C h a z z W r i t e s . c o m

We are the publishing revolution

Amazon sales secrets you’re probably missing

When you scan your book sales page and stats, it can be pretty dry, depressing and really not tell you much except what happened in the past. I’m more interested in what will happen and how I can make it so. There’s more information on Amazon than you’re currently using, but it’s all right there if you look. You can use this data to become more profitable. Delve deeper to divine what’s really going on with your readers. Here are some ideas about discovering who your readership is and how to reach them:

1. Categorize for Visibility

Yesterday I mentioned optimizing your books’ visibility by examining your sales and how your books are categorized. You may be invisible in a large genre category, but if you can drill down and pinpoint an appropriate category you could make your book a bigger fish in a smaller pond. In a category that is too general, you’re in a sea of books and harder to find. But don’t just look at the stats and numbers Amazon supplies at Author Central. There’s much more you can do. Let’s go further than the usual cursory glance at graphs, numbers, green up and red down arrows.

2. Surprise: Paperbacks versus Ebooks Revisited

"You will laugh your ass off!" ~ Author of Cybrgrrl, Maxwell Cynn

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Micro-publishers are often told that ebooks are the crux of our business and that’s where our focus should be. I agree that’s true in general but that doesn’t hold true for all books.

Naturally, we often compare sales of one book to another. Each of us probably has a good handle on which of our  books sells most and least, if only for curiosity’s sake. Now compare each ebook against its brother in paper. I discovered one of my books in paperback, Self-help for Stoners, outsells the ebook version. I’ll hold back on making easy jokes about why this would be (Okay: Paper makes for good rolling after you read it. Happy, Stoner Stereotype Brigade?)

The why is just guessing and doesn’t matter, but the what is significant to me. It tells me the revamp and reload I’m planning for Self-help for Stoners (also discussed in yesterday’s post) is worth my time. A new edition in paper will be worth the effort.

The same thing is happening with my writing and publishing guides. I’m sure this is so because they are reference books. According to a recent study, students still prefer paper reference books to ebook texts. Since they sell better in paper than ebook form, I plan to reformat Crack the Indie Author Code and Write Your Book: Aspire to Inspire

When I revamp these paperbacks, I’ll sell them in a smaller size. They’re currently huge honking trade paperbacks. I couldn’t get them down in size on my first attempt, but the next edition will be more like a thick 5 x 9. If the software won’t cooperate, I’ll call on a friend who is a book designer to help. With a smaller format, I’ll be able to bring the price down and sell more paperbacks. (Expect the format change at the end of summer to coincide with release of my next guide on writing and publishing. Don’t wait! Get them now or grab the ebooks. People are loving them.)

3. “Frequently bought together”

Crack the Indie Author CodeFrom your sales page topped with your author bio, click through to see what’s selling under the “Customers Also Bought” list.

We spend a lot of time, energy and free giveaway days trying to get on this list on other author’s sales pages to increase our books’ visibility. When Self-help for Stoners came out, over time it became clear that readers found me through my connection with director Kevin Smith. On the Self-help for Stoners sales page, Amazon still has my book paired with his book, Tough Sh*t, under “Frequently bought together.” However, on my main sales page, Kevin’s not on the author list anymore (discussed in #4). I noticed him dropping away as other authors took his place.

If your book is paired with another author’s, you could work together to promote both books, either through advertising together or doing a podcast for mutual benefit, for instance. 

4. “Customers Also Bought Items By” 

On your main sales page on Amazon, look at the list of authors under this category, down the right sidebar. Number one for me as of this writing is John Locke. That makes sense since Bigger Than Jesus and Higher Than Jesus are funny and fast-paced crime novels with contemporary references. (I’m suddenly self-conscious about constantly plugging my books here, but since it’s my damn blog and I’m drawing on case study experience — poof! — I’m over that self-consciousness. I’ll hold on to all the other neuroses, though.)

