads like a character hook.

I’m going for intrigue and showing this book is more serious than much of my other work. I’m satisfied it’s a good start, but it’s a risk because of that slow start. I’m starting the novel with a long lit fuse instead of an explosion. That could be a problem and I will have to revisit this issue several more times before I commit to the slow burn open. There are plenty of explosions, strained family dynamics, obstacles, reversals, betrayals, realizations, death and a long journey  ahead. Amid the chaos, Jaimie is a detached, almost Christlike figure. The world is falling apart and he’s fascinated with dictionaries. (Expect Latin phrases, weird words and an amusing annoyance over homonyms.) The boy perceives the world as an alien might. His peculiar point of view questions how everyone else sees the world.

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

Big openings hook more readers faster. For instance, is it a cheap ploy to kill somebody off in the first paragraph? Many critics, both amateur and professional, seem to think so. However, I suspect the average reader doesn’t think that way at all. Some lit snobs say they shouldn’t think that way. Irrelevant. Many readers do think that way.

Every story should jump right in without throat-clearing, of course. (Don’t start your book with a weather report, as a baffling number of novels still do.) But how late should you enter the action? Bigger Than Jesus starts in media res with my loveable hit man out on a slippery ledge high over Tribeca with the bad guy hiding behind a gargoyle. Higher Than Jesus starts with a slower open in a dive bar, but right from the start, you know Jesus Diaz is there to kill someone on Christmas Day. Crime fiction should start with action. But can Jaimie Spencer do it?

Distractions

I’m confident in the writing for those who stick around for the show. However, we, as writers, are not competing with other books in our genre. We’re competing with Call of Duty, Game of Thrones (on TV), people working second and third jobs to earn enough to live, laughing babies on YouTube, the gym, the laundry, and all the other paperwork of life. Readers have so many distractions, it almost makes me yearn for a time when books were much more central to our culture. The good news is, if you survive the coming world flu pandemic that will wipe out billions, there will be fewer distractions and a bit more reading time.

Solutions and Opportunities

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

I have a suggestion to help combat The Distraction Problem. It’s not really open to me at the moment* but you might be able to use this suggestion: If you’re American, make audiobooks on ACX part of your publishing platform so people will be able to consume your goodness while they do the laundry, commute to their second job, run on a treadmill or play Call of Duty. Publish an audiobook on ACX and it goes to Amazon, iTunes and Audible. Audio is the future. That, and the massive killer virus thingy.

*I encouraged writers to go for ACX in Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Since I’m a Canuck, they aren’t set up to deal with me yet. That creates a huge hole in the market for audiobooks worldwide. If I had the money, I’d start a company to compete with ACX and deal with all them foreigners immediately.

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

~ Earlier today I published an article on ChazzWrites.com that was meant for my website about Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App. Apologies for the mix-up and a suggestion: If you’re on WordPress, don’t ever use the Quick post feature. Any problems I’ve ever had posting to WordPress started there. I decided to leave it up since it automatically shot out to subscribers and I never did announce a page dedicated to that book, so…yeah, I’ve got a web page just about Vine and the useful glory that is Six Seconds. If you’re interested in checking out Vine and promoting your books with it, here’s the link to onlysixseconds.

If you’re on Vine and would like to hear a reading from Self-help for Stoners, find “Robert Chazz Chute” on Vine. I’m doing the first author reading on the Vine app. Interested in winning a signed copy of Bigger Than Jesus? I’m running a contest with that reading. Get the details on how you could win from this link to AllThatChazz.

Filed under: audiobooks, blogs & blogging, book marketing, Editing, My fiction, publishing, Vine, Writers, writing tips, , , , , , , , , , , , , , , , , , , , ,

More Fury: Haters, Taxes, #Readings, #Podcasts

Higher than Jesus Final NEW copy

FYI: The new edition of the All That Chazz Podcast is up at AllThatChazz.com and it includes:

1. Waiting in shivering anticipation for Liberace.

2. A short, crazed rant on haters and my unreasonable sensitivity.

3. Jesus explains and forgives plus Stitcher issues.

4. Bradley Manning and awesome podcast recommendations. 

5. Scott Sigler on the Joe Rogan Experience (and self-loathing.)

6. Two readings: Chapters 9 and 10 of Higher Than Jesus: Hollow Man and Fight Club.

7. Whining about taxes and railing against my accountant.

 

Listen to the new podcast, More Fury: The Hollow Man Edition. If the show tickled your fancy, please leave a happy review on iTunes because that helps. If you don’t care for All That Chazz, try the Cool People Podcast. Cheers!

