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On Writing Well: Openings, Distractions and the next Million Dollar Idea

The Challenge of the Slow Open

Crack the Indie Author CodeAs I work on revising my coming-of-age, love story cleverly disguised as an apocalyptic plague thriller, I worry about the beginning most. (I’ll give you a minute to digest that first sentence.)

This is a long book I will serialize (soon). The story unfolds largely through the eyes of a boy with Aspergers Syndrome, sixteen-year-old Jaimie Spencer. He’s a selective mute. I wanted to impress upon the reader how different he is from the first page. The story starts with the boy observing the plague as it infects his next-door neighbor. The neighbor is a pilot who happens to be having sex with a flight attendant at the time, but Jaimie is detached about such things. He’s asexual. His point of view is an interesting hook, but it’s not really an action hook. It reads like a character hook.

I’m going for intrigue and showing this book is more serious than much of my other work. I’m satisfied it’s a good start, but it’s a risk because of that slow start. I’m starting the novel with a long lit fuse instead of an explosion. That could be a problem and I will have to revisit this issue several more times before I commit to the slow burn open. There are plenty of explosions, strained family dynamics, obstacles, reversals, betrayals, realizations, death and a long journey  ahead. Amid the chaos, Jaimie is a detached, almost Christlike figure. The world is falling apart and he’s fascinated with dictionaries. (Expect Latin phrases, weird words and an amusing annoyance over homonyms.) The boy perceives the world as an alien might. His peculiar point of view questions how everyone else sees the world.

My luckless hit man is a funny guy in big trouble.

My luckless hit man is a funny guy in big trouble.

Big openings hook more readers faster. For instance, is it a cheap ploy to kill somebody off in the first paragraph? Many critics, both amateur and professional, seem to think so. However, I suspect the average reader doesn’t think that way at all. Some lit snobs say they shouldn’t think that way. Irrelevant. Many readers do think that way.

Every story should jump right in without throat-clearing, of course. (Don’t start your book with a weather report, as a baffling number of novels still do.) But how late should you enter the action? Bigger Than Jesus starts in media res with my loveable hit man out on a slippery ledge high over Tribeca with the bad guy hiding behind a gargoyle. Higher Than Jesus starts with a slower open in a dive bar, but right from the start, you know Jesus Diaz is there to kill someone on Christmas Day. Crime fiction should start with action. But can Jaimie Spencer do it?

Distractions

I’m confident in the writing for those who stick around for the show. However, we, as writers, are not competing with other books in our genre. We’re competing with Call of Duty, Game of Thrones (on TV), people working second and third jobs to earn enough to live, laughing babies on YouTube, the gym, the laundry, and all the other paperwork of life. Readers have so many distractions, it almost makes me yearn for a time when books were much more central to our culture. The good news is, if you survive the coming world flu pandemic that will wipe out billions, there will be fewer distractions and a bit more reading time.

Solutions and Opportunities

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

Jesus is resurrected in Chicago. Sex with the Queen of Giants. Violence with Very Bad Men.

I have a suggestion to help combat The Distraction Problem. It’s not really open to me at the moment* but you might be able to use this suggestion: If you’re American, make audiobooks on ACX part of your publishing platform so people will be able to consume your goodness while they do the laundry, commute to their second job, run on a treadmill or play Call of Duty. Publish an audiobook on ACX and it goes to Amazon, iTunes and Audible. Audio is the future. That, and the massive killer virus thingy.

*I encouraged writers to go for ACX in Crack the Indie Author Code and Write Your Book: Aspire to Inspire. Since I’m a Canuck, they aren’t set up to deal with me yet. That creates a huge hole in the market for audiobooks worldwide. If I had the money, I’d start a company to compete with ACX and deal with all them foreigners immediately.

Click it to grab it. Just 99 cents!

Click it to grab it. Just 99 cents!

~ Earlier today I published an article on ChazzWrites.com that was meant for my website about Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App. Apologies for the mix-up and a suggestion: If you’re on WordPress, don’t ever use the Quick post feature. Any problems I’ve ever had posting to WordPress started there. I decided to leave it up since it automatically shot out to subscribers and I never did announce a page dedicated to that book, so…yeah, I’ve got a web page just about Vine and the useful glory that is Six Seconds. If you’re interested in checking out Vine and promoting your books with it, here’s the link to onlysixseconds.

If you’re on Vine and would like to hear a reading from Self-help for Stoners, find “Robert Chazz Chute” on Vine. I’m doing the first author reading on the Vine app. Interested in winning a signed copy of Bigger Than Jesus? I’m running a contest with that reading. Get the details on how you could win from this link to AllThatChazz.

Filed under: audiobooks, blogs & blogging, book marketing, Editing, My fiction, publishing, Vine, Writers, writing tips, , , , , , , , , , , , , , , , , , , , ,

I screwed up. I’m going to need a bigger boat.

I screwed up

I had a publishing schedule and a plan. I committed to ship books on time. As Seth Godin says, “Artists ship.” This is business, so make a good plan and Cool+People+Podcast+Finalstick to it. But what if the plan sucks?

Time to adapt

Adaptation is what a small company can do that a big company often can’t. Big companies have committees and hierarchies and approval processes. I’ve got me and a couple of freelancers and an ad hoc committee of friends and allies I bounce ideas back and forth with. All the decisions, blame and reward go to me. It’s time to take blame and make new plans.