Here’s the current screenshot from my sales page:

Screen Shot 2013-01-21 at 3.07.29 PM

If the same authors turn up consistently over time, that’s a stronger indication you share a common niche and audience. The Guy Kawasaki occurrence here is no doubt because he just came out with APE and that’s the identical reader demographic who would go for my Crack the Indie Author Code and Write Your Book: Aspire to Inspire.

How is this useful and what does it tell you?

Aspire to Inspire eBook JPGThinking about the authors on your page could give you an idea where your readers are coming from. For instance, if you did a blog tour and soon noticed a familiar author on your sales page list, it would serve you well to guest blog for them again or host them on your blog.

It’s rare in book marketing that we can identify a causative marketing solution. That’s positive feedback that is actionable. (Is “actionable” too jargony?) Usually, when we see our sales go up and down, we can’t link it to a particular event. For instance, maybe your sales today came about because of a recent press release or maybe it was that giveaway you held two months ago. Who knows? Establishing causal relationships between promotion, publicity and sales is rare unless you’re doing a measurable campaign (like a rewards program, for instance.) Whenever you can identify something that worked, do it again!

I know a couple of authors on my “Customers Also Bought Items By” list personally. I suspect they show up here because they’ve been kind enough to promote me. I’m especially pleased to see Chuck Wendig on this list. I don’t know him. All we’ve exchanged are a couple of funny tweets and I’ve read a couple of his books. However, we both wrote funny writing advice books, so that’s undoubtedly the common audience.

From what I know of the other authors, it suggests to me that I’m hitting male readers somewhat. I reach writers who read about writing and publishing, of course. However, from that list, I suspect most of my readers are female, between thirty and fifty-six, well-educated and into suspense with romantic elements. It’s my crime novels in the Hit Man Series that will make the splash with most of them.

What this analysis could reveal

I want to know who reads my stuff so I get more ideas about how to reach them. That helps me target bookBigger_Than_Jesus_Cover_for_Kindle reviewers who have demonstrated that they tend to like similar work by authors on my “Customers Also Bought Items By” list. It might also help me choose which blogs to apply to for a guest post. If the authors on this list have already guest blogged there, that’s a clue. I might also request guest blog spots from some of the authors on the list directly since we already have readers in common.

This awareness is most helpful by finding those authors most like you. Watch success and emulate it. What might I learn from these authors whose audience overlaps with mine? I could learn a lot from figuring out where my fellow authors appear, which book reviewers adore their flavor of madness, how they handle their blogs, their book releases etc.,….

I loved Stephen King’s On Writing, but as much as my Maine town has in common with Derry, I can’t learn much from him about reaching new readers with a shoestring book promotion budget in the New World Ebook Order. In the author hierarchy, Mr. King is on a distant planet from little old me. Authors closest to me talk my language and we can relate to each other’s problems.

What this analysis shouldn’t tell you

Don’t avoid engaging your audience by relying on numbers and conjecture. The real fans will tell you what they like best (and, if polite, let you figure out what they liked less by simple deduction.) I don’t write what I’m told to write, but I listen. Readers have told me that, after reading the Poeticule Bay short stories, they want full novels about the creepy town in Maine everyone wants to escape. That bumped it up on my priority list. Others have emailed to request that I please get to that dystopian thriller with the autistic protagonist I mentioned once. I’m on it. Thank you for your encouragement and support as I prioritize what comes next from Ex Parte Press.

Love acknowledged and that said, I write what I’m inspired to write. This analysis is to figure out how to be found by more people, not to figure out what to Higher+than+Jesus+Front+1029produce before I’m found. I’m not interested in identifying my audience so I can try to write for, or pander to, any one demographic. That’s artificial and would yield sub par results (at least in my case.) I write for myself first and hope others enjoy what I enjoy. The writing, insulated from any audience but one, comes first.

This analysis gives me ideas about how to help readers discover my books once I unleash my mind viruses upon the world. In art (or Art, if you prefer) the customer always comes second. I don’t chase markets. I stay true to my vision. The market will chase me…eventually.

