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#Giveaway: The Free Download Experiment

I’m conducting an experiment with my blogs and Vine account with this giveaway.

I’m giving Murders Among Dead Trees to you for free until midnight May 13th on Amazon (assuming that you might like weird suspense with 57 flavors.)

This gift is coming and going fast (that’s part of the experiment), so please act now and click the pretty cover. Hope you love it.

 

Free until midnight May 13!

Free until midnight May 13!

There’s lot of strangeness in Murders Among Dead Trees.

It’s huge, so if you don’t like the flavor of one story, the next one might appeal to the inner demon you’re pretending isn’t there. (That’s adorable, by the way.)

If you like the book, please review it.

Thanks! Enjoy!

Filed under: book marketing, Books, self-publishing, Vine, , , , , , , , , , , ,

My Indie Author Mistake

Crack the Indie Author CodeIf I had to do it again, I wouldn’t call my first writing guide Crack the Indie Author Code. It’s on my sales page and proclaims to everyone I’m indie. Don’t get me wrong. I’m proud to be indie! I make lots of friends here who are indie authors or are aspiring indie authors. I buy inde books and feature indie authors. I’ve learned and gained so much from being part of the indie community.

However, we shouldn’t look indie.

When someone picks up our books, it should not occur to them that it doesn’t come from a traditional (read: huge) publishing house.

A bookstore clerk looked at my books and loved them, adding that they obviously weren’t from CreateSpace. The logo on the spines for my publishing EP IIcompany is Ex Parte Press, but yes, the print copies are done by CreateSpace.  His perception of where it came from affected his expectations.

To a lot of people, indie means amateurish. I know, it sucks and indie musicians and filmmakers don’t have this stigma. Lots of traditionally published books suck yadda yadda. We know. I’m not happy about unfair comparisons, either.

However, let’s help prejudiced people overcome those prejudices by fooling them. Make sure your cover is awesome, your writing is sharp and standards are high. Once they turn from readers to fans, let your indie freak flag fly.

Crack the Indie Author Code will be disappearing from my sales pages soon. It will still be for sale, but it will be pushed down the page by my This Plague of Days serial. It’s eight books plus the print version plus secret variations to come. That will take up a lot of real estate on my Amazon page.

Go here for sneak peaks of This Plague of Days. It’s horror, with twists from Latin dictionaries. 

And GO INDIE! (Sh…Stealth indie.)

Filed under: ebooks, publishing, , , , , , , , , , , , , , , ,

Odd and unfamiliar literary genres

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

People argue plenty about genres. Is Literary Fiction just another genre or The Standard? In an age of ebooks and fewer bookstores, must we be so strict about classifying genre? When is cross-genre going to get more respect? When will hardboiled come back? Why isn’t funny neo-noir bigger?

Okay, those last two are more personal to me because of my crime fiction friction (and the first question is a snob test. If you answered “The Standard”, get out.)

Let’s talk about literary genres you probably don’t think about much (yet): 

Boomer lit

Claude Nougat introduced me to Boomer Lit with A Hook in the Sky. Tailoring fiction to an age-related niche is an interesting idea. Can Zoomer Lit be far behind?

I picture further fragmentations: Debt Lit for the trials of our depressed global economy; Sandwich Lit for the generation stuck between supporting their parents and their children; Hack Lit for needful cottage-dwellers in the cottage industry of electro-self-help in an e-commute/quasi-agoraphobic Internet world without trees.

This is worth considering:

If you can identify an audience, you can create a genre. If you can create a genre, or at least put your stamp on it, you could sell more books.

Click it to get it.

Click for suspense and hilarious frivolity in Self-help for Stoners.

Case in point: Self-help for Stoners.

Zombie Erotica

Warm Bodies introduced this idea to me. Jay Wilburn discusses this genre  further on Armand Rosamilia’s blog. Creeps me out, though I guess The Corpse Bride gave it juice and Frankenstein originated it. We romanticize the dead  all the time (Marilyn Monroe, Jack Kennedy, Marty Feldman.) 