The Excuses Not to Ship

Six+Seconds+copyI had stalled out on writing fiction for a couple of weeks because of time management issues and sickness: My daughter got sick; I started a new podcast; I wrote a book about Vine. All those things were necessary to deal with and I have no regrets. I’m rather fond of the sick kid, so there’s that. I’m excited about adding another podcast (the Cool People Podcast!) to my tiny empire. Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App, was a fun exercise that could actually help people get more attention to their brands with a new social media tool. Diversifying helped my other books’ sales, too. As diversions go from the main war plan, these are pretty good ones. However…

The Reasons to Adapt

My production plan was off target because I need to launch a new series to get more attention to my other books. I try not to think too much about all that I have planned for this year. If I try to grok it all at once, my cerebellum pounds my brain pan until I lie down clutching an Advil bottle.

The core issue is the crime fiction I write is hardboiled, but funny. That’s a tough nut to crack. Many would call sardonic neo-noir Bigger_Than_Jesus_Cover_for_Kindlea forgotten niche. The reviews of the Hit Man Series (Bigger Than Jesus, Higher Than Jesus) are great, but I realized I had to diversify to get the whole line of books more attention.

Self-help for Stoners, for instance, sells the best consistently, but it’s also been around longest and by some people’s lights, it’s experimental fiction, too (or at least weird and maybe challenging). The Hit Man Series would be considered experimental by some. I don’t agree. In fact, I think that’s a bit silly, but who cares what I think when I have numbers to evaluate? I have to diversify to get the tide to raise all the boats.

The Original Plan

I was going to write the third book in the Hit Man Series, Hollywood Jesus, next. I’m already more than halfway through it and I love that character and his story. The book after Hollywood Jesus will be a real twist, too. I’m going to revisit characters from the original book. My pitiable assassin, Jesus Diaz, will share the book with…ahem…no spoilers yet…but the twist will make that series achieve lift off in a huge way, I’m sure. I can hardly wait. However, in publishing Six Seconds, I’ve seen how one book can help other books in surprising ways. By giving new readers a surprising book that delivers in a more conventional way in a comfortable genre, I’ll open them up to trying my other brands of inspired lunacy.

The New Plan

Higher than Jesus Final NEW copyI have a post-apocalyptic, coming-of-age plague thriller that’s already written. It took me a year to write. I’m revising it now. It’s 125,000 words and ripe for serialization. This book has some strange elements to it since much of the action is seen through the eyes of a boy with Aspergers. I’m going to publish the Aspergers/plague book next, instead of Hollywood Jesus. Though the subject matter can be strange and wonderful and scary and terrible, it’s an adventure story told in third person, limited omniscient. In other words, it won’t scare anyone off because it feels “experimental”. Strange at times, sure, but it’s ultimately about a family and family relationships strained by a crisis. In the Hit Man Series, there’s a lot created to make you laugh. In this series, you’ll take me seriously.

I will deliver the plague thriller in two months. Anybody who wrote me off as too weird for them just because I write stuff that challenges preconceptions of how stories should be told? Buckle up. I’m coming for you and I won’t even have to shanghai and coerce you up the plank to my party cruise. You’re going to want to be a passenger on my pleasure boat. I’m making it bigger, just for you.

"You will laugh your ass off!" ~ Author of Cybrgrrl, Maxwell Cynn

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

Game on.

~ Chazz’s author site is AllThatChazz.com where you can find out more about his books or check out his rants and author readings on the All That Chazz Podcast. His new website is CoolPeoplePodcast.com. The first episode features horror author Armand Rosamilia in conversation about zombies, The Walking Dead and writing more books, faster (among other things.) Check it out. 

Filed under: book marketing, Books, ebooks, podcasts, Publicity & Promotion, publishing, What about Chazz?, , , , , , , , , , , , , , , , , , , , , , ,

Writers: Shorter is better

Six+Seconds+copyI found a way to get more traction selling books. The short story is, write shorter books for greater success. The long story? I’ll try to keep it short.

Last week I wrote a book, Six Seconds, The Unauthorized Guide to How to Build Your Business with the Vine App. It’s a long subtitle for an 18,000 word ebook, but it’s SEO-friendly and therefore easy to find. Six Seconds is breezy and fun, but it’s also a useful book that achieves the task I set for it: To get people on Vine (the new video Twitter). It helps them use the toy and tool to its greatest promotional potential. It took me a week to write, from concept to completion. That little book is selling and helping my other books’ sales.

Readers can choose from many lengths of text, but for you, the writers, I hope you’ll begin writing shorter books for your greater success.

Here’s more about why:

1. With ebooks, length matters less. There are no page numbers. Get over that Amish worrying. It’s hurting you.Higher than Jesus Final NEW copy

2. One of my favorite books, The Stranger by Albert Camus, is a short book (around 50,000 words or so). That length wasn’t uncommon in the ’40s and ’50s. Book length is fashion and convention. Fashion and convention are not static conditions. You can change them. Do.

Bigger_Than_Jesus_Cover_for_Kindle3. My crime fiction in the Hit Man Series is 60 – 65,000 words. That’s fine. One reviewer thought Bigger Than Jesus was a “short, humorous novel”, but that range isn’t so short. (The story just seemed short because it powered along so fast with swift Awesomeness, so there.) Readers pop genre fiction, especially hardboiled sex and violence with quirky, noble anti-heroes, like a fat guy tosses back chocolate croissants. (Ooh, that simile hit a little too close to home.) If I can deliver a steady supply, I might have an actual career on my hands. You, too.