Me B&W~Robert Chazz Chute writes blog posts that are way too long. He even (by Thor!) writes about himself in the third person in that little bio thingy at the end of blog posts. He’s also the nut behind the All That Chazz Podcast. But perhaps, if you aren’t allergic, he’s your kind of nut. Find out at AllThatChazz.com.

Filed under: Amazon, ebooks, Publicity & Promotion, publishing, , , , , , , , , , , , , , , ,

Publishing: New strategies, plots & plans

I have four books up for sale so far. In less than three months, I plan to release four more. This is the critical, make or break, time for me that requires a little experimentation as we swing into the high season of book sales. Here are my goals and rationales:

1. A friend asked if I planned to put my two short story collections, The Dangerous Kind & Other Stories and Sex, Death & Mind Control into print. I began to say they are a little short for paper. Then an inspiration came. Here’s the experiment: I’ll combine the two, add seven stories that I’ve banked plus a chapter that’s a sneak peek from a coming novel. I’ll also add a little introductory commentary at the top of each story. I will make this collection available only in print.

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

2. Within a week or two, Higher Than Jesus will be released. This is the follow-up to Bigger Than Jesus and the second in The Hit Man Series. I listened carefully to the reception Bigger Than Jesus got. Higher Than Jesus will be lighter on the swearing and mix in a little more sex. Add in skip tracer techniques, an assassination conspiracy, an arms deal and a lot more jokes and it’s a winner. Lots of pre-publication buzz on this one from the First Readers Club.

3. Crack the Indie Author Code: Aspire to Inspire is next. I just got the manuscript back from the editor and I’m working through revisions. Anyone who reads this blog will enjoy this, the first non-fiction book that has my name on it. (Ghost writing doesn’t count.) It’s inspiration for writers, but it’s got a lot of useful information and jokes, too.

Paranormal persuasion and scary stories (including two award winners.)

4. This Plague of Days is the story of a boy who is a selective mute on the autistic spectrum. He travels with his family through North America as society collapses. A killer flu has killed more than a third of the population and chaos descends. We see the world through his odd perspective. I wrote this book over the course of a year and I just have to plunge into revisions. It’s a huge book, my longest and most ambitious. 

Small-town terrors and psychological mayhem in Maine.

These are high goals over a short time, but I have worked toward these books for a long time. Everything is written. It’s all revisions and editorial pipe now. It’s time to go big. I’m powered by kale shakes and naïve optimism. I can do this.

Intern! Brew me another kale espresso, less pulp this time! It’s go time!

Filed under: publishing, , , , , , , , , , , , , , , , , , ,

Bookstores, buying habits, digital rights and the end of the world as we know it

I went cross-border shopping. In all our travels, I saw one bookstore and it was an empty, boarded up Borders. In the huge (and I mean huge) shopping centres we wandered through, there was not one bookstore. Not. One. I am not celebrating the shrinkage of the paper book market. I will miss bookstores and what they were. As their bookshelves shrink to bestsellers-only and mid-list authors find no (non-virtual) place for their books, we have lost shrines to knowledge and literature. When they’re gone (or when I have to travel many miles to get to one) I will feel the same nostalgia I feel now for friendly garbage collectors and milk men who brought their products to my door when I was a child.

How many years will it be before the economics of book production don’t make any sense at all? Economies of scale will, at some point, require that all books go digital unless they are specialty items for very high-end books, hobbyists with very low-end books or novelty items. Paper books are still big, but as the gifts, candles and coffee spaces in bookstores grow and book return times shrink, anyone can see where this train is going.

I still run into people who think a mid-list author should pursue paper book deals within traditional publishing to the exclusion of the electronic marketplace. Unless an author holds his or her e-rights, though, in most cases that math won’t make sense. John Locke held on to his e-rights. Locke stuck to what he was good at and the publisher acknowledged that by making the unprecedented deal. (Joe Konrath wrote convincingly that the deal was an admission of industry failure and was, in effect, a sign of End Times for trad publishing.)