~Chazz

PS What am I doing? Editing the same way I do everything: Furiously.

Filed under: podcasts, , , , , , , , , , , , , , , , , , , ,

Branding: The change I made

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Milestones aren’t just for celebration. They are also reminders to reevaluate. Since last November, I’ve been podcasting comedy, author readings and a wee bit of ranting at the world. In that time, more people have gone from “What’s podcasting?” to “Ooh, computer radio! How do I do that, too?” Listenership is growing and I just broadcast my 50th show (a conversation with writer and friend Mark Young.)

When I began the podcast, I was very focussed on selling my first book, Self-help for Stoners, a fun book for creatives who love suspense. Those readers make great podcast listeners. They are interested in the creative process, want a little encouragement in the creation of their art and wonder what’s it all about (among all the jokes, murders and whimsy.) I didn’t put enough thought into my long-term branding then. Instead, eager to get both products up on their feet and out the door, I named the podcast after my first book. Since I’ll soon have eight books available, I needed to start thinking long-term. The podcast is now called All That Chazz. Since my author site is AllThatChazz.com, it fits. (Oh, my Thor! Such blinding narcissism!)

Across all my sites, the same image appears to help  set up one image in the minds of potential readers. I’m not giving up on Self-help for Stoners. I’m just expanding the line of books with which I’m identified. I should have thought of that at first, but I was too anxious to finally get the podcast up and running to worry about changes a year down the road. It’s now almost a year down the road and change is in the ether, zeroing in fast.

Dance fast in the short-term. Plan long-term. Adapt. Innovate. Overcome. Rock harder.

 

Filed under: publishing, , , , , , , , , , , , , , , ,

TOP TEN TIPS: How to set up your podcast

Why should you want to make podcasts and appear on podcasts?

English: Podcast or podcasting icon Français :...

English: Podcast or podcasting icon Français : Icône pour les podcasts ou la baladodiffusion (Photo credit: Wikipedia)

It’s radio with a low barrier to entry. It’s like having your own no-stupid-rules radio station that’s really close to free. You could be on iTunes a few days from now, promoting your business, your books, and yourself to the world. I’ve got fans in San Francisco, Dubai, Beijing and places I’d never heard of because of podcasts.

Since I began podcasting my crime novel a chapter at a time, several people have asked me how I set up my podcast and what’s involved. I can give you the broad strokes with an easy TOP 10 list. Don’t get overwhelmed. It’s not that hard, especially if you take my strongest advice and go straight to Tip #10.

1. You’ll need a microphone. I have two, one for $127 and one for $90. The cheaper one works better. Some people say you have to use a mixer to make sure your audio doesn’t peak and hurt listeners’ ears. However, I prefer the mic that plugs straight into the computer.  No need to be fancy with your podcast. You don’t have to be a Mac user. A chair that doesn’t squeak is a better investment. You don’t have to buy expensive shock mounts of your mics (but do get a screen for your microphone, called a sock, so you don’t “pop your ps”. Popped ps do thud into your listeners’ eardrums. You don’t have to have enhanced videocasts. Most of the people who listen to podcasts are either out for a walk, doing laundry or on a treadmill as they listen to programming. Video in podcasting is a deficit, not an asset.)

2. You’ll need a computer program to record and edit your podcast. Audacity is free. I use GarageBand. Though it does cost, I found the interface easier, especially since a friend gave me a one-on-one tutorial. I tried Audacity without help and the learning curve was a bit steeper. (I’m not turning anyone away from Audacity, though. It’s free and useful. It was just easier for me since I already knew someone who knew the software. Having a buddy who’s already in the know might make for a different choice for you, too.)

3. You’ll need a blog. WordPress is free and most anyone who reads this post already has a blog. Those lovely non-problems are the easiest to solve. There is also an ID3 tag editor (app) to buy, but it’s just a few dollars for a little program that will help you label your podcast and prepare it for upload to Libsyn. Speaking of which…

4. You’ll want a Libsyn account. Libsyn is the company that will publish your podcast to iTunes, your blog and elsewhere (even apps). Go for the $20 a month option. You can pay less, or even go with some outfit that will give it to you for free, but they cost more in the long term in other ways. For instance, lots of places will let you use them to broadcast your podcast, but you can’t move it anywhere later, so, effectively, they own your podcast, not you. You hold on to your rights and options by going with Libsyn. The best thing about Libsyn is that you bank unused broadband. When I started, I was worried about the hidden costs. What if my podcast is so popular, the broadband gets too expensive to pay? With Libsyn, there aren’t any hidden costs and they have an excellent stats page so you know exactly how popular you are. (Or not.)

Once you’re set up, you can also get your podcast on Stitcher. Stitcher is a very popular podcast outlet because it’s free and it  allows listeners to wirelessly stream podcasts to their phone or iPod. They don’t have to hook up to their computers. The podcasts take up no space on any device. Since I discovered Stitcher, I hardly ever use iTunes.

If you’re thinking of joining Stitcher, please use my promo code: SELFHELPSTONERS. By joining, you’re also entered into their draw for a $100 cash card.

5. You’ll have to have some time set aside. Every minute on air means four minutes in total invested with production. That’s a good rule of thumb, though I’ve managed to shorten it a bit over time. Don’t cut too many corners, though. I missed an edit a few podcasts back and the paper rustling seemed a tad unprofessional. Don’t be too professional, though. Mistakes are authentic moments and I like when the unexpected happens in a podcast. The unexpected never happens in radio and that’s one of the reasons radio is boring and only people who are trapped in cars or terrorist attacks listen to radio anymore.

Want a horrific example of authenticity? I’ve talked about the hilarious aspects of my colonoscopy, my first schoolyard fight, how I got screwed over by a financial adviser and a publisher, and worst of all, how I felt too fat and unsuccessful to go to my college reunion. You don’t have to be this revealing, but being real works in podcasting.

Don’t be self-conscious about your voice, either. I have a stammer that becomes evident when my brain works faster than my tongue. My delivery is positively Shatnerian. I talk in bursts and when I speed up I talk like a Nova Scotian, really fast and in the back of my throat. Most of that either isn’t a real issue, improves with practice or can be edited out.

6. Get good album art. I used a cover from my book Self-help for Stoners because I wanted to publicize the book and podcast to an identifiable audience. Calling the podcast Self-help for Stoners made sense at the time. (As discussed in a recent post on book promotion, I’m changing that because I have so many more books now. One book is not your brand. You are your brand. Think long term.) You’ll need a couple of images of different sizes for this. When you know those sizes and have an idea for an image to represent your podcast, talk to Kit Foster at KitFosterDesign.com. His prices are very reasonable. He’s my graphic artist. Heck, Kit is The Graphic Artist. (Can’t wait to show everybody what he came up with for my print cover for Bigger Than Jesus!) If you go without a professionally designed image, your podcast listing makes you look like a hack and you’ll definitely be skipped over.

7. Choose your category. My categories for different podcasts range from politics to fiction to comedy. Some of your audience might like variety, though if you go deep into a particular topic or niche, you’ll definitely find your audience quicker. Go with your passions. Stick with one podcast to start. Setting up the first one and doing it right will probably cost $200 or $300. After that, it’s cheap (and a claimable promotion cost.)

Do it with someone else and not only do you split the cost, you’ve got a co-host to bounce ideas with. Monologuing (as I do) is not for everyone and I sometimes wish I had someone else on the mic.

Also decide if your podcast will be a swearfest or family friendly, explicit or clean. I started out swearing and came around to PG. Also, consider that if you want advertisers, unless you’re Joe Rogan or Kevin Smith, most advertisers prefer clean podcasts.

8. You’ll need to promote your podcast. I’ve been a guest or I’ve been mentioned on other podcasts about ten times or more so far. Similar to guest blogging for bloggers, I think that’s helped the most. I learned recently that it’s been proved statistically that there’s no correlation between a large Twitter following and a large podcast following. That surprised me but I have no reason to doubt the stats. That said, if you can be rich and famous first, that doesn’t really hurt any endeavour, does it?

9. Do you have enough to say? When I started podcasting last November, I reasoned that if I ever ran out of stuff to say, I could always just read some of my fiction. I did read a bunch of my fiction on the podcast, but I also found I had a lot to say that had nothing to do with fiction. I’ve done skits and bits and improv. I’ve gotten angry and sad and confessed and condemned. Just as you would with a blog, brainstorm what you might talk about.