4. Series sell better than stand-alone books. The audience knows the characters and become invested in them. For instance, in Bigger Than Jesus, we learn about tragic events in Jesus Diaz’s childhood. In Higher Than Jesus, readers learn new things about what they thought they knew. My loveable hit man gives an adult perspective on his family history. That changes the meaning of those events and how we view his father, Marco Diaz. It’s fun to flesh out characters and play with the audience this way. It’s fun for the reader, too. They join the The Special Club of the Knowing and become as gods!

5. Some authors experiment with serialization of longer books. I’ll be one those experimenters soon. My post-apocalyptic plague tome weighs in at 125,000 words. I’m going to break that up and sell it in four or five episodes (depending on the logical break points that appear in the revision stage.) Eventually, I’ll sell it as one huge collection, I suppose. In the meantime, four or five ebooks serialized is a cheap way to feed a growing addiction.

6. More books on your electronic bookshelf give more chances for your readership to discover you. Give them more chances to discover you! Write more books.

7. Don’t pin your hopes on one book, especially if it’s your first book. That way lies Death. Well…at least Disappointment. You’ll make more selling two shorter books than one big brick, especially in the early going when you’re still finding a readership and earning their trust.

8. My biggest surprise is that selling Six Seconds is not necessarily a big boost to my other non-fiction books. It’s helping the fiction!

Crack the Indie Author CodeAspire to Inspire eBook JPGCrack the Indie Author Code and Write Your Book: Aspire to Inspire haven’t moved much this week. Don’t ask me to make sense of that. I even included sample chapters from Crack the Indie Author Code at the end of Six Seconds. Despite having much of the same breezy, jokey tone as Six Seconds, it’s the fiction that got the happy green arrow bump.

My working theory is that I don’t understand people’s buying behaviors; they’re crazy; I’m crazy; we’re all crazy.

~I’m launching yet another podcast soon. It’s called the Cool People Podcast. Want a sneak  peek? Click here. It’s airing soon. Meanwhile, you can listen to “The Unknown Man Edition” of the All That Chazz podcast here.

Filed under: author platform, book marketing, Books, Publicity & Promotion, publishing, Vine, , , , , , , , , , , , , , , , , , , , , ,

How I handle trouble (like Jesus)

CameraAwesomePhoto

I FINALLY OPEN UP TO YOU

ME: I handle trouble like Jesus. No, not that Jesus. I mean Jesus (pronounced “Hay-Soose”) Salvador Umberto Luis Diaz, my Cuban hit man from Bigger Than Jesus and Higher than Jesus. Recently I had to talk to Authority to get something fixed. I can’t go into details about the mission, but I will tell you how I approached the problem by channeling my alter ego/main character.

YOU: Wait a minute, Chazz, your main character isn’t just your protagonist? You’re actually saying he’s your alter ego? And he’s a hit man?

ME: The truth is, I’m not much use in most situations. Can’t cook or balance a chequebook or fix plumbing. My idea of small talk is asking if strangers believe in eternal damnation. Quantum mechanics, the Singularity and Simulation Theory is cool, but I’m apparently incapable of breezy talk about your job, your kids or your trip to Cancun. I can dislocate a shoulder and fix it again, but those opportunities don’t arise often…(ahem)…enough.

However, when out on a mission, I dress well and all in black, complete with black fedora.

YOU: A fedora? Really? That’s a…bold choice.

(A new edition, somewhat revamped.)

(A new edition, somewhat revamped.)

ME: It’s called style if you carry yourself like you don’t give a shit. I dress like a bad immortal from Highlander (soon to be released again and, as with Green Lantern, ruined by the otherwise beautiful Ryan Reynolds).

BACK TO HIT MAN FASHION CHOICES

Remember John Cusack in Grosse Pointe BlankCameraAwesomePhoto tie when Dan Aykroyd asks him to join a union for hit men? He replies, “Look at me! Look at the way I dress! I didn’t get into this business to have any relationships! I don’t want to join your goddamn union. Loner, lone gunman! Get it? That’s the whole point!” God, I love that movie. My books have a similar sensibility and quirky comedy.

MY PIN SAYS “EVIL DOER”

That pin and a hard look gets me better service wherever I go, from sales people to cash registers. Jesus thinks like I think in many ways. My sense of humor is the same as Jesus’s. I write him. How could it not be so? We share a worldview about violence, revenge, love and commitment. (Though I wasn’t a Cuban émigré tortured in a Miami basement in my childhood, I did grow up in rural Nova Scotia, so clearly there are parallels in our psychological impairments.) We’re both paranoid and lie with a facility that would alarm you if we weren’t in the professions we’re in. Our motto is the same: Question Authority before Authority questions you. We both seem to have surprisingly fast reaction times, but that’s just because we’re always plotting how to respond should anything bad happen. We don’t relax. We anticipate and simmer.

"A quick-moving plot with lots of surprises and a clear-eyed examination of addiction."

“A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.”

THE MEETING

True story: When I got into the meeting with Authority today, I made some jokes, but my jaw was tight and by the end of the meeting my rage showed. I reined it in and kept my voice low. Authority was cooperative. Authority was nice. Authority pressed his back into his chair, wide-eyed, nodding and worried. Even when I made a joke, Authority was afraid to laugh because Authority knew I was serious and there’s something there that I’m trying to hold back but the leash is slippery and the chain links are weak. Jesus Diaz is a “Do it to them before they get a chance to do it to you” sort of guy. We understand each other.