Naysayers object, “Any self-published author would jump at a traditional deal.” Uh. No, that’s not true. A traditional deal will often yield the author about a buck after a book sale. Self-publish digitally, sell for just $2.99, and you’ll get about $2.00 with each sale. For those who would jump at traditional deals, authors may well make that decision for personal, emotional reasons, not as a pure business decision. The math doesn’t change but people are variable and are welcome to their (informed) choices. Video on demand, PVR and satellite replaced Blockbuster, but movies are still getting made.

As bookstores shrink and collapse, consumers are already turning away from the old model, even when it’s available.

For instance, I’ve noticed my buying habits have changed.

Here’s my shopping habit arc:

1. I bought books in bulk. Even though I sold a bunch, my many bookshelves are still groaning under the weight of shelves packed with books in double rows.

2. Then I bought half of my books in bookstores and half on Kindle. (I use my Sony Reader much less because it’s not wireless.)

3. If it’s a reference book, I’d still prefer to read it in paper for ease of use. I picked up a tech manual for my computer last week because I wanted instant answers.

4. If it’s fiction, it’s on my Kindle. I love that I can download so quickly and easily. It’s so easy, in fact, I don’t know when I’ll get to read all of my purchases.

5. I’ve pretty much given up on magazines because of all I can read on the web (on blogs, for instance.) There’s just as much expertise and good deal more depth in many blogs than magazines have space for.

6. Shipping: Paper books at a bookstore are more expensive. If I order them straight from Chapters or Amazon or download to the Kindle, I’m paying for the same products at a discount and the shipping is free, right to my door.

7. The local bookstore is for recon missions to find books I’ll order electronically. When our bookstores can’t afford looky-lou sessions and close, I’ll be doing that research exclusively by going through catalogues, watching for recommendations on book blogs and on sites like Goodreads. And my friends will tell me what they enjoyed. And I’ll say, “I used to get out of the house more.”

8. There will still be bookstores in the future. You’ll have to travel a long way to get to them and most of them will be specialty bookstores. The big inventory will be on the web. Just like now.

The eventual end of the common bookstore is not the end of the world. 

It’s only the end of the world as we know it. 

 

 

 

Filed under: DIY, e-reader, ebooks, self-publishing, , , , , , , ,

Shocked yet not surprised: Indigo halves its bookshelf space

Here’s the link to Five Rivers publisher Lorina Stephens’ excellent post on how Indigo is changing its returns policy (45 days and you’re out!) and cutting its space for books in half. So much for anybody whose name isn’t Rowling, King, Meyer and whoever the guy is who came up with Go the F**k to Sleep. This stirs up a lot of questions for people whose names are not those names. For instance, how many scented candles does anyone really need to buy in one lifetime? And how will traditional publishing cope?

For me personally, this is not a big deal because I am not in the least surprised. As I’ve been saying, this is not an if. It’s just about when. Blockbuster is battered senseless and HMVs are shrunk to nubs. I am so the opposite of an early adopter of new tech I’m nearly Amish and I don’t go near the Busted Block nor do I buy CDs anymore (though I understand some people still make them, everybody’s just picking the songs they want off iTunes.) I anticipated this boostore shift and consider it to be The Half-Measure of Doom on the Road to Bookstore Apocalypse.

Ahem. Pardon the hyperbole, but I’ve encountered a bunch of resistance from people who are convinced that my sole focus on ebooks was career suicide. No matter what I said, the doubters were sure a book had to be in a bookstore to be “real” and “worthy” and “made of paper and stuff.”

And I said, “What’s a bookstore?” Now I’m doing my “Told you so” dance and though I should be ashamed of myself, to be honest, I’m not feeling it.