There’s no rule that says you have to do a podcast that’s an hour, two hours or three hours long. Most of

Click to get Bigger Than Jesus

my podcasts were 40 – 45 minutes once a week. Then I decided to make shorter podcasts but a twice a week. Then, to get the word out about The Hit Man Series, I’m podcasting Bigger Than Jesus a chapter at a time. Book 2, Higher Than Jesus, might be ready for podcast before I’m done recording the foundation book. Podcasting helps with the final proof, as well. We’ll see. No rules, remember? I love that about being indie in whatever I do.

Listen to a lot of podcasts to get a flavor of what works for you. Figure out where you fit. Are you the next Grammar Girl (the first podcaster on Oprah) or Mur Lafferty from I Should Be Writing? How-to podcasts are very popular (if you have enough to say on the subject long term.)  I listen to Litopia (for everything publishing); some stuff from the Kevin Smith network since he started my career; The Joe Rogan Experience has awesome guests (and depending on what you’re doing with your podcast, guests are great); The David Feldman Show (because I’m a lefty who loves comedians); and The Best of the Left (for smart politics). There are, of course, thousands of podcasts to choose from, those are a few of my favourites. You should also listen to The School of Podcasting by Dave Jackson. You can even join up and learn more. Dave is an enthusiastic educator who loves podcasting. He can teach you everything from how to set it up to how to monetize it properly. He’s forgotten more than I’ll ever know about podcasting.

10. Which leads me to my most important tip of this monster post: Talk to Dave Jackson from The School of Podcasting to get help setting up your podcast. He teaches and consults. I am not an expert on podcasting. That doesn’t stop me from being a podcaster thanks to Dave.

When I started out, I read all the FAQ I could find. I made my first podcast, but I couldn’t figure out how to get it out into the world. I had launched my first books and I was anxious to promote them via an avenue I knew a lot of people were missing out on. I was missing out! A lot of people are still missing out! You’re probably missing out right now! After days of frustration, I called Dave Jackson: Great guy, smart guy, patient guy. He knows the nuances of feed burner and RSS feeds and setting up your podcast without tears or time lost. He’ll get you past the mechanics and into what matters: reaching a wider audience you would never otherwise reach.

UPDATE: Dave just emailed me that he is revising his website this weekend. Hang in there if it’s not completely available when you check in. He’ll have chat on, so Dave can still set up a consultation to help you set up your podcast.

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Have you, by chance, checked out my podcast?

Image representing Stitcher as depicted in Cru...

Image via CrunchBase

The new pod is up at AllThatChazz.com. Witness the struggle of the sad author/wedding crasher, hear the story of the cannibal in the bad chinese restaurant, mull odd and ends about honesty and spam. I get serious about feeding starving people, starving Sally Struthers and putting the military-industrial complex on a diet. I also wrestle the Pope (not naked).

Enjoy if you can and if you like it, please review it on iTunes or hit the thumbs-up button on Stitcher. Thanks for listening!

~ Chazz

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Author Blog Challenge 13: The meek will not inherit the earth or a book deal

Cover of "Neuropath"

Have a point of view. Yes, some people may hate you for it, but that’s better than being bland and not speaking your mind. Tell the truth, even when you’re lying through your face and your fiction. Why? Because (1) it’s honest, and (2) who will read bland? Some authors avoid controversy thinking they will keep a wider audience. Wrong. Wimps don’t get respect. Besides, you don’t want to act like a wimp because that’s not who you are. You are a writer. Publishing your book and putting yourself out there for critics to judge is an act of courage. The meek will not inherit the earth and, if they do, we’ll just take it from them.

Last night I read through a forum in which multiple contributors discussed and debated with author Scott Bakker. I am just on my second Bakker book (Neuropath) having just found out about him. I really enjoyed his novel, Disciple of the Dog. I have to say, the forum I read debating the merits of Bakker’s fiction was intriguing. It was not a lovefest for the author. Some criticized Bakker for being a misogynist in his fiction. Occasionally the author himself commented on the thread but the offended and the defenders kept their debate raging without him and Bakker popped in more for clarification and to make sure he wasn’t being misrepresented by others.

Personally, I have to admit I don’t understand the objections or their fervour. Just because a main character espouses some views, that doesn’t mean we are meant to emulate him or agree with him. The character is flawed. It’s fiction. From what I’ve read so far, Bakker isn’t preaching misogyny. He’s describing a character who is a misogynist. I grew up watching All in the Family’s Archie Bunker. I never had any doubt he was a racist and watching a TV show didn’t make me a racist. Characters that have complicated problems and conflicting motivations are interesting. I don’t want to read fiction that is diluted by one ideology that doesn’t acknowledge the world’s realities (and if you do, then go write that book and best of luck selling it.). In my case, I know my titles are a bit controversial and annoy some people, but I suspect they attract more people than they turn away. Those that give my books a try are in for surprises when their expectations are turned upside down, but I think that’s a good thing.

I don’t try to be controversial for the sake getting people in a rage. I call it as I see it because it’s honest and because if you don’t have something to say, something to stir in your reader, why bother writing? Writing that doesn’t stir feelings in readers makes wasted ink and useless pixels. Free speech allows self-expression but also guarantees that you’re going to be offended from time to time. If you’re offended by a piece of fiction or an argument, the answer is, “Too bad.” Don’t read it if you can’t handle it and respond like an adult to work that is meant for adults. You don’t have to read or listen to viewpoints you despise. Just stop reading and listening. (The funny thing is, the people who disagree will stay with something they hate longer than people who agree. People who say they loathe Howard Stern listen twice as long as people who describe themselves as fans. Humans are strange, aren’t they?)

On my latest podcast, in between a couple of jokes and Father’s Day stories, I tackle corporal punishment and explain why President Obama could lose the election in November if he tolerates nuance and fails to embrace dumb. I’m not worried about turning off potential readers. There are lots of readers out there and I’m not interested in catering to people who can’t tolerate free self-expression. They’d probably never buy my books, anyway.

In short, embrace the bad ass in you. 

Click it to get it.

Click for the Self-help for Stoners podcast page

P.S. In the spirit of being bold, have you subscribed to the Self-help for Stoners podcast on iTunes or Stitcher yet? It’s free and strange and you don’t have to be a stoner to love it. Or hate it, come to think of it.

If you like it, please leave a happy review on iTunes. It helps. All the podcasts can be found at AllThatChazz.com.

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PODCAST: To err is human. To forgive is unprecedented.

As the story of the zombie story writer versus the undead anthology creator emerged this week, lines were drawn in concrete, barricades were built and razor wire was erected around the dignity of being a writer. The writing community was inflamed and things have turned around for the writer. But is there a resolution in sight?

In today’s Self-help for Stoners podcast, I wonder about healing, forgiveness and our capacity to get over the bad stuff. When the world disagrees with us, do we still dig in our heels and somehow convince ourselves the world is wrong? When we’ve won, in our anger, do we keep kicking? Can we move forward, or are all judgments permanent? Are we as good as we can be? And could we, possibly, ever be as good as Batman? After dealing out a savage beating, can we forgive?

Have a listen at my author site, AllThatChazz.com.

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Get heard: Podcast Your Book

Twenty-three episodes ago, I started a podcast to help market my short story collection, Self-help for Stoners. The Self-help for Stoners weekly podcast evolved in directions that surprised me. At first I thought I would just talk a little and read a lot of my fiction. I did that, but then I ended up doing a lot more. I found that podcasting was as creative an outlet as writing is, and in many ways it’s a similar process. Since last November, I’ve talked ancient personal history, TV shows, odds, ends, trivia, movies and ranted  about all the ills of the world. I appeared on seven other podcasts, played around with a few skits and scenario (writing some out at first and later, improv). Often I delivered a word spew in my accursed, stilted, Shatnerian delivery. I’ve gone on too long, repeated myself and sometimes I went too far and got boring, just like real public radio! I’ve done it all for free and for fun. It’s still fun. Before I started, I saw it in the cold terms of a marketing device. What I didn’t expect was to have so much fun doing it. I even got a bit better.

Now it’s time to change it up. What’s past is prelude.

I looked at my stats and, unlike stats you study in school, podcast stats are fascinating. You learn geography lessons looking at podcast stats because the breakdowns are so detailed. I could see where people downloaded my nonsense and conscience from around the world. California (especially San Francisco) loves me. My family back east aren’t too keen. I’m guessing 129 people in Beijing are using my podcast to help them learn English. (God help them.)

All podcasts drop off in terms of how long listeners can stand to listen. There’s a formula (no one knows what the formula is) that correlates how interesting your podcast is/listening time/length of commute and/or how long people can stay on a treadmill while listening to an angry man rant and ramble. I looked at my drop off and decided shorter, punchier podcasts with only the best, high energy stuff was the way to go. As fun as podcasting is, I can’t let it cut too much into writing and revising time, so shorter is better for me and for listeners. I’ll take the time to be more brief and more frequent.

What’s coming:

1. Shorter podcasts will arrive twice a week starting immediately (first new one’s Tuesday and, by the way, MITT ROMNEY IS GOING TO GET IT! GIRD YOUR LOINS WITH THAT SPECIAL UNDERWEAR AND COVER YOUR EARS, WOULD-BE PRESIDENT MITTENS! PREPARE FOR A STERN TALKING TO!) A note to people who are very easily offended: I don’t care for you. I’m not trying to piss anybody off, but weak opinions are boring just as opinions without facts are stupid. Some people think authors should never say anything controversial that might offend and avoid any discussion of religion or politics. On the other hand, those same people believe in paint-on hair for bald guys. I do not hold with being weak on opinions. You wind up making friends with people who’d hate you if they knew the truth instead of being honest and gathering friends you understand and who understand you. Readers and listeners want authenticity more than they want bland and stupid. People who want bland aren’t my readers, anyway, so they can move elsewhere. Via con dios.

2. I will podcast my new crime thriller (coming soon!) one chapter at a time, on Fridays.

3. The new book will be available free as a podcast, but for those who can’t take the rising tension and tearing suspense, they’ll be able to purchase it as a download from Audible.com, in paperback or, of course, as an ebook. The crime thriller will be a series.

4. Surprise! An instructional book is coming this summer.

5. I’m writing The Poeticule Bay series (suspense in rural Maine) and another, apocalyptic book, is on its way.

6. I’ll be going with Amazon’s KDP Select, at least at first.

7. I’m really excited about publishing with Audible. Had I not got into podcasting, the prospect would be intimidating. After experimenting with 23 podcast episodes, recording a book isn’t scary at all.

8. If you aren’t podcasting, choose a niche, get a friend and consider how you can make podcasting part of your book promotion. You might even find you enjoy it. As an indie author, you love creativity, so the mic might have allure you never suspected. 2011 was the year comedians took over podcasting. Maybe this is the year many more of us podcast our books into earbuds worldwide.

Here’s what I announced on my author website today:

Hi fellow babies, as Dr. Johnny Fever used to say. I’m going to be taking the Self-help for Stoners podcast in new directions soon. Hm. That sounds like corporate-speak uttered by a soulless robot in a suit at a vast corporation easily parodied on The Simpsons, so let’s put it this way: I’m changing the format for the Self-help for Stoners podcast starting this week.

I was shooting the wild crapola on the Skype serengeti with my buddy Dave Jackson from The School of Podcasting the other night and he mentioned he likes the variety I present here weekly. Another way of putting it is that I’m all over the road, ranting one minute and doing a skit the next and reading short stories from my collections here and there. I podcast like a chimp with ADD.

So here’s my nefarious plan for world domination: I’m going to podcast twice weekly, but with shorter episodes. I will podcast my new crime thriller, one chapter at a time, once a week, as soon as it’s ready. That’s just a few weeks away as I finish revisions etc.,…. The full version of the book will be available as an ebook, paperback and with Audible.com so if you can’t wait to get your suspense doled out a week at a time, you can go get the whole thing in one fell swoop (or one foul swoop if you don’t care for my peculiar brand of whimsy.)

In the meantime, expect a couple of episodes of ranty fun each week as I go off on my lefty liberal rants, confusing an Ought with an Is and suffering from I Wish I Were King of the Universe Syndrome. There are lots more goodies to come as I ramp up my book and podcast production, my web presence, my readership, my listenership and my army of ninja monkey clones. Stay tuned.

If you like the podcasts, please leave a happy review on iTunes or hit the thumbs-up button on Stitcher. It really helps with the ranking so more happy people can join in the fun, too. And your grudging approval keeps me from jumping off this high, thin ledge. Thanks for listening.

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Click here for AllThatChazz.com books & podcasts

Jesus Diaz on the run in New York

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"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Write to live

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The definitive short story collection by Robert Chazz Chute

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This Plague of Days launchesJune 15th, 2013
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