Authority agreed to my requests because I stood up for the little guy, because I’m right and because I channeled the Jesus in me. I love Jesus. Sure, he’s a contract killer, but he’s a victim, too, and if you read the books, you grow to understand and like him at the very least. Mr. Diaz is complex and tragic and funny and he’s the underdog who, despite all odds against him, somehow wins…or sort of wins. I relate to him on a visceral level.

ADDENDUM

YOU (brightly and, I suspect, disingenuously): O-kay…. That’s our time for today!

ME: Thank you, doctor. Same time next week?

YOU: If that’s okay with you, Mr. Chute, sure.

You think I missed that snarky little addendum of yours. You said it under your breath, but I read lips. After “sure” you added, “you psycho.“ 

Maybe it was even a subconscious thing you aren’t even aware you did, but I’m sure. My face betrays nothing. I nod toward your office window and point to the parking lot.

ME: There’s a homeless-looking guy who looks like he’s casing cars out there. Which car is yours?

Without thinking, you rush to the window and point out your car for me.

YOU: I don’t see anyone out there.

ME: He must have moved out of sight behind those hedges. You can’t be too careful. Nice car. It would be a shame if something were to happen to it.

"You will laugh your ass off!" ~ Author of Cybrgrrl, Maxwell Cynn

“You will laugh your ass off!” ~ Author of Cybrgrrl, Maxwell Cynn

~ Robert Chazz Chute writes suspense, crime novels and has two guides to writing and publishing for sale. For his book links and to hear the All That Chazz podcasts, go to AllThatChazz.com. That would be so groovy.

Filed under: Books, My fiction, , , , , , , , , , , , , , , , , ,

Seven tips about book marketing very few will heed

What can we do to market our books better? Here are my ideas for a happier 2013:

If you don't go for new year's resolutions, you can still get tips and inspiration for your writing life with Crack the Indie Author Code.

If you don’t go for new year’s resolutions, you can still get tips and inspiration for your writing life with Crack the Indie Author Code.

1. Over the last few months, I’ve noticed the power of Twitter losing traction. Since Triberr loosened the chains, there’s too much to retweet so we’ve had to get very picky about what we retweet so Twitter timelines don’t become spam sluices. Getting pickier is a good thing. I’ve blocked a couple of people and, for a retweet, I’ve got to be confident my following will appreciate it. I read articles before I retweet them.

World Literary Cafe Tweet Teams remain a healthy approach, though I encourage more people to participate so the reach extends beyond hitting the same Twitter followings too often. I appreciate the people who retweet my stuff very much. New people in the mix makes this approach stronger. 

2. I’ve gently encouraged my fellow authors to provide more in their tweets than the title of their book and Amazon links. We need content with value. Write something your readers want to read and keep in mind who your audience is. For the aforementioned WLC tweet teams, I more often than not tweet links back to my blog posts rather than trying to send strangers straight to Amazon. It’s a noise versus signal battle. Noise loses.

One writing guru went so far as to actively discourage others from blogging about writing (though she does) because writers aren’t your market. I say, blog your passion and write books about your passion so your marketing chakras are aligned. (I write about writing and publishing and turned several years of blog posts into two books on the subject, so there’s that. My next step is to snag more strangers who aren’t writers. More on that in a sec.)

More tips and tricks to steer your authorship.

More tips and tricks to steer your authorship.

3. Whatever you write, your unique voice comes through. It will probably be at least somewhat consistent. Ergo, sexy on the blog means sexy in your books. Funny here, hilarious there, and so on. When you provide a valuable link back to your blog, you’re inviting people into your home. Give them more to look at and book covers to click so they can buy and read more of your stuff if they’re moved to knock back more of The Magic That is You. There are many bookselling platforms besides Amazon. The most effective one, where there’s no immediate competition for their attention, is here on my first bookselling platforms: ChazzWrites.com and AllThatChazz.com.

4. Innovate. Most writers don’t have podcasts, therefore I podcast. I actively encourage more authors to join me, but since most of you certainly won’t, I’m secure enough to be honest with you. My personal podfather, Dave Jackson from the School of Podcasting, recently pointed out that the marketplace for blogs is millions upon millions. Podcasts? There are only a few hundred thousand and they’ve become easier to access and enjoy than ever. The barrier to entry can be really quite negligible — don’t try to do it free, but you can do it cheaply — and potential readers are on treadmills right now with headphones in their ears. They aren’t hearing about you though, are they? Not yet, anyway. (That’s my strongest, boldest and borderline rude pitch for you to consider podcasting. If that won’t give you pause, I don’t know what will.)

5. Be different. The All That Chazz podcast is vamping and amping. I’ve serialized my fiction on the show and will do that again. I’ve incorporated the use of more music and I’m getting in touch with my inner badass. That translates to less crying from me and more value to listeners. The first year of All That Chazz was therapeutic and I got some stuff off my chest. Expect more interviews, more value for those who are not-me plus a new attitude: I’m coming for you, worldwide. Being different means daring more.

"A quick-moving plot with lots of surprises and a clear-eyed examination of addiction."

“A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.”

6. Go deeper. There’s much more to be done with my author site besides making it prettier. I’ll soon serialize my first crime novel as blog posts chapter by chapter once a week as I dive into Higher Than Jesus a la audio.