But seriously, bookstores are literally farther and fewer between. As they cut down on shelf space to make room for doodads to dust, yo-yos and novelty pens, there will be no shelf for indies. You want choice, variety and a taste of the new? Go look online because you won’t find it in a bricks and mortar chain store.

But enough from me and my reactionary delusions of grandeur. Lorina says it all in detail in her usual reasonable, convincing tone, so do go read what she has to say. 

Filed under: authors, Books, ebooks, Useful writing links, , , , , , , , ,

Book promotion: I was wrong

I used to be a book publicist and, as a book sales rep, have worked with book publicists. Gotta say: not impressed with the breed. Most have a shiny coat, bark loudly, no teeth. I expected a lot of them. I don’t think I was wrong then, but now that the tech and culture have changed, I realize I’ve expected too much from publishers and their publicists.

In the old days, publicists organized events, book tours, mailed out advanced reading copies (ARCs) and hoped for reviews. The publicists I knew were pretty smug and full of themselves, especially considering how frequently they were unsuccessful.

The other wrinkle in the mix from an author’s point of view is, if you’re with a trad publisher, the publicity department has little time to get attention to any one book or author. The other continual complaint is, besides the small media/promotion window, most of the promotion budget always goes to the author who seems to need it least. That’s the publisher trying to maximize profits (rather than pimping a mid-list author.)

The world has changed and authors need to shift expectations: Publishers don’t publicize your book much and mostly download marketing duties to the author. That annoyed me. Now I think that’s the way it should be.

My reasoning is that the author/reader relationship has changed. Readers don’t want to interact with your publisher. They want to interact with you. Who cares about publishers. With the exception of Harlequin—the one company where you always know what you’re going to get—publishers don’t have brands. Authors have brands.

Old model:

Send stuff out (press releases, ARCs, bookmarks, catalogs, book tours) hoping media will bite.

New model:

Engage readers directly with Twitter conversations, blogger reviews and blog tours and hoping they will bite.

Yes, there’s still room for old model tactics, but they are either limited, outmoded, less effective or costly.

So nevermind that your publisher’s publicists aren’t returning your calls two weeks out from your book launch. Chances are they’re busy with another book and have expended your promotional budget. You can do better for yourself over the long run, anyway. (Or you can hire your very own publicist and do it up right for a longer time.)

Publishers unloaded marketing responsibilities to authors for budgetary reasons. Authors should shoulder that responsibility for a better reason:

Your readers want to talk to you, not them. 

Filed under: authors, Publicity & Promotion, publishing, Rant, , , , , , , ,

Writers: What are you worth?

At last week’s Writer’s Union of Canada conference in Toronto, an author asked the head of ECW Press: “Why should authors should get a royalty of 25% (of net) when they could get 70%  publishing on their own digitally?”

Good question. 

The question rose from a discussion of ECW’s new ebook imprint. The replies from the panel were interesting. First there was the assertion of the value of editorial input, an advance of $500 and a promotion budget of $800. Production cost was $1600. So, the publisher’s risk up front was $2,900. The ebook price was set at $9.95 (though Amazon dropped the price to $7.96.)

The publisher emphasized his risk, saying that most of these ebooks haven’t been runaway successes and, because they are solely digital, it’s difficult (or impossible) to get them reviewed in traditional venues. The Globe & Mail refuses to review ebooks, even though ECW is a traditional publisher. (Insert your own joke about the fragility of newspapers’  relevance here.)

By now, my objections to these answers are pretty obvious: 70% is more, the publisher’s price point is too high for the competition, hire your own editor (edit and hire a graphic designer for less than $1600 and format it yourself), $800 for promotion* , $500 advance and giving up e-rights  frankly doesn’t make me swoon.

Am I missing something here? And, as a writer, what about your risk? What about all your time and energy invested as a writer? It takes much more of your finite resources to produce a book out of nothing than it does to shepherd it through to publication. Right?

What do you think? I welcome your comments.

Next post: Promoting your book. 