Cropped screenshot of Marilyn Monroe from the ...

Cropped screenshot of Marilyn Monroe from the trailer for the film Gentlemen Prefer Blondes (Photo credit: Wikipedia)

But sexualizing zombies? Hm. Could be a tough sell to a broad audience (depending on initial hotness, location of mortal wound and room temperature). However, we don’t need a broad audience. We need an identifiable and reachable niche of fans, fanatics and possibly freaks.

New Adult

For post-adolescent readers aged 18 to 30 or 18 to 26 (depending on whom you ask), this is mostly for those readers who are finding their way to their quarter-century life crisis. (Don’t wait for a mid-life crisis! Get started young when you don’t understand how little you really have to complain about! You still have so many crises to look forward to!) Click here for a list of popular New Adult reads on Goodreads.

New Adult is a very welcoming genre in that you can stick zombies or aliens in there, too, if you want. It’s typified by its target age-range and less by its subject. A popular misconception is that New Adult is for sub-literate people who don’t like to read. That’s not how people who write New Adult describe their work, so we shouldn’t, either.

Lad lit

Not a new genre but under-appreciated and not near as popular as Chick lit. This is fiction about young men and their lives, sex lives, failures and aspirations. It would be bigger if more men read books. Nick Hornby was crowned King of Lad Lit (by someone or other) with High Fidelity. I like High Fidelity the book, but I love High Fidelity, the movie. FYI: John Cusack is a demi-god. Also, we watched the credits to find out who that awesome young unknown was. It was Jack Black. His singing at the end of the movie was so awesome, we thought he must be lip-syncing. Nope! And that’s how I became a Tenacious D fanboy.

Dystopian versus Apocalyptic and post-apocalyptic:

A cross-genre flurry about  society's collapse under the crush of the Sutr Virus combined with a boy's love for odd words, Latin dictionaries and his father.

A cross-genre flurry about society’s collapse under the crush of the Sutr Virus combined with a boy’s love for odd words, Latin dictionaries and his father.

I include these three not because they are new or all that odd, but because they are often confused.

Apocalyptic is The Big Bad Thing that’s coming to kill us.

Post-Apocalyptic is how the few survivors deal with The Big Bad Thing. 

Dystopian comes after the fallout from The Big Bad Thing, when it becomes The New Normal. Like George Orwell’s 1984. Or getting felt up by the TSA.

~ The events in This Plague of Days, my coming coming-of-age Aspergers plague thriller, occur as society collapses. Things go from apocalyptic to post-apocalyptic. If the series sells enough books, we’ll get to see how the world devolves into a dystopia. I’m looking forward to finding out, assuming the real world flu pandemic doesn’t kill us all first. This Plague of Days launches at the end of May. To find out more, go to ThisPlagueofDays.com.

Filed under: author platform, book marketing, Publicity & Promotion, publishing, readers, This Plague of Days, , , , , , , , , , , , , , , , , ,

On Writing Well: Openings, Distractions and the next Million Dollar Idea

The Challenge of the Slow Open

Crack the Indie Author CodeAs I work on revising my coming-of-age, love story cleverly disguised as an apocalyptic plague thriller, I worry about the beginning most. (I’ll give you a minute to digest that first sentence.)

This is a long book I will serialize (soon). The story unfolds largely through the eyes of a boy with Aspergers Syndrome, sixteen-year-old Jaimie Spencer. He’s a selective mute. I wanted to impress upon the reader how different he is from the first page. The story starts with the boy observing the plague as it infects his next-door neighbor. The neighbor is a pilot who happens to be having sex with a flight attendant at the time, but Jaimie is detached about such things. He’s asexual. His point of view is an interesting hook, but it’s not really an action hook. It reads like a character hook.