There’s much more coming: I’m beginning a new challenge to add to the author site. I’m using bio-hacks and (some would say) extreme measures to get to phat from fat. The past year of working full-time as a writer has been awesome, but the sedentary nature of the work has taken a great toll on my health. Weight loss and life improvement are issues a lot of people face so I’m going to blog and podcast about that at AllThatChazz, too. I’m taking steps to widen my repertoire of subjects as I narrow my waistline and bring down my blood pressure. That’s a rabbit hole I’m sure a lot of people will follow me down. Why? Because I’m still blogging my passions, whether it be writing and publishing on this blog or my journey to lose 90 pounds at AllThatChazz.com.

7. Grow up. We love the idea that we can just write good books and our throngs will magically find us. When there were fewer media options, long ago when most of us were de facto quasi-Amish, that might even have been a slim possibility. It’s not now. Get over it. Give up that idea along with hopes for your privacy and that the profession of milkman will make a comeback.

The key to growing an audience is selling yourself, but being honest. Abandon any delusions you aren’t part of the marketplace. Whatever you do, you aren’t just selling your book. You’re selling you. Spare me any complaints because, inevitably, whiners confuse an Ought with an Is. This is the marketplace and if you’re out to make a big splash with ripples, you’re in it.

This is my promise to you:

In my fiction, I’m a great liar. On my blogs and podcasts, I’m brutally honest about myself. 

This is your call:

Whatever your hobby, career, quest, challenge, problem or greatest aspiration, get in the game. Blog, podcast and write books about your passion and be honest. Your audience will find you, but you have to put yourself out there.  

 

Filed under: publishing, , , , , , , , , , , , , , , , , , , , ,

The sorts of people a writer needs

"A quick-moving plot with lots of surprises and a clear-eyed examination of addiction."

“A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.”

I used to have this fantasy about being a writer: I’d take vengeance on all my enemies through a thin veil. (Did that and continue to do so. Ha! Take that, Norman!) I’d make serious money. (Not yet. Working on it. So far, it’s just cartoon money.) And finally, instead of an acknowledgments page I’d have a “Ha! Told you so! Page”. I wanted to say I did it all on my own. I believed what Hitchcock said about film: A writer needs a pen, a painter a brush and a director, an army.” He was wrong. We write in solitude, but it takes an army to get it produced, pretty and read. Here, in no particular order, are my four-star generals and uber-admirals:

1. Kit Foster of KitFosterDesign.com. He’s a graphic artist who is really good for indie authors (and trad authors, too). His book covers are great, but it’s his patience and determination to get it right that compel me to promote him at every opportunity.

2. Mark Young of MondaysAreMeatless.blogspot.ca. Mark is the fellow writer who read a twist in Higher Than Jesus and said, “I don’t buy it. Try again.” He’s the one who told me I was being too coy about the major sex scene. He also tells me what’s working so his edits and suggestions aren’t a moving target. Mark’s input has helped me make better books.

3. Brian Wright is one of my beta readers. When he came back with comments on Bigger Than Jesus, we talked for three hours and he gave me an idea for the most clever murder ever in Higher Than. It’s fun to know weapons and explosives experts. It’s scary what he knows…stuff people aren’t supposed to know.

4. Eden Baylee. Eden is an erotica writer who got me involved in the campaign to help Joshua, a young man with leukaemia, early this year. By participating in the campaign, I met a lot more great people. We helped Joshua (his father is the great Maxwell Cynn, author of Cybergrrl) and Eden is very supportive of my work, encouraging likes and follows and even interviewing me on her blog. (Fun interview. I was too honest. It’s NSFW.) Check out Eden’s books here. 

5. I wanted a radio show to reach out to strangers worldwide. Dave Jackson at the School of Podcasting helped me with my author website and got my podcast, All That Chazz, up and running.

6. She Who Must Be Obeyed. She makes Me at My Desk possible. That’s especially good because Me in the Real World doesn’t work so well. Plus she’s hot and right about everything. Can’t complain. 

7. Jeff Bennington, author of Reunion. Jeff was an ally early on. He designed my first book, Self-help for Stoners, in print and has given me a couple of great cover blurbs. I always make sure to read his informative and encouraging updates on The Writing Bomb. A good guy to know.

8. Armand Rosamilia, zombie master and author of many, many booksArmand’s made it clear he’s a fan of this blog and he gave me a great cover blurb for Write Your Book: Aspire to Inspire. But there’s another reason I like Armand: He’s got a professional writer’s work and word count ethic to emulate. He doesn’t know it (until now) but he’s one to watch because he’s a pacer and regularly posts his progress on his blog. If you can keep up with Armand, you’re writing plenty.

9. Claude Bouchard, author of Vigilante. I’m pathologically shy about asking for cover blurbs. When I approached Claude, he couldn’t have been more friendly. He read, reviewed and ended up blurbing Bigger Than Jesus. He treats fellow writers as part of a community and he also took the time to teach me a few things about Amazon listings and building a following.

10. You. If you read this blog, buy my books, review my books or listen to my podcast, I appreciate it. You’re in the army now (for Art’s sake). Thank you for your service.

Filed under: publishing, , , , , , , , , , , , , , , , , , , ,

TOP TEN: Reach more readers with these blog tweaks

Tips and inspiration for the indie author's journey to publication.

Tips and inspiration for the indie author’s journey to publication.

Besides writing more books (I am), I’m always looking for ways to improve so I can reach a larger audience. Here are a few things I’m doing to help my audience find me. To reach more readers, consider these improvements for your blog, if you aren’t already doing them.

1. Scannable posts.

I tend to write long posts. If I’m going to do that, I need subheadings so readers can find the information they want quickly. The average amount of time readers spend on anyone’s blog is somewhere between two blinks and a click.

2. List posts (like this one.)

If it’s going to be long, make it a list if it’s logical to do so. Everybody loves list posts and the Top Tens in Crack the Indie Author Code and Write Your Book: Aspire to Inspire are among the most read and most popular chapters.

3. Shorter posts. 

Funny is great, but I should use it to make a point memorable. Otherwise it delays getting to the point. Shutting up about that now.

4. More internal links.

Readers love certain posts more than others. They should get links to similar posts so they can fall in love more deeply…er, I mean…um, get better informed.

Chazz 25. Speakpipe.

Some readers want to connect more. Now they can leave me a voicemail on my author site. Check it out and leave me a message to see how it works. It’s the tab off to the side on the right. You can do this, too. Speakpipe is easy to sign up for and yup, it’s free.

6. Upping my verbal game.

Regular readers know I broadcast the All That Chazz podcast once a week. It’s fun, but it needs more punch. Brace yourself for the new episode airing Jan. 1. It’s full of testicular fortitude (or brass ovarian fortitude, if you prefer) and explores the subject of changing our lives and New Year’s resolutions in a way that will blow your mind. I can expand my audience to even more strangers if I podcast better.

2013 will also bring more interviews (maybe you!) for fresh energy to the podcast. My elocution is much better and my stammer less pronounced when I’m in conversation. Or when I do my Hannibal Lecter impression. The serial, week-by-week reading of Higher Than Jesus is coming, too.

Bigger Than Jesus Final 96dpi7. Serialization on the author site.

I’ve already podcast Bigger Than Jesus. I’ll soon post a new chapter on the author site weekly. Serialization seems to be working well for other authors and, since I have a long series planned for my Cuban hit man, I want as many readers as possible to get the opportunity to get hooked on Jesus (Diaz, that is.) That’s also why the Hit Man Series introductory book is only 99 cents at the moment.

8. Embedded book samples on the author site.

I will soon include more pages so you can check out each book as a kindle sample. You can do this too. India Drummond explains how here. 

9. Expansion to new platforms.

After signing on to KDP Select, I’ve acted as if Amazon is the only game in town. At the end of January, my exclusivity clause runs out the clock and I’ll expand to all other platforms so expect more download options and links for whatever your tablet or e-reader of choice is. Kobo and Apple are not as big as Amazon, sure, but they are in more markets and are coming up. With an eye to the long-term, I’ll be everywhere.

Each new book will still get its first shot at Amazon in 2013, but after that first three months, I’ll give readers everywhere a man-hug, no matter their device. Yes, I know you can read any book on Amazon with a free reading app for any device, but even if you’ve got a crappy Sony e-reader, that’s what you want to use. 

10. I’ve got to make sure I reply to every comment.

This should be a no-brainer. It’s a time management issue. I appreciate it when people leave comments. However, I don’t necessarily acknowledge them all and I have to do better at that to encourage interaction and affirm I’m fully engaged. (That’s a dickish, marketing-speak way of saying, “I care. Thank you.”) When you comment somewhere and it’s not acknowledged in some way, it feels like your hand got slapped when you were going for a friendly handshake. 

BONUS

I’ve got to do more guest posts on other blogs and I must do more with my author site.

ChazzWrites gets a lot of traffic. I need to make sure there’s more discoverability among strangers, spillage and funneling to more great content for those interested in my work. Hence, more links to the author site for more opportunities for us to fall in love with each other (in a platonic, non-creepy, man-hug sort of way.)

More tips and tricks to steer your authorship.

More tips and tricks to steer your authorship.

 ~ Robert Chazz Chute is…does this little bio at the end of posts make me look like a douchebag who takes himself too seriously? Does this bio make me look phat or just fat? Check out the All That Chazz podcast at AllThatChazz.com. For not much longer, you can find all my books of suspense and hardboiled action here.

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Twitter: The Cull and The Call

Click here to get Bigger Than Jesus

Click here to get Bigger Than Jesus

This morning I unfollowed a couple of hundred people on Twitter. They didn’t do anything wrong, but they weren’t following back after I followed them for a long time. I feel like I’m asserting my worth. Every few minutes, someone retweets articles from this blog and I really appreciate that. I try to be helpful and (sometimes in theory, often in practice) spreading the word helps readers.

But what does following and unfollowing on Twitter mean for you?

1. Fellow crime fictioneer Claude Bouchard built a huge Twitter following by unfollowing anyone who didn’t follow him (after giving them a few days to get around to it.) Then he follows new people. He’s gathered a group of readers and fans who have discovered he’s one of the good guys who writes about bad guys. (He also gave me a great review and cover blurb for Bigger Than Jesus, so clearly, he’s an adorable genius.) Unfollowing makes room for people who are into you.

2. There’s dignity in not chasing. I recently let a business deal slide because I felt I was dealing with someone who wanted to be chased but not necessarily caught. If I’m the one who always has to initiate, they just aren’t that into me. I don’t do business with people who aren’t into me, even if it costs me money in the short term. Finding a business partner is like finding a life partner. If it doesn’t start with love, there’s a much greater than 50/50 chance that you’ll be sitting across from them at a conference table someday looking sad. When they screw you over, they’ll say, “Thank you for your years of service. This isn’t personal. It’s just business.” If you’re friends, too, they won’t have the “just business” excuse.

3. Some people on Twitter demand “engagement”, as in personally. Yet they never initiate engagement themselves. “Engaging” everyone on a follow list of decent length is bad math. I’m happy to answer questions and talk to people, but there aren’t enough hours in the day to cater to every prince and princess’s self-centered whim. Twitter is a conversation at its best, but nothing is at its best all the time. That’s feel-good advice masquerading as good advice. If Twitter were really a conversation, none of us would have had time to write or read any books or go to the bathroom. (Okay, we could go to the bathroom and be on Twitter, but it’s icky. Don’t!)

4. Following people who aren’t into you is a self-inflicted wound. I should have unfollowed  a bunch of people a long time ago. They didn’t succumb to my charms so I’m not asking them to junior prom anymore. It’s embarrassing. However, if they do that thing where they announce who unfollowed them or get pissy about being unfollowed, that’s ego and entitlement talking.

5. The TrueTwit validation thing? Please stop it. If I want to follow you, I don’t want to jump through hoops. It’s much easier for you to block the odd spammer than it is for me to “apply”. I work for myself. One of the reasons I work for myself is I don’t want to apply for a job, especially the non-paying job of following people on Twitter. It’s supposed to be the Internet. That means no arbitrary rules and fun! Don’t be Dean Wormer putting us on double secret probation.

What’s the easiest way to reclaim your dignity, grow your Twitter following and find people who are into you? Manageflitter. It’s free and details who is inactive and who isn’t following you. There are plenty of other metrics but those are the ones I use most. That and if anyone has an egg for a profile pic, they’re purged.

BONUS

Every day is be independence day here. Here comes the stirring call to action.

There are people who automatically don’t like indie authors because they’re indie. They come in suspicious and paint everyone with nasty broad brushes. I believe these curmudgeons are a vocal minority and I refuse to chase them or worry about them. People who insist classical music is the only real music aren’t into my taste no matter how hard I sell the joys of Green Day, Everlast and the Pixies. I am an independent author with an independent mind. To form a beachhead, I must find readers with independent minds. I’m an indie author. Are you an indie reader? Follow me @rchazzchute. Or unfollow me @rchazzchute.

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

~ Robert Chazz Chute is a nice guy, despite the grumpy tone of this post. To hear the All That Chazz podcast, go to AllThatChazz.com. You’ll also find links to his books of suspense and very quirky crime novels there. Whatever you do, do it with dignity. 

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iCarly, Art and what it means

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The news came in last night that I am no longer an artistic hero to a friend of mine. My fall from grace came when I announced on Facebook that I looked forward to seeing the series finale of iCarly. As a crime novelist whose anti-hero gets tortured and frequently kills, clearly I’d damaged any tough guy rep I’ve built in the Hit Man Series. I’m not too torn up at my fallen status in the eyes of my friend, but his joke did get me thinking about the big question: What is the nature of Art and what’s good Art?

As a stay-at-home dad, I’ve watched a lot of kid shows with my children. Most shows came and went as the kids went through stages. Teletubbies was a short foray followed by The Wiggles. Dora the Explorer was great but the kids outgrew it and declared it a “baby show” quickly. iCarly hit my kids at just the right time. As the stars of the show got taller, so have my kids. The two constants have become Spongebob and iCarly. Somebody told me they thought the stuff that qualifies as Great Art is the stuff that lasts. (Not sure about that. How long does a shooting star last?)

Let’s address the worry first: What’s a grown man doing watching iCarly? It’s simple. I have a pretty bleak outlook and monstrous rage I sublimate with humor. iCarly is silly fun and in each episode I was sure that everything would work out okay. Entertaining TV lights a candle where there is so much darkness.

It is clever silliness, though. If you are a little older and you watched the iCarly finale with your kids, there was a moment when you roared with laughter and your kids have no clue why. They did a tribute to another iconic moment in television history: The group hug/group shuffle from The Mary Tyler Moore Show. That bit was a wink and a nod for the old ones watching with their kids. I loved it.

Watching iCarly kind of balances out my favorite shows: Dexter, Breaking Bad and The Walking Dead. I’ve also become riveted by season 1 of a Showtime drama  called Sleeper Cell which is a taut story about an FBI agent who is out to bring down terrorists. He’s undercover and also happens to be Muslim. I mention these shows not to try to win back any lost cred, but to say that Art comes in all shapes and sizes, tastes and brands.

Please click here to get Bigger Than Jesus

Please click here to get Bigger Than Jesus

Recently a troll went to work on a colleague’s blog, acting unnecessarily rude in a comment thread. My first reaction was what troll’s want: I was annoyed. Then I thought about the chasms and vast distance between iCarly and Sleeper Cell and how I enjoyed them both for different reasons. A commentator from On The Media mentioned recently that he didn’t think a famous self-published author’s work was very well-written. He then added, “But how great does it have to be when you can buy her books for $2.99 cents?”

I suspect the troll doesn’t understand what the commentator groks: There is no real Art in the sense that “This is The Good and This is the Bad.” There is nuance and too many variables for our pea brains to handle when it comes to what people like. The commentator allows a nuance that doesn’t register in Troll World: If you get it cheap, you don’t expect it to be perfect. And what a relief that is! We all strive for excellence, but nothing is perfect. Through that lens, I saw the troll differently, too. In Troll World, criticism is used to try to control others so you feel better about yourself. How else to explain anger directed at artists that comes with a heat that should be reserved for perpetrators of genocide? My annoyance melted to pity. How sad and lonely trolls must be when they project such anger. They bring no joy because they have no joy.

There’s room for all kinds of Art. That book you love? I hate it. The book I love? You hate. Someone once said criticism (distinct from trolling) has value because it isn’t merely subjective. It is intersubjective. Yes, when it’s practiced at a high level, you can provide measures and good reasoning why I shouldn’t like something. However, like and love is like laughter: It is involuntary. Bad reviews are often irrelevant. I notice now that a vocal group (the minority?) don’t trust good reviews, either. A good critique is often entertaining, but that does not automatically equate to believing the critic. Several times I have soothed a fellow author’s hurt feelings over a bad review by pointing out that people often pay no attention to a bad review, especially if it’s poorly written or the reasoning is shaky. Criticism is an art in itself, but I give it a small a, not a capital, because it based on what others speak, write, produce, act, direct or sing first. I’ve read a lot of art criticism, but for its own sake, not to determine which movie to see on any given Saturday night. The critic is not me. To believe the critic, he or she has to share my sensibilities. How often do we match up so well that we can switch out our opinion for another’s judgment? Rarely.

Art is the place where we meet strangers in safety. You wouldn’t want to meet my characters in real life. They’re dangerous. I write

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

A quick-moving plot with lots of surprises and a clear-eyed examination of addiction.

stories of Bad versus Evil. But I’m complex and I have an emotional range. There’s room for a sponge who flips burgers and whose best friend is a starfish who is so creative in how entertainingly dumb is. And there was room in iCarly for Sam to get into and out of trouble by beating people with a slab of butter in a gym sock. Spencer hanging with an ostrich? Priceless. And we need Gibby and Guppy to be freakishly obtuse and endearing because all your surreal friends in real life are in jail for possession.

What’s good Art? That’s not the big question I thought it was. The nature of Art trumps the question because Art is so much bigger than that question. Art is multidimensional with infinite variety, as varied as we are. There’s room for everything and for everyone’s individual taste.

And now, one last time: “Gibby!”

~ Robert Chazz Chute is the author of Crack the Indie Author Code and Write Your Book: Aspire to Inspire as well as a bunch of books of suspense including Bigger Than Jesus, Higher Than Jesus and Self-help for Stoners. His new book, Murders Among Dead Trees, is the definitive collection of his short stories. It will be released later this week. To hear the All That Chazz podcast, go to the author site, AllThatChazz.com. For all the links to Chazz’s books, click here.

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If you won the lottery, what would you do with your new book publicity budget?

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Gizmodo ran a piece on what to buy if you won the Powerball lottery. Almost all of their suggestions were pretty silly. (I admit, I kind of liked the RV that has its own built-in garage. My house doesn’t have a garage.) But let’s assume you’d try to help some people and you’d take that trip you’ve always dreamed of: Paris, Disney, Madrid, Paducah…whatever. You’d get your brother into rehab and your mom out on bail. If you’re younger, you’re thinking: red sports car. If you’re my age, you’re thinking how utterly drop-dead sexy it would be to be debt-free and have a college fund for the kids. You’d do lots of wonderful things for others (mosquito nets for African children so they don’t die from malaria comes to mind.) Yeah, yeah, yeah, you’re a saint and responsible. We get it. Now let’s talk about your fantasy book publicity budget.

Here’s mine after giving this about thirty seconds thought:

I’m a podcast guy. With relatively little money (which I don’t have), I could get on a lot of podcasts and really make the most of what money I allotted to this project. I’d get on the majors: Slate, Rogan, Smodcast, Carolla, WTF etc.,… The next thing that comes to mind is to set up my website to sell directly, stock up and prepare for a big push. Major newspapers (they still print those, right?) would be a fun project. Imagine ad space in the top right hand corner of several key newspapers in major markets: Bigger Than Jesus taking up a quarter page. Turn the page, there’s Higher Than Jesus. Turn the page, there’s Hollywood Jesus, and so on. No TV. Who watches commercials anymore? A big launch party in a theatre (with Everlast as the closing act would be good.)

And I’d hit everywhere on one day. Heck, we’re talking Powerball. Let’s say, do it all in a blitz of one colossal week where my books appear everywhere you look and listen. If that somehow caught sufficient fire,then hire a publicist for the big tour in that fancy RV I mentioned.

Would it pay for itself? No. How could I justify the expense? I couldn’t, although I wouldn’t do a lot of things lottery winners do when they come into the big money, so there’s that.

That’s my frivolous fantasy. Your turn. What would you do to promote your books (besides quit the job at the rendering plant to write full-time)? Non-writers will wonder, if you win the lottery, why continue to write at all? If you thought that, get out! Get out now! I don’t understand you! SLAM!

I’ll be pleased to hear your thoughts on book publicity where money is no object. Please leave your suggestions in the comments thread below. Thank you.

~ Robert Chazz Chute fantasizes a lot. Then he writes that down. Then he scratches that out because you can get arrested if it look like an actual plan. Then he writes crime novels and no one’s the wiser. Enter the 7 Words or Less Contest and your name could be the name of a character in Hollywood Jesus. Get the inspirational book of tips, plots and plans about writing and publishing, Crack the Indie Author Code for FREE until this Friday.

 

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