Filed under: DIY, ebooks, publishing, self-publishing, Writing Conferences, , , , , , , , ,

Sell your books. For a long time.

Light and shadow on an Irex iLiad ebook reader...

Image via Wikipedia

Movies focus on the opening weekend. Books have a month to hit big or get returned. At least, that’s the way it was for all books. That’s changing in a big way.

Recently I read an agent talking about how digital books extend the life of sales of paper books. Essentially, the message was very much “the status quo is still the status quo” and “E-books are an add-on. Publishing hasn’t substantially changed.”

I don’t agree. First, the extent to which traditional publishing isn’t changing is part of its problem, not its solution. True, many people prefer paper books to e-books, but that’s changing, especially since there are far fewer places to shelve paper books. Bookstores are closing up. It’s not happening overnight. It won’t happen to all bookstores. But e-books are where to place your bets for the future and the future’s coming faster than any of the experts predicted. (Of course, it’s all so new, I’m not sure if anyone really is an “expert.” Maybe that’s a title for someone to claim years later, not in the middle of a history change.)

The agent asserted that most people by far don’t even own e-readers. Yes, and a lot of people still don’t own telephones. That doesn’t mean utility stocks, like Ma Bell, are a bad bet. A lot of people will never own e-readers, but that won’t matter to the book industry because most of those people aren’t big readers anyway. Power users (power readers) are responsible for buying a lot of books—power users, like me. For instance, I bought The 4 Hour Body electronically. Then I decided I wanted to own it in paper as well because it’s a reference book. Then I kept downloading.

The agent’s point about e-books extending sales really stuck with me. The game has changed with e-books. Distribution is cheap and easy. It’s so easy, authors can sell their books themselves through distributors and their own websites. Authors know that their books are not stale to new readers. Every book is new to anyone who hasn’t yet read it.

This is the “long tail” of sales. And now it’s for everybody. The game has changed. What’s weird is that not everybody sees it yet.

Filed under: publishing, Writers, writing tips, , , , , , , ,

Bookstores: How sick are they?

Cover of "Glass Houses"

Cover of Glass Houses

Recently I’ve seen what I call “backlash” articles* about the health of bookstores. You’ve probably seen them, too. In the wake of the Borders chain closings, some media are hitting back with counter-programming (either out of nostalgia or as a way to stand out.)

Their message is simple:

“We love bookstores and they aren’t all dying. Look at this tiny independent where the defiant owners are making a brave stand.”

I love brave stands. I’m also fond of truth and this is an obvious case where the part is not the whole. It reminds me of all the people who object to the digital revolution with, “Look at all those e-books with all their different platforms. It’s a mess so it won’t survive.” I dislike stupid stands.

Perhaps the problem is confirmation bias. They’re looking for reasons why what will happen, is happening, won’t happen. Whatever bump in the road they find they take gleefully to be an insurmountable obstacle. Actually, multiple platforms for e-books are a sign of health (assuming competition is good in that it keeps prices down and choices up) and of growth (as in growing pains due to rapid, unexpected expansion.) The technology to make us all publishers is developing.

“Developing” implies transition from stupid to primitive to flawed to workable to better to a higher state (and eventually to a new tech.) Instant/indie publishing is not going to be perfect all at once. Nothing is, though not long ago I heard a Luddite say he wasn’t going to buy a computer until the tech wasn’t “perfected.” Hahahaha! He was calling from the corner of Unreasonable Expectations Boulevard and Are You High? Avenue.)

There is  a reductionist view with a subtext that categorizes anyone who predicts the demise of bookstores as a gloating goblin. I’m not gloating. I love bookstores. As (I’ve often pointed out, having milk delivered to the house was convenient, too.)

But I’m not saying bookstores will disappear completely. You’ll just pay more if you want the premium paper product. Heck, you already do that, but the price of old media will rise more. You can still buy turntables, for instance, but if you want to hear the scratches on Billy Joel‘s Glass Houses, you’re paying a very high price for a new needle to make that old pig spin.