I’m going for intrigue and showing this book is more serious than much of my other work. I’m satisfied it’s a good start, but it’s a risk because of that slow start. I’m starting the novel with a long lit fuse instead of an explosion. That could be a problem and I will have to revisit this issue several more times before I commit to the slow burn open. There are plenty of explosions, strained family dynamics, obstacles, reversals, betrayals, realizations, death and a long journey  ahead. Amid the chaos, Jaimie is a detached, almost Christlike figure. The world is falling apart and he’s fascinated with dictionaries. (Expect Latin phrases, weird words and an amusing annoyance over homonyms.) The boy perceives the world as an alien might. His peculiar point of view questions how everyone else sees the world.

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

Big openings hook more readers faster. For instance, is it a cheap ploy to kill somebody off in the first paragraph? Many critics, both amateur and professional, seem to think so. However, I suspect the average reader doesn’t think that way at all. Some lit snobs say they shouldn’t think that way. Irrelevant. Many readers do think that way.

Every story should jump right in without throat-clearing, of course. (Don’t start your book with a weather report, as a baffling number of novels still do.) But how late should you enter the action? Bigger Than Jesus starts in media res with my loveable hit man out on a slippery ledge high over Tribeca with the bad guy hiding behind a gargoyle. Higher Than Jesus starts with a slower open in a dive bar, but right from the start, you know Jesus Diaz is there to kill someone on Christmas Day. Crime fiction should start with action. But can Jaimie Spencer do it?

Distractions

I’m confident in the writing for those who stick around for the show. However, we, as writers, are not competing with other books in our genre. We’re competing with Call of Duty, Game of Thrones (on TV), people working second and third jobs to earn enough to live, laughing babies on YouTube, the gym, the laundry, and all the other paperwork of life. Readers have so many distractions, it almost makes me yearn for a time when books were much more central to our culture. The good news is, if you survive the coming world flu pandemic that will wipe out billions, there will be fewer distractions and a bit more reading time.

Solutions and Opportunities

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

I have a suggestion to help combat The Distraction Problem. It’s not really open to me at the moment* but you might be able to use this suggestion: If you’re American, make audiobooks on ACX part of your publishing platform so people will be able to consume your goodness while they do the laundry, commute to their second job, run on a treadmill or play Call of Duty. Publish an audiobook on ACX and it goes to Amazon, iTunes and Audible. Audio is the future. That, and the massive killer virus thingy.

*I encouraged writers to go for ACX in Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Since I’m a Canuck, they aren’t set up to deal with me yet. That creates a huge hole in the market for audiobooks worldwide. If I had the money, I’d start a company to compete with ACX and deal with all them foreigners immediately.

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

~ Earlier today I published an article on ChazzWrites.com that was meant for my website about Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App. Apologies for the mix-up and a suggestion: If you’re on WordPress, don’t ever use the Quick post feature. Any problems I’ve ever had posting to WordPress started there. I decided to leave it up since it automatically shot out to subscribers and I never did announce a page dedicated to that book, so…yeah, I’ve got a web page just about Vine and the useful glory that is Six Seconds. If you’re interested in checking out Vine and promoting your books with it, here’s the link to onlysixseconds.

If you’re on Vine and would like to hear a reading from Self-help for Stoners, find “Robert Chazz Chute” on Vine. I’m doing the first author reading on the Vine app. Interested in winning a signed copy of Bigger Than Jesus? I’m running a contest with that reading. Get the details on how you could win from this link to AllThatChazz.

Filed under: audiobooks, blogs & blogging, book marketing, Editing, My fiction, publishing, Vine, Writers, writing tips, , , , , , , , , , , , , , , , , , , , ,

The Perfect Pitch: The Amazon Breakthrough Novel Award Contest begins

Crack the Indie Author CodeAs I write this, we’re just two hours away from the entry form becoming available for the Amazon Breakthrough Novel Award. It’s fun to think you might win $15,000 or even $50,000 and a publishing contract. There’s a trip involved, as well, but they fly you coach so that’s more penance for choosing this insane profession. I once attended a writing conference where someone worried if entering this contest was the right thing to do. Well…I suppose obscurity has its advanta—no, wait. No, it doesn’t. If you have a novel that fits their categories (i.e. Thriller/Mystery, Romance, Sci-fi/Fantasy/Horror, Young Adult, General Fiction) and you’re of a mind to get more attention to your work, the Amazon Breakthrough Novel Award is one good place to do it. They stop accepting entries after 10,000 contestants, so get on it if you are going to attack this project.

You’ll need to supply an excerpt (3,000 to 5,000 words) and the whole manuscript must be scrubbed of any features that identify you as the author. Get all the contest rules and enter at CreateSpace.com.

Most people will struggle with getting the pitch just right.

Even if you’re a genius, you should struggle. The contest requires an awesome pitch of up to 300 words. At the first stage, there are so many competitors that the pitch has to be very sharp to cut a swath through the half-assed entries. Make it memorable, touching, funny, seductive and/or beguiling. It’s got to flow from one perfect sentence to the next. It has to be as sweet as Pam Dawber on Mork & Mindy and as sexy as Pam Anderson before the hepatitis. (And it can’t be as dated as those references, oh, fellow child of the ’70s and ’80s.) 

Quick story

As I wrote the jacket copy for Crack the Indie Author Code and Write Your Book: Aspire to Inspire, I labored a long time over just a couple of hundred words. I sweated. Then I sent the jacket copy off to Kit, my graphic designer. He created the covers quickly. That was good, because I made a nuisance of myself. I went back at it and changed the copy again the next day. (Kit is patient.)

All our writing has to be right and tight, but advertising copy is its own crass poetry. You have to deliver a lot in a few words and entice without coming across as douchey. That’s remarkably tough to get right, as a plethora of lousy ads on TV attest.

I write a couple of thousand words a day, but novels and sales copy are related, but different arts. It takes a lot of writing, revising and honing to hit the compelling note so your reader feels a need to explore your offerings further.

Writing the pitch for The Amazon Breakthrough Novel Award Contest today was like that.

I agonized, maybe even too much. Then I rewrote some more. Then I let it sit while I worked on formatting the entries. I came back and tinkered until I finally asked She Who Must Be Obeyed to read it. She smirked in the right places.

Not good enough! I couldn’t be satisfied until I got a full-throated laugh or possibly an out of control giggle. She Who Must Be Obeyed is not an easy audience. She rarely giggles.

I revised again and rearranged the set ups so the punchlines hit harder. When I was sure I had it, I called her back to reread the pitch to the contest. Even though she was already familiar with the material, she burst out laughing. Then I tweaked it a couple more times.

My pitch to the Amazon Breakthrough Novel Award Contest is all of 237 words and it took hours until I was sure it was the best I could make it.* If I don’t make it to the second round of the contest, I’ll probably be quite cross. By “quite cross” I mean that, wherever you live, you will hear my howl. Strap in.

*It’s worth noting that the novel also has to live up to the pitch.

Aspire to Inspire eBook JPG~ Robert Chazz Chute is the author of a bunch of suspense, thrillers, two writing guides and one very weird book of self-help. He also podcasts with righteous abandon. For more, check out his flavor at AllThatChazz.com. 

Filed under: All That Chazz, Writers, writing contests, writing tips, , , , , ,

How to have a Christmas of Consequence

Tomorrow is Christmas and in Retail World, things get crazy. As we run around, taking care of last-minute errands in a mad rush, please remember to be patient and

Lily's Christmas message from Bigger Than Jesus

Lily’s Christmas message from Bigger Than Jesus

kind. Last year, on the day before Christmas, I saw a woman screaming at an old man who had parked at the entrance to a drugstore. She shrieked hysterically at the old man as his wife, a fragile old woman with a cane, limped weakly toward the car with her medicine.

The angry woman saw her, but she was already committed to her rage. She did not ease up on the throttle and apologize. She continued shrieking at the old man for parking where he shouldn’t. There was no compassion. 

We attach significance to special days and ask that everyone abide by a higher standard of conduct. But it shouldn’t matter what day it is! Every day is an opportunity to be kind. If Christmas is your thing, if Sunday is a special day to you, if Easter is your big deal, if you think you’re a good person who cares about others (or aspire to be) carry that kind spirit with you through all your days. Do that and all your days will be better. You’ll spread love and joy and get it back many times over. people will be drawn to your warmth and light.

And to that shrieking, angry young woman, I’m really sorry about following you home and  keying the f$#! out of your new car’s paint job on Christmas Eve. Smashing the window and stuffing the raccoon roadkill under the seat was a tad over the top, too.

Have a safe and happy Christmas, everyone. And be good. Someone knows if you’ve been bad or good, so be good for Goodness sake. We are everywhere and we are watching.

All about the love...and vengeance.

All about the love…and vengeance.

~ Hey! Just kidding, y’all! I’m a crime novelist who writes books about righteous vengeance. What did you expect? Teddy bears and kittens? Hear the Christmas Apocalypse podcast at AllThatChazz.com. Get all the books by Robert Chazz Chute by using the magic, making a wish and clicking here. With one click, suspense and hilarity are delivered to you (or as a gift) in time for Christmas so you can avoid any parking woes and holiday shopping drama.) Here’s a funny video from College Humor for more on making sure you catch and keep the holiday spirit.

Filed under: publishing, , , , , , ,

Writers, Readers and the Blame We Get

Dark Higher Than Jesus banner adI know a couple of erotica authors well enough to tell you that their private lives are not a full schedule of whips, naked gymnastics and ropes with elaborate knots. They’ve never had sex at the top of the Eiffel Tower with multiple hunky Norwegians. They’re ordinary moms who share your concerns about life. They have vivid imaginations that stay busy while they’re stuck in traffic as they chauffeur their children to play dates. Some readers draw conclusions about the character of the writer from the books they write. Unless it’s an autobiography, that’s an annoying habit.

When I wrote Self-help for Stoners, some readers assumed I was a drug addict. Never mind my liberal stance on unwinnable drug wars and the hypocrisy and sadism of sanctions against marijuana users. My addictions are sovereignty, choice and chocolate croissants. The drug I toss back most? Caffeine, just like you. When I wrote Sex, Death & Mind Control, some people thought I dabbled in the occult. Not so. I am not in a cult, either, (though I wouldn’t be averse to leading one for those awesome tax perks.) My work is fiction and my brain makes odd neural connections. Ideas get put together in new and exciting ways. That’s writing and that’s all.

When I gave my dad Higher Than Jesus for Christmas, he felt self-conscious about reading a crime novel written by his son that included sex. I know that because he tried to make me feel self-conscious about it. Yes, there’s a particularly blushworthy chapter, but I told him when I gave it to him that he never complained about the violence in my books, so he didn’t get to object to the sex. Here’s that fun phone conversation:

Me: Merry Christmas, Dad!

Him: I’m almost finished reading Higher Than Jesus. It’s quite the book.

Me (catching the tone): Uh-huh.

Him: I think you have fantasies about long legs —

Me: Stop! It’s fiction, Dad. I’m a writer. You’re an adult. I’m treating you like one.

Him (apparently unconvinced of points one through four): Mm, yeah. Well, I did enjoy it.

Me (deadpan): Imagine my relief.

Worse? Now I’m a bit worried. Since the gut-wrenching horror of the tragedy and loss in Newtown, Connecticut, even I’m becoming concerned that my fiction might intersect with real life. Part of the plot of Higher Than Jesus turns on a gun control issue and the actions of a fanatical group. Real life events have turned since I wrote that novel. Congruence make me think that my fiction and conjecture could actually line up with plots in reality. If something in particular (a very bad thing) happens in January, will some reader try to make that connection to my funny, sexy crime novel? They won’t call me prescient. They’ll wonder if a nut read my book!  

I hope law enforcement officers will foil any real life plots. Jesus Diaz is an interesting character, but I don’t think issues of national security and international peace should be left to my goofy, conflicted, love-obsessed, Vicodin-addicted hit man. He foils plots, too, but never in an easy, linear way. Our world has lots of tough problems, but fiction isn’t the problem. If anything, it’s a solution. Fiction is a safe outlet for revenge fantasies. Art yields entertainment, not sorrow. (Yes, I believe this is true about video games, too. Penn & Teller did an episode about the safety of video games. Here’s a link to that vulgar, NSFW video on my author site. This video is not for the easily offended or anyone who refuses to even consider that video games might not cause horrible school shootings.)

To readers: Please don’t ascribe words on the page to the character of the author. We’re just tap dancing to entertain you and most of us prefer to keep our violence where it can be safely managed: In fiction. Yes, my revenge fantasies are rooted in a deep dark place, but I learned to sublimate my rage with humour. If you’re going to make assumptions about me from my books, please assume I’m better than I am, not worse.

"Worthy of Elmore Leonard with shades of Thomas Harris..."

“Worthy of Elmore Leonard with shades of Thomas Harris…”

~ Robert Chazz Chute writes suspense and crime novels. He’s not Cuban. He’s not a hit man. He’s close to the same height as his Cuban hit man, though, so clearly he’s exactly like his fictional killer. Hear the All That Chazz podcast and check out his books at the links at AllThatChazz.com.

Filed under: publishing, , , , , , , , , , , , , , , , ,

11 Essential Things to Know If You Want to Write Fiction for a Living

See on Scoop.itWriting and reading fiction

This Masquerade Crew article by Luc Reid outlines the long shot of making a living at writing. Read all these great points at the link.

The point that I’d like to reinforce today is #10. No matter how good your writing may be, you still have to market to get your books out into the light where they can be read and enjoyed by hoi polloi.

I once attended a marketing seminar for chiropractors. Chirocrackers get a little shot of dopamine every time they do an adjustment. Hundreds of times a day, with each nitrogen bubble pop, it feels good for them to get that crack. But as far as marketing goes? Who wants to do that? Not many. And most think that since what they’re doing is so good and helpful, they shouldn’t have to do any of that dirty business stuff. Repeatedly, chiropractors say, “All I want to do is adjust. Let me get back to crackin’!” Sound familiar?

“All I want to do is write,” we say. Mm, no. You want to be read. If it were only about writing, why bother formattting, getting a cover for your masterpiece and publishing it? You could keep your manuscript in a drawer, never put up with “business” and get all those happy dopamine bumps from writing in seclusion.

Marketing is essential and it doesn’t matter that you don’t enjoy doing it. Not many enjoy that aspect of the work. It’s uncomfortable, but so what?

You’re a genius? Great. Do the world a favor and stop keeping it a secret.

~ Chazz

See on masqueradecrew.blogspot.ca

Filed under: publishing, , , , , , , ,

Not Free Much Longer: The Dangerous Kind & Other Stories

The Dangerous Kind & Other Stories (2nd Edition) is free for the last time for just a bit longer.

Here’s an excerpt I’m sure many writers can relate to.

Grab The Dangerous Kind & Other Stories here.

Stay-at-home dad.

40.

Broke.

This is not the future I did not plan. The future I did not plan, but thought somehow would take care of itself, is not taking care of itself. Squeegee kids aren’t broke like me. They aren’t still paying for a vacuüm they bought on credit last Christmas. Credit card debt is kicking my ass, or was, until my dad intervened and I discovered there are prices to be paid which are much higher than the interest on VISA.

I have no excuses and, like the rest of my generation, no clue. My wife, Cecelia, has a nursing job at an old folk’s home and I take little freelance editing jobs here and there. My main occupation is to watch our two boys and rub Cecilia’s feet when she gets home after a long shift. We have her tiny retirement investment plan. The statements go unread because neither of us read Bewilder, an alphanumeric language only understood by people in the financial services industry. We hope it works out.

My father learned his financial skills from his parents during the Depression. Grandpa was an Episcopalian preacher in Poeticule Bay before the roads were paved, when everything arrived by boat. The congregation often fed the minister’s family with cod and lobsters rather than feed the collection plate a few coins. Dad scraped up a little money here and there and somehow became what it seems no one can be anymore: The mythic Self-made Man.

Dad would lie in bed and plot his escape from poverty while his brother counted pennies into a mason jar each night. Childhood was so short then, it was almost imperceptible. They did escape. My father’s generation had smaller dreams and the discipline and savvy to make those lies true. They made something of themselves and I have no idea what that might feel like. Instead of selling things, my wife and I had kids and bought stuff off the TV because that was our little slice of the American dream. We trusted the Future, but the banks killed it and the government never arrested anyone for Future’s murder.

My uncle is still alive, too. He gambles his ample retirement fund with various Vegas casinos and heart by-pass specialists. Dad and Mum were snowbirds. After she died, he gave up on Poeticule Bay, Maine permanently and moved to Boca. He watches the sunrise and the sunset, takes pictures of pelicans wheeling over the water like pterodactyls and ponders his only son’s squandered potential.

“We never needed much, certainly not near as much as kids today think they need. I still don’t need much,” Dad says. “If it comes down to it, I could live off a greased rag for a month.”

Dad’s speaking to me over the phone, but he sounds like he could be talking to himself. I guess that’s true since, while he talks, I’m thinking of my boys and how all their friends have iPods now. The technological future is finally here and the party rages on without my kids.

Dad graduated from pennies to folding money, mason jars to stock portfolios. When I was a kid asking for a few dollars to buy something, his answer was always the same. “Why do you think you need that, boy?”

I was not deprived exactly. Dad provided clothes, food and shelter. But my wants? My wants eclipsed the sun. I wanted to fill my room with books and toys and music because that is how you buy happiness. Less is not more. Less is less.

My father wanted my childhood to be as short as his was and my room to be as bare as a monk’s meditation chamber. I denied him that satisfaction so long, I still don’t feel like a man. And yes, he still calls me “Boy.”

In this book, people are desperate to escape small-town Maine and maybe even elude themselves. The novella, The Dangerous Kind, is psychological mayhem and my tribute to Stephen King’s suspense.

Dad owned Poeticule Bay’s only hardware store. Early each morning he went off to work freshly shaved and optimistic. Each night he shambled home to supper, miserable. By the last spoonful of dessert he resolved that tomorrow would be better. What I did not understand then was that the tomorrow he was thinking about was the far-off tomorrow, the arthritic future wandering Floridian beaches alone collecting shells.

Retirement is not in my future. I have fitful dreams of being a writer. That is the same retreating mirage I saw on the distant horizon when I was eight. There are haphazard moments of clarity when I compose eagerly. Then I turn on the TV and fall asleep. Words with promise have died. Clever lines form skeins of sentences. I reach in spasms. I worry I’m already too late. The bills mark time.

Awake and rubbing my eyes, I am smack in middle age on the brink of last chances. I am halfway between those early promises and the sum of me. That distant horizon still recedes. I am not a bestselling author whose book is soon to be a major motion picture. I’m not even a grown-up.

Yet.

In this frame of mind, I made excuses to Dad why I could not load the whole family in a jet and wing off south for a visit. I let slip that I could not come because my wife and I had to pay off credit cards. I said too damn much.

Dad called back at seven the next morning. My debt had been gnawing at him through the night. The kids were still in bed so I was, too. “Time you got up, boy! I suppose Cecilia was at work an hour ago!”

He’s not big on preambles. Why don’t I have call display on the phone by the bed?

I didn’t tell him I was up till three last night writing. That would just be another mistake to hold on to and bring up at Christmas. “Is the book done yet? When do we see it in stores and how much will you be paid? How much, boy? That doesn’t sound like much.”

I thought about telling him the kids were painting each other with glue again and that I had to hang up. I didn’t, though. I listened because he was talking about giving me money. His was a generous offer of an interest-free loan to kill the credit cards and raise the possibility of a future without debt.

I’ll owe him.

Instead.

Again.

I said I’d think about it, like I still had a choice and pride.

Later, when I looked upon my innocent boys’ debt-free faces, I had to remember how to build a smile. Each grim facial reconstruction soon fell from my lips and I had to rearrange my face again. When they want the latest robot dinosaur, will my card be maxed out again? Will their memory of me be The Failure Who Always Said No? How different is that from the Self-made Man who says, “Why do you think you need that, boy?”

What will happen when they grow up? When they go to college and fall into the same — or a deeper — debt trap, I will pull them out of that hole if I have a rope. No money? No rope. No hope. There lies the soul of shame’s pain.

Each New Year’s Eve, Cecilia and I say this will be the year we “get some breathing room.” We’ll save money…somehow. We’ll win the lottery or I’ll sell my novel or…something. What’s likely to change since we aren’t doing anything different? We never speak of this secret aloud for fear that, like some magic curse, the danger will only be made real in the speaking.

I’m worried about the slow, spreading stain in the bedroom ceiling. Will roofers even accept a credit card? How much will new eaves troughs cost? Will the furnace die this winter?

“How much?” Dad asked.

“Ten thousand,” I said. I braced myself but he did not say anything. The weight of the silence on the phone line stretched out. His disappointment was that heavy. My scalp burned and my body felt skinned by rusty carrot scrapers. “Five hundred a month okay?” I ventured.

“Yeah,” he said. “Promise you’ll cut up your credit cards?”

The next pause was mine, the startled kind.

“Yes,” I lied. What if I have to rent a car or get a hotel room for some ugly, unforeseen reason? I think about the roof, the furnace, the eaves troughs, the latest dinosaur robot and the look on my boys’ faces when a classmate gets a new computer. My father will not understand why I will never cut up my credit cards.

I must have that safety net for emergencies, even if it could hang me. I could try to explain my situation, what my real life is like. That’s definitely what I should do.

“Um…Dad?”

Go ahead, I say to myself, sweating and now out of my body. Tell him! Tell him that the best things in life aren’t free! Tell him iPods buy love and happiness. Explain how you’re asking for $10,000 because that’s all your stupid pride can bear to ask but you could ask for twice as much and still not cover your debt! Tell him there’s little hope but you wish he shared your dreams for success, anyway. Give him another reason to call you “Boy.”

“Yeah?” he says.

All he’s got waiting for you is the sucker punch of a loan, judgement and condemnation.

“Thanks, Dad.”

“Yeah.”

I hang up the phone, my head hot and pounding. The kids are watching a SpongeBob rerun. My wife won’t be back from work for another hour. I could steal a nap.

Instead, I sit down. I dream big.

I write.

Grab The Dangerous Kind & Other Stories here.

 

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Guest Post: Wenona Hulsey author of the Blood of Burden Series

First off, thanks so much for letting me chat on your site, Chazz! I think your crime thriller readers mixed with my paranormal thriller readers make for some of the best kind of fans.

I’m Wenona Hulsey, author of the Blood Burden series that can be found on Amazon and B&N. Like Chazz, I love to thrill my readers and keep them guessing what will happen next. A great read shouldn’t be predictable so let me start out by telling you what you WILL NOT find in my series: A weak woman waiting for a prince to save her…NO.  A relationship that could be classified as stalking in the court of law…NO. Sparking vampires…ABSOLUTLY NOT.

The Blood Burden Series is about a small town woman with what she thinks is a slightly off kilter mind-reading ability brought on by the stress of losing her mother to cancer. But as time moves on her powers start to evolve, develop and grow into something much, much more. A war is brewing under the surface of the world we know and Nicole is the key weapon. She will have to decide whether she should embrace the powers along with the unusual other-worldly trainers sent to her or try to bury who she is risking all she loves.

Inside the pages of this series you will find mystery, heartbreak, test of loyalty, and romance that will keep you enthralled to the very last word. I mix Irish folklore and southern tradition into a setting with modern day fae and ancient warriors (the smoking hot kilt wearing kind) to take you into a completely new world that I hope you will enjoy.

Thanks you all so much for spending a moment with me.  Be sure to connect with me out in the social networking world after you check out my books.  I love to chat with readers!

Buy Links: B&N & Amazon 

Wenona’s blog  Twitter Facebook

Join my email list for the latest on all my books, contest and much more! 

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