Paper books are going to co-exist with e-books for some time…at least until consumers really get kicked in the teeth by manufacturing costs. Books get cheaper when produced in volume, but as digital sourcing rises, e-books don’t have to replace all paper books to make paper book production go from unattractive to cost-prohibitive.

There are too many variables and my brain is too small to say precisely when it will happen. I’m simply confident it will occur and one day, maybe even you will say, “Oh, look, darling! A bookstore! There isn’t a bookstore within 2 days’ drive of our house! Let’s go in and buy coffee and look at their tiny collection. How quaint!”

Yes, Virginia, 100 years from now there will still be paper books.

But you’ll be sewing and gluing the binding yourself.

*Chazz definition: A backlash article is an article written to assure the reader that the writer is the sane voice of wisdom when in fact they’re really just knee-jerk contrarians railing against all evidence. Like how the writers at Slate work from the premise, “We’ll hate on what everyone loves and make snide remarks at what everyone thought unassailable because we’re the sophisticated cool kids! Anything goes as long as it doesn’t agree with Salon.”

Filed under: Books, DIY, ebooks, Media, publishing, Rant, self-publishing, , , , , , , , , , ,

Paper book nostalgia

Today I passed another dead bookstore. It seemed fitting that above the “For Lease” sign, the old sign advertised that it was a “Shoppe.”

I’ll miss bookstores and paper books. Oh, sure, you’ll still be able to get them if you’re willing to pay more, but in general? Bookstores will be coffee stores, merchandise stores and ultra-specialty stores.

Take a last look back here.

FYI: in England, 50 pubs (the beer-swilling kind) close every month. That’s mostly because they’re non-smoking now and the population moved on to drinking wine at home.

Filed under: Books, , , , ,

Writers: So-called experts & the digital revolution

IRex iLiad ebook reader outdoors in sunlight. ...

Image via Wikipedia

I plan to attend a Writer’s Union of Canada publishing conference in a week. Industry experts will be talking about being a writer in the middle of publishing’s digital revolution. I’m really looking forward to attending, but I’m also prepared to take it all in with the cliched grain of salt.

At a previous publishing conference (different group, not Writer’s Union) I ran into publishers who were very resistant to e-books. Their opinions were so far off I have to wonder if they believed what they were saying. Some said the market shift to e-readers wouldn’t happen from five to ten years!

Meanwhile, I said e-readers would blow up on Christmas morning 2010 and soon got obnoxious and gloated about how right I was. E-reader sales did go crazy. E-book sales are climbing despite the industry’s growing pains.

This is bad news for bookstores. I bought my vast collection of books at bookstores, but no more. I use my library for some reading, but generally, I’m a buyer. I entered a brick and mortar bookstore for the first time since Christmas last week to buy reference books. The cost of paper books is such that I just can’t justify the cost of buying paper novels anymore. That’s what my e-reader is for.

Here’s the kicker: Sony obviously underestimated their own sales. They sold out of e-reader covers before Christmas and Sony won’t even receive new covers to ship until March.

The Writer’s Union conference is next weekend. Yes, I shall report what the experts have to say. I’m hoping this time it lines up with current reality.

Filed under: Books, ebooks, self-publishing, Writing Conferences, , , , , , , , ,

Click here for AllThatChazz.com books & podcasts

Jesus Diaz on the run in New York

Jesus hits Chicago

"You will laugh your ass off!" ~ Maxwell Cynn, author of Cybergrrl

Write to live

Publish, conquer your fears, inspire others

The definitive short story collection by Robert Chazz Chute

Build your brand 6 seconds at a time

Mean people. They're out to get you.

This Plague of Days launchesJune 15th, 2013
22 days to go.

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 3,190 other followers

Brain Spasms a la Twitter

Community

Follow

Get every new post delivered to your Inbox.

Join 3,190 other followers

%d bloggers like this: